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BARDO POND

Bardo Pond

Peel Sessions (RSD23 EDITION)

    THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

    IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).


    Never released material from the band's 2001 and 2004 BBC Peel Sessions, a unique insight into the bandís development. Bardo Pond let it all go in their ideal live setting, morphing and expanding their beautiful drone-rock compositions. Artwork designed and created by Michael Gibbons of the band, this also includes a full album download.

    Bardo Pond

    Volume 3

      “Obviously, Bardo Pond are the greatest band in the world” VICE

      Super rare recordings from 2002 and pressed on vinyl for the very first time. The third in the band’s series of limited-edition releases showcasing jam sessions and other miscellany. Like Fugazi on acid, a rage for the Velvets, a mantra with real purity of tone.

      Somewhere between the ‘Dilate’ album in 2001 (“a combination of Kyuss and Spacemen 3” NME) and ‘On the Ellipse’ in 2003 ("Nowhere is feedback more melancholic, more emotive, than that fashioned by Bardo Pond” Brainwashed), Bardo Pond transcended into a mantra-like, multi-layered, cross-dimensional, wah wah powered nirvana.

      In some circles, they say, spaceships wafted them away and they only returned some-time later, mind-altered and bedraggled, ears ringing. But that is the stuff of supposition.

      As we already know, there is no ‘off’ switch on Bardo Pond, they are never knowingly unplugged. Indeed, the modal evolution of their sound continues unabated.



      TRACK LISTING

      Side A
      A1 Sifaka
      A2 Ecstasy Dub
      Side B
      B1 Lomand
      Side C
      C1 Tanked
      C2 Trimurti
      Side D
      D1 Blue Turban 

      Bardo Pond

      No Hashish, No Change Money, No Saki Saki

        A quartet in those early days, they assembled a demo cassette to use for booking and merch purposes titled cryptically as "No Hashish, No Change Money, No Saki Saki". This release largely remained a Discogs curio in the intervening years, never seeing a wide formal release in any capacity. Now, thirty years later, "No Hashish..." makes its frst truly formal release in a mastered format and ready to daze their every hungry fans. Close to an hour of hazy, smoke- flled goodness spread over two LPs, this provides the proper soundtrack for a late night zone out accompanied by your chemicals of choice. Pressed on 2LP Transparent Green color vinyl.

        TRACK LISTING

        Hummingbird Mountain
        Earth And Sky
        Sometimes Words
        High Horse
        I Forgot / Rupture
        Candle
        Light
        Amen
        Transistor
        Round And Round
        Lag

        Bardo Pond

        Bardo Pond - Repress

          Critical praise from Pitchfork, Clash, The Wire, Q Magazine and more upon release. New inverted LTD edition artwork. Fire re-issue Bardo Pond’s eponymous eighth studio album from 2010, their debut for Fire from way back when. A lysergic brain wrestler in which the Pennsylvanian drone outfit perfect their modal sound. Teasing the artistry of LaMonte Young and Terry Riley into a guitar shaped cauldron, the album’s compulsive reverbed guitar shapes slowly simmer behind Isobel Sollenberger’s esoteric vocals “Like hearing a tannoy at a station in the voice of Jesus.” The Quietus. A claustrophobic stuttering raga interlocks with their psychedelic leanings best exemplified on ‘Cracker Wrist’ which sounds like something that’s intentionally always just about to happen/and/or spin back in time. Featuring lengthy fully nurtured play offs between the quintet ‘Bardo Pond’ is a heady statement that’s like the most wholesome kind of vegan-friendly mushroom trips. Pitchfork reckons they’re “playing fuzzed out stoner dreams.” Vice’s musical brother Noisey likens them to “Fugazi On Acid.” Allmusic intervenes with: “These are epic, soaring psychedelic ambient power-drone rock noise melodies where partially buried, distant female vocals are laced throughout a roaring, murky/sludge guitar soundscape

          TRACK LISTING

          1 Just Once
          2 Don’t Know About You
          3 Sleeping
          4 Undone
          5 Cracker Wrist
          6 The Stars Behind
          7 Wayne’s Tune

          Bardo Pond

          Big Laughing Jym

            THIS IS A RECORD STORE DAY 2019 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 13th ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON. IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 12.01AM SATURDAY APRIL 20th.

