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INTERPOL

Gabriel T. Saxton-Ruiz

Interpol's Antics - 33 1/3

At the dawn of the 21st century, the New York City indie rock scene emerged as a beacon of artistic innovation, capturing widespread attention. Within this vibrant milieu, Interpol's second album, Antics, stands out as a landmark release.

Released in 2004, Antics initially received a spectrum of responses-acclaimed by fans yet, somewhat dismissively regarded by critics; nevertheless, time has favored Antics, elevating it to a revered status among aficionados. Covering the album's intricate musical craftsmanship to its innovative marketing, and with insights from lead singer Paul Banks, this book reveals the depths of Interpol's creative evolution and the album's shift towards distinct singles while maintaining its atmospheric essence. Highlighting the band's widespread appeal, especially in Latin America, the book looks into the band's fervent fanbase and the cultural phenomena that arose, showcasing the enduring bond between Interpol and their international audience. It discusses the global impact of Antics, and underscores the album's longevity and Interpol's status as architects of a sound that has resonated across borders and generations, cementing their place in the annals of modern music history.

Interpol

The Other Side Of Make-Believe

If fate didn’t quite ordain the circumstances for Interpol’s seventh album, it was at least fortunate that the band had happily concluded their Marauder cycle on stage in front of 30 thousand-odd Peruvian fans. Rather than be sent scrambling like so many other musicians on tour or promoting new music, when lockdown clamped in March 2020, Interpol quickly got into a productive mood.

Coming from a group whose early work was characterised by Polish knife-wielders and incarcerated serial killers, you might expect Interpol’s pandemic record to be an emotional tar pit — doubly so, given the presence of towering producer-engineer duo Flood and Moulder on the boards. But Banks felt the call to push in a “counterbalancing” direction, with paeans to mental resilience and the quiet power of going easy. “The nobility of the human spirit is to recover and rebound,” he says. “Yeah, I could focus on how fucked everything is, but I feel now is the time when being hopeful is necessary, and a still-believable emotion within what makes Interpol Interpol.”

STAFF COMMENTS

Barry says: Interpol are back for their seventh outing, recalling the superb melodic moments of their early years (Something Changed for example is classic Interpol) but with a more scattered, world-weary stagger. As ever, wonderfully engaging, aided by legendary production duo Flood and Moulder. Dream team.

TRACK LISTING

Toni
Fables
Into The Night
Mr. Credit
Something Changed
Renegade Hearts
Passenger
Greenwich
Gran Hotel
Big Shot City
Go Easy (Palermo)

Interpol

Our Love To Admire - Reissue

Our Love to Admire marked a critical and commercial breakthrough for the band. Recorded at New York's Electric Lady and the Magic Shop studios with producer Rich Costey (Muse, Death Cab for Cutie), the album boasts an expansive, cinematic sound that drove home such notable songs as The Heinrich Maneuver, Pioneer to the Falls, No I In Threesome, Mammoth and Rest My Chemistry. Upon its release, the album debuted in the Top Five in both the U.S. and the U.K. Interpol formed in the late 1990s and quickly established a dense, intoxicating sound featuring layers of guitar, bass and synthesizers. The band came up through the vibrant New York scene, alongside such notable contemporaries as the Strokes and the National, but gained crucial early attention in Britain, where they recorded a prestigious live session for legendary BBC DJ John Peel.

TRACK LISTING

Pioneer To The Falls
No I In Threesome
The Scale
The Heinrich Maneuver
Mammoth
Pace Is The Trick
All Fired Up
Rest My Chemistry
Who Do You Think
Wrecking Ball
The Lighthouse

Interpol

Antics

Recorded with longtime associate Peter Katis, "Antics" is an optimistic exploration of the dark landscapes visited on Interpol's hugely successful debut "Turn On The Bright Lights". Some of Interpol's greatest songs are here: "Evil", "Take You On A Cruise", "Slow Hands" and "Not Even Jail" among them.

Interpol

Turn On The Bright Lights

‘Turn On The Bright Lights’ is the seminal debut studio album by American post punk revival band Interpol.

The album was originally released in August 2002 and was co-produced, mixed and engineered by Peter Katis and Gareth Jones.


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