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For almost a decade, Agnes Obel has been one of the most independent and original artists in contemporary music. Now she has returned with new music, releasing the enchanting single “Island Of Doom”, ahead of the release of her highly anticipated new album Myopia–through Deutsche Grammophon, Universal Music Group’s prestigious Yellow Label, and Blue Note in North America.
Following the same principles as with her previous albums (Philharmonics, Aventine and CitizenOfGlass), which she completed as a one-woman project in her own Berlin home studio, Obel has been under self-imposed creative isolation with the removal of all outside influences and distraction in the writing, recording and mixing process. “The albums I’ve worked on have all required that I build a bubble of some kind in which everything becomes about the album.”
“For me the production is intertwined with the lyrics and story behind the songs,” says Obel. This is precisely what makes her music so compelling and the same is true with Myopia. “Paradoxically, for me I need to create my own myopia to make music.” Obel was experimenting with techniques of recording processing, warping and pitching down vocals, strings, piano, celesta and lutheal piano, finding ways to melt these elements together to become one and twisting them in a way that you feel at home within the sound she conjures throughout the record.
Although Obel’s music can often curate a monologue of modern-day dystopian-esque news stories that we are all now subject to, the contents of “Island Of Doom” are much more personal, as she explains: “The song is made up of pitched-down piano and cello pizzicato and vocals, all choirs are pitched down and up… In my experience when someone close to you dies it is simply impossible to comprehend that you can’t ever talk to them or reach them somehow ever again. They are in many ways still alive because in your consciousness nothing has changed, they’re still there with everyone else you know.
“For me Myopia is an album about trust and doubt. Can you trust yourself or not? Can you trust your own judgments? Can you trust that you will do the right thing? Can you trust your instincts and what you are feeling? Or are your feelings skewed?” – Obel.
Barry says: Obel's latest opus challenges the backdrop of beautifully played modern classical instrumentation and meditative, soaring strings with a decidedly modern focus on vocal manipulation and production trickery, crafting a delightfully immersive and stunningly beautiful whole.
1. Camera's Rolling
2. Broken Sleep
3. Island Of Doom
7. Can't Be
8. Parliament Of Owls
9. Promise Keeper
10. Won't You Call Me