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THE BUDOS BAND

The Budos Band

VII

    Two years after releasing the 'Frontier’s Edge' EP, the Budos Band are returning with their first full-length since 2020’s 'Long in the Tooth'. Titled simply 'VII', the new album sees them doing what they do best: laying down hypnotic, horn-spiked grooves that menace and mesmerize in equal measure.

    Produced by Budos guitarist Tom Brenneck with Simon Guzmán engineering, 'VII' features 11 tightly constructed new tracks that draw on the group’s wide range of influences, sounding like only the Budos can. It’s music for getting down, for nighttime drives, and for alternate headspaces — a beguiling mix of mystery and rhythm that stands with the formidable work they’ve released in their two decades of recording. 'VII' was recorded in California and serves as the Budos Band’s first full-length album on Diamond West, the independent label founded in 2023 by Tankel and Brenneck. It’s also the group’s first album to include instrumental contributions from percussionist Rich Tarrana, who previously played in the Frightnrs. All told, it succeeds in opening up some new sonic spaces while staying tethered to the intuitive, unique musicality that made them such a sensation from the jump.

    TRACK LISTING

    1. Thrice Crowned
    2. Overlander
    3. Night Raid
    4. Lair Of 1,000 Serpents
    5. Kudzu Vine
    6. Sharky’s Delight
    7. Curse Of The Ivory Fang
    8. Behind The Black Curtain
    9. Escape From Ptenoda City
    10. The Strigoi
    11. Mean Streets

    The Budos Band

    Frontier's Edge

      Frontier’s Edge is the new EP by the fiery, energetic and genre-defying group The Budos Band.

      After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos’ saxophonist Jared Tankel and guitarist Tom Brenneck.

      The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution.

      “It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.”

      As a result, Frontier’s Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective. “We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.” As expected from The Budos Band, Frontier’s Edge resists analysis; it represents the band as they are: a contained explosion. You don’t pick apart Frontier’s Edge; you feel it all at once.

      “Somehow, we wrote six songs in two days,” says The Budos’ drummer, Brian Profilio. “Tom was able to take what we were doing and put it together in a cohesive manner.”

      Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe Afrobeat, Ethiopian music, proto-metal, any number of other streams in microcosm.

      Dime the volume and behold The Budos.

      STAFF COMMENTS

      Liam says: Tasty little EP from The Budos Band, 'Frontier's Edge' has everything you'd come to expect from these genre-wizards. A little bit of jazz, some desert psych and plenty of tasteful improvisation, this is definitely worth checking out!

      TRACK LISTING

      SIDE A
      1. Frontier’s Edge
      2. Devil Doesn’t Care
      3. KRITN
      SIDE B
      4. Crescent Blade
      5. A Passage To Ashinol
      6. Curled Steel

      The Budos Band

      Long In The Tooth

        "A split-screen maelstrom of Fela Kuti, Led Zep, Morricone, psych and dub" The Budos Band - MOJO - Rising - August 2019 Celebrating 15 years from the release of their debut album, Daptone's Royal Court from Staten Island delivers a truly epic collection of new material that finds the group further bridging the gap between the farfisa-fueled Ethio-Funk stylings of their early recordings, with the psychedelic, Sabbath-inspired hellfire of late. “In some ways, itʼs reminiscent of our first two albums The Budos Band and Budos II,” says Tom Brenneck. “We branched off on Burnt Offering and Budos V. Now, weʼre still moving forward.

        You can play these songs on the dance-floor. We knew the horns had to stand out too. Thinking about hip-hop allowed us to put the bounce back into The Budos.” This is evident from needle drop to final rotation. Heavy drum breaks, reminiscent of the B-Boy approved grooves of their early output reign supreme, setting the stage for the pulsating, hallucinatory wall of organ, menacing horns, and rugged guitar riffs to permeate your soul - leaving the listener in a rhythmic wash of Budonian rapture. Long in the Tooth represents the culmination of a 15-year journey by a band that has consistently carved its own distinct path through the grooves of history.

        TRACK LISTING

        1 Long In The Tooth
        2 Sixth Hammer
        3 Snake Hawk
        4 Dusterado
        5 Silver Stallion
        6 Haunted Sea
        7 The Wrangler
        8 Gun Metal Grey
        9 Mierda De Toro
        10 Budonian Knight Renegade

        The Budos Band

        Burnt Offering

          The Budos Band return with 'Burnt Offering'; a wild, booze-fueled ride of hazy riffs and take-no-prisoners horn lines that summons the occult - an evolved sound for this mighty 10-piece band sparked by their love of Black Sabbath and Pentagram.

          'Burnt Offering' was recorded live in the studio, engineered and produced by Tom Brenneck, a founding member and guitarist in The Budos Band who runs Dunham Records and Studios. It was written at the band’s longtime Staten Island studio, where they’ve gathered for weekly rehearsals for over fifteen years. The haunting album cover was created by drummer Brian Profilio, a NYC public school art teacher.

          The new album is dripping with the psychedelic sounds of early heavy metal fused with the tight-knit propulsion of Fela Kuti. “The Sticks” kicks off with a snarling riff seamlessly doubled on bass and guitar and unfurls into sludgy breakdowns and searing guitars.



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