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BLACK FOCUS

Kamaal Williams

New Heights / Snitches Brew

Following a stellar 2018 for Black Focus, Henry Wu’s new imprint that set the levels with acclaimed debut LPs from Kamaal Williams and Mansur Brown, worldwide tours and international collaborations, Kamaal Williams returns with a 12” of fresh cuts.

Two new pathways to unknown worlds filtering the Kamaal Williams sound through hypnotic hip-hop on the Darkhouse Family (Don Leisure & Earl Jeffers) co-produced 'New Heights', and melted wah wah psychedelia on 'Snitches Brew', which features Mansur Brown on guitar.

To echo Kamaal’s friend and collaborator Yelfris Valdés, ‘This aint jazz no more...’

STAFF COMMENTS

Millie says: Paving the way for innovative jazz-hybrid-hip hop is Kamaal Williams along with Mansur Brown on guitar, these two tracks are in a league of their own (I think Snitches Brew is my favourite name for a song ever!)

FORMAT INFORMATION

Ltd 12" includes MP3 Download Code.

It’s not often we mention Jimi Hendrix and Trap music in the same sentence. Or Brixton and George Benson. In this case Mansur Brown embodies all of these. An integral part of the groundbreaking Yussef Kamaal album, he now releases his debut album on Black Focus Records.

As Thundercat claims the Bass Guitar, Robert Glasper the keys, the 21 year old prodigy from south east London claims the Guitar. Welcome to Shiroi.

STAFF COMMENTS

Millie says: The Black Focus label has added another gem to it's name, Mansur Brown, a mixture of funk driven guitar and a broken beat vibe.

Whether re-defining experimental fusion sounds with the hugley acclaimed Yussef Kamaal, or his catalogue of 12”s for imprints such as MCDE, Eglo, and Rhythm Section as Henry Wu, South London’s Kamaal Williams has been a key figure in his thriving international scene for the past few years. "The Return" is a natural evolution from the Yussef Kamaal project, mining the influence of visionary jazz but blended with all kinds of texture, sounds and signals from the over-saturated London streets.

At times the keyboard work evokes the classic 70s fusion work of Lonnie Liston Smith or Roy Ayers, but underpinned by rhythms more reminiscent of blunted hip-hop and arrangements subliminally laced with the cut-ups of pirate radio. Progressive, funky, cosmic, exploratory and effortlessly musical, this is the sound of a musician honing their craft into thrilling new shapes.

In the US the like of Kamasi Washington and Thundercat have made great strides in opening a whole new dialogue between jazz and hip-hop, drawing in a young, highly engaged new audience in the process. Kamaal Williams mine a similar seam on the other side of the Atlantic alongside other exciting London talents such as Ezra Collective, Ruby Rushton and Shabaka Hutchings.

The Return is exactly that: a return and refinement to the sound Yussef Kamaal were progenitors of, and first set the scene for one of the most exciting musical movements London has had in years.

Notable tracks for old and new listeners are ‘Slow', 'Situations', 'Medina', 'London Shuffle' which features Mansur Brown (of Mansur's Message) and for those die hard Yussef Kamaal fans - they should hear the interpolated roots of 'Strings of Light' in the title track 'The Return’. And that signature Wu Funk can be heard on Broken Theme, and High Roller.

"The Return" will be the debut album released on Wu's new label Black Focus Records.


STAFF COMMENTS

Millie says: Brilliantly funked-up jazz grooves, rolling bass licks and flickering percussion make this not only a fitting follow-up to Williams' collaboration LP from last year, but a significant progression. Simply stunning, and every bit the summer jazz stormer.

FORMAT INFORMATION

Coloured LP Info: Limited edition indies exclusive white vinyl.


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