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YORKSTON / THORNE / KHAN

Navarasa : Nine Emotions is the trio’s third record. The first fruits of their fantastic expedition entitled Everything Sacred appeared in 2016. The second, Neuk Wight Delhi All-Stars, followed in 2017. Navarasa : Nine Emotions takes their journey many, many leagues on.

At the heart of YTK’s transporting new album is the subcontinent’s navarasa; the nine (nava) emotions or sentiments (rasa) of the arts. This central unifying underpinning is a centuries-old organising principle. The individual artistic emotions range from Shringara (love, beauty) through Hasya (laughter, mirth, comedy), Raudra (anger), Karuna (sorrow, compassion or mercy), Bibhatsya (disgust), Bhayanaka (horror, terror), Veera (heroism, courage), Adbutha (surprise, wonder) to Shanta (peace, tranquillity).

Each song on YTK’s new album is connected to one of these emotions, and the first track to be shared from Navarasa : Nine Emotions is “Westlin’ Winds”, paired with Adbutha.

“Westlin’ Winds” starts with the life-destroying Act I of Robert Burns’ poem ‘Now Westlin Winds, (And Slaught’ring Guns)’ and deliciously transplants its disjoined, nature-extolling and life-affirming Act II onto Indian soil with a composition “in Purbi, a specific dialect of old Hindi. I learnt the song,” says Suhail, “by listening to various qawwali [Muslim devotional song] singers singing at Hazrat Nizammuddin’s dargah [shrine] in Delhi. Its source is Hazrat Amir Khusrau.” Thus YTK unite one of the key spiritual visionaries and architects of Hindustani art music, the poet-philosopher Hazrat Amir Khusrau with the key literary visionary of Scottish and Scots-language culture, Robert Burns.

This bricolage of diverse cross-cultural elements is apparent across Navarasa : Nine Emotions and all of what YTK create. James Yorkston weaves in Scottish folk, sangster and literary strands. Jon Thorne is grounded in jazz and groove. What the New Delhi-based, eighth-generation hereditary musician Suhail Yusuf Khan brings to this feast of pulses and cycles is northern Indian classical, light classical (thumri, for example) and Sufi devotional musical and literary forms. What binds these diverse musical strands together is, in James’ phrase, “a dark happiness”.


TRACK LISTING

Sukhe Phool
The Shearing’s Not For You
Thumri Bhairavi
Westlin’ Winds
Song For Oddur
The North Carr
Twa Brothers
Waliyan Da Raja
Darbari

Bonus Tracks Exclusive To Vinyl:
All Saved But One
Jon's Poem
Skinfast Haven Blues

Yorkston / Thorne / Khan

Neuk Wight Delhi All-Stars

Yorkston/Thorne/Khan release their new album Neuk Wight Delhi All-Stars, the follow up to the band’s debut album, 2016’s critically acclaimed Everything Sacred, and presents a confluence of currents, among them the north Indian sarangi; jazz-tinged bass, reminiscent in places of Danny Thompson; acoustic guitar that owes a debt to Elizabeth Cotton, Dick Gaughan and Mississippi John Hurt; and three very different vocalists - James Yorkston (East Neuk of Fife), Jon Thorne (Isle of Wight) and Suhail Yusuf Khan (New Delhi).

“Piya is a word in the Hindi language, meaning beloved,” explains Khan. “The Hindi lyrics of the song were composed and written by me. They talk about a lover who is longing for a beloved, devastated by pain. A point comes when the lover starts hallucinating that the beloved has arrived and starts having conversations with this hallucination. There is a strange feeling of dark happiness: the beloved is there, but only as a hallucination.” “When Suhail explained the Hindi lyric to me,” Yorkston continues, “it reminded me of the great old song The Daemon Lover, also known as The House Carpenter, so I sang a fragment of Annie Watson’s version to introduce the piece.”

This harmonious and singular collaboration can be found across all of Neuk Wight Delhi All-Stars, and in fact, YTK’s Everything Sacred may be the only precedent. “The combination of a singer-songwriter, a jazz bassist and an Indian classical sarangi player is totally unheard off,” says Khan.

A collection of traditional Indian and UK folk songs, beautiful originals and idiosyncratic covers, Neuk Wight Delhi All-Stars does not only bring together Indian classical music and jazz, then, but kosmische too; Yorkston also cites dub reggae, Uilleann pipes and the Madagascan guitarist D’Gary as influences. That breadth, says Thorne, is critical: “I think YTK is a fine example of how music operates without boundaries as a common international language and a source of cross-cultural unity. It’s an important message in the times that we live in.”

Produced by YTK and recorded entirely onto 24 track 2” tape at Analogue Cat studios in Northern Ireland by Julie McLarnon, Neuk Wight Delhi All-Stars comes after a period of steady touring for the band (including incredible main stage performances at Green Man, Celtic Connections and Edinburgh International Festival, and tours in India, Spain and Ireland) and reflects the confidence and increasingly fluid interplay between Yorkston, Thorne and Khan.

STAFF COMMENTS

Barry says: From the warming droning fiddles and chanting of 'Chori, Chori' and the soaring emotive twists of 'Bales' to the more ambient excursions and traditionalism of 'Jaldhar Kedara', this is a fascinating and riveting glimpse at one of the most enjoyable and unique collaborations out there today. Brilliant.

TRACK LISTING

1. Chori, Chori (Vocals: Suhail)
2. Samant Saarang / Just A Bloke (Vocals: Jon, Suhail)
3. Bales (Vocals: James, Suhail)
4. Jaldhar Kedara (Wedding Song) (Vocals: Suhail)
5. False True Piya (Vocals: James, Suhail)
6. The Blue Of The Thistle (Vocals: Jon)
7. Recruited Collier (Vocals: James, Suhail)
8. The Blues You Sang (Vocals: James, Suhail, Jon)
9. Halleluwah (Vocals: Suhail)
10. One More Day (Jon’s Song) (Vocals: Jon)


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