THIS IS A RECORD STORE DAY 2026 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 18TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM (BST) ON MONDAY APRIL 20th).

The all-star indie rock tribute to the legendary music of Fleetwood Mac is making its vinyl debut! The album features bands and artists such as HAIM, MGMT, Tame Impala put their signature sound to Fleetwood Mac classics of all eras of the band, including “Dreams,” “Rhiannon,” “Landslide,” and more. This limited edition 2-LP set has been pressed on translucent sea blue vinyl exclusively for Record Store Day.

'This Is My Truth Tell Me Yours' is one of the Manic Street Preachers’ most successful albums, commercially and critically. This 2LP black vinyl release includes some of their biggest tracks including 'If You Tolerate This Your Children Will Be Next' and 'You Stole The Sun From My Heart'.

TRACK LISTING

1. The Everlasting
2. If You Tolerate This Your Children Will Be Next
3. You Stole The Sun From My Heart
4. Ready For Drowning
5. Tsunami
6. My Little Empire
7. I'm Not Working
8. You're Tender And You're Tired
9. Born A Girl
10. Be Natural
11. Black Dog On My Shoulder
12. Nobody Loved You
13. S.Y.M.M.

This Is My Truth is one of the Manics’ most successful albums, commercially and critically. This 2LP release comes on Sky and Sand coloured vinyl in the original 1998 artwork. The album includes some of their biggest tracks including If You Tolerate This Your Children Will Be Next and You Stole The Sun From My Heart.

40th Anniversary release of the debut single by Mancunian icons The Stone Roses. This is the first time this single has had an official re-issue and is a collaboration between Vinyl Revival and the original label Thin Line.

So Young and Tell Me were originally recorded and released in 1985 and produced by Martin Hannett. The original Stone Roses line up was Ian Brown, Andy Couzens, John Squire, Pete Garner and Alan Wren. Re-issued by kind permission from Thin Line to raise money for Young Lives Versus Cancer and other charities and both parties will be donating 100% of the profit.

The Grammy and Brit nominated Courtney Barnett returns with her second album - 'Tell Me How You Really Feel.' It follows her critically acclaimed 2015 debut album 'Sometimes I Sit And Think And Sometimes I Just Sit', and a recent top 10 collaborative record, 'Lotta Sea Lice', with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with unflinching self-assessment - fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain.

STAFF COMMENTS

Barry says: Another absolute stormer from Courtney, though you might have already heard the superb 'Nameless, Faceless' from the 7" a little while ago, and 'City Looks Pretty' and 'Sunday Roast' from the RSD 12", there are a bunch of gems to uncover on this including the snarling skate-punk melodicism of my personal highlight, 'Charity'. Killer.

TRACK LISTING

Hopefullessness
City Looks Pretty
Charity
Need A Little Time
Nameless, Faceless
Im Not Your Mother, Im Not Your Bitch
Crippling Self Doubt And A General Lack Of Self Confidence
Help Your Self
Walkin On Eggshells
Sunday Roast

Tasha’s second album, ‘Tell Me What You Miss The Most’ mingles pockets of introspection with wide, expansive, marveling at what’s yet to come. Born and raised in Chicago, Tasha is a musician who writes songs that take loving and longing seriously. Whether dwelling in the sad thrum of an impending break up or the dizzying, heart thumping waltz of new infatuation, here is an album that traces one artist’s relationship to herself in love. Full of deep, invigorating inhales and relieved, joyful exhales, Tell Me What You Miss The Most is an exquisitely crafted breath of much needed air.

Tell Me What You Miss the Most isn’t just a catalogue of tenderness it’s also a showcase of Tasha’s growing and formidable musician-ship. “When I made Alone at Last, I had only been writing songs for two years. I hardly even knew what kind of song writer I was. But this record feels much stronger as far as a representation of my songwriter and musicianship,” says Tasha, adding “I did feel like I was piloting it in a way that I haven’t really felt before.”
“I was inspired by a distance I felt from myself,” says Tasha of the album, “the writing was kind of born from this desire to get back to an intimacy, or honesty, with myself.” Other inspirations include kissing, long drives in nature, her mother, and “winter and all that it allows (being alone inside, wrapped up in something warm, feeling things deeply.)” Her list of inspirations is a collection of types of touch; fleeting affectionate touch, the brush of a knit blanket, the bracing grip of feeling one’s own skin twinned in a palm. So too does the album veer in and out of touch with Tasha herself, tracing tenderness and loneliness, the paradox of feeling held and utterly abandoned at once.

