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BLANCK MASS

Blanck Mass

The Rig (Prime Video Original Series Soundtrack)

    Blanck Mass (Fuck Buttons, Benjamin J Power, The Editors) scored the new Amazon Prime series ‘The Rig’, staring Iain Glen and Emily Hampshire.When the crew of the North Sea stationed Kinloch Bravo oil rig is due to return to the mainland, a mysterious fog rolls in and cuts off communication with the outside world. The crew are then driven to the limits of their endurance and loyalties are forced into a confrontation with forces beyond their imagination.

    “With ‘The Rig’ being the first TV show I have scored, I feel lucky to have worked with the team behind the show on a score which to my mind is my most concise and unified palette-wise in recent memory,” says Power. “The setting of the physical oil rig presented a very specific visual and sonic identity for me. The creaks and groans of the giant metal sculpture and how it is in a constant battle with the nature fed itself into the scoring process. This score is perhaps my most elemental to date and it was a joy to work on.”

    TRACK LISTING

    The Rig (Main Titles)
    Wake Up
    Omen
    Fossils Digging Fossils
    Flesh Meets Floor
    Vision
    Ghost
    Helideck
    S.B.V Lights
    Body, Rejecting
    Circles
    Leck
    Search For Hutton
    Spiderdeck
    Alwyn / Discovery
    Surrender
    No Fire Without Flare
    We’ll Bring Him In
    Survivors, Arriving
    Person Unknown
    Don’t Let Him Out Of Your Sight
    ROV
    The Altar
    Fissures Spread
    Sleep Tight
    The Charlie
    Rose Takes Control
    Bigger Than All Of Us
    It’s Quitting Time
    System Priming
    Life Remains In Life
    The Wave
    The Rig (End Credits)

    Blanck Mass

    Ted K - Original Soundtrack

      This February the story of the infamous Unabomber Ted Kaczynski will receive its theatrical debut in a new Tony Stone directed film, Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Stone’s choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter.

      2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland’s acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC’s acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards.

      Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass’s Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski’s story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project “I wanted it to feel like an ‘epic’” and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil.

      The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.

      TRACK LISTING

      1. Scroll
      2. Montana (Main Theme)
      3. Noise Destroys Something Wonderful
      4. Pesticides
      5. Revenge
      6. ComTech
      7. Greyhound
      8. Second Test
      9. Desecration
      10. Tell Me Your Heart
      11. Dark Materials
      12. Becky’s Theme
      13. Blue Tunnel
      14. Manifesto
      15. Ranger Gary
      16. At Peace - Freedom Club
      17. Prophecy
      18. Skidders
      19. Montana (Reprise)

      Blanck Mass

      In Ferneaux

        What is the utility of pain? Can it do anything but fester? In Ferneaux explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment.

        An encounter with a prophetic figure on the streets of San Francisco presented the question of “how to handle the misery on the way to the blessing.” This is the quandary of the impasse we now all find ourselves in, trapped in our little caves, grappling with the unease of the self at rest – without movement, without the consumerist agenda of “new experiences.” The possibility of growth, always defined by our connections with others, held in limbo. Sartre said that “Hell is other people,” but perhaps this is the Inferno of the present: the space of sitting with the self.

        A blessing is often thought of as a future reward, above and beyond the material plane. With In Ferneaux, Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.

        STAFF COMMENTS

        Barry says: If you know Blanck Mass, you know that his uncompromising mix of hypnotic synthy OPN business oft turns into an all-encompassing wall of tectonic noise and spine-tingling euphoric washes. Those of you who don't will find exactly that here, but constantly and perfectly progressing in both timbre and scope. It's intoxicating and unmissable stuff, Blanck Mass is never anything but.

        TRACK LISTING

        A1 Phase I (21:29)
        B1 Phase II (19:33)

        Blanck Mass

        Calm With Horses

          Invada Records are proud to release Blanck Mass’ score to ‘Calm With Horses’ on vinyl and CD! Black Mass’ first feature length, synth-heavy score was previously released on digital platforms on 13th March.  Blanck Mass is the solo project of Benjamin John Power. The musician, also one half of Fuck Buttons, has been making music under the moniker since 2010 and has released three albums on Sacred Bones, 2015's Dumb Flesh, 2017's World Eater and 2019’s Animated Violence Mild. Calm With Horses, Nick Rowland’s feature film debut, is a raw and beautiful tale of one man’s struggle to navigate both crime and family life in rural Ireland.

