Forming in Malmö, Sweden, Death And Vanilla gravitated towards vintage musical equipment; from vibraphone, organ and mellotron, to tremolo guitar and Moog synthesisers. Soaking up soundtracks from the 60s and 70s, listening to library music, kosmiche, French Ye-ye pop and 60s psych, Marleen Nilsson, Anders Hansson and Magnus Bodin were fashioned by the city’s austere industrial past and flat pack present, and all in the shadow of the Orsesund Bridge that links their dreamworld to mainland Europe and a darker reality.
Death And Vanilla at once sound like everything is possible; but nothing else at all. There is a flicker of hope for everyone.
“Deploying vintage instruments in their quest for melancholic utopia.” - Electronic Sound
“Baroque pop through a dreampop filter.” - The Guardian.
STAFF COMMENTSBarry says: It's hard to define exactly what it is Death and Vanilla do. It's deeply psychedelic but rooted in classic songwriting, taking familiar progressions and twisting them into perfectly produced fever dreams. 'Flicker' has a ton of melody, is warm and brooding but remains resolutely listenable, and endlessly fascinating.
A1. Out For Magic
A2. Baby Snakes
A3. Find Another Illusion
A4. Perpetuum Mobile
B1. Looking Glass
B2. Mercury's Rising
B4. Transparent Things
B5. Perpetuum Reprise