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THE CLEAN

The Clean

Great Sounds Great, Good Sounds Good, So-So Sounds So-So, Bad Sounds Bad, Rotten Sounds Rotten!! - 2026 Reissue

Following the success of their first EP 'Boodle Boodle Boodle', released in November 1981, The Clean were keen to keep up their momentum while still being fresh in the minds and ears of the New Zealand public, but were also determined to try something different and not repeat themselves musically.

Recorded in an old house in Christchurch by Doug Hood and Chris Knox in March 1982, 'Great Sounds Great...' has a noticeably different feel and vibe to its predecessor. The band intentionally selected the more eclectic and idiosyncratic material from their set to record, and the recording process was more considered in its approach and arrangements than before.

The most similar song to the sound of 'Boodle...' is the opening instrumental 'Fish'. It’s also the only guitar workout on the EP, and features three separate guitar tracks to thicken up the sound. Reflecting the recent instrumental changes in their live set, there is also a strong presence of organ throughout the record, most notably on 'Beatnik'. Accompanied with a video clip made by director Simon Morris, the song proved to be an enduring classic with repeated screenings on New Zealand television which further cemented the band’s success. Some songs used only three or two of the four available tracks on Chris Knox’s TEAC 4-track machine, with 'Side On' and 'End of My Dream' being respective examples of this minimalist approach to recording. Despite being given mixed reviews upon its release in May 1982, 'Great Sounds Great...' ended up being just as successful as 'Boodle...', reaching #4 in the New Zealand charts and remained in the charts for three months.


TRACK LISTING

1. Fish
2. Flowers
3. Side On
4. Slug Song
5. Beatnik
6. End of my Dream
7. On Again Off Again

The Clean

Getting Older - 2026 Reissue

Released posthumously after the band first split in late 1982, 'Getting Older' was their humble attempt at a “Wall Of Sound” style production, with overdubbed viola, trumpet, maracas and drone guitar accompanied by backing vocals from Chris Knox and Martin Phillipps. The b-sides show the band at possibly their most experimental, with 'Scrap Music' being two separate performances of the same instrumental laid over the top of each other with one panned from side to side. 'Whatever I Do is Right/Wrong' features no guitar at all — a bold move from a band known for its inventive guitaring.

Collectors should take note that this 7-inch contains a small hidden extra — a few extra seconds of group discussion and false starts preceding 'Whatever I Do is Right/Wrong' (humorously titled 'Arguing' on the back cover) that has been shaved off from all previous digital releases of the song.

TRACK LISTING

1. Getting Older
2. Scrap Music
3. Whatever I Do is Right/Wrong

Suncraft

Welcome To The Coven

Formed in Oslo in 2017, Suncraft built their early identity on mid-tempo stoner rock, but 'Welcome To The Coven' shows the band has broadened their foundation significantly. The album channels classic rock swagger, punk urgency, and flashes of blackened intensity without settling into pastiche or genre collage - think Turbonegro meets Venom with the odd helping of blast beats thrown in and you're on your way.

The album's eight tracks move fluidly between heavy riffing, hook-forward choruses and sudden shifts in mood, giving the record a restless, forward thinking character that keeps its 40-minute runtime lean and engaging.

'Welcome To The Coven' is a confident step forward for a promising band which emphasizes their sharpened songwriting and willingness to push beyond scene expectations.

TRACK LISTING

1. Ragebait
2. Love's Underrated
3. Greed Battalion
4. Welcome To The Coven
5. Wizards Of The Anger Magic
6. Charlatan Killer
7. High On Silence
8. Forgotten Goddess

The Smashing Times

Mrs. Ladyships And The Cleanerhouse Boy

The Smashing Times are a mainstay in the indie pop underground. The group mistrals the new modern life perfectly, the sharper world. Collaged with 12 string guitar and mallet on the floor tom.

TRACK LISTING

1. Mrs. Ladyships And The Cleanerhouse Boys
2. June Rabbit
3. A Taste Of Honey
4. Rupert Tingle, Button Thief
5. Can I Have Some Tea?
6. Wednesday, On A Hummingbird's Wing
7. Good Spring Morning
8. I Paint The Picture
9. Chooning Song
10. Ben Jimeny The Green Grocer
11. Moon Viewing Party
12. Tarts And Vicars
13. You Know It In Your Heart
14. Saturn And Janus

Peter Perrett

The Cleansing

'The Cleansing' doesn’t only match Peter Perrett’s best work but expands it: an ambitious double album comprising 20 songs, with his uniquely narcotic and alluring melodies, gorgeous South London drawl and ravishing rock dynamic now allied to a wider span of musical arrangements and lyrical concerns. Alongside his trusted team of sons Jamie (guitar / production) and Peter Jr (bass) plus members of his live band, Perrett is assisted by a roster of starry guests including Johnny Marr, Bobby Gillespie and Fontaines DC’s Carlos O’Connell.

STAFF COMMENTS

Barry says: Jagged garage guitars, driving percussion and Perrett's unmistakeable semi-spoken drawl come together into a nuanced mix of indie and punk, topped with well-written, heartfelt lyrics. Brilliantly modern, while retaining the sound we know from Perrett's previous work, not to mention the star-studded guest contributions. Lovely.

