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FINK

Fink

Wheels Turn Beneath My Feet II

    The second volume of 'Wheels Turn Beneath My Feet', capturing over a decade of Fink’s live performances worldwide. ‘Wheels Turn Beneath My Feet II’, features live recordings spanning more than ten years from cities across Europe. An essential purchase for any fan of Fink

    TRACK LISTING

    1. Pilgrim (Live In Warsaw 2014)
    2. Resurgam (Live In Den Haag 2017)
    3. Looking Too Closely (Live In Berlin 2014) 
    4. Shakespeare (Live In Vienna 2017) 
    5. Truth Begins (Live In Amsterdam 2014)
    6. We Watch The Stars (Live In Berlin 2019)
    7. Hard Believer (Live In Berlin 2014) 
    8. Bloom Innocent (Live In Antwerp 2019)
    9. Not Everything Was Better In The Past (Live In London 2017)
    10. This Isn’t A Mistake (Live In Paris 2017)

    Fink

    Beauty In Your Wake (Acoustic)

      There’s no such thing as a finished version of a song; the “studio album” version simply marks the point where the producer finally claps their hands and says, “Enough!” Few acts believe in this doctrine as much as Fink. For each of their last six albums, Fink has gone back to the studio to capture alternative, acoustic readings of their latest record. Frontman Fin Greenall has often gone further, creating adventurous remixes of the latest set.

      “Our songs change quite dramatically over time,” says Greenall. “As soon as we play a song live, it alters. Always for the better… sometimes we completely forget what the album version sounds like. Also, I often don’t realise what a song is really about until I start singing it night after night.” Returning to the studio therefore oKers a unique opportunity to capture additional depth and meaning. This time, Fink have swapped the Cornish idyll where they recorded the original version of 'Beauty In Your Wake' for the historic analog paradise of Lowswing studio in Kreuzberg, Berlin: a vibey, equipment-filled den that has previously hosted Nick Cave and Die Krupps, among others. Here, Greenall together with longtime cohorts Tim Thornton and Guy Whittaker, deconstructed the songs and started from scratch, playing the eventual versions completely live over three snowy days, January 2025. The results are earthy, adventurous, captivating. The stripped-down 'What Would You Call Yourself' gains a widescreen, northern-European cool… a delicate rendition of 'One Last Gift' benefits from a glistening, experimental mix from producer Guy Sternberg… the stately, unresolved 'When I Turn This Corner' finds new depth and soul… 'The Only Thing That Matters' acquires a spontaneity and warmth, honed from dozens of performances on the road.


      TRACK LISTING

      LP Tracklisting:
      1. When I Turn This Corner (Acoustic)
      2. Follow You Down (Acoustic)
      3. So We Find Ourselves (Acoustic)
      4. One Last Gift (Acoustic)
      5. What Would You Call Yourself (Acoustic)
      6. The Only Thing That Matters (Acoustic)
      7. Be Forever Like A Curse (Acoustic)
      8. Don't Forget To Leave Well (Acoustic)

      CD Tracklisting:

      CD1:
      1. When I Turn This Corner (Acoustic)
      2. Follow You Down (Acoustic)
      3. So We Find Ourselves (Acoustic)
      4. One Last Gift (Acoustic)
      5. What Would You Call Yourself (Acoustic)
      6. The Only Thing That Matters (Acoustic)
      7. Be Forever Like A Curse (Acoustic)
      8. Don't Forget To Leave Well (Acoustic)

      CD2:
      1. What Would You Call Yourself
      2. The Only Thing That Matters
      3. Be Forever Like A Curse
      4. It's Like You Ain't Mine No More
      5. Follow You Down
      6. I Don't See You As The Others Do
      7. One Last Gift
      8. Don't Forget To Leave
      9. So We Find Ourselves
      10. When I Turn This Corner 

      Fink

      Hard Believer - 10th Anniversary Edition

        3LP 140g black vinyl housed in gatefold 350gsm sleeve with expanded booklet featuring archival photos & “making off” extract. Includes Denmark Street, Electronic Monkey Sessions & live versions available on vinyl for the first time ever. 

        TRACK LISTING

        A1. Hard Believer
        A2. Green And The Blue
        A3. White Flag
        B1. Pilgrim
        B2. Two Days Later
        C1. Shakespeare
        C2. Truth Begins
        D1. Looking Too Closely
        D2. Too Late
        D3. Keep Falling
        E1. Hard Believer (Denmark Street Session)
        E2. Green And The Blue (Denmark Street Session)
        E3. Pilgrim (Denmark Street Session)
        E4. Truth Begins (Denmark Street Session)
        F1. Looking Too Closely (Denmark Street Session)
        F2. White Flag (Live In Köln)
        F3. Too Late (Electric Monkey Session)
        F4. Two Days Later (Electric Monkey Session)

        Fink

        Beauty In Your Wake

          FINK, Long-established alt-folk trio, return with Fin Greenall’s eighth studio album under the genre-hopping moniker. Coalescing around the emergent urgency in each of the album’s ten tracks and intimate, closed-door sessions in picturesque Cornwall, the soul-reaching ‘Beauty In Your Wake’ is released on the band’s R’COUP’D label.