            1000 only. Purple vinyl edition. First time on vinyl since initial press in 1995. ‘Big Laughing Jym’ follows 1994’s ‘Bufo Alvarius’ and between 1996’s ‘Amanita’, inducing tenebral states with their sludgy yet beguiling psychedelic rock. On “"Dispersion" and "Clearhead" whirlpools of bass, feedback-clogged flute, and John and Michael Gibbons' high-dosage, irradiated guitars, are definitive Pond.” (AllMusic). The record also includes ‘Hummingbird Mountain II (A Return Trip’) and ‘Dragonfly’. “Playing fuzzed out stuff of stoner dreams since the mid ‘90s.” Pitchfork // “Today they stand as an elder statesman at the epicentre of an international underground of psychedelic extremists” Sunday Times // “They’re still making jaw-droppingly visceral spine-tingling music” Shindig // Track List 1 - Dispersion 2 - Respite 3 - Clearhead 4 - Champ 5 - Soaked 6 - Hummingbird Mountain II 7 - BLJ

            Bardo Pond

            Bardo Pond

              The self titled album Bardo Pond is the first new release from Philadelphia's psychedelic rock unit to be released on Fire.

              'The first time I saw Bardo Pond, I was, as probably most people are when they first encounter this batch of beatific weirdos, horribly unprepared. To describe the experience as "psychedelic" is an understatement on the order of saying that whacking oneself in the nuts with a ball-peen hammer is "mildly irritating." Needless to say, priorities were rearranged, etc.

              Fast-forward 15 yrs, and Bardo Pond have put out many LPs, most of them named after hallucinogens that make you throw up all night and see things - which was kind of them, I always thought. Let ya know what you were in for. All of this recorded output is pretty staggering to me, because, without exception, they seemed able to toss a lasso around some sort of ineffable hoodoo that felt like it was a million yrs old. If Carl Sagan would have 1.) smoked a little more weed and 2.) not croaked, I'm hoping he would have cut a BP track onto that gold LP that they put on the Voyager units. Would've been a way better representation of the best parts of the human spirit than Chuck Berry, I say.

              Anyhoo. One night not long ago in the Bardo Compound in Philly, Michael says in a kinda offhanded way, "Hey man, you wanna hear this? ..." And there I was, being bathed in the songs you've got in yr grubby little mitts right now.

              I was, once again, unprepared.

              This cauldron is a bit of a different brew. It made total sense to me (as it will to you) when he later told me the name of the LP is just "Bardo Pond." Why? It's a distillation. Two decades of playing together have sandblasted away everything unessential and left us with what we have here. It was like no one else before them had ever gotten near the plagal cadence, not Lou Reed or the Stooges or 2,000 yrs of church music. They invented it all over again, independent of any of that, after gawd knows how many yrs of flailing away and burning themselves up.

              I fucking love these songs. And while I hate writing almost as much as I hate third-degree burns, I have to say it is a joy to be able to tell you about this record. I feel like Neil Fucking Armstrong.

              It took years for them to get here, but this record is the most goddamned beautiful thing they've ever done. Sorry for the superlatives. But really, the only thing left for them to do at this point is explode'. - Fire Records.

              John Gibbons: Guitars
              Michael Gibbons: Guitars
              Isobel Sollenberger: Voice, flute
              Clint Takeda: Bass, next-level comedy
              Aaron Igler: Electronics
              Jason Kourkounis: Drums

              with
              Jeremiah Misfeldt: Farfisa
              Dan Baltzer: Harp


              Bardo Pond

              Looking For Another Place

                THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                180 gram LP (part of a trilogy – complete on RSD 2015). Bardo Pond follow up last year’s RSD release ‘Rise Above It All’ with the second of a trilogy of RSD exclusive releases. Continuing their exploration and interpretation of existing tracks, this time they turn their attention to ‘Ride Into The Sun’ by the Velvet Underground and ‘Here Come The Warm Jets’ by Brian Eno. The results are astounding and in the case of ‘Here Come The Warm Jets’ wonderfully surprising, with Isobel’s voice embellishing a rendition of startling Bardo pop. Loosely formed in 1989 by guitar wielding art student siblings, Michael and John Gibbons, Bardo Pond became a reality in 1991 with the addition of vocalist and flautist, Isobel Sollenberger, bassist, Clint Takeda and drummer, Joe Culver (replaced in 1999 by trainee librarian, Ed Farnsworth). Bardo Pond are the flagship band of Philly's "Psychedelphia" space rock movement, which also included the likes of Aspera, Asteroid No. 4, the Azusa Plane, and tangentially the Lilys. They favour lengthy, deliberate sound explorations filled with all the hallmarks of modern-day space rock: droning guitars, thick distortion, feedback, reverb, and washes of white noise.

                TRACK LISTING

                1. Ride Into The Sun (The Velvet Underground)
                2. Here Come The Warm Jets (Brian Eno)


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