Various Artists

Eins Und Zwei Und Drei Und Vier - Deutsche Experimentelle Pop-Musik 1980-86

Image of Various Artists - Eins Und Zwei Und Drei Und Vier - Deutsche Experimentelle Pop-Musik 1980-86
Record Label
Bureau B

About this item

A double album and single CD exploring the explosion of wealth of music springing from the squats and bedsits and artschools of Cologne, Dusseldorf, Hamburg and West Berlin in the aftermath of punk from the likes of Der Plan, Holger Hiller, Palais Schaumberg, Conrad Schnitzler and a host more.

Do not adjust your sets. Take a step back from the tracking. This is the sound of Germany’s musical youth let loose on cheap synths and pawnshop guitars. A record of a disparate s cene of squat pop-stars, artschool upstarts and committed non-musicians who redefined German music in the first half of the 1980s.

By the dawn of the new decade, punk had burnt out in a frenzy of feedback, reshaping the musical landscape before burrowing back into the underground for a period of reinvention. But the scorched earth it left behind proved to be fertile soil, nurturing a new movement grass-rooting through Germany’s major cities. For the first time the country had its own youth culture, spilling out of the squats of Hamburg and West Berlin, occupying the art scene in Düsseldorf and Köln and congregating around independent record shops stocked with angsty import 7”s. Empowered by punk’s DIY spirit, these kids valued conviction over competence, opting to ignore the industry and make music for themselves, sung in their own language. Even the cats we now call krautrock, revolutionary though they were, mostly sang in English, adopting the lingua franca of rock & roll as a shorthand for authenticity for a native crowd who wouldn’t have it any other way. This new scene rejected the expected, celebrating freedom of expression above all else. Armed with unconventional instruments, newly affordable electronics and rudimentary recording gear, they worked from the ground up, building basic rhythms and simple melodies into mutant grooves and following their imagination wherever it took them. The result was a genre-fluid wave of fusion pop pulled from funk, punk, jazz and reggae; united in attitude rather than aesthetic. Lyrically, the groups explored the serious and silly, embracing the irreverence of dadaism to deliberately displease the earnest alternativen of the older generation.


01. Der Plan – Hey Baby Hop
02. Die Partei - Austauschprogramm
03. P!OFF? - Mein Walkman Ist Kaputt
04. Palais Schaumburg - Wir Bauen Ein Neue Stadt
05. Dunkelziffer - Keine Python
06. Populäre Mechanik - Muster
07. Andreas Dorau (Die Doraus & Die Marinas) - Sandkorn
08. Pyrolator - Im Zoo
09. Träneninvasion - Sentimental
10. Deutsche Wertarbeit - Guten Abend, Leute
11. Asmus Tietchens - Höhepunkt Kleiner Mann
12. Die Fische - So Verrückt
13. Conrad Schnitzler - Auf Dem Schwarzen Kanal
14. Carambolage - Die Farbe War Mord
15. Xao Seffcheque - Sample & Hold (Wer Bitter Im Munde Hat,kann Nicht Süßpricken)
16. Foyer Des Arts - Eine Königin Mit Rädern Untendran (Gerd Bluhm Remix)
17. Die Zimmermänner - Erwin, Das Tanzende Messer
18. Östro 430 - Sexueller Notstand
19. Die Radierer - Angriff Aufs Schlaraffenland
20. Holger Hiller - Jonny (Du Lump)

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