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BLONDIE

Clem Burke

The Other Side Of The Dream : My Life In And Out Of Blondie

For anyone who loves music this is a backstage pass to a life lived fully as one of rock's greatest heroes. Clem was not just a drummer; he was the heartbeat of Blondie. His talent, energy, and passion for music were unmatched, and his contributions to our sound and success are immeasurable.

Beyond his musicianship, Clem was a source of inspiration both on and off the stage. His vibrant spirit, infectious enthusiasm and rock solid work ethic touched everyone who had the privilege of knowing him – Debbie Harry and Chris Stein. Clem began writing The Other Side of the Dream more than 20 years ago, often setting it aside amid relentless touring and recording schedules.

When cancer treatment and illness forced his retirement in 2024, completing the book became a priority. As a founding member of Blondie, Clem went on to influence a wide number of musicians, effortlessly moving between genres, bands and countries. In The Other Side of the Dream, Clem Burke reflects on his extraordinary journey from the gritty streets of New York City to global superstardom.

With candour and wit, he recounts the explosive punk scene that gave rise to Blondie, the creative partnerships that defined their music and the challenges of navigating fame in a constantly evolving industry. It's a rock and roll memoir like no other.

Blondie

No Exit (Expanded & Remastered)

Blondie’s 'No Exit' marked their first studio album in 17 years upon its release in February 1999, following 'The Hunter' (1982). The album features the UK number one hit 'Maria', alongside 'Nothing Is Real But The Girl' and 'No Exit'. Recorded at Electric Lady Studios, Red Night Recording, and Chung King House of Metal in New York, the original release included 14 tracks. Later CD and cassette versions featured bonus material from Blondie’s 1998 Lyceum performance and an additional track, Hot Shot.

The 2025 Deluxe Reissue will include all original tracks, remastered, alongside a selection of rare and previously unreleased bonus mixes. This marks the album’s first official vinyl release, featuring rare and unseen photography plus detailed liner notes.

TRACK LISTING

LP Tracklisting:
1. Screaming Skin (2025 Remaster)
2. Forgive And Forget (Pull Down The Night) (2025 Remaster)
3. Maria (2025 Remaster)
4. No Exit (2025 Remaster)
5. Double Take (2025 Remaster)
6. Nothing Is Real But The Girl (2025 Remaster)
7. Boom Boom In The Zoom Zoom Room (2025 Remaster)
8. Night Wind Sent (2025 Remaster)
9. Under The Gun (2025 Remaster)
10. Out In The Streets (2025 Remaster)
11. Happy Dog (For Caggie) (2025 Remaster)
12. The Dream’s Lost On Me (2025 Remaster)
13. Divine (2025 Remaster)
14. Dig Up The Conjo (2025 Remaster)
15. Hot Shot (David Wrench 2025 Remix)
16. Nothing Is Real But The Girl (Boilerhouse Lounge Mix)
17. No Exit (Urban Version Main Mix)
18. Maria (Ether Dub Mix)

CD Tracklisting:
1. Screaming Skin (2025 Remaster)
2. Forgive And Forget (Pull Down The Night) (2025 Remaster)
3. Maria (2025 Remaster)
4. No Exit (2025 Remaster)
5. Double Take (2025 Remaster)
6. Nothing Is Real But The Girl (2025 Remaster)
7. Boom Boom In The Zoom Zoom Room (2025 Remaster)
8. Night Wind Sent (2025 Remaster)
9. Under The Gun (2025 Remaster)
10. Out In The Streets (2025 Remaster)
11. Happy Dog (For Caggie) (2025 Remaster)
12. The Dream’s Lost On Me (2025 Remaster)
13. Divine (2025 Remaster)
14. Dig Up The Conjo (2025 Remaster)
15. Hot Shot (David Wrench 2025 Remix)
16. Maria (Ether Dub Mix)
17. Nothing Is Real But The Girl (Boilerhouse Lounge Mix)
18. No Exit (Urban Version Main Mix)
19. Maria (Talvin Singh Rhythmic Remix Edit)
20. Nothing Is Real But The Girl (Danny Tenaglia Heart Of Trance)
21. Forgive And Forget (Pull Down The Night) (Ben’s Mix)
22. Maria (White Trash Mix)

Martyn Goddard

Blondie In Camera 1978

Blondie in Camera 1978 is richly illustrated with photographer Martyn Goddard’s most famous images of Blondie. Taken during their breakthrough year, these pictures have graced magazines, newspapers, promotional campaigns, posters and even the ‘Picture This’ single cover and the Best of Blondie album cover. Blondie’s rise to the mainstream surface punctuated the late ’70s with a raft of unforgettable New Wave hits.

