Search Results for:

AUSTRA

Austra

Chin Up Buttercup

    “I’m so chaotic in love,” sings Katie Austra Stelmanis on “Amnesia,” the cinematic opening track of Chin Up Buttercup, the fifth album by her alter ego and longtime pop project Austra. You know Austra’s astonishing voice – singular and operatic, it betrays a fearlessness and sophistication. She’s the woman you’d be afraid to approach in a bar. Her voice draws you like a siren to the dance floor as the beats build toward the hypnotic chorus of “my life is not the same without you in my arms.” Listen closely and you’ll hear a vulnerability that sets this album apart from her earlier work. This is a grief album you can dance to.

    Stelmanis and co-producer Kieran Adams shared a mutual love of pop divas, Eurodance and hard-to-find techno. Madonna’s 1998 album Ray of Light, produced by William Orbit, was a key influence in the later stages of album making: “Ray of Light was produced almost entirely on a Juno-106 and a Korg MS-20 which we’d been using, so the reference point was aligned,” says Stelmanis. The album sounds like a mix of hypnotic dance floor anthems and elegant melodies to soothe your broken heart.

    STAFF COMMENTS

    Barry says: Any album that's spiritually aligned with one of the greatest pop albums ever (Madonna's Ray Of Light) is all good in my book, regardless of whether it's brilliant or not. Fortunately for us, Austra's 'Chin Up Buttercup' has all of the grand, layered harmonies and crystalline production of the aforementioned masterpiece but then we get a wonderfully modern idm-flavoured dancefloor odyssey beyond it. Brilliant.

    HighSchool

    HighSchool

      HighSchool are the Melbourne duo of Rory Trobbiani and Luke Scott, who first turned heads with their debut EP 'Forever at Last', a record that showed a new band excitingly putting a different lens to lo-fi, new wave, goth and post-punk sounds. A move to London shortly followed, where they released the Dan Carey–produced ‘Only a Dream’ 7” on his Speedy Wunderground label then the Italodisco-tinged banger ‘Colt’ whilst playing festivals and touring with the likes of Sam Fender, Provoker and Chvrches. Their follow-up EP 'Accelerator' showed a darker edge, drawing comparisons to Bar Italia and julie, in part a result of them now diving in on emo influences.

      Returning to Australia shortly after a sold-out UK tour with Wunderhorse, HighSchool are finally back with their awaited debut album and it doesn’t disappoint. Self-titled and featuring the singles ‘Dipped’, ‘Colt’ and ‘149’, they’ve enlisted producers Ben Hillier (Blur, Depeche Mode) and Finn Bellingham (RIP Magic, Sam Akpro, Sunken) to help them deliver an essential record that plays on the band’s name as its core theme, 12 tracks that channel the restless energy and the rose-tinted mythologies of youth.

      TRACK LISTING

      1. Dipped
      2. Sony Ericsson
      3. 149
      4. Chaplins
      5. American Aunty
      6. Peter's Room
      7. One Lucky Man
      8. Making Out At The Skatepark
      9. Trope
      10. Rhinoplasty
      11. Best And Fairest
      12. Colt 

      C.O.F.F.I.N

      Australia Stops - 2025 Repress

        Sydney Northern Beaches' very own hard-biting rockers C.O.F.F.I.N are proud to announce their fifth full-length studio album entitled 'Australia Stops', the highly-anticipated follow-up to their monumental 'Children In Finland Fighting In Norway' album from 2020. Originally released September 15th 2023 via Bad Vibrations in Europe, and now on its second vinyl pressing, the new album comes off the back of the band’s world tour with Amyl and the Sniffers in 2022, and their recent UK headline dates this May where C.O.F.F.I.N stunned audiences with the high-intensity rock action they are renowned for. 'Australia Stops' was recorded in January 2023 at The Pet Food Factory studio with producer Jason Whalley (Frenzal Rhomb) behind the desk. A record that showcases a collection of diverse and gripping new works that highlight the band's evolution into more melodious, 1970's Australiana and boogie rock and roll. Frenzied, high-voltage guitars, thumping rhythms, flowing melody and clever, captivating lyrics exhibit an undeniable progression in composition and songwriting, while still unmistakably the C.O.F.F.I.N that fans world-wide have come to worship over their 18-year lifespan.

        TRACK LISTING

        1. Give Me A Bite
        2. Cut You Off
        3. City Sun
        4. Keep It Dark
        5. Lover's Leash
        6. Beasts
        7. Australia Stops
        8. Factory Man
        9. Night Breaker
        10. Through The Sewer
        11. Faceless

        Radio Birdman

        Living Eyes (Remix Version)

          - This is the 1995 remix version of the album
          - Never before released on vinyl
          - Remastered and cut to lacquer
          - Same front cover as the original though the back has been altered
          - The inner sleeve contains liner notes explaining the genesis of the remix
          - FFO: MC5, The Stooges, The Saints

          Living Eyes was recorded at Rockfield Studios in Wales during a break in the band’s 1978 tour of Britain and Europe. Relations between members were falling apart and Sire had dropped the band prior to the start of recording. Their breakup soon followed. Initial releases of the album were cut from a tape dub of trial mixes as the band never received an official master. In 1994 the original tapes were retrieved from Rockfield and remixed in Australia for a CD only release. This is the first time the remix version has been released on vinyl. It has been remaster and cut to lacquer.

