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BEACH HOUSE

"7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together.

Last year, we released an album of b-sides and rarities. It felt like a good step for us. It helped us clean the creative closet, put the past to bed, and start anew.

Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.

In the past, the economics of recording have dictated that we write for a year, go to the studio, and record the entire record as quickly as possible. We have always hated this because by the time the recording happens, a certain excitement about older songs has often been lost. This time, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there. This way, the amount of time between the original idea and the finished song was pretty short (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles).

7 didn’t have a producer in the traditional sense. We much preferred this, as it felt like the ideas drove the creativity, not any one person’s process. James Barone, who became our live drummer in 2016, played on the entire record. His tastes and the trust we have in him really helped us keep rhythm at the center of a lot of these songs. We also worked with Sonic Boom (Peter Kember). Peter became a great force on this record, in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection.

The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source (see “L’Inconnue,” “Drunk in LA,” “Woo,” “Girl of the Year,” “Last Ride”).

In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny (see “Dark Spring,” “Pay No Mind,” “Lemon Glow,” “Dive,” “Black Car,” “Lose Your Smile”).

The title, 7, itself is simply a number that represents our seventh record. We hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album.

The number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that." 

Much Love,
Beach House


TRACK LISTING

1. Dark Spring
2. Pay No Mind
3. Lemon Glow
4. L'Inconnue
5. Drunk In L.A.
6. Dive
7. Black Car
8. Lose Your Smile
9. Woo
10. Girl Of The Year
11. Last Ride

A 14-track compilation of songs from throughout their career so far. The album features two previously unreleased tracks “Chariot” and “Baseball Diamond”, which were recorded during the Depression Cherry and Thank Your Lucky Stars sessions, both albums of which were released two months apart in 2015.

"When we announced that we were releasing a B-sides and rarities album, someone on Twitter asked, “B-sides record? Why would Beach House put out a B-sides record? Their A-sides are like B-sides.” This random person has a point. Our goal has never been to make music that is explicitly commercial. Over the years, as we have worked on our 6 LPs, it wasn’t the “best" or most catchy songs that made the records, just the ones that fit together to make a cohesive work. Accordingly, our B-sides are not songs that we didn’t like as much, just ones that didn’t have a place on the records we were making.

The idea for a B-sides record came when we realized just how many non-album songs had been made over the years, and how hard it was to find and hear many of them. This compilation contains every song we have ever made that does not exist on one of our records. There are 14 songs in total.

The oldest song is “Rain in Numbers” and was recorded in 2005, during the summer when we formed the band. We didn’t have a piano, so we asked our friend if we could use his, which was pretty out of tune. We used the mic that was on the four-track machine to record the piano and vocals. It was originally the secret song on our self-titled debut.

Sequentially, the next couple of songs are from late 2008. We were so excited about “Used to Be,” that we recorded it right after writing it so that we could have it as a 7” single for our fall tour with the Baltimore Round Robin. We recorded our cover of Queen’s “Play the Game” in the same session. It was for a charity compilation benefiting AIDS research and we will continue to donate all profits from the song to that charity. As fans of Queen, we thought it would be fun and ridiculous to try to adapt their high-powered pop song into our realm. These songs were recorded at the same studio where we made Devotion.

There are a bunch of songs written and recorded in the 2009-2010 window. This period of time, as well as 2014, was our most prolific to date. “Baby” was written and recorded in October 2009 with our friend Jason Quever. “10 Mile Stereo” was recorded during the Teen Dream session in July 2009. Since we used tape, we often slowed the tape way down to create effects while recording. When we were doing that for “10 Mile Stereo” we decided we wanted to make an alternate version where the whole song was slowed down, hence the “10 Mile Stereo (Cough Syrup Remix).”

“White Moon” and “The Arrangement” were both songs that we didn’t believe fit on Teen Dream. “White Moon” originally appeared on our iTunes live session. Since that was recorded and mixed very hastily, we have remixed it to better match our current aesthetics. We have also remixed and included the version of “Norway" we did at that same session. The main reason we wanted to include “Norway” is that it features a very different bridge from the original version.

After the insane year of touring we had in 2010, we felt incredibly grateful to our fans for all that had happened. We wrote and recorded “I Do Not Care for the Winter Sun” during a break between tours and released it on the internet for free, unmastered. Well, it’s finally been mastered…

“Wherever You Go” Is another song from that era. We always loved this song but thought it sounded too much like our old music. We paused writing it and didn’t finish it until 2011 during the Bloom recording session. It appeared originally as a secret song on Bloom.

“Equal Mind” was also recorded during the Bloom session. We really like this song, but pulled it from the record when we realized it had the exact same tempo as “Other People.” They are like twins.

The Bloom sessions led to “Saturn Song” as well. This song is built on a piano loop we wrote while recording Bloom. It also contains sounds recorded in deep space. It originally appeared on a compilation of songs incorporating space sounds that was released in 2014.

Finally, there are two previously unreleased songs from the Depression Cherry/Thank Your Lucky Stars sessions. They are called “Chariot” and “Baseball Diamond.” "


TRACK LISTING

1. Chariot
2. Baby
3. Equal Mind
4. Used To Be (2008 Single Version)
5. White Moon (iTunes Session Remix)
6. Baseball Diamond
7. Norway (iTunes Session Remix)
8. Play The Game
9. The Arrangement
10. Saturn Song
11. Rain In Numbers
12. I Do Not Care For The Winter Sun
13. 10 Mile Stereo (Cough Syrup Remix)
14. Wherever You Go

Beach House

Thank Your Lucky Stars

    Less than 2 months after the release of 2015′s much celebrated 'Depression Cherry', Beach House will grace us all with their sixth full length LP titled 'Thank Your Lucky Stars'. 