          Now resident in Berlin, native Cornishman Greenall, one time collaborator with John Legend, Amy Winehouse, Colin Stetson and more, sought the solitude and back-to-earth atmosphere of the small village of Zennor, on the county’s picturesque Atlantic coast for the agenda-free, organic recording sessions. The band were invited to record at producer Sam Okell’s newly built studio and were the first band to create there. Okell is the Grammy Award-winning engineer and mixer of The Beatles’ Get Back and Sgt. Pepper's Lonely Hearts Club Band 50th Anniversary Release.

          Imagining that those conditions could percolate a lo-fi, classic English folk album, the joint creative restlessness of the band and Okell instead pushed ‘Beauty In Your Wake’ into the expansive realms of FINK’s commercially and critically successful albums of the noughties and 2010’s, and is a triumphant return to self. FINK’s music has always been woven into a broader global tapestry, not least because the band’s music has featured on countless film and TV soundtracks such as Better Call Saul, The Walking Dead, and most recently on the latest series of True Detective.

          Going ‘overground’ in the music world for the first time in 1997 as a dance-orientated signee to Ninja Tunes’ sister label N-Tone, Greenall’s life in music has travelled diverse roads and lit numerous corners of the international music business. The reformed, classic FINK line-up is the same as that which first recorded the band’s breakthrough album, Biscuits For Breakfast (2006), a release that proved to be a springboard for widespread international touring.


          STAFF COMMENTS

          Barry says: Airy post-rock guitar harmonies and woozy acoustic refrains break into soaring crescendos that are both rich in the folk tradition and completely outside what people would consider 'folk'. A wholly enticing, magnificent journey of an album.

          TRACK LISTING

          A1. What Would You Call Yourself
          A2. The Only Thing That Matters
          A3. Be Forever Like A Curse
          A4. It's Like You Ain't Mine No More
          A5. Follow You Down
          B1. I Don't See You As The Others Do
          B2. One Last Gift
          B3. Don't Forget To Leave
          B4. So We Find Ourselves
          B5. When I Turn This Corner

          Fink

          IIUII

            ‘IIUII’ is essentially a re-imagining, a reminiscence and a unique take on the Best Of format, with the band re-recording key Fink tracks from 2006-2016 - “that whole arc, from my bedroom to having a proper hit, playing the big festival stages with big production, and all the rest,” according to Fin Greenall aka Fink.

            In 2019, after heavy band touring for three years, Fin did a solo acoustic tour which took him full circle back to the simplicity of those early days. Making an album that reflected this seemed like a beautiful way to tie the whole story together.

            Fink has previously collaborated with artists such as Bonobo, Amy Winehouse, John Legend, Professor Green and more.

            For fans of Bon Iver, The National, Nick Mulvey, Jose Gonzalez, Iron & Wine.

            STAFF COMMENTS

            Barry says: And so to IIUII. Both the acoustic album and the book are a document of the first ten years of Fink Mark Two, 2006-16 - "that whole arc, from my bedroom to having a proper hit, playing the big festival stages with big production, and all the rest." In 2019, after heavy band touring for three years, Fin did a solo acoustic tour which took him full circle back to the simplicity of those early days - and making an album that reflected this seemed a beautiful way to tie the whole story together.

            TRACK LISTING

            Sort Of Revolution (IIUII)
            Warm Shadow (IIUII)
            Looking Too Closely (IIUII)
            Shakespeare (IIUII)
            Pills In My Pocket (IIUII)
            This Is The Thing (IIUII)
            Walking In The Sun (IIUII)
            Blueberry Pancakes (IIUII)
            Berlin Sunrise (IIUII)
            Maker (IIUII)
            Biscuits (IIUII)
            Yesterday Was Hard On All Of Us (IIUII)