          TRACK LISTING

          1. More Fun
          2. T.P.B.R. Combo
          3. 455 SD
          4. Do The Movin' Change
          5. I 94
          6. Iskender Time
          7. Burn My Eye '78
          8. Time To Fall
          9. Smith And Wesson Blues
          10. Crying Sun
          11. Breaks My Heart
          12. Alone In The Endzone
          13. Hanging On

          Party Dozen

          Crime In Australia

            The brand-new album from Australian out-rock duo, Party Dozen. Crime In Australia follows 2022’s The Real Work, the first Party Dozen record that (some) people were actually waiting for; the one that Nick Cave sang on; the one that had a track that billy woods jumped on for a rework; the one that took them to the USA, Europe (twice), Japan, China and New Zealand; the one that saw Party Dozen hook up with a cool US label (Temporary Residence Ltd.); the one that made Bandcamp, Stereogum, Brooklyn Vegan and a whole swathe of Australian radio stations declare it their Album of the Day/Week/Epoch; and the one that made KEXP invite the band in for a live session, and made Sub Pop add to their hallowed Singles Club.

            The Real Work was not the first Party Dozen record, but it was in many ways where Party Dozen really started to put it all together. Crime In Australia continues to build on their arc and elevates their ascent with a slew of new songs that are simultaneously more focused and more feral than anything they’ve ever done. And there are no guests on this one. 

            TRACK LISTING

            Coup De Gronk
            Wake In Might
            Money & The Drugs
            Les Crimes
            The Big Man Upstairs
            Judge Hammer
            Bad News Department
            The Righteous Front
            Piss On Earth
            Jon’s International Marketplace

            Nick Cave & Warren Ellis

            Australian Carnage - Live At The Sydney Opera House

              In 2022, Nick Cave and Warren Ellis returned to their native Australia for 16 shows, taking their acclaimed 2021 album ‘Carnage’ on the road, along with songs from the Nick Cave & The Bad Seeds catalogue. Three performances at the Sydney Opera House on December 16th, 17th and 18th were the climactic shows of an emotional trip, captured for a luminous new live album, ‘Australian Carnage - Live At The Sydney Opera House’.

              STAFF COMMENTS

              Barry says: Performers don't come much more experienced or capable than the songwriting powerhouse of Nick Cave & Warren Ellis, and 'live At The Sydney Opera House' perfectly captures a striking string of live performances of their most seminal works, new and old. It's a must-have.

              TRACK LISTING

              SIDE A
              1. Bright Horses (Live At The Sydney Opera House)
              2. Carnage (Live At The Sydney Opera House)
              3. White Elephant (Live At The Sydney Opera House)
              4. Leviathan (Live At The Sydney Opera House)

              SIDE B
              1. Ghosteen (Live At The Sydney Opera House)
              2. Waiting For You (Live At The Sydney Opera House)
              3. Breathless (Live At The Sydney Opera House)
              4. Balcony Man (Live At The Sydney Opera House)

              Austra

              HiRUDiN

                Being in a toxic relationship can sometimes feel like being lost in a maze. Every attempt to turn a corner lands you back where you started. Austra aka Katie Austra Stelmanis’ fourth album, HiRUDiN is both a bold acknowledgement of such patterns of behaviour and a testament to the power of breaking them.

                Katie Austra Stelmanis has been better known by her middle name for three albums, ten years, and countless tours. She wrote, produced, and performed all her own records, occasionally sharing the spotlight with a band to tour live. From the outside, things were going really well for a while: she built a devoted fan base and sold out shows all around the world. However, on the inside, Stelmanis was beginning to feel stagnant and uninspired. “I was losing faith in my own ideas,” she explains. Without realising it, she’d got caught up in a toxic relationship that was tearing her apart.

                It wasn’t until Stelmanis was ready to face her insecurities that she was able to see a way forward: “My creative and personal relationships were heavily intertwined, and I knew the only answer was to part ways with all of the people and comforts that I’d known for the better part of a decade and start again.” Alongside making changes in her personal life, HiRUDiN saw Austra taking an entirely different, free-spirited approach to making a record. Seeking out all new collaborators, she booked three days of sessions in Toronto with improv musicians she’d never met before. They included two thirds of contemporary classical improv group c_RL, the cellist and kamanche duo Kamancello, kulintang ensemble Pantayo, and a children’s choir.

