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DIIV

Diiv

Boiled Alive

Boiled Alive, produced by Chris Coady, is a live album recorded at the Teragram Ballroom in Los Angeles, CA on May 24th, 25th and 26th 2025

The album consists of the entirety of the DIIV's last album, Frog In Boiling Water, with the addition of Return Of Youth as the album closer and interludes.

Frog in Boiling Water , both the title and the themes of the record, reference "The Boiling Frog" in Daniel Quinn's The Story of B. The band explains, "If you drop a frog in a pot of boiling water, it will of course frantically try to clamber out. But if you place it gently in a pot of tepid water and turn the heat on low, the frog will sink into a tranquil stupor, exactly like one of us in a hot bath, and before long, with a smile on its face, it will unresistingly allow itself to be boiled to death."

"We understand the metaphor to be one about a slow, sick, and overwhelmingly banal collapse of society under end-stage capitalism, the brutal realities we've maybe come to accept as normal. That's the boiling water and we are the frogs. The album is more or less a collection of snapshots from various angles of our modern condition which we think highlights what this collapse looks like and, more particularly, what it feels like."

TRACK LISTING

In Amber (Boiled Alive) / Interlude 1 (Boiled Alive) / Brown Paper Bag (Boiled
Alive) / Interlude 2 (Boiled Alive) / Raining On Your Pillow (Boiled Alive) / Interlude 3
(Boiled Alive) / Frog In Boiling Water (Boiled Alive) / Interlude 4 (Boiled Alive) /
Everyone Out (Boiled Alive) / Interlude 5 (Boiled Alive) / Reflected (Boiled Alive) /
Interlude 6 (Boiled Alive) / Somber The Drums (Boiled Alive) / Interlude 7 (Boiled
Alive) / Little Birds (Boiled Alive) / Interlude 8 (Boiled Alive) / Soul-net (Boiled Alive) /
Interlude 9 (Boiled Alive) / Fender On The Freeway (Boiled Alive) / Interlude 10 (Boiled
Alive) / Return Of Youth (Boiled Alive) / Interlude 11 (Boiled Alive) / Outro (Boiled
Alive)

DIIV

Frog In Boiling Water

Produced by Chris Coady and written by DIIV (pronounced Dive), Frog in Boiling Water, the band’s fourth full-length LP is a collection of snapshots that explores the brutal realities of end-stage capitalism and overwhelming technological advance. Across 10 dark and dazzling tracks, DIIV documents the collapse from various angles with unusual sensitivity and depth of purpose while expanding their grand, hypnotic shoegaze, to create a transportive, sensual work of hope, beauty and renewal.

"Musically, we were excited to explore new territory sonically. We collected and cataloged cassette tapes and made tape loops, used samples, weird guitar tunings, crude synthesizers. It’s the least “genre” record we’ve ever made and we’re excited to show everyone the musical world we’ve found."

STAFF COMMENTS

Liam says: After 2019's 'Deceiver', DIIV found themselves amongst a new chapter in their career. Whilst DIIV had always toured as a band, this was the first time one of their records was written and recorded as a fully fledged outfit. What resulted was their best album to date. A monolithic modern shoegaze classic that would have even Kevin Shields quaking in his pedal tapping shoes.

Now 5 years later, DIIV have returned with 'Frog In Boiling Water'. Once again written and recorded by Zachary Cole Smith, Colin Caulfield, Andrew Bailey and Benjamin Newman, 'Frog In Boiling Water' continues to build on the groundwork left by 'Deceiver'. Opener 'In Amber' is an all-encompassing shoegaze hammer, whilst 'Brown Paper Bag' has shades of Duster and MBV. The acoustic led 'Everyone Out' echoes Sonic Youth's 'Shadow Of A Doubt', whereas the ominous 'Raining On Your Pillow' and the textually lush 'Little Birds' add real depth to the LP. Lyrically, we also see Smith tackling ideas of end-stage capitalism and the overwhelming reality of technological advance - which is perfectly captured in the looming and swirling 'Soul-net'. This, coupled with all these incredible textures and sonics, easily makes this DIIV's best sounding and most complete album to date.

As a long-serving fan of DIIV, it's been such a gratifying and special few years seeing them blossom within this new era. 'Frog In Boiling Water' is everything I could have hoped to be after 'Deceiver' and further proves what a special band DIIV truly are - enjoy!

TRACK LISTING

1. In Amber
2. Brown Paper Bag
3. Raining On Your Pillow
4. Frog In Boiling Water
5. Everyone Out
6. Reflected
7. Somber The Drums
8. Little Birds
9. Soul-net
10. Fender On The Freeway

Occupying the corners between fuzzed-out shoegaze bliss, troubadour poetry, and metallic catharsis, DIIV –– Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums] —— personally inhabit the recesses of their third fulllength album, Deceiver. A whirlwind brought DIIV here. On the heels of 2012’s Oshin, the group delivered the critical and fan favorite Is the Is Are in 2016. Praise came from The Guardian, Spin, Rolling Stone and more. Pitchfork’s audience voted Is the Is Are one of the Top 50 Albums of 2016, as the outlet dubbed it “gorgeous.” Simultaneously, frontman Zachary Cole Smith faced down seemingly dormant demons, and the momentum stalled.

Two years after embarking on a program of recovery, Smith has emerged with a clear head and renewed focus. For the first time, DIIV lived with songs on the road. During a 2018 tour with Deafheaven, they performed eight new compositions as the bulk of the set. The tunes progressed as the players did. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence.

It’s evident on first single “Skin Game,” which gallops forth on a clean guitar riff before unfolding into a hypnotic hook offset by an off-kilter rhythm and hummable solo. “Being a recovering addict myself,” he says, “there are a lot of questions like, ‘Who are we? What is this disease?’ ‘Skin Game’ looks at where the pain comes from – the personal, physical, emotional, and broader political experiences feeding into the cycle of addiction for millions of us.”

A trudging groove and wailing guitar punctuate a lulling apology on the magnetically melancholic “Taker.” For Smith, it’s “about taking responsibility for your lies, their consequences, and the entire experience.” Meanwhile, the ominous bass line and crawling beat of “Blankenship” devolve into schizophrenic string bends with the vitriolic lyrics. The seven-minute “Acheron” offers a dynamic denouement, flowing through a hulking beat guided under gusts of lyrical fretwork and a distorted heavy apotheosis.

“We’re proud of this, because we earned it as a band,” Cole says. “I’m really happy and grateful just to do it in the first place. I can see the change. It’s not a record full of solutions, but I’m living my life. I’ve examined the consequences of my lies; I’ve got something to say now.”

STAFF COMMENTS

Barry says: 'Deceiver' is by far the most cohesive and thematically consistent DIIV release yet in a succinct, yet superb catalogue. Swathes of distortion and echoing guitars are expertly laid down before Cole Smith's hypnotic vocals make their mark, coalescing into a lysergic, shoegazing maelstrom.

TRACK LISTING

1. Horsehead
2. Like Before You Were Born
3. Skin Game
4. Honey
5. Taker
6. For The Guilty
7. Lorelai
8. The Spark
9. Blankenship
10. Acheron


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