            Fink

            Resurgam

              "Resurgam" - meaning 'I shall rise again' - is the hotly-anticipated sixth studio album from Fink: UK-born, Berlin-based founding singer-songwriter musician Fin Greenall, alongside long-time bandmates Tim Thornton (drums, guitar) and Guy Whittaker (bass). It continues an acclaimed and distinctly adventurous catalogue, from the sample-splicing debut "Fresh Produce" (2000), through to the beautifully heady expressions of their last album, "Hard Believer" (2014). Fink have never been afraid to experiment; on "Resurgam", they arguably sound more fearless than ever. 'I was fresh off the Blues tour, voice thrashed, nails broken, the sweat from the last encore still on the guitar as I unpacked on the first day,' recalls Greenall. 'The first week was supposed to be set up and settling in – by the end of day 4 we had already recorded the track "Resurgam", the first track we nailed, on the first take, whilst essentially warming up...' "Resurgam" derives its title from a Latin inscription in a 900-year-old church in Greenall’s native Cornwall. Its vital, insistent spirit pulses through the entire album, which was recorded with ground-breaking producer Flood (PJ Harvey, U2, Foals, Warpaint, The Killers) at his Assault & Battery studios in North London. Its ten new tracks were created over two months, a relatively luxurious stretch of time compared to previous Fink albums, resulting in a collection that is both assertive and richly immersive. "Flood, present and engaged from the first demo, guided me through the process of doing things differently, from writing, to singing, to even thinking about the music I make," says Greenall. "His combination of 'deadlines are a good thing' versus 'fuck the deadline', and his mantra of 'making records to be bought, not sold' gave us all, in our own individual corner of the studio, the fire and the focus to pull together our firmest, strongest, and most coherent record to date." On the opening title number, "Resurgam"'s lyrics are deliberately stripped-back, but they also pack a powerful punch, along with a deliciously persuasive deep funk flow. There is revelation and redemption; Fink’s positive conviction pervades even the darkest sentiments here. "Day 22" deals with sobriety and temptation, spiked with Greenall’s characteristic observant wit ('the blood, sweat, tears taste so good'). The lead single, "Cracks Appear" delivers a headrush of melody, with warmth and candour. On the exquisitely bittersweet "Word To The Wise", Greenall lingers over the final notes of a love affair, tenderly accompanied on the piano by Douglas Dare. "Not Everything Was Better In The Past" feels like a personal awakening, merging sharp reflections and poignant moods.   A heavy, resonant bass underpins the production throughout, and a range of new elements are also added to the Fink mix, from Flood’s own vintage analogue synths, to sax (played by guest musician Martin Slattery) layered into the vivid atmospheres and skittering beats of "This Isn’t A Mistake". The rhythm guitar hook of "Godhead" brings out a West African influence, and lends a mesmerising backdrop to Greenall’s rousing vocals.

              STAFF COMMENTS

              Barry says: Brilliantly loose Americana-tinged singer-songwriting, groovy shimmering guitars and heartfelt odes, all topped with that swooning vocal lilt. A stunning outing.

              TRACK LISTING

              1. Resurgam
              2. Day 22
              3. Cracks Appear
              4. Word To The Wise
              5. Not Everything Was Better In The Past
              6. The Determined Cut
              7. Godhead
              8. This Isn't A Mistake
              9. Covering Your Tracks
              10. There's Just Something About You

              Following the success of last year’s 'Hard Believer' album - which saw the trio known as Fink melding Fin Greenall’s ruggedly lush vocals with a slow-burning and steady-thumping array of string plucking (Guy Whittaker) and cymbal smashing (Tim Thornton) - they ring in 2015 with 'Horizontalism'.

              Presented as a collection of dubs from 'Hard Believer', the re-worked material takes on a decidedly more mysterious turn: vocals dangle and loop precariously over raw edges of murky sound, lasers oscillate and waves crash, percussion click-clacks somewhere far away, and the listener somehow draws nearer to the core from which Fink draws the sonic intimacy for which they’re so well-known.

              Inspired by Greenall’s new home in Berlin and his resurgent interest in electronic production, his series of mixes may stand in stark contrast to the bands musical output of the past years but the listener finds themselves at the same intersection of impassioned storytelling, manifest emotion and darkly beautiful ambience that Fink fans have come to expect.

              TRACK LISTING

              Fall Into The Light
              Looking Too Closely (So36dub)
              Shakespeare (Nachbarn39)
              Pilgrim (Moda232)
              A30 Breakdown
              Suffering Is The Art Of Love
              White Flag (Nachteule143)
              Hard Believer (kstr10179)
              Green And The Blue (RLP12-321)
              Music Won’t Save You (Horizontalism Mix)

              Fink

              Perfect Darkness

                Mention Fink and you surprisingly get one of two reactions: head-scratching non-familiarity; or the impassioned response that prompts artists such as John Legend and Professor Green to wax lyrical about him live on air. It is a remarkable void, one which looks set to finally close upon the release of Fink’s latest studio album 'Perfect Darkness'.

                As Fink explains, "Singer-songwriters always get criticised – fairly – for sometimes sounding like a scratched record… Moaning about this, moaning about that, girlfriend’s left you, blah blah, blah. With Fink we do sing about relationships and love and emotions - but we also sing about other stuff: embracing fear, Berlin dawns, looking forward."

                A smouldering, pulsating, and purposeful book of songs, 'Perfect Darkness' bristles with tense passion and hypnotic charm. It is, in two words, bewitching and addictive. Judging by this new record he is set to emerge into the bright lights of long-deserved mass recognition.


                Fink

                Biscuits For Breakfast

                  After the critical acclaim which has met Fink's two singles, "Pretty Little Thing" and "So Long", now it's time for the full length, "Biscuits For Breakfast". Completely recorded at his 7Dials studio in Brighton and already drawing comparisons to the mighty John Martyn, the album is a highly personal, beautifully executed journey into folk, blues, soul and dub overtones that sees the former dowbeat beatsman reinvent himself in a way that's more akin to a religious conversion than normal record company 'change of haircut' practice. From the very opening of the record Fink shows that his lyrical pre-occupations are very much his own. While he touches on themes which are in themselves familiar - love, sex, loss, bad jobs, the ephemera of everyday life - he treats them with such an attention to detail and to his own genuine feelings that they fly. Beautifully produced, achingly soulful, "Biscuits For Breakfast" is an album that will stand the test of time, because at root it's built on original, honest song-writing.


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