                Accumulating a vast and vibrant mass of source material, Austra then holed up in a studio in the Spanish countryside and took a collage approach to sampling, arranging, writing and producing to reveal the songs that would form the album.

                HiRUDiN traces a deeply personal journey towards regeneration, dealing with the fallout of toxic relationships, queer shame, and insecurity along the way.

                TRACK LISTING

                1. Anywayz
                2. All I Wanted
                3. How Did You Know?
                4. Your Family
                5. Risk It
                6. Interlude I
                7. It’s Amazing
                8. Mountain Baby Feat. Cecile Believe
                9. I Am Not Waiting
                10. Interlude Ii
                11. Messiah

                The Aints!

                5 6 7 8 9 EP

                  The Aints! comprise Ed Kuepper, Peter Oxley, Paul Larsen Loughhead, Alister Spence & Eamon Dilworth.

                  Formed in 2017 The Aints! original brief was to recreate the sound and energy of The Saints, the band co-founded by Kuepper in 1973, as they celebrated 40 years since the release of that band's groundbreaking debut (I’m) Stranded in 1977. With such talent at play though, it wasn’t long before this inspired five piece created material of their own. An album The Church of Simultaneous Existence, comprised entirely of Kuepper originals written in the period 1969-1978, was was released internationally to much fanfare and was a hit with fans and critics alike.5-6-7-8-9 is the next release from The Aints!

                  A 5-track mini-LP comprising alternate versions of album tracks Goodnight Ladies (single edit) and Country Song in G (acoustic) plus reworked versions of tracks from Kuepper’s 50 album strong catalogue including Memories Are Made Of This (The Saints, 1978) Laughing Clowns (Laughing Clowns, 1980) and Hang Jean Lee (Ed Kuepper & The Kowalski Collective, 2007).

                  TRACK LISTING

                  GOODNIGHT LADIES (I HEAR A SOUND WITHOUT) (SINGLE EDIT)
                  HANG JEAN LEE
                  MEMORIES (ARE MADE OF THIS)
                  THE LAUGHING CLOWNS
                  COUNTRY SONG IN G (ACOUSTIC)

                  Austra

                  Future Politics

                    Proceeding ‘Feel It’ (2011) and ‘Olympia’ (2013), ‘Future Politics’ is the third studio album from Canadian electronic pop outfit Austra, fronted by Katie Stelmanis.

                    The album was written, produced, and engineered by Stelmanis with mixing by Alice Wilder at Transmitter Park Studio in New York and Union Sound Company in Toronto.

                    The project concerns the concept of projecting innovation and creativity through individualism and the injustice of an, at times, closed minded or stunted world. A matured message, ‘Future Politics; is for fans of iconic sounds resonating from The Knife, Fever Ray and Bjork to Grimes and Anohni.

                    Their most visually compelling record to date, ‘Future Politics’ sees transcendent, modernist artwork shot at Luis Barragán’s famed Cuadra San Cristóbal in Mexico City.

                    TRACK LISTING

                    We Were Alive
                    Future Politics
                    Utopia
                    I’m A Monster
                    I Love You More Than
                    You Love Yourself
                    Angel In Your Eye
                    Freepower
                    Gaia
                    Beyond A Mortal
                    Deep Thought
                    43

                    Austra

                    Feel It Break

                      On "Feel It Break", Austra co-founder and lead singer Katie Stelmanis, drummer Maya Postepski and bassist Dorian Wolf have crafted a dark, danceable masterpiece suitable for both ritual incantations and clubs; an album hearkening back to the sleazier side of New Wave but still deeply rooted in Stelmanis’ classical and operatic upbringing.

                      Howie Day

                      Australia

                        21-year old Howie Day is a new singer-songwriter from the US who supported Tori Amos on her 2003 tour. Those who saw him in Manchester saw a talented musician armed only with an acoustic guitar, who uses an array of delay pedals to create and control an invisible band. He slaps his guitar for a backbeat, picks the melody out on a couple of strings and sings his own backing vocals. The sounds bounce around until Day pulls them all together with his guitar and soaring voice like a latter day John Martyn. Inspired by the emotionally raw songs of Jeff Buckley or Richard Ashcroft, they are full of broken hearts, regrets and loss and this debut does have a dark tone, but Day is one of those artists that will just get better and this is a good beginning.

                        Steeleye Span

                        Gone To Australia (On Tour 1975-1984)

                          Australia always held a special significance for Steeleye Span and this collection presents material drawn from a decade of touring. Expanding on the rare and elusive 1983 "On Tour" LP, it includes previously unreleased material as well as tracks specially remixed by drummer Nigel Pegrum. Lasting 77 minutes, the CD comes complete with a 12 page booklet featuring rare photos and detailed liner notes from Maddy Prior and Peter Knight.


                          Latest Pre-Sales

                          124 NEW ITEMS

                          E-newsletter —
                          Sign up
                          Back to top