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ALCOPOP! RECORDS

The Spook School

Like A Heartbeat

Formed in 2011, The Spook School carved out a reputation as one of the most beloved queer acts of their generation. Nominated for Scottish Album of The Year in 2018 with their third and final studio album Could It Be Different? on Alcopop! Records, it was an internationally acclaimed release that was packed with hope and good will, passionately championing LGBTQ+ rights and inclusivity years ahead of the public discourse.

Following their final farewell tour and subsequent split in August/September 2019, The Spook School staged their own disappearance to the moon, remaining otherwise inactive, save for a sold-out duo of December 2023 reunion shows celebrating the 10th anniversary of their Fortuna POP! debut album Dress Up.

Now, with the political climate growing ever more hostile and LGBTQ+ rights under threat around the world once more, the time is ripe for The Spook School’s return with new album Like A Heartbeat; the heroes we deserve, carrying a message of resilience, solidarity, and—vitally—hope for the future.

“Unfortunately our songs seem more relevant than ever.” laments Nye. “We kind of hoped our old material would become culturally outdated, but we still feel we have something so important to say, especially as things seem to be getting so much worse. Something particularly infuriating about the last few years is the never-ending torrent of conversations and decisions about trans people's right to exist which take place without any trans people actually having a voice. Sometimes the level of ignorance is so extreme that it would almost be funny if it wasn’t being used as the basis to try and kick us out of society, but when it’s judges, or politicians, or employers that are choosing to get all of their ‘facts’ from anti-trans hate groups it’s not funny—it’s dangerous and negligent.”

Recorded with Rod Jones of Scottish rock titans Idlewild at his Post Electric Studio in Leith, Edinburgh, new album Like A Heartbeat is undeniably The Spook School’s most fully realised, cohesive, and sonically refined record to date. This is a timely, vital return. 


TRACK LISTING

Side A
Margins
Saying It All
Corporate Caring
A Little Clearer
Falling
Same Old Song

Side B
Time
Can’t Speak Up
Survive
New Town
You’re Wrong

Various Artists

Rochdale Music Stories Present Kenion Street

As part of the Rochdale Music Stories campaign in 2026, fans of the iconic music recorded at the legendary Cargo Studios and Suite Sixteen are invited to a one-off show this spring, with special guest appearances from members of New Order, The Chameleons and A Certain Ratio.

Rochdale boasts a rich and diverse musical legacy: from Gracie Fields to The Courteeners, Lisa Stansfield to Autechre and where groundbreaking music continues to thrive. And between 1977-2001, it was home to both Suite 16 and Cargo Studios on Kenion Street, Rochdale, where trailblazing artists like OMD, Inspiral Carpets, A Certain Ratio, Fall, Stone Roses, Happy Mondays, and Joy Division - among countless others - recorded some of their best work.

Fast forward to 2026 and Rochdale is Greater Manchester Town of Culture, with the Rochdale Development Agency launching 'Rochdale Music Stories' - an exciting collaboration between The Stockport Music Story and Voltalab Sound Studios. Funded by Arts Council England as part of this innovative project, 14 emerging Rochdale artists have been invited to reimagine classic tracks that were recorded at both Cargo and Suite Sixteen studios.

TRACK LISTING

1. Micah Stalgic ft. Local Vocals - Atmosphere (Joy Division Cover) 
2. K-Estate - Damaged Goods (Gang of Four Cover) 
3. Desyfer & Emma Konnanov - Twenty Four Hour Party People (Happy Mondays Cover) 
4. P*STARR - Keep The Circle Around (Inspiral Carpets Cover) 
5. Leo HC - Up The Down Escalator (The Chameleons Cover) 
6. PoolEra - Electricty (OMD Cover) 
7. Medley - Dreams Never End (New Order Cover)
8. Blvckout - All Night Party (A Certain Ratio Cover) 
9. The Velvet Shadow ft. Maisie Thompson - All Tomorrow's Parties (Nico Cover) 10. Jennifer Reid - Totally Wired (The Fall Cover)
11. From The Ground Up ft. Bloom Music Community - Elephant Stone (Stone
Roses Cover)

The Wytches

Talking Machine

The Wytches return for their latest incendiary album, 'Talking Machine', the
Brighton 4 piece bringing a whole new avalanche of their undeniable psych
infused jet black soundscapes alongside a pleasingly lengthy tour.