TRACK LISTING

1. I Wanna Go With Dignity
2. Disinfectant
3. Fountain Of You
4. Secret Taliban Wife
5. Solitary Confinement
6. Women Gone Bad
7. Survival Mode
8. Mixed Up Confucius
9. Do Not Resuscitate
10. The Cleansing
11. All That Time
12. Kill A Franco Spy
13. Set The House On Fire
14. Feast For Sore Eyes
15. There For You
16. Art Is A Disease
17. World In Chains
18. Back In The Hole
19. Less Than Nothing
20. Crystal Clear

Screensaver

Clean Current / Repeats

Naarm/Melbourne 4-piece screensaver is back with a double A-side 7-inch single just 6-months after delivering their 10-track debut album Expressions of Interest on Upset the Rhythm (UK) and Heavy Machinery (AU) to positive international response.

The band return with two distinctly different tracks that extend upon the blend of post-punk, new wave and synth-punk on their debut.

Side A, Clean Current is a burst of high-energy: nervy guitars and groovy bass underpinned with krautrock drums and cosmic synth noise, overlayed with delay heavy vocals. Repeats is the flipside of the coin, a moody post-punk stomper, led by gritty sawtooth synth, chorus-soaked guitar, textural percussion and soaring vocals. Lyrically Clean Current spits out retorts aimed at the engulfing nature of anxiety whilst Repeats critiques the repetition of modern life, languishing human existence.


TRACK LISTING

01. Clean Current
02. Repeats

Mission To The Sun

Cleansed By Fire

RIYL: Ritual Howls, Throbbing Gristle, Coil, The Legendary Pink Dots, Suicide, Cabaret Voltaire, Sonic Youth, Current 93 & The Stranglers.

Mission to the Sun synthesizes ambient, post-industrial landscapes with expansive arrangements and haunting vocals. Comprised of Christopher Samuels (synths, samples, programming) of Ritual Howls and Kirill Slavin (vocals), the Detroit-based duo creates an atmosphere of lamentation for a world left behind. Fragments of industrial noise and hypnotic synths fill Samuels' foreboding, alien terrain, and it's in this vastness that Slavin’s voice mourns the drudgery of everyday life and the loss of universal consciousness.

The duo's debut album, Cleansed by Fire, takes the listener on a journey home to the inferno of the sun, navigating memories of a life lived, dissolved into time. A wind of desolation opens "Take Me Back," with Slavin mourning for a return home to a distant reality. The song uses repetition to build a somber ambience while maintaining a spaciousness sparsely accented by noise with care and precision. Slavin's lyrics examine the conflict and paradoxes that riddle the human condition with

Samuel's instrumentation providing a fitting backdrop. "The Unbroken Sea" illustrates this symbiotic reflection with a propulsive bass line contradicted by ethereal synths that swell and contract, only to be finally engulfed by a pulsating crescendo of rhythmic noise at the end. The dystopian title track "Cleansed by Fire" marches steadily along to a creeping darkwave rhythm. The basic elements of dance music are there, yet the song remains devoid of danceability. Punctuated by lyrics inspired by J.G. Ballard and technological isolation, a glimmer of pop sensibility can be found beneath the haze of the track's potent mood.

Mission to the Sun beautifully captures an alien feeling: one ripe with despair and longing, one that doesn't quite belong to this world or time. A slow, satisfying burn, Cleansed by Fire traverses the dystopian past and present, while moving toward the future.

TRACK LISTING

01. Take Me Back
02. Cleansed By Fire
03. Damaged
04. Mission To The Sun
05. The Unbroken Sea
06. Computers
07. In Your Eyes
08. Three Crossings

Clean George IV

God Save The Clean

Tenement Records is pleased to announce the release of God Save The Clean by Clean George IV on 28th November.

It is a modern British pop/rock epic, the sound of one mans very singular worldview.

The last time George released a record (2007's 'First Blast of the Trumpet against the Monstrous Regiment of Women' included here in a new version) it received extensive play on radio's 1,2 and 6 making several end of year lists and scoring them live sessions with Huw Stevens and Vic Galloway on their radio 1 shows.

Soon afterwards the band went on hiatus for various reasons, mainlyastrological and geographical. George moved back to Edinburgh and joined a myriad of side projects, attempted to undertake a classical music degree, got sued by Kraftwerk and co-wrote and produced a few albums with various friends in various places. He eventually decided to tackle finishing this album with the help of band member and record producer Tom Morris and his brother Tom McFall, also a producer and engineer.

It is an album with more than it's fair share of bombast and ambition. From the swaggering anti cocaine anthem 'Real Men Take Speed' through the power pomp of 'Winter Son' and the post-landfill gloom of 'Fat=dead' this is a record made up of conflicting elements from many disparate genres, all underpinned by George's cosmic deadpan. Other highlights include 'London Scotland', first single 'Pets in the Blitz' and album closer 'Ex-Life'.


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