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Hazy dream chronicles.
A Martin Rev album is always liable to spring a surprise. Think of the rough guitars which unexpectedly appeared on his 2003 release "To Live" instead of synthesizers.
"Les Nymphes", which followed in 2008, saw Rev return to dream-laden melodic miniatures, but came from a resolutely more radical place than its predecessors. Once again, this work demonstrates the rigour of Martin Rev's approach, his willingness to embrace risk and his uncompromising rejection of a single aesthetic framework. "Les Nymphes" is, without question, the work of an artist who is constantly in search mode.