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JESSICA PRATT

Jessica Pratt

Here In The Pitch

    On her fourth album, west coast artist Jessica Pratt expands the scope of her artistry, placing her sharpest songs to date within an ever-broadening pool of influences including spectral '60s pop, Hollywood psychedelia and bossa nova. Whereas Pratt's 2019 record, Quiet Signs, floated elegantly in the ether, Here in the Pitch is entrenched in more earthen characteristics, as the title suggests, and her craft is emboldened with a newfound gravitas.

    STAFF COMMENTS

    Barry says: 'Here In The Pitch' takes Jessica Pratt's established sound (brittle folk and slow country balladry) and widens the net into slow hazy pop and soaring widescreen songwriting. Though she's not moved away from the more minimalistic pieces, there are a lot more moments of both jubilance and fear, it's a beautifully crafted and intensely personal creation.

    TRACK LISTING

    Side A
    A1 Life Is
    A2 Better Hate
    A3 World On A String
    A4 Get Your Head Out
    A5 By Hook Or By Crook

    Side B
    B1 Nowhere It Was
    B2 Empires Never Know
    B3 Glances
    B4 The Last Year

    Jessica Pratt

    On Your Own Love Again

      We all want the world to be beautiful. We want scribes and songbirds to tell us so - and sometimes they do and then it is. They point their pens and focus their lens where they will and surprise us to our soul. ‘On Your Own Love Again’ is a record that does it to us, with songs from a spine-thrilling new place and a gifted young singer with her own musical logic.

      Jessica Pratt’s self-titled 2012 debut has been much-murmured about. People respond to the austere, pristine clarity of the performances, the gentle strength, marvelling at how much comes from so little: just a voice and a guitar or two. They remark on the timeless nature of the songs and the voice, scrupulously informed by the folk rock of ages past but sung without bags (none in hand, nor beneath eyes). They speculate on just who is the personality behind this Jessica Pratt? It is hard not to respond to the sound of her music, not to want more right away.

      Two years on and Jessica’s very new ‘On Your Own Love Again’ is here for us, playing her further adventures in different pastures. If they feel removed from the first songs, it may help to know that the recordings of the first album were made some years back with no expectation of making an album. They sat quiet on the shelf for a long time, appearing on the internet eventually. It all seemed harmless but when Birth Records honcho Tim Presley rolled up in his long white limousine and began to spin tales of folk rock glory, who was she to say no?

      The nice part about learning that people dig your sound is that it gives you the chance to think of what else you’d do. After deep consideration, Jessica found new songs within her and an urgency to make another record, marked with a strong sense for rendering it exactly the way she heard it in her head, spending time with her tunes and crafting the smallest details. In this way, she truly was able to inhabit her own skin as a singer of her songs - and make ‘On Your Own Love Again’ the first Jessica Pratt album constructed to be an album.

      What makes ‘On Your Own Love Again’ new? Everything and yet everything woven so subtly into the presentation leaves you unaware that you have been modulated upon. The album was recorded entirely by Jessica in the fashion of ‘Night Faces’ and ‘Dreams’ from her first album, mixed in collaboration with Will Canzoneri.

      Touched lightly with additional instrumental and vocal parts, the songs ripple beneath the surface with lyrical details that morph almost subliminally from the personal into fantasy. When Jessica’s playful nature bubbles up, she sends her voice travelling into strange places to see what it finds there. The music too is deceptively accomplished, providing subtle hallucinatory nuances to the tunes: the orchestral organ stop working in the shadows of ‘Wrong Hand’; the reverberant percussion floating through ‘Game That I Play’; the clavinet panned out on the side in ‘Moon Dude’; Jessica’s sudden vocal dip into her lower register on ‘Greycedes’; all pulling at the ears, highlighting her unique pop sensibilities with craft and humour, giving the album’s inherent romance a greater heft.

      Perhaps most significantly, ‘On Your Own Love Again’ was recorded at home, at places in Los Angeles and San Francisco, over the past two years. This process sands the surface of her more active multi-tracking approach, allowing a sound as delicate and singular as her former recordings.


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