The genre-mashing classic ‘Heart of Glass’ along with the likes of ‘Hanging on a Telephone’ and ‘Picture This’ were as zesty and fresh-faced as the young band members, who soon found superstardom as their singles landed and the strength of their attitude began to resonate. When Goddard travelled to New York in ’78 with an assignment to photograph lead-singer Debbie Harry, he couldn’t have imagined that Blondie’s songs and his images would soon become permanent fixtures on the cultural landscape. This is the ultimate treasure trove for fans of one of the world’s biggest bands. 


Blondie

Against The Odds 1974 - 1982

There’s a certain un-assuming barn just outside Woodstock, New York. It’s easy to picture; the deep mythology of pop music history assures that much. For nearly two decades, the bulk of Blondie’s audio and visual archive sat inside.

One hundred reel-to-reel tapes, half a dozen cassettes, a few storage tubs crammed with records, bits of promotional flotsam, flyers, a stray Warhol print, and mirrored dressing room signage from four sold-out January 1980 nights at London’s Hammersmith Odeon. All of it lay silent through twenty humid summers, twenty frigid winters, and 20,000 rodents.

There were knives collected in Asia and sex worker advertisements pilfered from the UK’s red telephone boxes of the late 1970s. In a corner, a dust-caked RIAA-certified gold record for Eat To The Beat reclined against a wall, its protective glass scarred by a bullet hole.“Iggy and I were shooting guns at a wall in my basement one night,” guitarist Chris Stein told us. “This was a casualty.”

From this chaotic hoard of ephemera, this long-gestating project was born.

Over the years, Blondie’s many partner record companies have done an exemplary job archiving the band’s recorded legacy, given the miles it’s logged and the oceans it’s had to cross. From Larry Uttal’s Private Stock Records to Terry Ellis and Chris Wright’s Chrysalis, which was absorbed by Capitol and then Universal, the band’s reels have been moved, transferred, baked, re-boxed, remixed, and barcoded more than a few times. We pored over every foot of magnetic tape and, thanks to our brand new 24-bit, 192KHz transfers, have expanded the dynamic range of Blondie’s six LPs.

We’ve scoured the earth for era-appropriate photos, pic sleeves, lyrics sheets, fan club newsletters, postcards, jukebox strips, and even eight-track tapes. There will always be more to find. Whether it’s a mislabeled cassette tape squirrelled away in a New Jersey garage, a previously unknown Thai 45 variant, or a roll of film excavated at the Long Beach flea market, slivers of Blondie will continue to poke into our collective unconscious until there ceases to be any consciousness to poke.

What the seven members of Blondie set to tape over those first eight years remains among the most timeless music of its era, or any era. This is not hyperbole. Walk into a grocery store and Rapture fills the air. Spend an hour with any classic rock, ’80s throwback, LITE FM easy listening, or rockin’ oldies station and you will rediscover Heart of Glass.

Watch any given documentary on the birth of punk or hip hop, read any “Best Albums of All Time” list, and the stark three-color imagery of Parallel Lines will undoubtedly flash by. Visit any sports arena in the world and count the moments before you hear Call Me.

Blondie has transcended the realms of mere bands, evolving out of pop and punk to become a vital strand of American music’s core DNA.

Let this box set serve as a map of the genome.

Blondie

Parallel Lines

Although initially successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including "Call Me", "Atomic" and "Heart of Glass" and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, rap, and reggae, while retaining a basic style as a new wave band. 

Following on from the vinyl boxed set released in December; this album is now available individually on 180g heavyweight vinyl and includes download voucher.

STAFF COMMENTS

David says: As a very young man I had 'Blondie - Queen Of The Disco' scribbled on my pencil case. At least I did, until someone much older informed me that they didn't actually play Blondie in discos and that I should rub it off or he'd kick my head in...


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