"I saw the term 'Talking Machine' in a book I was reading about Thomas Edison" lead singer Kristian muses. "It was a nickname for gramophones. I thought that was ftting enough for an album title but I guess like a lot of people, the whole AI thing has been on my mind a lot and I saw a connection there too. Thomas Edison would host these events called Tone Tests where he'd demonstrate how much audio recordings had advanced by fooling the audience in to thinking they were listening to musicians playing live but it was actually all pre-recorded, playing from a gramophone. People feared that a lot of jobs in the entertainment industry and beyond would be replaced by technology, a lot like what's going on now."

TRACK LISTING

1. Talking Machine
2. Black Ice
3. Coffin Nails
4. Perform
5. Factory
6. Romance
7. Is The World Too Old
8. Nothing To See
9. When The Obsession Began
10. Don't Make It For Me
11. Romance 2

Problem Patterns

Boring Songs For Boring People

Unfiltered, raw and absolutely vital, queercore quartet Problem Patterns are angry.

This is their EP, 'Boring Songs for Boring People', and it's all going rather well. The last single entered the 6 Music C List (for four weeks and counting) while
the first single 'Sad Old Woman' (with Matt Korvette of Pissed Jeans) got everywhere. Double digit 6 Music spins, track of the week on Radio X, playlists galore and stacks of alt press. The EP drops in September on vinyl on ludicrously cool screenprinted vinyl (500 only. Never to be repressed).

Their previous album won Album of the Year at the Northern Irish Music Awards (beating Ash and Kneecap into the bargain) - they're a spectacular live force. Problem Patterns are not limited by age or ability or binary identities. They don't have a front person, they swap instruments and roles to ensure that each member of the group has a voice. They espouse queer punk and they have shared touring schedules with Le Tigre, Queen Zee, JOHN, Pink Suits & Bob Vylan. They are ace.

TRACK LISTING

1. Song For Fi
2. Sad Old Woman (ft. Matt Korvette Of Pissed Jeans)
3. Classic Rock Has Become My Prison
4. I'm Fine And I'm Doing Great
5. Bone Idle
6. Boring Songs For Boring People

KEG

Fun's Over

Showcasing whip-smart spikiness remains, and a gorgeous weirdness matched by very few others, it's easy to see why wonk pop 7-piece KEG are one of the most talked about bands of 2024. Soon they'll be THE band of 2025.

Their debut album Fun’s Over represents the culmination of KEG's initial forays into life, and as such leaps all over—from the melodic to the demented with all the enthusiasm of a very lively bean salad. Sharp angling guitarwork that would be at home both on a Fugazi or a Wilco record. Cascading synths and drums, pepperings of trombone and lyrics which invite you into a baffled man's brain full of joy and anxiety.

Contrary to the previous releases the album takes its time, allowing Keg to showcase the orchestral leanings of the band, melding textures and battering-ram rhythms, whilst all the time managing to hone their carefully manipulated balance of chaos and order.

Recorded between the studio and home, Keg have refined their DIY approach this time around, producing the record themselves with engineering help from Pozi’s Toby Burroughs and mixed by Connor Simpkins.

Offsetting the braggadocious shredding and bombastic instrumentation the lyrics on the album take a much less cocksure approach—beckoning you into a yearning for suburban living, slightly embarrassing admissions of inadequacy, the feeling of creative failure freeing the imagination, taking pleasure in the mundanity of an unsure mind, bathing for freedom, and just a couple simple love songs. 


The Wytches

Our Guest Can't Be Named

The Wytches need very little introduction, but it is with no little excitement that we welcome back Brighton’s purveyors of melody for album number four – all raucous and unruly, yet glistening with jagged edged poetic wistfulness and undeniable emotional clout.

The former Transgressive/ Heavenly Records act return with their fourth studio album in September on Alcopop! Records this year - and it's definitely their best yet, all raw-throat punk, stoner/doom psych, riffing swagger, and perhaps just the tiniest hint of delicious folk twinkling... Just get it in your ears. It’s glorious.



STAFF COMMENTS

Barry says: The Wytches 4th outing is awash with the sort of grotty lo-fi rock we've come to know from the Brighton outfit, but imbued with a gothic intensity and grunge-leaning heft that we've not heard before. Clattering semi-rhythmic noises burst into huge choral passages and tearing surfy guitar lines.

TRACK LISTING

Side A
Zep Step
Maria
Sloped Old Tower
Bats
Unsure
Side B
Spark
Something To Fall Back On
Our Guest Can't Be Named
Bill Blood
Fool


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