Fuzz Club's King Gizzard And The Lizard Wizard 'Live At Red Rocks' box set is a heavy-duty, 15 LP monster. Recorded over three nights of the Aussie psych-rock polymaths raining down on the Red Rocks Amphitheatre in Morrison, CO, USA, this bootleg captures nearly nine hours worth of live Gizz spread across 86 tracks and 30 sides of vinyl. Live At Red Rocks was recorded live Oct 10, Oct 11 and Nov 2 2022, mixed by the band's Stu Mackenzie and remastered for vinyl by James Plotkin exclusively for this edition.

Each of the three nights comes in its own 5LP slipcase, all housed together in one giant slipcase alongside a 60-page hardcover book with exclusive Red Rocks live photos by Cidney Bundon.

All 15 LPs come on 180g coloured vinyl (with a unique colour configuration for each night) in their own heavy card jacket with 3mm spine and a black poly-lined inner sleeve. The artwork for each jacket works as a puzzle and forms one giant artwork. Features collage album art and design by Elzo Durt with original elements by Virgil Finlay. Large fold-out poster included. The box-set is packaged in a bespoke foam-lined box to protect it during shipping.

Danny Lee Blackwell's Night Beats released their self-titled debut album back in 2011 and 2024 sees a long-overdue vinyl reissue hit the racks courtesy of UK label Fuzz Club. An acid drenched modern garage-rock classic in the Texan thirteenth-floor tradition, the band’s R&B-inspired Western Psychedelic sound on this 12-track set is a reckoning, a shoot-out at dawn, the ear-splitting peel-out that leaves nothing but a cloud of red dust in its wake. Following early releases in the shape of the 'H-Bomb' 45 and a split 10" with UFO Club (a collaborative project between Blackwell and The Black Angels' Christian Bland), the 'Night Beats' LP was the first full-length introduction to the band and propelled them to the forefront of burgeoning contemporary psych scene in a blaze of scuzzy rock'n'roll release. Heavy touring immediately ensued and hasn't let up in the years that followed, and the definitive Night Beats hit 'Puppet On A String' has since clocked up millions of streams and become the soundtrack to an underground, fuzz-worshipping generation.

TRACK LISTING

1. Puppet On A String
2. Ain't Dumbo
3. Dial 666
4. The Other Side
5. Useless Game
6. Dewayne's Drone
7. Hallucinojenny
8. Ain't A Ghost
9. Meet Mr. Fork
10. War Games
11. High Noon Blues
12. Little War In The Midwest

Liverpool's YOBS release their self-titled debut album on May 3rd 2024 via Fuzz Club, arriving off the back of their debut double single, 'Fortune Teller b/w Cemetery Man', which saw the four-piece burst on the scene n a gloriously scuzzy and hedonistic blaze. "All skull-crushing riffs and hallucinogenic effects", as Clash Magazine wrote, YOBS deal in primitive garage-punk/noise-rock salvos that race by with a bludgeoning intensity. Across the album's ten tracks and rapid 26-minute running time, the band revel in an abrasive, fun-as-hell rock'n'roll that will leave your bones rattling just as much as your speakers. Emerging out of the rubble of the now-defunct Liverpool bands Weird Sex and Ohmns, YOBS was kick-started in 2022 and is made up of Joey Ackland (Vocals), Alex Smith (Bass/Vocals), Michael Quinlan (Guitar/Vocals) and George Gebbie (Drums). Their debut full-length – recorded in four days at Hackney Road Studios with James Aparicio – arrives off the back of a 2023 spent playing rowdy, ear-ringing shows with the likes of A Place To Bury Strangers, Mark Sultan, C.O.F.F.I.N, Alien Nosejob and more.

TRACK LISTING

1. YOBS Theme
2. Cyanide
3. Wasted
4. Shitty Eye
5. Plastercine
6. Fortune Teller
7. Head The Ball
8. Cemetery Man
9. Tito Puente
10. Carpet Burns (On My Tongue)

Brighton-based shoegazers Air Formation are set to release their self-titled sixth studio album this spring via Club AC30. Inspired by bands such as Flying Saucer Attack, Spiritual- ized, Explosions In The Sky and The Jesus and Mary Chain, Air Formation's music incorp- orates heavily delayed guitar and feedback, with droning keyboards, and ethereal vocals. Forming in 2000, long before spiritual forbearers Slowdive, Ride and Loop were consid- ered acceptable influences, the five-piece have been a mainstay of the modern shoegaze scene and have gained a devoted following, receiving critical acclaim from tastemakers including Consequence of Sound, Clash, and Louder Than War.

