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PELICAN

Pelican

Nighttime Stories

    Pelican, the instrumental quartet whose singular vision of heavy music eschews classification, have announced their first full length in six years, Nighttime Stories, via Southern Lord Recordings.

    The eight-song set marks the band’s first release written front to back with guitarist Dallas Thomas, who took over guitar duties upon founding member Laurent Schroeder-Lebec’s departure in 2012. In the process of writing the album the quartet endured a slew of realisations, tragedies, and glimmers of optimism that guided the creative process to the most potent work of their nineteen-year career.

    Though the new material veers towards the darker tone characteristic of Pelican’s early songwriting, it’s hard to imagine a previous incarnation of the band writing songs as meticulously crafted and detail-oriented as those within Nighttime Stories, where the compositions recall everything from the triumphant call-to-arms of classic Dischord, to the vicious troglodyte battery of the Melvins, to the dynamic interwoven melodies of bottom-heavy indie cult heroes Chavez.

    Nighttime Stories was an album title initially proposed for Tusk, the hallucinatory art-grind band that included Pelican members Trevor Shelley de Brauw, Larry Herweg, and Schroeder-Lebec, in addition to vocalist Jody Minnoch. The writing of Nighttime Stories was instigated shortly after Minnoch’s unexpected death in 2014, and some of the dissonant viscera and dark psychedelic structures that were characteristic of Tusk’s sound began to unconsciously inform the album’s direction. In homage to their departed colleague, Pelican applied the previously discarded title and pulled many of the song titles from notes Minnoch had sent to inspire the direction of the unrealized album. As the writing of Nighttime Stories progressed Thomas also experienced a heavy loss with the passing of his father, to whom the album pays tribute on opening track “W.S.T.” (on which Dallas performed his guitar parts on his father’s Yamaha acoustic).

    Pelican have always excelled at vacillating between the savage sounds of various niches of metal underground and the more delicate and nuanced sounds of Midwest’s cerebral indie community, proving that they can make either end of the spectrum more vibrant and compelling through the art of contrast. With Nighttime Stories, the pendulum has swung back to the angst and ire of their younger years while delivering it with the nuance and wisdom that’s come with nearly two decades of writing and performing.

    STAFF COMMENTS

    Barry says: I remember first hearing Pelican's mindblowing 'Australasia' in the early 00's and being genuinely surprised that post-metal could so skilfully toe the line between the brain-melting heaviness of Isis (not that Isis), and the brittle minimalistic guitars of Explosions In The Sky or the like. 'Nighttime Stories' is more evidence that they continue to dominate the scene, and with it progress to the modern era.

    TRACK LISTING

    1. WST
    2. Midnight And Mescaline
    3. Abyssal Plain
    4. Cold Hope
    5. It Stared At Me
    6. Nighttime Stories
    7. Arteries Of Blacktop
    8. Full Moon, Black Water
    9. Darkness

    Haircut One Hundred

    Pelican West (Deluxe Edition)

      Haircut One Hundred sprung into the limelight with the release of their first single 'Favourite Shirts (Boy Meets Girl)' soon after having signed to Arista Records. It reached number 4 in the UK singles chart. Followed up by 'Love Plus One' peaking at # 3 and then 'Fantastic Day' making it to number 9 - the band had caught the attention and affection of the buoyant UK music scene when single sales were soaring. The band were at the forefront of the emerging Brit funk wave and created memorable and lasting pop classics. 

      Pelican

      Forever Becoming

        After four years of silence, instrumental metal standard-bearers Pelican have come thundering back, with 'Forever Becoming' , an eight-song album destined to be considered one of the most punishingly rewarding albums of the year.

        Before their hiatus, the group had laid a sizable chunk of the groundwork for the instrumental metal scene that’s come into its own in the 13 years since they started playing together. After 2009 the band found itself slightly adrift, and found the day to day struggle of being full-time underground musicians colliding with new families and non-musical careers. Wisely, they didn’t make any rash decisions, and as suits a band known for making dense, meditative sounds they simply patiently figured out how to move past their obstacles.

        This reborn Pelican is purer, more focused, and far more assured. Recorded at Electrical Audio in Chicago with engineer Chris Common, and featuring The Swan King guitarist Dallas Thomas (replacing the amicably departed Laurent Schroeder-Lebec) Forever Becoming is an immense, speaker-rattling meditation on the infinite cycle of death and life. It takes a lot of experience and a lot of confidence to attempt a head-on ascent of the biggest, most monolithic theme in art, but Forever Becoming is proof that Pelican has plenty of both, and knows how to wield them.


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