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BLANCK MASS

Blanck Mass

In Ferneaux

    What is the utility of pain? Can it do anything but fester? In Ferneaux explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment.

    An encounter with a prophetic figure on the streets of San Francisco presented the question of “how to handle the misery on the way to the blessing.” This is the quandary of the impasse we now all find ourselves in, trapped in our little caves, grappling with the unease of the self at rest – without movement, without the consumerist agenda of “new experiences.” The possibility of growth, always defined by our connections with others, held in limbo. Sartre said that “Hell is other people,” but perhaps this is the Inferno of the present: the space of sitting with the self.

    A blessing is often thought of as a future reward, above and beyond the material plane. With In Ferneaux, Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.

    STAFF COMMENTS

    Barry says: If you know Blanck Mass, you know that his uncompromising mix of hypnotic synthy OPN business oft turns into an all-encompassing wall of tectonic noise and spine-tingling euphoric washes. Those of you who don't will find exactly that here, but constantly and perfectly progressing in both timbre and scope. It's intoxicating and unmissable stuff, Blanck Mass is never anything but.

    TRACK LISTING

    A1 Phase I (21:29)
    B1 Phase II (19:33)

    Blanck Mass

    Calm With Horses

      Invada Records are proud to release Blanck Mass’ score to ‘Calm With Horses’ on vinyl and CD! Black Mass’ first feature length, synth-heavy score was previously released on digital platforms on 13th March.  Blanck Mass is the solo project of Benjamin John Power. The musician, also one half of Fuck Buttons, has been making music under the moniker since 2010 and has released three albums on Sacred Bones, 2015's Dumb Flesh, 2017's World Eater and 2019’s Animated Violence Mild. Calm With Horses, Nick Rowland’s feature film debut, is a raw and beautiful tale of one man’s struggle to navigate both crime and family life in rural Ireland.

      TRACK LISTING

      Violent Child
      The Devers
      Jack's Theme
      Different Breed
      Halfwit
      Sleepless
      The Cliff
      Loyal Skins
      Heck Speaks
      Descent
      That Plank In Your Eye
      Manipulation
      Prove Yourself
      Photograph
      Nothing That Cannot Be Turned Back
      Leaving
      Credits

      “In this post-industrial, post-enlightenment religion of ourselves, we have manifested a serpent of consumerism which now coils back upon us. It seduces us with our own bait as we betray the better instincts of our nature and the future of our own world. We throw ourselves out of our own garden. We poison ourselves to the edges of an endless sleep.

      Animated Violence Mild was written throughout 2018, at Blanck Mass’ studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief - the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what I have lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it. 

      I believe that many of us have willfully allowed our survival instinct to become engulfed by the snake we birthed. Animated - brought to life by humankind. Violent - insurmountable and wild beyond our control. Mild - delicious.
      This is perhaps the most concise body of work I have written to date. Having worked extensively throughout my musical life with dramatics, narrative, and ‘melody against all odds’, these tracks are the most direct and honest yet. The level of articulation in these tracks surpasses anything I have utilized before.”
      - Benjamin John Power.

      STAFF COMMENTS

      Barry says: Huge lurching arpeggios and cavernous percussion snaps glitch their way around a solid core of 16-bit reductions and skittering vocal shards. Drawing a flawless line between game soundtracks, rawkous EDM and the slowly building electronics of dancefloor trance or the incremental atmospheric accentuation of 70's prog. Indescribably mad, but thoroughly addictive.

      TRACK LISTING

      1. Intro
      2. Death Drop
      3. House Vs. House
      4. Hush Money
      5. Love Is A Parasite
      6. Creature/West Fuqua
      7. No Dice
      8. Wings Of Hate

      An electronica-infused alternative version of Editors’ acclaimed Top 10 album ‘Violence’, ‘The Blank Mass Sessions’ casts the songs in a bold new light, offering a fascinating insight into the album’s creative process.

      The eight track album, made up of producer Blanck Mass’ original productions of ‘Violence’, also includes the brand new single ‘Barricades’.

      For ‘Barricades’, Smith’s hopeful lyrics combine with yearning synths over robotic drum machines and sweeping basslines, while ‘Cold’ is given a frostier edge through Blanck Mass’ harsh percussion and robotic directness.

      ‘Violence’’s stripped back beat builds and erupts into a synth-fuelled chorus brim-full of busy drum patterns and ‘Magazine’s jaunty, sweeping synths and rolling snares lend it even more electronic swagger than the original.

      ‘Hallelujah (So Low)’ gifts the greatest insight into the triangular relationship ‘Violence’ was born from. The warmth of the album version’s acoustic guitar and industrial fuelled chorus are replaced with sparse, ethereal synths, giving the track and ‘The Blanck Mass Sessions’ in general, a mechanical, other-worldly edge.

      TRACK LISTING

      Barricades - The Blanck Mass Recording
      Cold - The Blanck Mass recording
      Hallelujah (So Low) - The Blanck Mass Recording
      Violence - The Blanck Mass Recording
      Darkness At The Door - the Blanck Mass recording
      Nothingness - The Blanck Mass Recording
      Magazine - The Blanck Mass Recording
      Counting Spooks - The Blanck Mass Recording

      Blanck Mass

      Odd Scene B/w Shit Luck

        THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

        These two tracks have been recorded specifically with RSD in mind, and were committed to tape in the space of a frenzied two day session in January 2018. Neither track will appear on any Blanck Mass album. They are in a style that is not normally associated with Blanck Mass. BM wanted to do something special and as RSD is a special day for all music fans and collectors of one off releases by their favourite artists, this is the perfect release date. 


        Latest Pre-Sales

        96 NEW ITEMS

        The mighty Jeff O’Toole who isn’t on Instagram but is on Twitter @Jeff_O2l playing records now until 1pm. Swing in.… https://t.co/5khEaxGVPO
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        It’s wonderful 😍 - Amazing work! FYI It’s not here just for today btw, we actually don’t know when it’s leaving th… https://t.co/tKpiMSmEFu
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        Warm presents a brand new compilation called ‘Home’. Barry says: A woozy and entirely laid-back collection of shim… https://t.co/O4Op0uOItu
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