Briefly splitting in April 2011 after the release of their fourth studio album 'Nothing to Wish For (Nothing to Lose)', they reformed in 2014 for a special one-off show to celebrate 10 years of Club AC30. In 2018, the band released the critically acclaimed album 'Near Miss'. "Time goes fast," says guitarist and vocalist Matt Bartram. "We're still figuring it all out. But most importantly, I think Air Formation still feels totally relevant. All the time we enjoy doing it we will keep at it," he adds.

When it came to the writing and recording of the album, the band went back to listening to their favourite artists for influence including Bardo Pond and Mogwai to name a few, but ultimately, the album is influenced by all the Air Formation music that had come before. "How can we do something a bit different, but it still be Air Formation," says Bartram.

From the blissed-out vibes of album opener 'Pressure Drop' to the anthemic guitar crescendos of 'Only So Much Light', Air Formation are masters of noise and effects, constantly exploring the outer limits of guitar texture and volume. On 'Finding Gravity', fuzzed-out guitars explode into beatific distortion, while 'I Don't Want To Talk' and 'Crashing Out' shimmer and swirl. Elsewhere, the deafening waves of noise of 'The Day After Day' and dreamy 'Sparks Dies' reveal a band who find the heart in fuzz, while album closer 'The Final Wave' is a gorgeous, heavily textured expanse.

Air Formation is Matt Bartram (Guitars & Vocals), Ben Pierce (Bass), James Harrison (Drums), Ian Sheridan (Guitar) and Richard Parks (Keyboards).

TRACK LISTING

1. Pressure Drop
2. Only So Much Ligh
3. Finding Gravity
4. I Don't Want To Talk
5. Crashing Out
6. The Day After Day
7. Sparks Die
8. The Final Wave

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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The iconic multi-million selling Cuban album, featuring remastered audio from 2021's 25th Anniversary, pressed on limited edition gold vinyl, celebrating 25 years since the launch of the award-winning 1999 Wim Wenders documentary and includes bonus tracks and alternate takes from the original 1996 studio session tapes that were not available on the standard original album.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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Vinyl of live audio taken form the band's homecoming headline show (in Leeds 2023)Side A 1. Intro (Live at Brudenell Social Club) 2. The Worldís Biggest Paving Slab (Live at Brudenell Social Club) 3. Albatross (Live at Brudenell Social Club) 4. A55 (Live at Brudenell Social Club) 5. Mastermind Specialism (Live BrudenellSocial Club)6. You Blister My Paint (Live at Brudenell Social Club) 7. Broken Biscuits (Live at Brudenell Social Club) 8. Nearly Daffodils (Live at Brudenell Social Club) 9. R&B (Live at Brudenell Social Club) 10. Albert Road (Live at Brudenell Social Club) 11. This Could Be Texas (Live at Brudenell Social Club) 12. Good Grief (Live at Brudenell Social Club)

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THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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'Field Theory' is the second studio album from Dublin four-piece MELTS, due for release April 12th 2024 on Fuzz Club. Recorded live to tape at Black Mountain Studios in Summer 2023 and produced by Gilla Band's Daniel Fox, it's a collection of turbulent electronic psych-rock shaped by bulldozing motorik synth lines, densely layered guitars, primal percussion and the cavernous vocals of frontman Eoin Kenny. While their highly-praised 2022 debut ‘Maelstrom’ dealt with forces on a larger scale affecting a whole city, ‘Field Theory’ explores connections on a smaller, interpersonal scale.

The title takes the scientific term ‘Field Theory’, which describes how forces interact and influence particles around them, and applies it to the interactions between people, to the space between all of us, how people interact and affect others around them. Expanding on the album’s themes, MELTS write: “Like gravity we are drawn to and miss people and like light waves we love people and are loved. We live in orbits of each other, drawn by unseen forces. The album explores these forces, how we relate to each other, the people we live with and the people we live without. At the heart of Field Theory lies the realisation that we inhabit each other's worlds as much as our own, through a field of wide-ranging forces, as important as the ones keeping the planets in place.”

TRACK LISTING

1. Figment
2. Waves Of Wonder
3. Clouded
4. WLDNG
5. Shelter Of The Shade
6. Main Sequence
7. Altered
8. The Never
9. Softly Breathes

The Minneapolis Uranium Club Band, along with Static Shock Records are proud to present “Infants Under the Bulb”; The Uranium Club’s fourth album and first full length since 2018’s "The Cosmo Cleaners".

