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YOU TELL ME

You Tell Me is Field Music’s Peter Brewis and Admiral Fallow member Sarah Hayes. As one half of Field Music, Peter Brewis has been honing the craft of pop songwriting for almost fifteen years, whilst Sarah Hayes has been exploring contemporary folk in her solo work, and the world of indie-pop via her band Admiral Fallow. Their debut self-titled album, the last to be recorded at the old Field Music recording HQ, is set to be released in January on Memphis Industries.

After meeting at a Kate Bush celebration concert, the pair clicked. “I'd been an admirer of Field Music for a good while before meeting Peter at the gig,” Sarah recalls. “So I was pleased to discover he wasn't an insufferable diva, and delighted that he was keen to try working on some music together.” Peter had been “blown away” by Sarah’s voice during a rendition of “This Woman’s Work” and when investigating her solo work heard a lot of parallels to what he was trying to do in Field Music.

By blending their distinct compositional talents, they’ve created a record that possesses their own clear styles but also a new voice too. With both of them writing songs and lyrics, Peter describes it as “a sort of dual-personal record”. Sonically, the result is a subtly crafted album with a rich and intricate sense of composition, in which strings glide above multi-layered keyboards and percussion, and vocal melodies wrap around one another in snug unison. In many senses it feels like a classic songwriter record - rich in craft, songs, arrangements and vocal interplay - yet it manages to feel stylistically contemporary and void of nostalgia.

Lyrically, Peter says, “most of the songs seemed to either be about conversations, be conversational or about talking or not talking.” Sarah echoes this: “the subject of communication - talking and listening, guessing and questioning - looms large on this record and in general for me. It's something I think about a lot.” Which makes sense given that this record is fundamentally a musical conversation between two new collaborators and friends, a constant back and forth of new ideas, shared influences and the expunging of inner feelings.

Whilst the subject matter can occasionally be personal and explores troubled or conflicted conversations around inner turmoil, there’s also a stirring sense of beauty that comes from the record; a feeling of pastures new and moving onto new things rather than being held back by the past. What makes this an even more remarkable musical statement and achievement is that two first-time collaborators were able to channel so much of themselves into a project and create something coherent and poised.

FORMAT INFORMATION

Dinked Edition LP Info: Exclusive screen-printed sleeve.
Signed.
White vinyl.
Hand numbered.

Coloured LP Info: White vinyl edition.

Coloured LP includes MP3 Download Code.

Chi-Lites

Are You My Woman (Tell Me So) / Stoned Out Of My Mind

Serious ‘70s Chi-lites business, remastered officially from the Brunswick back catalogue. Infamously sampled for Beyonce mega-hit ‘Crazy In Love’, ‘Are You My Woman (Tell Me So)’ is a huge slice of soulful, funk gold. Marrying Eugene Record’s falsetto alongside Creadel "Red" Jones' animated bass tones it screams flash, feel-good, funk - none more so than when the collective combine for those delectable vocal harmonies. Woven in behind - a heavy bassline, masterful drumming and that crazed horn section, creating a certified recipe for deep-seated desire.
The flip see’s the sumptuous ‘Stoned Out Of My Mind’ demonstrating, once again, Record’s magical falsetto, delivered in such a personal way you’ll leave thinking you’re the one who’s gone messed up his mind. Enhanced even further by the dazzling string and horn sections and those choice group harmonies, it’s got a psychedelic tinge to it that serves its namesake all too well.

STAFF COMMENTS

Millie says: I’m still buzzing after hearing that Beyoncé sample when this record was put on in the shop yesterday, beautifully woven into one of the catchiest songs in a long time. So so good!

Michael Wycoff

Looking Up To You / Tell Me Love

Since 1982 “Looking Up To You” has become one of the signature tracks of the modern soul world and played out regularly at events to this day. It is co-written by Leon Ware with Zane Grey (of Grey & Hanks) and produced by Webster Lewis, all giants in this music genre. The song has also been much sampled, most notably by Zhane (Hey Mr. DJ), Ortega Cartel (Miami Vice), Yusher (Gorodskie Uzory) and three this year alone by Skule Toyama (To You), Jericho Jackson (Seventeen) and Saint Duck (Bamboo). This 7” version has also become more in demand, as too the B side “Tell Me Why”, both condensed to four minutes. Michael Wycoff was from Los Angeles and worked with Stevie Wonder on “Songs In The Key of Life” prior to his three albums for RCA.

The Grammy and Brit nominated Courtney Barnett returns with her second album - 'Tell Me How You Really Feel.' It follows her critically acclaimed 2015 debut album 'Sometimes I Sit And Think And Sometimes I Just Sit', and a recent top 10 collaborative record, 'Lotta Sea Lice', with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with unflinching self-assessment - fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain.

STAFF COMMENTS

Barry says: Another absolute stormer from Courtney, though you might have already heard the superb 'Nameless, Faceless' from the 7" a little while ago, and 'City Looks Pretty' and 'Sunday Roast' from the RSD 12", there are a bunch of gems to uncover on this including the snarling skate-punk melodicism of my personal highlight, 'Charity'. Killer.

FORMAT INFORMATION

Coloured LP Info: Indies exclusive in gatefold mirror board sleeve. Limited red vinyl.

Coloured LP includes MP3 Download Code.

Deluxe CD Info: Limited hardback with exclusive 24 pp photo booklet.

Spring King

Tell Me If You Like To

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Whipping up a frenetic, fun-filled brew of surf pop and garage rock, this Manchester quartet have been creating quite a stir with a handful of great 7" singles and high octane live shows over the last few months.

"Tell Me If You Like To", is their debut album and it's choc full of garage-punk gems (including their three 7" single tracks) as you'd expect - think The Ramones covering The Beach Boys, OD-ing on Haribo's!
"the most promising band of 2016" (NME)

STAFF COMMENTS

Barry says: Rousing and anthemic rock from the sunny shores of Manchester. Gnarly hooks and 3-part harmonies permeate the churning rhythm section. Pounding, triumphant punk-tinged rock and roll. A superb outing from Spring King, and if only an insight into what's to come, a bright future is ahead. Great stuff.

Boddika

You Tell Me / Breezin

Nonplus label owners Instra:mental have been working away on solo projects in 2011 with Al Bleek working under his Boddika alias and Kid Drama as Jon Convex. Here we have Boddika’s first output for the label. His work has been supported by DJs across the board such as Benji B, Oneman, Scuba, Shy FX, Martyn, Ramadanman, Joy Orbison, Leofah, Skream and Zed Bias amongst many others. "You Tell Me" takes us back to the 80s with its electro-tinged thumping drums and freaky synths. What at first seems to be a pretty straightforward track slowly mutates into an ugly beast with its pitch bent lead and warping drum grooves that slowly swing so far out and eventually re-sync with each significant transition. Not for the seasick. On the flip Boddika provides another striped-back dancefloor warmer with "Breezin", but here he comes with a 4×4 drum pattern. With very few elements he exploits them all to their limits and the track moves with an everchanging undercurrent of acid bass coated with subtle synth melodies that work their way around the bass in a mesmerizing arrangement. Another example of Boddika’s talent for working sound to maximum effect and keeping it simple but effective.


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