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LA PRIEST

LA Priest

Gene

    GENE arrives five years after the iconoclast variously known as Sam Eastgate, Sam Dust and LA Priest thrilled the world with the cosmic pop of his debut album Inji, his first LP for Domino and his first solo output following the disbanding of former outfit, Late Of The Pier. GENE also follows the 2016 project Soft Hair in which Sam teamed up with Connan Mockasin for an instant cult-classic album.

    GENE, the album, is named after a brand-new analogue drum machine Sam dreamt up and built alone. Working in isolation for more than two years in California, Wales and England’s south coast, soldering iron in hand, Sam developed the inners of GENE using dozens of electrical circuits he made up himself. The creation came after a search for an alternative to the structure and rigor of standard drum machines. Its unique rhythmic patterns are the focal point for the album, which is coloured by lush, pastoral tones, paired with the influence of his environmental changes.

    The product of clear-eyed focus, the record offers a one-way ticket into a dimension entirely of Sam’s own making.

    GENE is the most complete realisation of his vision yet. These songs are on a quest for meaning, exploring the limits of their maker’s abilities.

    Coaxed into life with the juicy groove of “Beginning”, the record struts and sparkles through “Rubber Sky” and “What Moves” towards the melancholic interlude of “Sudden Thing” and the gigantic noise of centerpiece “Monochrome”, taking a sharp turn in the final third towards something darker and more mystical.

    GENE was produced alongside London based artist, producer, DJ and founder of Phantasy records, Erol Alkan.

    FORMAT INFORMATION

    Coloured LP Info: Limited edition glow-in-the-dark LP

    ‘Inji’ is the debut solo album by Sam Dust, AKA LA Priest.

    Across its 10 audaciously imaginative tracks, ‘Inji’ reasserts Dust as a truly idiosyncratic voice in British music, applying the same frantically eclectic, mischievous and willfully absurd spirit of his previous band, the beloved Late Of The Pier, to ever more nuanced and affecting songwriting and composition.

    From the obscene space-age stadium rock guitar solo of ‘Oino’, the maddeningly catchy digi-dub single that Dust leaked sample-by-sample on a suitably enigmatic website at the turn of the year, to ‘Learning To Love’, the record’s gargantuan, eight minute long prog-house centrepiece and ‘Occasion’, a melting Martian Prince come-on, ‘Inji’ confounds and delights in equal measure and at every turn.



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