Precisely timed ahead of the band’s debut tour of Australia commencing March 19, Infants Under the Bulb will light up stores across the globe from March 1st. Recorded in Minneapolis over the course of 2023 by long time collaborator Grant Richardson and just as rampant and agitated as ever, The Uranium Club once again win their dear listeners over with eccentrically wild guitar parts, revolving voices, elastic-tight drums and the addition of their very own Saints-styled horn section.

Lyrically, Under the Bulb opens up the history books of unsolved mysteries - unidentified, unsolved, unanswered subjects of suspicious acts or individuals across the last century. Who, what, when and where… but mostly, why? Ignorant humanity of earth orbits the sun once again. The Somerton Man, Bergmann, Bauby, Denton, phone phreakers, and just what is lurking behind the cosmic organ of The Wall?

As always, the artwork was handled in-house by the Club and ambitious as ever. The spectacular cover shot captures a carefully coordinated event orchestrated by the Club to photograph a crowd of the local volunteers wearing ponchos standing together in an open field to make the shape of a giant spiral. The spiral pictured is 120 feet (36.5 meters) wide, photographed by drone, and was plotted out on the ground using a protractor specially fabricated for the occasion by the band with a pivoting centre and 60ft long adjustable arm.

TRACK LISTING

1. Small Grey Man
2. Viewers Like You
3. Game Show
4. The Wall Pts.1&2
5. Tokyo Paris L.A. Milan
6. The Wall Pt.3
7. 2-600-LULLABY
8. Abandoned By The Narrator
9. The Ascent
10. Big Guitar Jack Off In The Sky
11. The Wall Pt.4

Swingin' Easy finds the great Sarah Vaughan backed only by a rhythm section of piano, bass & drums, a format in which she only recorded a few times during this initial period of her career.

This is one of Sarah Vaughan's lesser- known albums for Emarcy, combining two separate trio sessions from 1954 and 1957. The earlier date includes pianist John Malachi, bassist Joe Benjamin and drummer Roy Haynes. The second trio includes the same drummer, plus pianist Jimmy Jones and bassist Richard Davis. The CD is rounded off with four live performance recorded Mister Kelly's in Chicago during August 1957.

TRACK LISTING

1. Shulie A Bop
2. Lover Man
3. I Cried For You
4. Polka Dots And Moonbeams
5. All Of Me
6. Words Can't Describe
7. Prelude To A Kiss
8. You Hit The Spot
9. Pennies From Heaven
10. If I Knew Then
11. Body And Soul
12. They Can't Take That Away From Me
13. Linger Awhile
14. I Cover The Waterfront
15. Embraceable You
16. I'm Gonna Sit Right Down And Write Myself A Letter
17. Dancing In The Dark

The Left Side is the latest body of work from the Iggy Pop-endorsed teens since the release of their acclaimed second EP We Aren’t Getting Out But Tonight We Might in summer 2022. With Saul at the creative helm, The Left Side is a mature and cerebral body of work with Saul once again writing and producing the entire EP (with co-production by Ali Chant (Yard Act, Katy J Pearson, Dry Cleaning) on ‘Conman’ and ‘ITSA’). Written in Saul’s bedroom, the EP is a retrospective insight into the young band’s journey so far as they tie up their teenage years.

A coming of age saga, the EP acts as a vehicle for Saul to dive into the psyche behind emotional evolution, and to unpack the complexities of maturity and the ability to say goodbye to the past. These themes present themselves not only in the songs, but right down to the title of the EP itself - which refers to the fact that the left side of the brain is responsible for comprehension.

Summarising the EP, Saul says: “It’s the closest we have been to knowing what picture we want to paint. It’s another window into the musical space we wish to explore, yet I think we’re closer to having our sound. I think the project signifies the end of a section in our lives, moving out from the haze of the moment and reflecting on our teenage years and all its chaos with more understanding.”

