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Post-independent Burkino Fasso saw an urban middle class willing to invest in the Burkinabe arts. A cadre of singers, bands, orchestras and, most importantly, competitive record labels arose who all played their part in ushering in a golden age of music in their landlocked nation during the 1970's - a decade marred by political instability in the country and an era of artistic enlightenment empowering the whole of Africa.

In search of better gigs, well-to-do producers and sufficient recording equipment, Burkinabe musicians ventured across the surrounding region, returning home with a wealth of knowledge of their neighbors' distinctive styles. The raw sound of Burkina Faso combined Afro-Funk, traditional Islamic rhythms and subtle Afro-Latin sounds brought over by visiting Cuban ensembles. Mandingue melodies and guitar techniques from Mali and Guinea, however, were by far the most defining traits of a potent African mix that distinguished the Voltaic style between 1974 and 1979.

Record labels across Burkina Faso sprung up to capture the newly born mystic and soulful sound taking over the country. Volta Discobel and Club Voltaique du Disque (CVD) emerged in 1974 and competed for the modern music of their people. Despite its humble beginnings as a record shop, CVD came to dominate the industry. Both labels worked with the heavyweights of the time, such as the majestic Amadou Ballaké, a national icon who is featured extensively on this compilation.