Search Results for:

DAIS

ADULT.

Perception Is/As/Of Deception

    ADULT. make a triumphant return after their 2018 album This Behavior, dubbed “…one of the best records of their career…” by Ryan Lathan of Pop Matters. This chilling continuation takes the form of Perception is/as/of Deception, an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. While This Behavior was recorded in the isolated snow-covered woods of northern Michigan, Perception is/as/of Deception was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications.

    With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that making up Perception is/as/of Deception might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more “head-on” approach.

    Tracks like Have I Started at the End successfully maintain the duo’s classic EBM signatures and synthesized aggression, cradled by a suspicious mantra that questions….what’s the point? Why Always Why offers a disorienting mutation of the heralded sounds of classic dance music, like a remix that escaped prison and is on the run. The dystopian anthem, Total Total Damage, comes in full force with an frantic energy which jolts any bystanders to attention, with only the defiant chants of Kuperus’ vocals outlining the ever-degenerating state of societal affairs. The dramatically glam synth parts scattered throughout the album, while at times ominous in nature, seem to also act as a merciful reminder that through the journey of Perception is/as/of Deception, one can still enjoy the chaos.

    With the rampant sense of emptiness on the minds of many these days, there continues to be few attempts at scoring these common, unfortunate human qualities with pure sincerity. Thankfully, ADULT. has a long-standing reputation for creating the soundtrack for our insecurities, and Perception is/as/of Deception further solidifies their apprehensive position


    Riki

    Riki

      Riki is the Los Angeles based dark synth-pop outfit commandeered by the mysterious Niff Nawor, a visual artist and musician active in the deathrock / anarcho-punk scenes of the California bay area (formerly a member of Crimson Scarlet), before founding her solo endeavor as Riki in 2017. Niff’s desire to explore her own sound manifested in the recording of the Hot City cassette tape in 2017, which featured Chelsey Crowley of Crimson Scarlet, Skot Brown of Phantom Limbs and Peđaof Doomed to Extinction. Released on Commodity Tapes and later reissued on vinyl by the well-regarded Symphony of Destruction label, Riki followed the release of the single with several small tours and festival dates, performing with such acts as Light Asylum, Black Marble, and Trisomie 21.

      For her self-titled debut album for Dais, Riki explores courage, physicality, and romance across eight timeless synth pop anthems. Produced and engineered by hardware-based synthesist Matia Simovich of INHALT, influences and ideas are worn proudly without deviating from fresh and daring electro-pop territory. Nostalgic cues can be heard ranging from Neue Deutsch Welle, early Adrian Sherwood productions, classic ZYX Italo Disco, Japanese Visual Kei and even classic new wave/pop like Pat Benatar, Kate Bush, and early Madonna.

      The lead single, Napoleon, contains Riki’s indelible sound design, reminiscent of 80’s New York dance floor electro-pop that recalls the fusion of uptown and downtown styles and culture, told through Riki’s present day West Coast narrative. For contrast, the second single entitled Böse Lügen (Body Mix) was previously released in demo form and remixed to emphasize its commanding presence and addictive nature. Translated simply to “Wicked Lies” and sung completely in German, Böse Lügen moves away from the upbeat romanticism found throughout the album and commands serious self-reflection guised within an infectious dance floor anthem. Riki invites listeners to “reveal their useless habits of complacency and fear...and witness their own rebirth, a rhythm universal”


      FORMAT INFORMATION

      Coloured LP Info: Limited edition of 750 on olive green vinyl.
      Inc. lyrics and poster.

      Coloured LP includes MP3 Download Code.

      LP Info: Inc. lyrics and poster.

      LP includes MP3 Download Code.

      Stephen Mallinder

      Um Dada

        Stephen Mallinder, co founder and frontman of the iconic Cabaret Voltaire, has returned with his first solo album in over 35 years: Um Dada. Laced with leftfield house and cut up sound collages, Um Dada is a melding of energies that are an exercise in simplicity and motion. Sincere, playful realism that beckons your body to move, always reminding you to never take yourself too seriously without forfeiting your agency.

        While steering Cabaret Voltaire through the 1980’s, Mallinder was already busy piecing together his first solo album entitled “Pow Wow”, which would help define Mallinder’s interest in the more leftfield electro sounds shaping England at the time. It was this diverse and abstract hybrid that helped inspire generations of artists and musicians through steeping raw machine funk within the whimsical and absurdist ideology.

