Says Rick Smith 'Iggy was staying at The Savoy and graciously said 'yeah you know we we can meet and talk about something' because we both felt a strong connection to Trainspotting and to Danny. I turned up thinking I've got one chance here to convince this gentleman that we should work together. So I turned up with basically half my studio, hired a hotel room, set up and sat waiting'. Their respective tracks "Lust for Life" and "Born Slippy (Nuxx)" had perfectly bookended the first Trainspotting film two decades previously. On arrival, Iggy found a fully working studio set up and eagerness to get cracking.
Says Iggy Pop 'When you are confronted with somebody who has a whole bloody studio there in the hotel room, a Skyped director who has won the Oscar recently and a fucking microphone in front of you and 30 finished pieces of very polished music, you don't want to be the wimp that goes 'uh uhhh', so my mind was racing.'
"Teatime Dub Encounters" is the result of a few clandestine hotel room recording sessions, that began a few weeks after Underworld and Iggy Pop had each released their last albums. It is neither historical or a tribute to past work. It is the work of artists in motion, engaged in a process that both bring to all of their work - one that uses spontaneity as a spur for creativity.
The first track from "Teatime Dub Encounters", "Bells & Circles", was premiered live as part of Underworld’s recent headline performance at the BBC Biggest Weekend Belfast. A second track "I’ll See Big", is streaming everywhere now. Something of a flipside to "Bells & Circles"," I’ll See Big" is a
wash of gorgeous ambient sound that features Iggy recounting how friends – however dysfunctional – have saved him from a lifetime of bad decisions. The lyric for I’ll See Big was inspired by a conversation Iggy had with Danny Boyle about the subtext of both Trainspotting films.