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MAJICAL CLOUDZ

Majical Cloudz

Are You Alone?

    Majical Cloudz return with their eagerly anticipated sophomore studio album ‘Are You Alone?’, released on Matador Records.

    In 2013, the Canadian duo, comprised of principle songwriter and vocalist Devon Welsh and producer Matthew Otto, made a lasting impression with their debut full length ‘Impersonator’, which garnered praise from tastemaker and mainstream media alike as one of the year’s best and most notable albums. The band have since been fastidiously crafting their second studio album while simultaneously touring the world with their own shows as well as opening for Lorde on her North American tour.

    ‘Are You Alone?’ sees the expansion of Majical Cloudz’ sonic and narrative scope in adventurous new directions while retaining the unmistakable building blocks that have singled out the musical-performance art project as a unique proposition. Simple yet emotionally confounding lyrics showcasing a raw vulnerability which explore love and friendship, heartbreak and sadness, delivered in Welsh’s arresting baritone and filled out by minimalist yet evocative production and instrumentation, bringing the songs’ underlying emotional core to stirring realization. Throughout 12 poignant and resonant compositions Welsh and Otto have created a soulful and cinematic novella, continuing their artistic evolution at the forefront of brave and uncompromising musical performance.

    Written and recorded between Montreal and Detroit, ‘Are You Alone?’ features drum, viola and piano support from Canadian composition auteur Owen Pallett, known for his work with Arcade Fire, Grizzly Bear, Death From Above 1979 and Alex Turner of the Arctic Monkeys.

    Following early releases as well as collaborations with artistic kin Grimes, Majical Cloudz broke into recognition with their ‘Turns Turns Turns’ EP in 2012 and soon after signed to Matador. In addition to being nominated for the 2013 Polaris Music Prize, ‘Impersonator’ received critical praise from Rolling Stone, Pitchfork, Stereogum, VICE and NME among others. In 2014 the duo were personally selected by teenage pop phenomenon Lorde as the opening act for her North American tour, taking their intimate stage setup to theatres across the continent.

    Their incredible conceptual live performance - stark and direct yet with moments of Pagliacci-esque silliness - gained plaudits from Billboard, Grantland, and Pitchfork and was described by Lorde as “one of the most simple and moving things I have seen, ever.” The 2014 tour with Lorde was captured in in the Majical Cloudz documentary ‘A Lot Of Humans’, directed by Neil Corcoran with an original soundtrack by the band. They were further highlighted with a summer cover story feature on Pitchfork.

    TRACK LISTING

    Disappeared
    Control
    Are You Alone?
    So Blue
    Heavy
    Silver Car Crash
    Change
    If You're Lonely
    Downtown
    Easier Said Than Done
    Game Show
    Call On Me

    Majical Cloudz

    Impersonator

      Majical Cloudz is the voice of Montreal songwriter Devon Welsh, exploring the negative space within electronic music, using his powerful vocals to say “no” to the infinite possibilities digital instruments provide and instead choosing to focus his attention inwardly.

      Joined by Matthew Otto to collaboratively produce and perform his songs, the 2012 debut album ‘II’ and the ‘Turns Turns Turns’ EP released on Arbutus / Merok in December gained praise for their simplicity and honestly. Now, ‘Impersonator’ brings Welsh’s songs into even sharper focus as the expressive power and swagger belie the extremely minimal music. These are intensely lyrical songs about death, patience, family, friendship and desire, with Welsh’s rich vocals atop quiet looped waves of white noise, filtered synths and sparse thuds.

      Welsh expounds on how he came to his personal, minimal brand of electronic music: “In the last few years there’s been a massive explosion of amazing music made with electronic equipment. I love that kind of music but it also started to overwhelm me, I wasn’t cut out for the maximalist expressions of that style. So I took a break from music, and when I started again it was to make music that barely existed and felt like stillness more than movement. Where the songs could be more about humanness. The easiest way for me to do that is try to make something without obvious movement; where the music isn’t overstuffed sonically or referentially, it’s emptied out as much as possible. So the vision for ‘Impersonator’ was to communicate a lot with as little as possible. It’s not meant to energize and turn you out to the world, it’s meant to do the opposite; it’s more like a cocoon.”

      Most of ‘Impersonator’ was written at Welsh’s father’s house in rural Ontario, in the basement after he went to sleep. He says, “One day I realized I had fifteen to twenty songs, and they made me feel like I had overcome the dead end I thought I was in. I started realizing that I could say anything I want in a song.”

      Welsh cites Elliott Smith and Arthur Russell as the two biggest influences on his song writing. While ‘Impersonator’ sounds like neither, Smith’s lyricism is evident, as is Russell’s ability to distil a number of seemingly contradictory stylistic ideas into a single focussed statement. Other records Welsh listened to while writing the album point to the diversity embedded in ‘Impersonator’s deceptively simple approach: Drake’s ‘Take Care’, Oneohtrix Point Never’s ‘Replica’, Kurt Vile’s ‘Smoke Ring For My Halo’, Grouper’s ‘AIA’, Kraftwerk’s ‘Trans-Europe Express’, Paul Simon’s ‘Paul Simon’, John Lennon’s ‘Plastic Ono Band’.

      While Welsh and Otto work collaboratively in the studio, live Welsh is front and centre on the mic, as Otto creates the musical atmosphere. “I put forward songs and big ideas, and he pushes me to look at the little details,” says Welsh. “Live it’s a similar dynamic, he gives me the platform to stand on musically.” The songs are made with relatively low-tech means, allowing for spontaneity and experimentation, both live and in-studio. For Welsh, the track ‘This Is Magic’ works as a metaphor for the album as a whole: “That song functions with very minimal arrangements, very straightforward lyrics, it operates on a loop, and the message is that there is strength, rather than weakness, in being vulnerable.”

      Though they stand stylistically apart from other artists in their Montreal scene - which includes Grimes, Doldrums, Blue Hawaii, Mac DeMarco, and others - Majical Cloudz are proud beneficiaries of its camaraderie. “The waves that are being made internationally by Montreal musicians really started in the fall of 2009, so the fact that it is finally happening is unbelievable and I’m euphoric about it,” says Welsh. “I don’t think I could find an art / music scene as rewarding to me anywhere else, because it takes a while to get comfortable being vulnerable in front of a whole community.”


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