        Since the release of “Pow Wow” in 1982, Mallinder continued his pioneering work with Cabaret Voltaire, as well as recording and touring with his electro projects Wrangler, Creep Show, Hey Rube, Kula, and Cobby & Mallinder. In addition to his non stop schedule in electronic music, his professional life as a journalist, broadcaster, producer and now a professor of Digital Music & Sound Art at the University of Brighton, has lead Mallinder to a unique point in his career. Most in his position would be caught up in rosy retrospection, but Mallinder himself says, “There’s too much digital finger licking right now; every thought and desire at the turn of a dial... well a click of the mouse. And there’s a giddy, false nostalgia about the analogue past. Sorry to burst your bubble but the truth of history is more mundane: practical, pragmatic...Um Dada is about ‘play’ cut and paste, lost words, twisted presets, voice collage, simple sounds things that have been lost to technology’s current determinism. Let the machines talk to each other, let them dance .. they lead, we follow.”

        Um Dada opens up with the exact machine led surrealism that Mallinder recommends in “Working (You Are)”. A thick, stripped back dance floor groove provides the ideal foundation for Mallinder’s eccentric vocal cuts. The frisky chops present an almost twisted irony, subtly bringing to mind the role we’re all forced to play as just another cog in the ever grinding capitalist machine of life. Yet, somehow, the listener is left feeling optimistic. A prime example of simplicity at work. Tracks such as “Satellite” give a skillful illustration of Mallinder’s adeptness with his musical expertise while preserving his core historical context as only simple reference. The underlying bassline and percussion, coupled with the floating melodies and airy vocal refrain disclose the vulnerabilities of love and loss without a hint of irony or nostalgia.

        Um Dada is mischievously idealist, however never loses touch with reality. Offering structure while simultaneously dismantling any and all preconceptions. The spirit of sincerity that sustained Cabaret Voltaire’s lengthy career is abundantly present within founder Stephen Mallinder’s journey through his own whimsical utopian consciousness and staking claim to an identity that is solely his own.

        STAFF COMMENTS

        Barry says: One of the most singular voices in English electronica returns for his first solo album in over 30 years. 'Um Dada' encompasses everything we love about Mallinder and while his most recent collabs (Creep Show with shop favourite John Grant was a particular highlight) clearly showed his influence, it's great to hear his own sound, undiluted and unadorned, and switching effortlessly between a huge range of influences and sounds.

        FORMAT INFORMATION

        CD Info: Signed copies while stocks last!

        Body Of Light

        Time To Kill

          Birthed from Arizona’s regaled Ascetic House collective, Body of Light is a dark synth-pop outfit comprised of young brothers Andrew and Alexander Jarson. What began as a vehicle for their exploration of noise and sound during their early teens has evolved into an established production over the last decade, as Body of Light continues to carve out their own style of complex, structured, and moving dancefloor electronics. Their music is not only individually personal, but drawn from experiences shared between the two brothers – and calls on elements of new wave, freestyle, goth, and techno to create timeless and singular tracks without fear of trend or passing fashion.

          On their third album Time to Kill, Body of Light refines their brand of cold and driving synth pop with a bold pallet of sounds and a focus on uncharted technique and purpose. Like the pale digital stare of the modern devices surrounding our daily lives, the album weaves stories of love and obsession in an era of technical bondage and fleeting exhilaration. Written over a period of intense and profound change, Time to Kill stands as a startling reminder of how important our existence truly is. Haunting keys, swelling pads, and punching rhythms score their work as Alex Jarson presents an alluring and romantic dialogue with confident projection. The title single “Time to Kill” kicks off the album with a merciless signature beat, complimented by distorted sample patterns against an infectious, moving bass groove that invites you to “let the memories fade.” The follow up single “Don’t Pretend” invokes sparkling nostalgia and innocence over a dark and driving beat paired with vintage electronic movements. The haunting “Dangerous”, slows the pace with its pendulum-like rhythm and ominous intonation, falling between a hopeful synth pop ballad and shadowy dirge – a slow dance for the sunrise set.

          Produced by Matia Simovich at Infinite Power Studios in Los Angeles and mastered by Josh Bonati, Time to Kill shines with new direction and new intention through lustrous production and innovative songwriting. 


          VR Sex

          Human Traffic Jam

            Technology was meant to be humanity’s tool to combat famine, disease, confusion, and to facilitate life, culture, and innovation. Instead, we’re mired in a digital labyrinth that few care to navigate or even solve. Perhaps it’s not a ruse and the matrices coded by keyboard maestros are a path to liberation, but without querying the constructs we cannot ruminate on their affectations on humanity.

            VR SEX are audio/visual provocateurs who transpose the identifiers of death rock, synth punk, post-punk, ambient, and ethereal soundscapes into an audit on technology and its imprint on our collective psyche. Comprised of visionary mercenaries Noel Skum (Andrew Clinco of Drab Majesty), Z. Oro (Aaron Montaigne of Antioch Arrow/Heroin/DBC) on vocals and drums, and Mico Frost (Brian Tarney) on synths and electric bass.