TRACK LISTING

1. Entitled
2. Conman
3. The Dance You Sell
4. Puppy
5. ITSA
6. What A Time To Be Alive
7. Lily Of The Valley

Drawing from minimal krautrock repetition, pounding industrial techno and EBM, Lisbon trio MAQUINA. (‘Machine’) explore the boundaries of these genres with force on their second album ‘PRATA’ (‘Silver’), due out April 5th 2024 on Fuzz Club. Across the album’s six tracks, they carve out an adrenaline-fuelled sound that's equally suited to dark, sweaty back rooms and the dance floor. Though MAQUINA.’s sound might have the club in its sights – ‘PRATA’ follows their aptly-titled 2023 EP ‘DIRTY TRACKS FOR CLUBBING’ – this is an organic dance music that’s equally punk and psychedelic, played by a guitar-drums-bass power trio formation firing on all cylinders, without a synthesiser in sight. Instead, the MAQUINA. M.O. is relentless machine-like drums and primal vocal outbursts (Halison), scuzzy floor-shaking bass riffs (Tomás) and piercing guitar noise and FX (João). Having already amassed a notorious reputation in Portugal for the all-out energy of their live shows, it’s no mean feat to replicate that in the studio but on ‘PRATA’ they have managed exactly that – owing to a creative approach largely rooted in improvisation, both on stage and in the studio. Describing ‘PRATA’, recorded and co-produced by Carlos de Jesus (Sunflowers) at Arda Recorders, they write: “This album was composed spontaneously in the studio throughout the year 2023. It's music of colour, delving into depths and dimensions that resonate with scale and contrast. Pushing sounds together to make noise and pushing noise together to make sounds. Emphasising textures that evoke feelings and soundscapes rather than relying solely on textual narratives. The music breathes life into auditory canvases, painting sonic panoramas pushing into a world of tactile sensation and immersive experiences.”

TRACK LISTING

1. Kontakte
2. Body Control
3. Desterro
4. Denial
5. Subversive
6. Concentrate

Alter K hook up a total score for all the disco heads with this complete reissue of Bernard Fevre's seminal 1978 electronic disco masterwork, remastered by the man himself. When Rephlex reissued selected cuts from this LP back in 2004, no one was willing to believe that something this mindblowingly good, brain-meltingly ahead of its time and earth-shatteringly rare could actually exist. Instead, the nascent message boards and social media sites went into conspiracy overload, suggesting that it was in fact the work of electronic royalty Aphex Twin and Luke Vibert, a view still held by some whack jobs out there. In a way I can't blame them; the driving bass sequences, menacing synth tones and haunting, disjointed vocals sound like nothing else recorded at the time, and little since to be honest. The sheer quality, sleaze and stomp of this record makes all those dark disco tunes knocking around in the mid noughties sound even more laughable and dated, hitting heights the electroclash kids failed to see even in their most overblown coke dreams. It's no wonder that Aphex Twin, Metro Area, David Holmes, and the Chemical Brothers all rate this LP in their all time lists. Lovingly packaged with the original iconic artwork and released in strictly limited quantities, this is one of the best purchases you'll make all lifetime. I'll leave the final words to Bernard: "Today I feel I am really Black Devil instead of Bernard Fevre because Fevre was born in 1946 and Black Devil in 1978. So if I am Black Devil I am 37 years young!"

TRACK LISTING

A1 "H" Friend
A2 Timing, Forget The Timing 
A3 One To Choose
B1 We Never Fly Away Again 
B2 Follow Me (Instrumental)
B3 No Regrets

Ryan Kaiser has already made a name for himself creating daydreamy, sun-blasted, Polaroid-pop as Yot Club. With his second full-length, Rufus, Kaiser is expanding his sonic palette and challenging his own established modes of music making by letting collaborators in. The record includes co-writes with the likes of Tommy English (Carly Rae Jepsen, Kacey Musgraves), and singer Charli Adams, with Patrick Wimberly (formerly one-half of Chairlift) on mixing duties, and the result is a collection of songs that sounds bolder and brighter. From the shimmering surf-pop of opener “Stuntman,” to the minor chord angst and quiet-loud-quiet pulse of “New Day,” to The Strokesian swoon of album closer “Lazy Eyes,” Kaiser lo-fi hooks have a new cinematic scope. It continues Kaiser’s coming of age — looking back, picking it all apart, trying to work it all out, and constantly pushing forward. 

STAFF COMMENTS

Martin says: A lovely bit of optimistic indie-pop, reminiscent of the Moldy Peaches or Claud, beautifully realised and showing all the cleverly written nuances with a new production focus.

TRACK LISTING

1. Stuntman
2. Rufus
3. Too Far Gone
4. Wake Up
5. Lazy Eyes
6. Nostalgia
7. Poison In Your Mind
8. Drowning
9. Human Nature
10. 2084
11. Fool
12. Other World 

Marking 40 years of The Jesus And Mary Chain, ‘Glasgow Eyes’ was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s ‘Damage and Joy’, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

Jim Reid says, “But don’t expect ‘the Mary Chain goes jazz.’ People should expect a Jesus and Mary Chain record, and that’s certainly what ‘Glasgow Eyes’ is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. And there’s a telepathy there - we are those weird not-quite twins that finish each other’s sentences.” ‘Glasgow Eyes’ not only extends The Jesus and Mary Chain's story, but feels simultaneously like a return to roots. From the incendiary ‘Psychocandy’ debut and its classic ‘Just Like Honey’ onwards, the Reid brothers steadily became the misfits who made good without compromise.