“Tasha makes wondrous, gentle soul that advocates for self-care.” – Pitchfork.

“Genre fluid like Lianne La Havas and Jamila Woods, with decorative-but-unobtrusive guitar work and electronics, Tasha roots her songs in a conversational poetry that hits like heart pangs.” - NPR Music.

“Her gentle, resplendent songs are a salve for those who struggle to find space to be themselves.” - Chicago Reader.

TRACK LISTING

Side A
1. Bed Song 1
2. History
3. Perfect Wife
4. Sorry’s Not Enough
5. Love Interlude
Side B
1. Dream Still
2. Burton Island
3. Lake Superior
4. Year From Now
5. Bed Song 2

You Tell Me is Field Music’s Peter Brewis and Admiral Fallow member Sarah Hayes. As one half of Field Music, Peter Brewis has been honing the craft of pop songwriting for almost fifteen years, whilst Sarah Hayes has been exploring contemporary folk in her solo work, and the world of indie-pop via her band Admiral Fallow. Their debut self-titled album, the last to be recorded at the old Field Music recording HQ, is set to be released in January on Memphis Industries.

After meeting at a Kate Bush celebration concert, the pair clicked. “I'd been an admirer of Field Music for a good while before meeting Peter at the gig,” Sarah recalls. “So I was pleased to discover he wasn't an insufferable diva, and delighted that he was keen to try working on some music together.” Peter had been “blown away” by Sarah’s voice during a rendition of “This Woman’s Work” and when investigating her solo work heard a lot of parallels to what he was trying to do in Field Music.

By blending their distinct compositional talents, they’ve created a record that possesses their own clear styles but also a new voice too. With both of them writing songs and lyrics, Peter describes it as “a sort of dual-personal record”. Sonically, the result is a subtly crafted album with a rich and intricate sense of composition, in which strings glide above multi-layered keyboards and percussion, and vocal melodies wrap around one another in snug unison. In many senses it feels like a classic songwriter record - rich in craft, songs, arrangements and vocal interplay - yet it manages to feel stylistically contemporary and void of nostalgia.

Lyrically, Peter says, “most of the songs seemed to either be about conversations, be conversational or about talking or not talking.” Sarah echoes this: “the subject of communication - talking and listening, guessing and questioning - looms large on this record and in general for me. It's something I think about a lot.” Which makes sense given that this record is fundamentally a musical conversation between two new collaborators and friends, a constant back and forth of new ideas, shared influences and the expunging of inner feelings.

Whilst the subject matter can occasionally be personal and explores troubled or conflicted conversations around inner turmoil, there’s also a stirring sense of beauty that comes from the record; a feeling of pastures new and moving onto new things rather than being held back by the past. What makes this an even more remarkable musical statement and achievement is that two first-time collaborators were able to channel so much of themselves into a project and create something coherent and poised.

TRACK LISTING

1. Enough To Notice
2. Get Out Of The Room
3. Foreign Parts
4. Water Cooler
5. Springburn
6. No Hurry
7. Clarion Call
8. Jouska
9. Invisible Ink
10. Starting Point
11. Kabuki

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Whipping up a frenetic, fun-filled brew of surf pop and garage rock, this Manchester quartet have been creating quite a stir with a handful of great 7" singles and high octane live shows over the last few months.

"Tell Me If You Like To", is their debut album and it's choc full of garage-punk gems (including their three 7" single tracks) as you'd expect - think The Ramones covering The Beach Boys, OD-ing on Haribo's!
"the most promising band of 2016" (NME)

STAFF COMMENTS

Barry says: Rousing and anthemic rock from the sunny shores of Manchester. Gnarly hooks and 3-part harmonies permeate the churning rhythm section. Pounding, triumphant punk-tinged rock and roll. A superb outing from Spring King, and if only an insight into what's to come, a bright future is ahead. Great stuff.

TRACK LISTING

1. City
2. Detroit
3. Who Are You?
4. It's So Dark
5. Take Me Away
6. Demons
7. Rectifier
8. Tell Me If You Like To
9. The Summer
10. Heaven

Bonus Tracks - Deluxe CD Only
11. Let's Ride
12. Better Man
13. Mumma
14. They're Coming After You
15. Let's Ride - Live At Maida Vale