    STAFF COMMENTS

    Andy says: Beach House wowed us this year with their gorgeous comeback LP "Depression Cherry" and now, only 2 months later, they do something fairly unique in pop by releasing a second, brand new collection. This is not an odds'n'sods out-takes jobby. This is a just as brilliant sister record, totally beautiful in it's own right, but with an even better sleeve! Swoon again.

    TRACK LISTING

    Majorette
    She's So Lovely
    All Your Yeahs
    One Thing
    Common Girl
    The Traveller
    Elegy To The Void
    Rough Song
    Somewhere Tonight 

    Beach House are pleased to share details of their fourth album, 'Bloom'. Like their previous releases it further develops their distinctive sound yet stands apart as a new piece of work.

    The landscape of 'Bloom' was largely designed on the road, between the countless sound checks and myriad experiences of two years of touring. These ideas were later gathered and developed in Baltimore, where the band lives and works. 'Bloom' was recorded in late 2011 at Sonic Ranch Studios in Tornillo, TX and mixed at Electric Lady in NYC. The band co-produced the record with Chris Coady.

    The many layers of 'Bloom' are meticulously constructed to ensure that each chord and melody performs its role to form a whole. Victoria Legrand states, “Bloom is a journey. For me, it is about the irreplaceable power of imagination as it relates to the intense experience of living. A bloom is only temporary... a fleeting vision of life in all of its intensity and colour, beautiful even if only for a moment."


    STAFF COMMENTS

    Andy says: They've settled on their sound: a dreamy, lovelorn swirl. It's the songs that have stepped up: gorgeous, catchy, near-classics.

    TRACK LISTING

    01. Myth
    02. Wild
    03. Lazuli
    04. Other People
    05. The Hours
    06. Troublemaker
    07. New Year
    08. Wishes
    09. On The Sea
    10. Irene

    Beach House

    Teen Dream

      Beach House return in January 2010 with “Teen Dream”, their third - and first classic - album, on Bella Union records.
      The Beach House you’re about to meet isn’t the same as the one you’ll remember from before. Lives have been shuffled, tangled and re-aligned. When Victoria Legrand and Alex Scally returned home to their hometown of Baltimore last winter, they were worn out from touring and travel. But deep inside them hot energies were incubating, ideas they had been whispering back and forth in the wake of their sophomore full-length, 2008’s “Devotion”. By spring they began handing themselves over completely to these impulses, holing themselves up and exchanging ideas in a new, secluded practice space for dangerously long periods of time. As the songs that would become “Teen Dream” began to live, breathe and take shape, the duo were compelled to leave much of their personal lives behind them. “We were forced to let go of people and things we were holding onto as individuals” Legrand muses. “We were dropped into a wilderness, but we had more clarity than we’ve ever had before”.
      Still driven to avoid distraction, the two marched further into isolation, deciding to bottle all those wild visions away from home. They packed up their lives and settled into a converted church in upstate New York with producer Chris Coady. For a month they continued the birthing process, sweating and pushing out sounds inside a cocoon of their very own weaving.
      “Teen Dream” is the sound of a band bursting at its creative seams. It is without question more expansive and moving than anything they have shared before.

      STAFF COMMENTS

      Martin says: Alex Scally's crystalline wandering guitar lines spin a wistful web over Victoria Legrand's haunted, opaque vocals. A thing of bewitching melodic beauty.

      TRACK LISTING

      01. Zebra
      02. Silver Soul
      03. Norway
      04. Walk In The Park
      05. Used To Be
      06. Lover Of Mine
      07. Better Times
      08. 10 Mile Stereo
      09. Real Love
      10. Take Care

      Beach House

      Devotion

        Baltimore duo Beach House have returned with their sophomore full length entitled "Devotion", Alex Scally and Victoria Legrand have written eleven delicate pop songs about love, feelings, and, of course, devotion. Their new album is a sure-fire antidote to the winter blues. Beach House have developed their craft exponentially since their 2006 self-titled debut. The recording is crisper; the songs are fuller. This is a band that is taking the pop duo format to the limit. The organs, slide guitars and reverb are still there, but Beach House lay down some new sounds for their newest offering. While on their debut critics made comparisons to early 90s dream popsters like Mazzy Star, Slowdive and Galaxie 500, on "Devotion" listeners will also hear the band's longtime admiration for 60s Motown and country folk.

        TRACK LISTING

        Wedding Bell
        You Came To Me
        Gila
        Turtle Island
        Holy Dances
        All The Years
        Heart Of Chambers
        Some Things Last A Long Time
        Astronaut
        D.A.R.L.I.N.G.
        Home Again

        Beach House

        Beach House

          Take a vacation at the Beach House away from the hustle and bustle of the city. Let the Baltimore duo of Victoria Legrand and Alex Scally take you to a new place, a unique place where slow hazy pop fills the room with organs, slide guitars, reverb, echoes and simple yet unforgettable melodies. Beach House contains memories from past trips, times, and places: 70s Southern California (lunch with Karen Carpenter), mid 90s England (star-gazing with Mazzy Star no doubt), a weekend at Warhol's Factory in New York (shared a cab with Nico) and a camping trip in the Appalachians back in 1940 (with a country breakfast at Patsy's).

          TRACK LISTING

          Saltwater
          Tokyo Witch
          Apple Orchard
          Master Of None
          Auburn And Ivory
          Childhood
          Lovelier Girl
          House On The Hill
          Heart And Lungs
          [silence]
          Untitled


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