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Jose Gonzalez

In Our Nature

    When José González became a household name across the world with the help of 250,000 coloured bouncing balls and a Sony Bravia television commercial featuring his spare and moving version of The Knife's song, "Heartbeats", it was the second time fame came calling and caused a truly remarkable phenomenon. While studying biochemistry at the university of Gothenburg, José's debut album "Veneer" was released in his Swedish homeland in 2003. It made him a national star. Featuring "Heartbeats" and ten other resonant, acoustic songs, "Veneer" turned José, a Gothenburg (via Argentina) native, into a Top Ten recording artist. This, his second album continues where "Veneer" left off. Another stunning collection of captivating songs.

    TRACK LISTING

    1: How Low
    2: Down The Line
    3: Killing For Love
    4: In Our Nature
    5: Teardrop
    6: Abram
    7: Time To Send Someone Away
    8: The Nest
    9: Fold
    10: Cycling Trivialities 

    Parekh & Singh

    Science City

      Science City is the second LP from dream pop duo Parekh & Singh. If their debut Ocean conjured a lush landscape populated by magical creatures, Science City sees our sharpsuited star-gazers materialising in another dimension - a retro-future world of doctors and scientists, quantum mechanics and plans to unlock the secrets of the “Universosphere”. Parekh’s divine vocals once again backed by vintage synths and Singh’s expertly effervescent percussion. Opener Sunbeam depicts an ‘AI being’ blinking in the sun whilst contemplating its own obsolescence. Down at the Sky is an Escher-like search for truth and Hello is described curiously as “creamy music for advanced nighttime driving on deserted streets”. The ennuidrenched Summer Skin opens a hazy portal to the bucolic, where we find our singer alone with an acoustic guitar, pondering the “momentariness of life”. Be Something’s squelchy synths and xylophone runs channel a rainy day Steely Dan. While Evening Sun soars over circuit board landscapes, with 8-bit laser gun FX pulsing by, Monkey depicts a video game set in a luminous forest biosphere. Following Surgeon’s dissection of the dark heart of the infosphere, the prog-pop splendour of 100 Shadows journeys below “our troubled surface world” to a secret kingdom of synthesisers. For all the talk of “particle physics” and “aerodynamics”, it’s love that sustains life in the dreamlike Fwd Slash. The limpid beauty of soul-pop gem Crystalline brings Science City to a suitably sublime conclusion.

      TRACK LISTING

      1. Sunbeam
      2. Down At The Sky
      3. Hello
      4. Summer Skin
      5. Be Something
      6. Evening Sun
      7. Monkey
      8. Forward Slash
      9. Surgeon
      10. One Hundred Shadows
      11. Crystalline

      As featured in Fact magazine’s 'The greatest techno albums you’ve never heard', and originally released way back in 1994, "The Silicon Dawn" was one of the first full lengths released on Peacefrog during a period which turned out to be remarkably fruitful for techno. Tracks such as "Parallel" and "Population 2" kissed the same patch of sky as Black Dog or “Icon” -era Derek May but Dan’s unique ability to mix melodies and harmonic layers around complex percussion proved to be a compelling innovation from the techno norm. Richly harmonic, expressionist techno in the grandest Detroit style from Dan Curtin. Repressed with love from Peacefrog and sounding as good as ever.... top stuff!

      Chris Brann

      Deep Fall

        Growing up in Atlanta, Chris Brann discovered house and electronic music by the somewhat longwinded way of getting sent tapes from Europe. He began assembling a home studio but it wasn't until 1994 that he began his music career in earnest and formed Wamdue Kids with DJs Deep C, and Udoh.

        In 1995 they released the classic "Higher" on the Acacia label, which led to the Wamdue Kids signing to Peacefrog and the release of their seminal debut album "These Branching Moments". Following the success of this the next year Chris released his first solo album "Deep Fall", reflecting a different direction to that of his productions with Wamdue.

        "Deep Fall", originally released in 1997, is a delicious collection of deep tech-house. Stand outs are the aptly named title track with beautiful synth washes and a single mournful modulated violin at its centre; and the emotional "Journey To The Centre" which is nothing short of epic.


        TRACK LISTING

        Deep Fall
        Eyes
        Calling 610
        Journey To The Centre
        All About The Music
        Soul Star
        Grey Souls
        Yung Po Nee
        Out

        Stasis

        Fromtheoldtothenew

          Fromtheoldtothenew was originally released in 1996 and is the second full length on Peacefrog from Steve ‘Stasis’ Pickton. Growing up as a teenager in East London, break-dancing and writing graffiti with B12’s Mike Golding, Steve Pickton’s musical education moved along a familiar path, from hip-hop to electro and onto techno. Schooling himself in music theory and purchasing a sampler, Pickton set about making his own music.

          Releasing on a whose who of seminal UK electronic labels including A.R.T., Likemind, Otherworld and B12 under various pseudinums Pickton’s UK take on lush Detroit melodies fused techno, funk, hip-hop, dub, blues and jazz into a dense concoction all of his own making.

          "Fromtheoldtothenew" saw Pickton slip off his earlier techno shackles and head for uncharted electrconic waters.

          The echo chamber dramatics of Gun and wayward lurch of "Ale House Blues" were a long way from Detroit, while few tracks have demonstrated the sheer breadth of electronica more dramatically than "Utopia Planetia". All in all it's more jazz, less tech without losing its hard hitting impact. 

          TRACK LISTING

          From The Old…
          Utopia Planetia
          Moon Bong
          Behind The Smile
          Beating Skins
          Ale House Blues
          Samba De Fat Bloke
          Moody Ol' Teacher
          Gun

          Little Dragon

          Ritual Union

            Little Dragon return with their new album 'Ritual Union'. Since 2009’s critically acclaimed 'Machine Dreams' the band have not sat still, touring the globe and making some high profile friends along the way. Damon Albarn invited them to collaborate on two tracks for Gorillaz 'Plastic Beach' LP, which became album highlights for the critics with Pitchfork describing the songs ‘Empire Ants’ and ‘To Binge’ as “two of the most arresting things here; they’re airy, elusive and amazingly beautiful”.

            'Ritual Union' takes everything I love about Little Dragon and distils it to perfection; Yukimi Nagano’s wonderfully emotive and hooky vocals and quirky electro-acoustic backing tracks that are part live-played (drums) and part computer-created (all sorts of wonky synth sounds). Always distinctive and sounding like no one else, Little Dragon are an evolutionary branch of the 90s trip hop / downbeat sound, but one that didn't get mired in a coffee-table-chill-out-made-for-mobile-phone-adverts snooze-fest, instead opting for off the wall originality and seductive otherness.


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