            Their debut tome, Human Traffic Jam, focuses on lyrical themes that probe the possibilities of loss of autonomy through social media, the decline of human interaction, and celebrity favoritism. Skum believes in the stabilization of society and preservation of our planet by reducing its amount of procreators.

            Through PSRS or Procreation Simulation Reproduction Stimulation, humans can act on their hedonistic desires and not face the responsibilities and consequences that come with being an ill-prepared guardian. The future of our offspring will exist in virtual realms and population growth in turn will be stabilized. VR SEX is the cure to most societal ills.

            Thematically condensed into an eight song album, Human Traffic Jam was written and demoed by Skum in a flat in Athens, Greece during the winter of 2017. During a rigorous week long session at Figure 8 studios with experimental and dimensional production extraordinaire Ben Greenberg (Uniform/The Men), Skum solely committed all the instrumentation present on Human Traffic Jam.

            Rather than being emblematic of influences, each song on the LP infuses a dire tension that cuts shimmer with fetid frequencies, never establishing an aural hierarchy or urgency. Instead, we’re lead into punchy capsules of “dour pop”; the balance of saccharine and sour so emblematic of the VR SEX hive mind.

            DAIS Records releases VR SEX’s debut album “Human Traffic Jam” on April 26, 2019 on digital, vinyl LP (packaged in a thick matte stock jacket with a printed inner eurosleeve with lyrics and download card in various colored vinyl variants), as well as compact disc, housed in a matte digipack with lyric insert and features the bonus track “Corridor (Epilogue)”. Cover art by Brooklyn based artist Adam Helms. 


            FORMAT INFORMATION

            Coloured LP Info: Limited clear vinyl.

            Recorded between the release of Sand (1977) and Lost Secrets(1981), Symphonic Songs is a formerly unreleased work that chronicles the dynamic shift and development in experimental Swedish composer Ragnar Grippe’s canon.

            Following his seminal release Sandin 1977, Swedish experimental composer Ragnar Grippe worked on various art and performance commissions, often returning to Stockholm during the summer months to focus his efforts on his compositional practice. It was there at the famed EMS Studioswhere he began employing the Buchla synthesizer and the facilities multi-tracking capabilities as new instruments to map his mining of sound and movement.

            During the late 1970’s, Grippe formed a creative collaboration with choreographer Susan Buirge, specifically writing compositions for her works ͞Restes͟ and ͞Tamis͟, thus pushing Grippe to start working in a more intricate studio environment. These passages inspired Grippe into a more complex layering process that focused more on placement and structure, rather than the aural floods and flourishes of his previous Sand album, eventually germinating in his first full 24-track composition entitled ͞Orchestra.͟

            After debuting ͞Orchestra͟ in 1980 at the Electronic Music Festival in Stockholm, Grippe holed up at EMS Studios with those lessons and the fussy Buchla synthesizer, in which Grippe affectionately recalls ͞needed to be tuned and calibrated every 20-30 minutes.͟ He emerged with a new commission for Susan Buirge later formally titled Symphonic Songs and used in her avant-garde theater piece ͞Ci-Déla͟ which debuted in Paris in 1981.Symphonic Songsshowcased Grippe’s sound au courant, pushing dense against sparse, calm into cacophonous, using each track as its own intersecting plane. Using the machinations of studio and structure to drive Symphonic Songs’ voice, Grippe culled a haunting, often cinematic electronic work that dots and darts into unexpected corners with curious aplomb.


            FORMAT INFORMATION

            2xColoured LP Info: Clear vinyl.


            Latest Pre-Sales

            133 NEW ITEMS

            PRESALE @dinkededition 59 TIM KOH 'In Your Dreams' Exclusive Mulberry Coloured Vinyl. Exclusive 7” (2 bonus trac… https://t.co/g1BjpBDjfz
            Wed 8th - 2:00
            Thank you for the virtual instore Polly. Sounded great. You can find the album here > https://t.co/g6mxEuOXDp) https://t.co/ed4jEO7eji
            Wed 8th - 11:13
            Open today 12 - 3 for click and collect, then back again on Friday and Saturday. Follow the link for more informati… https://t.co/Gv8qgaZFRT
            Wed 8th - 9:48
            It’s Wednesday and it’s time for a @dinkededition announcement. Check back here at 3pm and all will be revealed. Al… https://t.co/dDSqP26Vu1
            Wed 8th - 8:34
            Now that would be a great birthday present wouldn’t it?! 🥳 🎂 https://t.co/v8zV0JA84i) @sparksofficial https://t.co/G2pdeoNGc2
            Tue 7th - 3:44
            E-newsletter —
            Sign up
            Back to top