About this item

Lapalux knew where and how his sound should change with a second album. As a result, 'Lustmore' feels like a record as compulsively inspired and meticulously crafted as you’re likely to hear in 2015.

'Lustmore' is loosely based on the experience of hypnogogia, a transitional state of consciousness between wakefulness and sleep. Listeners familiar with his 2011 debut, 'Nostalchic', will know that Stuart Howard’s woozy, infectious rhythms, enveloping textures and unfamiliarly familiar melodies conjure that territory perfectly.

'Lustmore' sees the young producer take another stride forward. Opener "U Never Know," which features another masterful vocal turn by Andreya Triana, sets the tone for the album. “The line ‘I don’t think you’ll know’ describes the mysterious limbo like state between waking life and sleep,” Howard says.

The sleazy, yearning throb of "Puzzle" is unmistakably sexualised. “It’s a lovelessness,” Howard says, “searching for something more lustful and fleeting. It’s a very visual song for me. It’s about a sort of seedy, underground desire, like an old bar that used to have class, getting slowly seedier, to keep up with the demand for exploitation and filth. I think it sums up the whole feel and mood of the record,” Howard says. "That kind of sultry, seedy undertone and the pieces of the puzzle not fitting together properly, as if in a state of limbo where you don’t know where you are, but there’s something strangely comforting about it.” Those words could well be a credo for Lapalux's wider musical vision.

The sound palette used in making the album was carefully crafted to sound retro futuristic and otherworldly, having sounds in there that would accompany a Bladerunner, or 2001: A Space Odyssey. “Whenever I think about the album I think about the bar scene in The Shining,” Howard says. “There’s something about that strange, hallucinatory psychological madness that relates to the music, both in the making of the actual record and the way it sounds.”

Studying old film soundtracks was a hugely important process for the making of the album. “I really focused on making this album an imaginary visual experience. You can almost see these imaginary movies play in your head when you listen,” he says. “That’s something that I really started to work into my music - the idea of creating imagery and characters, storyline, and emotion.” It’s a process that has certainly worked: 'Lustmore' is imbued with an emotional narrative that never loosens its grip on the ear.