Search Results for:

SUNFLOWER BEAN

Sunflower Bean

Mortal Primetime

    Beloved NYC rock band Sunflower Bean return reinvigorated with 'Mortal Primetime', the most hard-fought and vulnerable album of their career. In the three years since their last LP 'Headful of Sugar', the members of Sunflower Bean - Julia Cumming, Nick Kivlen, and Olive Faber -drifted from one another as they pursued new projects and confronted personal challenges, tragedies and transformations. But 'Mortal Primetime' – the band’s fourth album, but first self-produced – finds Sunflower Bean with a renewed sense of purpose after nearly losing everything they built together. With mixing by Caesar Edmunds (The Killers, Wet Leg) and engineering by Sarah Tudzin (Illuminati Hotties, Boygenius), Sunflower Bean were inspired by alternative rock, dreamy psychedelia, and arena-sized ambition to create a sound that’s undeniably theirs on 'Mortal Primetime'; a record that celebrates their history while hurtling toward the future.

    Sunflower Bean has never fit neatly into a scene, and 'Mortal Primetime' will remind listeners why. They draw from a wide swath of influences most bands wouldn’t dare namecheck together in a sentence, and that daringness has made them undefinable. “Sometimes I think of this record as Belle and Sebastian meets Alice in Chains,” Cumming says. “In the past, we’ve been told to tone down who we are, and this album is our refusal to be anything but ourselves,” Faber says ,“It’s the purest expression of who we are.” Recording vocals for the album’s power-pop opener and lead single 'Champagne Taste', Cumming channelled Iggy Pop circa The Idiot, whilst later, on 'Look What You’ve Done to Me', her staggering range conjures the unsettling madness and whimsy of Kate Bush. And on 'Nothing Romantic', soaring power cords harken back to arena-ready hits of the ‘70s and ‘80s by Heart, Pat Benatar, or Joan Jett.

    These songs are the most honest of Sunflower Bean’s career – unvarnished, exposed - and by embracing discordance and uncertainty, they have created the bravest album of an already storied career. When Sunflower Bean set out to make music together as teenagers, they knew they wanted to go the distance, to create something that could stand up to the unforgiving passage of time. However fleeting this existence is, with 'Mortal Primetime', Sunflower Bean offers up another monument that will withstand the weathering of time.


    TRACK LISTING

    1. Champagne Taste
    2. Nothing Romantic
    3. Waiting For The Rain
    4. Look What You've Done To Me
    5. I Knew Love
    6. Take Out Your Insides
    7. There's A Part I Can't Get Back
    8. Please Rewind
    9. Shooting Star
    10. Sunshine

    Bonus 12":
    11. No Bills In Heaven
    12. Raggedy Anne
    13. Lady Daydream
    14. Crashing Highs
    15. Watch You Walk Away

    Co-produced by Unknown Mortal Orchestra’s Jacob Portrait (who also mixed the record) and HC-producer Matt Molnar of Friends, Twentytwo in Blue shows Sunflower Bean stay true to their guitar band core and classic rock-inspired roots, while exploring new sonic textures with more direct and progressive themes. Unlike their debut, which was essentially a compilation of songs Sunflower Bean wrote while still in their teens, Twentytwo in Blue was made in the year between December 2016 and December 2017 and showcases how far the band has come since playing together in their high school days.

    Sunflower Bean find a sublime maturity and progression to their sound and songwriting on Twentytwo in Blue. If there was a ragged beauty in the gauzy, groovy wall of sound of Human Ceremony, there’s a new directness to these songs, a product of the band’s growth and the insanity of the times we’re in. Sunflower Bean have gained a newly confident voice that they bring to the second album, one that doesn’t shy away from addressing the other events of those two years—political changes and cultural shifts that have left America and the world stupefied. “This has been such an unbelievable time,” says Kivlen. “I can’t imagine any artist of our ilk making a record and not have it be seen through the lens of the political climate of 2016 and 2017. So I think there’s a few songs on the record that are definitely heavily influenced by this sort of—whatever you want to say what the Trump administration has been.” “A shit show,” offers a helpful Faber.

    Ultimately, this record is much more than a political statement or piece of commentary on today’s political climate. “I think one word that always comes to mind when I think about this record is lovable,” says Cumming. “We want the songs to be something that someone can get attached to, and have be a part of them. Because that’s what I look for in songs myself, and that’s the kind of experience we want to give to others.”

    STAFF COMMENTS

    Andy says: Not indie, but beautiful classic rock/pop from NYC's next big thing. With elements of sublime Pretenders-on-autopilot, Fleetwood Mac and even occasional Glam crunchers, this super- melodic 3 piece basically bring pristine jangling and classic riffing to superbly written pop songs, all sweetly delivered by lead singer Julia Cummings. It's a really good record.

    TRACK LISTING

    1. Burn It
    2. I Was A Fool
    3. Twentytwo
    4. Crisis Fest
    5. Memoria
    6. Puppet Strings
    7. Only A Moment
    8. Human For
    9. Any Way You Like
    10.Sinking Sands
    11. Oh No, Bye Bye

    Sunflower Bean

    Human Ceremony

    Sunflower Bean find magic within friction. The New York trio’s full-length debut album, Human Ceremony [Fat Possum Records], emerges at the intersection of dreamy modern psychedelica and urgent fuzzed-out bliss. That push-and-pull colours the aural tapestry of these three musicians—Jacob Faber [drums], Julia Cumming [vocals/bass], and Nick Kivlen [vocals/guitars].

    “Everything comes from a conflicting interest,” affirms Nick. “We love dream pop, but we also really love rock ‘n’ roll. It’s those two spectrums.”

    “You’re allowed to obsess over Black Sabbath as well as The Cure,” adds Julia. “It’d be boring if everything was just one way or the other.”

    That diversity defined the group’s approach since Nick and Jacob started jamming back in high school. They would hole up in Jacob’s Long Island basement for hours on end, channelling this vast cadre of influences. Julia’s addition would only expand that creative palette further in 2013. Through constant gigging around New York, Sunflower Bean sprouted into a sonic enigma, boasting a fiery musical call-and-response that serves as a centrepiece, giving the music what Jacob refers to as a “lyrical aspect” between the guitars, drums, and bass.

    They transferred this multi-headed energy into their 2015 Independent EP, Show Me Your Seven Secrets. At the same time, this distinct alchemy enchanted ever-growing audiences live. By the time, they entered the studio for Human Ceremony, Sunflower Bean had a lively aural cauldron from which to draw.

    They took the summer of 2015 off and retreated to Jacob’s basement to write together. Taking the ideas out of the basement, they hit a Brooklyn studio with producer Matt Molnar [Friends] and tracked eleven tunes in just seven days. Whereas the EP was recorded after Sunflower Bean played 100 shows in one year, Human Ceremony showed the band’s studio side with richer soundscapes, overdubs, and music that had yet to be debuted live.

    On the lead track “Easier Said,” Julia’s delicate vocals glide over a lilting clean guitar that spirals off into a vibrant hum.

    Sunflower Bean’s spell is cast on Human Ceremony.

    “When you’re in a band, you always dream about the first record,” Julia concludes. “It’s that moment where you explore everything that’s been inspiring you.”

    TRACK LISTING

    1. Human Ceremony
    2. Come On
    3. 2013
    4. Easier Said
    5. This Kinda Feeling
    6. I Was Home
    7. Creation Myth
    8. Wall Watcher
    9. I Want You To Give Me Enough Time
    10. Oh, I Just Don't Know
    11. Space Exploration Disaster


    Latest Pre-Sales

    210 NEW ITEMS

    E-newsletter —
    Sign up
    Back to top