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GIRL BAND

Girl Band

Vicar Street Live

    THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
    LIMITED TO ONE PER PERSON.


    In November 2019, Girl Band played back to back sold out shows at Dublin's iconic Vicar street, this was following the release of long awaited second album 'The Talkies' hailed as 'more abstract and more focused than their debut' and a sold out East coast U.S & European tour.Recognised for their ferocious live shows which have been described as chaotic, electrifying and 'genuinely dangerous, like one last rave before the apocalypse', these shows were highly intimate and intensely sought after creating an air of 'you had to be there'.This is their first ever Live vinyl and features tracks from their whole repertoire, some of which have only been performed a handful of times.1.Pears for Lunch ñ 3.35 2.Fucking Butter ñ 7.49 3.Lawman ñ 6.14 4.Heckle The Frames ñ 1.31 5.The Last Riddler ñ 1.21 6.Laggard ñ 5.56 7.Salmon of Knowledge ñ 6.21 8.Amygdala ñ 1.43 9.The Cha Cha Cha ñ 0.29 10.Shoulderblades ñ 6.07 11.Prefab Castle ñ 7.39 12.Why they hide their bodies under my garage? 13.Going Norway ñ 4.13 14.Paul ñ 6.54

    Girl Band

    The Talkies

      Recorded in November 2018 at Ballintubbert House, Ireland, “a few pay grades above what we're used to!”, the alien construction of Ballintubbert and its corridors help to navigate Girl Band’s cataclysmic sound within a world of its own.

      “In many ways the idea behind the album was to make an audio representation of the house.“ And this enigmatic manor becomes Girl Band’s sonic playground: to place yourself within a space, and to work with that space harmoniously. Dan continues, “We recorded all the drums twice: once on the landing and once in the cellar” -The Well of Souls- “and during production we could actually cut in between both these sounds”. The Talkies vacillates between being big, ambient, and atmospheric to suddenly terribly intimate and up close.

      The Talkies is living, breathing, in a continual state of metamorphosis. It encompasses everything there is to love about Girl Band while simultaneously causing an exciting level of discomfort. The moaning and sawing guitars, atonal blankets of sound, abstractive lyrical repetition, chugging snare and ascending/descending snakes and ladders noise-rock guitar deliver something that is so distinctively Girl Band.

      …Eregenis. Album closes to steady breathing. It drips with catharsis, slow and mindful and purging over the familiar key and darkly syncopated grooves which closes the door to Girl Band’s sonic universe and brings ‘The Talkies’ to its first and final silence.

      Girl Band

      Going Norway

        Going Norway is Girl Band’s second single following their 4-year hiatus, a two track 7” with an exclusive B side taking the same name as their upcoming album ‘The Talkies’.

        In Going Norway, we hear the mimicry of Dara’s vocal to Alan’s guitar coming close to a moan, both simultaneously reaching outside of the confines of Adam’s steady, flitting snare sound: ‘And Why/ Is the Death/ So Alive?’ The track pushes and pulls against itself, and the emotion is felt within this combative movement and the elongation of vowels – the intensive repetition to the point of abstraction results in a violent discrepancy between language and meaning, as Dara draws attention instead to the way the mouth moves and how sound is formed.

        Girl Band

        Pears For Lunch

          7” single, hand folded and numbered by Girl Band themselves.

          One sided 7” features an etched B-side of drummer Adam’s head.

          ‘Pears For Lunch’ is taken from Girl Band’s debut album ‘Holding Hands With Jamie’ out on Rough Trade.

          The release comes a few years into their tenure; a few years after their first tour; nine days crammed into a Fiat Panda; a few years of stamping 7” sleeves to sell at merch tables and mail-order; a few years of writing songs and touring and developing a live ferocity unmatched by nearly anyone.

          Recorded in April 2015, two days after returning home from their first-ever US tour, the nine tracks making up ‘Holding Hands With Jamie’ capture, more than any previous recordings, the tension and abrasive energy of a Girl Band performance.

          This young Dublin foursome are creating vital, propulsive, and almost terrifyingly energetic noise rock that pulls as much influence from classic techno as from their more obvious postpunk, noise and industrial predecessors.

          “It’s hard to overstate how heart-stopping it is to see these four guys from Dublin play live, but I’ll say they make it sound like the whole world is going to literally explode in a massive, interstellar ball of fire. It's the end of everything and they're both indifferent and full of rage.” - NPR

          “The one blindingly obvious thing about Girl Band is that this is fucking great.” - Noisey

          “Their cover of [Yorkshire exponent of terror techno] Blawan’s ‘Why They Hide Their Bodies Under My Garage?’ features distortion and noise like a Hoover crying. It is mechanistic and rhythmical-industrial, not grunge at all, eight minutes of pure panic.” - The Guardian

          Girl Band

          Paul

            ‘Paul’ is taken from Girl Band’s debut album ‘Holding Hands With Jamie’, out on Rough Trade.

            The video for the single was directed by Bob Gallagher.

            The 12” exclusive B-side, ‘The Wrath Of Nick Berry’, offers an exciting surprise that only those who buy the vinyl will experience…

            Girl Band

            Holding Hands With Jamie

            If you’ve seen Girl Band live, you understand. If you’ve heard ‘The Early Years’ EP or one of their early, handmade releases - or perhaps if you’ve seen the not-for-the-squeamish video for their eight-minute cover of Blawan’s “Why They Hide Their Bodies Under My Garage,” you’ve got a sense.

            ‘Holding Hands with Jamie,’ Girl Band’s debut album, comes a few years into their tenure; a few years after their first tour; nine days crammed into a Fiat Panda; a few years of stamping 7” sleeves to sell at merch tables and mail-order; a few years of writing songs and touring and developing a live ferocity unmatched by nearly anyone. Recorded in April 2015, two days after returning home from their first-ever US tour, the nine tracks making up 'Holding Hands with Jamie’ capture, more than any previous recordings, the tension and abrasive energy of a Girl Band performance.

            Going into the studio (Bow Lane, Dublin) to record an album - rather than a track or two here and there - “required a different mindset,” guitarist Alan Duggan explained. "It was way more challenging to stay focused – tricky to find a balance between keeping a distance from the songs for perspective but also to fully concentrate on them.” While they had the luxury of studio time (“we spent three or four days just setting up drums, amps, and mics”), the band laid down seven of the tracks in less than two days, ensuring that the record pulses with vitality and forward momentum.

            Recalling any number of things but for only milliseconds at a time, Girl Band make a mockery of comparisons, because you can only get as far as “oh this bit sounds like—” before a guitar scuff-screams, the bass crunches like a car in a bailing press, or something else visceral and glorious comes from the speakers, and the thought’s erased. This young Dublin foursome are creating vital, propulsive, and almost terrifyingly energetic noise-rock that pulls as much influence from classic techno as from their more obvious post-punk, noise and industrial predecessors.

            FORMAT INFORMATION

            LP Info: Standard black vinyl.

            Floyd Dixon / Tony Harris, JJ Jones And Band

            Ooh Little Girl / Try This Li'l Ole Heart

            Two killers from the Ebb stable back to back! On side A Floyd Dixon hits us with the brilliant jivin' rock & roller "Ooh Little Girl", while on the flip Tony Harris, JJ Jones And Band deliver hollering slinkie slowie "Try This Li'l Ole Heart".



            FORMAT INFORMATION

            7" Info: Limited dinked reissue with replica US label artwork. 500 copies only.


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