An encounter with a prophetic figure on the streets of San Francisco presented the question of “how to handle the misery on the way to the blessing.” This is the quandary of the impasse we now all find ourselves in, trapped in our little caves, grappling with the unease of the self at rest – without movement, without the consumerist agenda of “new experiences.” The possibility of growth, always defined by our connections with others, held in limbo. Sartre said that “Hell is other people,” but perhaps this is the Inferno of the present: the space of sitting with the self.
A blessing is often thought of as a future reward, above and beyond the material plane. With In Ferneaux, Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.
STAFF COMMENTSsays: If you know Blanck Mass, you know that his uncompromising mix of hypnotic synthy OPN business oft turns into an all-encompassing wall of tectonic noise and spine-tingling euphoric washes. Those of you who don't will find exactly that here, but constantly and perfectly progressing in both timbre and scope. It's intoxicating and unmissable stuff, Blanck Mass is never anything but.
A1 Phase I (21:29)
B1 Phase II (19:33)