As you could possibly guess from the title, 'Freeze, Melt' is a more restrained affair than recent Cut Copy releases. You could never accuse the Melbourne outfit of resting on their stylistic laurels, covering New Order-esque melancholic pop, hazy summer synth jams, filtered funk, acid house and stadium bangers across their five previous long players. After relocating to Copenhagen, removed from his studio, safe space and record collection, Dan Whitford took inspiration from the minimalism and cool of his Scandinavian surroundings, as well as the immersive sparsity of Four Tet, Floating Points and Terry Riley. Despite this detour into the ambient realm, this remains a Cut Copy LP, so there are still hooks, grooves and playful motifs shimmering amid the restraint - the 'Melt' to the 'Freeze' I guess.