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Born in the US, raised in India and resident in the UK, Korwar has established himself as one of the most original and compelling voices in the UK jazz scene, collaborating with the likes of Shabaka Hutchings (The Comet Is Coming), clarinettist Arun Ghosh and producer Hieroglyphic Being
Korwar’s debut Day To Day (Ninja Tune, 2016), combined the folk rhythms of India’s Sidi community with contemporary electronics and jazz textures, earning praise from the likes of Four Tet, Gilles Peterson and Floating Points.
We live in divisive times. Multiculturalism rises hand-in-hand with racial tensions, and politicians seem powerless to even bring people within earshot of their convoluted message. It’s time for a different perspective.
On his second studio album, More Arriving, Sarathy Korwar blasts out his own vibrant, pluralistic missive for the world to hear. This is not necessarily a record of unity; it’s an honest reflection of Korwar’s experience of being an Indian in a divided Britain. Recorded over two and a half years in India and the UK, More Arriving draws on the nascent rap scenes of Mumbai and New Delhi, incorporating spoken word and Korwar’s own Indian classical and jazz instrumentation. This is a record born of confrontation; one for our confrontational times.
With this album, Korwar expands his politicised narrative to envelop the entire diaspora. “This is a modern brown record. The kind of record that a contemporary Indian living in the UK for the past 10 years would make,” Korwar says. “This is what Indian music sounds like to me right now.”
It all begins with the title: “More Arriving comes from the scaremongering around Brexit,” Korwar says. “It’s a tongue-in-cheek play on the fact that there are more people coming and you’ll have to deal with it!” Through this defiance, Korwar takes clear pride in the knotty mix of his identity – harking back to the new India of the Mumbai hip-hop kids, as well as identifying with London’s cultural diversity. “I want the idea of brown pride to come through,” he says. “My voice is one amongst a thousand, but this record is a snapshot of something much greater than myself. It’s the chance to send a message.”
Barry says: A highly political record, fitting in perfectly between the colourful sounds of modern India and the UK's flourishing appreciation for nu-jazz and hip-hop. Korwar has managed to craft a brilliantly immersive LP, seamlessly segueing between genres while retaining the parts of each that make them great. A true melting pot, and a necessary political statement.
1. A1. Mumbay (featuring MC Mawali)
2. A2. Jallaad
3. A3. Coolie (featuring Delhi Sultanate & Prabh Deep)
4. A4. Bol (featuring Zia Ahmed & Aditya Prakash)
5. B1. Mango (featuring Zia Ahmed)
6. B2. City Of Words (featuring TRAP POJU & Mirande)
7. B3. Good Ol’ Vilayati (featuring Mirande)
8. B4. Pravasis (featuring Deepak Unnikrishnan)