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Hanni El Khatib


    Hanni El Khatib, the definitive purveyor of visceral, blues-wracked, punk-spiked, soulwarped, knife-fight rock n’ roll who artfully blends serrated guitars with his love for hiphop, releases his fifth album FLIGHT, produced by and recorded with long-time friend Leon Michels (El Michels Affair, Lana Del Rey, Rick Ross, Travis Scott, A$AP Rocky, and Eminem).

    From 2010 until 2017, when he released his previous albums, there was the usual cycle that consumes most working musicians: make an album, tour it, return home, rinse and repeat. And with it came the predictable pitfalls that ensnare too many artists - It is a dream until that one night when it isn’t any longer, and despite his gratitude for his fans, El Khatib found himself wracked by depression and anxiety. It became readily apparent that if he didn’t make drastic changes to his lifestyle, there might not be a life to speak of. So he quit drinking, stopped touring, and took an indefinite hiatus from the studio. But eventually, the desire to create songs slowly returned.

    What would eventually become El Khatib’s fifth studio album, the virtuosic but characteristically raw FLIGHT, began as spontaneous experimentation. The finished result is a rollicking sampledelic opus that recalls the beautiful chaos that the Dust Brothers created on Paul’s Boutique and Odelay. It’s the type of thing that Dilla and Madlib would’ve created if they had come up on The Cramps.


    1. CARRY
    2. GLASSY
    3. ALIVE
    4. COLORS
    5. STRESSY
    6. ROOM
    7. LEADER
    8. GEM
    9. HARLOW
    10. DUMB
    11. HOW
    12. DETROIT
    13. PEACE

    Hanni El Khatib’s first idea for his Savage Times project was to do something he’d never done before. Instead, he ended up doing …well, everything he’d never done before. He’d be playing new instruments, writing in unfamiliar new ways, opening himself up to an unrelenting stream of ideas and dedicating himself totally to pure musical instinct. And the result? 19 best-of-the-sessions songs, as well as the kind of creative revelations that only happen when you quit looking around and start looking ahead.

    Originally, he’d hoped to explode the lingering idea that he was simply a blues-rock guitar player, but that’s why Savage Times touches on everything from garage rock to punk to disco, hip-hop and even some unexpected solo-guitar self-portraiture. But on the way, he also exploded his own idea of what he could do—even maybe who he was, or would be. Savage Times was an experiment as well as an experience, that touched on some of the most personal, social & political elements to date.


    1. Baby's OK
    2. Gonna Die Alone
    3. Born Brown
    4. Paralyzed
    5. Miracle
    6. Mangos & Rice
    7. Come Down
    8. No Way
    9. Mondo And His Makeup
    10. Gun Clap Hero
    11. Black Constellation
    12. So Dusty
    13. Till Your Rose Comes Home
    14. Hold Me Back
    15. Savage Times
    16. 1AM
    17. Peep Show
    18. This I Know
    19. Freak Freely

    Hanni El Khatib


      On his 2011 debut Will The Guns Come Out, Hanni El Khatib tried something he’d never tried before—making a bedroom-style recording of his stripped brand of rock‘n’roll mostly for the sheer joy of making it. For his ferocious 2013 follow-up Head In The Dirt, he tried something new again, enlisting Dan Auerbach as a producer.

      But after Head In The Dirt’s release and almost a year of relentless touring, Hanni knew he needed to go past ‘unpredictable’ all the way to ‘unprecedented.’ He needed isolation, time and the chance to experiment. So after 30 days locked in hand-picked L.A. studio The Lair, the result is the album Moonlight—the rarest and most welcome kind of album, made at that perfect point in life where confidence, experience, and technique unite to help an artist do anything they want.

      That’s why it starts with a song that sounds like a Mobb Deep beat under a Suicide-style synth drone and ends with an ESG-meets-LCD Soundsystem gone italo-disco song about life and death. That’s why it collides crushing crate-digger drumbeats that’d be right at home on a Can LP or an Eddie Bo 45 with bleeding distorto guitar, bent and broken barroom piano and hallucinatory analog flourishes.

      "Engine-revving dose of filthy, leather-clad blues." - NME

      "A shit-kicking garage greaser with badass hooks." - SPIN

      "Stripped- down garage rock with crunching guitars and kiss-off cockiness." - GQ

      "This is desert-burned blues rock boosted by punk, soul and hip-hop" - ROLLING STONE

      Hanni El Khatib

      Head In The Dirt

        Hanni El Khatib is back with his second album ‘Head In The Dirt’ produced by Dan Auerbach of the Grammy Award-winning band The Black Keys. Hanni El Khatib’s breakout debut ‘Will The Guns Come Out’ led to all kinds of success – not least having his music licensed to HBO and Showtime television series, and adverts for Nike and Captain Morgan. In 2012, however, he showed up to record his second album with just the clothes on his back — no guitar, no fancy almost-finished demos, and only about three weeks time to get from start to finish. While on tour, he'd met Dan Auerbach of The Black Keys in a Paris bar. After some whisky, they decided to partner up in Auerbach’s Nashville studio. The idea was to erase everything Hanni had become comfortable with and to make an album out of only raw instinct and inspiration. The result is ‘Head In The Dirt’, in which Hanni El Khatib makes the entire history of rebel music his own over eleven tracks. There are cut-to-the-bone rhythm ‘n’ blues songs (‘Save Me’) and overcranked Stooges-style stompers (‘Family’). There are bottomless Black Sabbath riff-outs (the back half of ‘Pay No Mind’) and dubbed-out garage rock tunes (‘Nobody Move’) that call up the spirits of the Clash and the Equals. His ‘Low’ is just one Andre 3000 remix away from a club anthem, ‘Penny’ is a stick-in-your-head pop hit, and ‘Sinking In The Sand’ is a freak-out headbanger.

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