          TRACK LISTING

          Violent Child
          The Devers
          Jack's Theme
          Different Breed
          Halfwit
          Sleepless
          The Cliff
          Loyal Skins
          Heck Speaks
          Descent
          That Plank In Your Eye
          Manipulation
          Prove Yourself
          Photograph
          Nothing That Cannot Be Turned Back
          Leaving
          Credits

          “In this post-industrial, post-enlightenment religion of ourselves, we have manifested a serpent of consumerism which now coils back upon us. It seduces us with our own bait as we betray the better instincts of our nature and the future of our own world. We throw ourselves out of our own garden. We poison ourselves to the edges of an endless sleep.

          Animated Violence Mild was written throughout 2018, at Blanck Mass’ studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief - the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what I have lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it. 

          I believe that many of us have willfully allowed our survival instinct to become engulfed by the snake we birthed. Animated - brought to life by humankind. Violent - insurmountable and wild beyond our control. Mild - delicious.
          This is perhaps the most concise body of work I have written to date. Having worked extensively throughout my musical life with dramatics, narrative, and ‘melody against all odds’, these tracks are the most direct and honest yet. The level of articulation in these tracks surpasses anything I have utilized before.”
          - Benjamin John Power.

          STAFF COMMENTS

          Barry says: Huge lurching arpeggios and cavernous percussion snaps glitch their way around a solid core of 16-bit reductions and skittering vocal shards. Drawing a flawless line between game soundtracks, rawkous EDM and the slowly building electronics of dancefloor trance or the incremental atmospheric accentuation of 70's prog. Indescribably mad, but thoroughly addictive.

          TRACK LISTING

          1. Intro
          2. Death Drop
          3. House Vs. House
          4. Hush Money
          5. Love Is A Parasite
          6. Creature/West Fuqua
          7. No Dice
          8. Wings Of Hate

          An electronica-infused alternative version of Editors’ acclaimed Top 10 album ‘Violence’, ‘The Blank Mass Sessions’ casts the songs in a bold new light, offering a fascinating insight into the album’s creative process.

          The eight track album, made up of producer Blanck Mass’ original productions of ‘Violence’, also includes the brand new single ‘Barricades’.

          For ‘Barricades’, Smith’s hopeful lyrics combine with yearning synths over robotic drum machines and sweeping basslines, while ‘Cold’ is given a frostier edge through Blanck Mass’ harsh percussion and robotic directness.

          ‘Violence’’s stripped back beat builds and erupts into a synth-fuelled chorus brim-full of busy drum patterns and ‘Magazine’s jaunty, sweeping synths and rolling snares lend it even more electronic swagger than the original.

          ‘Hallelujah (So Low)’ gifts the greatest insight into the triangular relationship ‘Violence’ was born from. The warmth of the album version’s acoustic guitar and industrial fuelled chorus are replaced with sparse, ethereal synths, giving the track and ‘The Blanck Mass Sessions’ in general, a mechanical, other-worldly edge.

          TRACK LISTING

          Barricades - The Blanck Mass Recording
          Cold - The Blanck Mass recording
          Hallelujah (So Low) - The Blanck Mass Recording
          Violence - The Blanck Mass Recording
          Darkness At The Door - the Blanck Mass recording
          Nothingness - The Blanck Mass Recording
          Magazine - The Blanck Mass Recording
          Counting Spooks - The Blanck Mass Recording

          Blanck Mass

          Odd Scene B/w Shit Luck

            THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

            These two tracks have been recorded specifically with RSD in mind, and were committed to tape in the space of a frenzied two day session in January 2018. Neither track will appear on any Blanck Mass album. They are in a style that is not normally associated with Blanck Mass. BM wanted to do something special and as RSD is a special day for all music fans and collectors of one off releases by their favourite artists, this is the perfect release date. 


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