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EMA

After the success of 2011’s ‘Past Life Martyred Saints’ and 2014’s prophetic ‘The Future’s Void’, EMA retreated to a basement in Portland, Oregon – a generic apartment complex in a non-trendy neighbourhood, with beige carpeting and cheap slat blinds. Now, she returns, with a portrait of The Outer Ring: A pitch-black world of dark night highways, American flags hung over basement windows, jails and revival meetings and casinos and rage. In a year dominated by white working-class alienation and anger, EMA – a Midwesterner who never lost her thousand-yard stare -- has delivered an album that renders Middle American poverty and resentment with frightening realism and deep empathy.

“I want to explain to outsiders that the people where I come from aren’t beyond hope and reason”, says EMA, “I want this record to bridge a divide.”

The album, co-produced with Jacob Portrait of Unknown Mortal Orchestra, is a return to EMA’s roots in the noise-folk outfit Gowns, whose 2007 album Red State prefigured many of Exile’s core themes, along with its mix of stripped-back folk (“Always Bleeds,” originally a Gowns song), spoken word (“Where the Darkness Began”) and noise epics (“Breathalyzer”).

The album is unique in its mingling of gender politics with American working-class anxiety. The voices we hear in these songs — druggy, surly societal outcasts; Byronic nihilists bringing down fire — speak to a kind of rebellion that’s typically reserved for men, and the archetype of the “dirtbag teenage boy” dominates the album. Yet EMA claims some of that same dirtbag alienation for women — “a woman who swallowed a scumbag teen boy whole,” as EMA puts it – and uses it to interrogate both her own vulnerability and how male violence shapes the world, as on the anthemic “Aryan Nation.”

The result is a deeply personal, confrontational, but ultimately redemptive album from a quintessentially American artist at the peak of her form.

TRACK LISTING

A1 – 7 Years
A2 - Breathalyzer
A3 – I Wanna Destroy
A4 – Blood And Chalk
A5 – Down And Out
B1 – Fire Water Air LSD
B2 – Aryan Nation
B3 – 33 Nihilistic And Female
B4 – Receive Love
B5 – Always Bleeds
B6 – Where The Darkness Began

EMA

The Future's Void - Bonus Disc Edition

City Slang is excited to announce the new album from EMA, "The Future's Void". The follow-up to her acclaimed 2011 LP, "Past Life Martyred Saints," “The Future’s Void” was written by Erika M. Anderson, recorded in Portland, Oregon, and produced by Erika and Leif Shackelford.

EMA recently told NME that the album was influenced by, among other things, NiN demos, the heavier side of early K Records, and William Gibson’s Neuromancer, and that the album looks at the digital commodification of our online lives. She says, “I gravitate toward hooks and melodies, and in some ways the structure of these songs are my poppiest yet,” while noting that the jarring production includes a lot of first takes and spontaneously-recorded ambient sounds “to keep the songs from sounding like advertisements".

Last month the first single "Satellites" was released to raves, garnering "Best New Track” from Pitchfork, who said, "It’s discontent composed to Carl Sagan proportion, and it’s easily the most bracing thing yet from an artist already more bracing than most.“ Spin said, “it’s a rumbling mammoth that feeds off canned, clapping percussion and waves of static feedback,” while Stereogum noted, “anxiety this ferocious is a timeless thing.”

TRACK LISTING

1. Satellites
2. So Blonde
3. 3Jane
4. Cthulu
5. Smoulder
6. Neuromancer
7. When She Comes
8. 100 Years
9. Solace
10. Dead Celebrity


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