STAFF COMMENTS

Andy says: A gentle tweak of the template brings electronic bleeps and keys to that trademark Mary Chain sound. Hear the new track and you'll be left in no doubt. JAMC Forever!!

TRACK LISTING

1. Venal Joy
2. American Born
3. Mediterranean X Film
4. Jamcod
5. Discotheque
6. Pure Poor
7. The Eagles And The Beatles
8. Silver Strings
9. Chemical Animal
10. Second Of June 1
1. Girl 71
12. Hey Lou Reid

King Most is a revered American edit and remix master who is back with yet another big vinyl drop. This one is the first on his own new KM label and has already, we're told, been getting some high-profile plays from the likes of A-Trak. The A-side pairs off two epic classics - 'Bam Bam Tom Tom Club' has that languid, ass-wiggling groove you know and love with a twisted reggae vocal to make for something brilliantly original. The B, meanwhile, is a vinyl-only exclusive pack with Jamaican sunshine. 'Reggae For Roy' is perfectly organic and horizontal with its new reggae beat delivered under a classic Roy Ayers vocal.

STAFF COMMENTS

Mine says: I'm not usually a fan of mash-ups (nor do I like reggae I must admit) but these two tracks undeniably work. It might just be the endless rain and grey skies that make me long for something that so obviously sounds like sunshine but I won't question it... for now.

TRACK LISTING

Bam Bam Tom Tom Club
Reggae For Roy

After an impasse recording with tightly arranged groups and big bands with strings, Billie Holiday signed her last long-term contract with Norman Granz. He had showcased her as a star with his Jazz at the Philharmonic tours in the mid and late forties, and when he signed her as a recording artist in 1952, he endeavoured to repeat the small group magic of her early years.On Billie Holiday Sings , she is backed by an all- star sextet including Charlie Shavers on trumpet, Flip Phillips on tenor sax, Oscar Peterson on piano, and Barney Kessel on guitar, among others.

TRACK LISTING

I Only Have Eyes For You
You Turned The Tables On Me
Blue Moon 
Solitude
Blue Turning Gray Over You
Be Fair With Me Baby [Aka Be Fair To Me]
These Foolish Things
Easy To Love
You Go To My Head
East Of The Sun
Rocky Mountain Blues
Detour Ahead

Real House fans rejoice! The King of Swing, Frits Wentink is back on WOLF Music. Following on from last years ‘Remember That Feeling’ the prolific Frits steps up again with ‘Club Land Special’ for the second in the Frits x WOLF series. Doing exactly what it says on the tin, four special club ready cuts guaranteed to make you move.

TRACK LISTING

A1. Club Land
A2. Club Land (Alternate Mix)
B1. Crowd Control
B2. Run Run Slow

Western Approaches, a fitting title for a band who's spent much of the last two years living their American dream, however you'll find its origins are a lot closer to home. An old World War II Naval base in Liverpool city centre shares the same name and it's no coincidence. The album was conceived on the docks, a new location for the band and again much closer to home for the boys. It seems the further afar they play the tighter their grip on their roots become, playing their biggest headline show to date in Bootle a small town in North Liverpool where some of the lads grew up. This nostalgia and a dockland setting provided a post-war aesthetic to inspire the album, reflected in the name and the artwork. America had also become a new pasture for the band which you can really hear in this album. A change from the well polished, clean cut sonic that had become a theme in the band's previous works and replaced with the raw energy they're known to produce onstage. The industrial influence is reflected in the production and it became a conscious effort to add more sound effects, distortions and echoes into the arrangement of the songs.

TRACK LISTING

1. Western Approaches 0:36
2. Godless 3:19
3. Black Cat 2:20
4. Afternoon 2:05
5. Undertaker 3:00
6. Hole In My Home 3:32
7. Last Minute 2:50
8. Houdini 3:33
9. Daisy 3:13
10. Alive 2:50
11. Jigsaw Shores 4:18

A follow up to Bombay Bicycle Club's sixth studio album 'My Big Day', EP 'Fantasies' is an illustration of Bombay Bicycle Club's irrepressible urge to keep creating. With an album barely out the door, this new EP sees one of Britain's best guitar bands joined by Lucy Rose, Matilda Mann, Liz Lawrence and Rae Morris on set of vibrant, joyous new compositions.

TRACK LISTING

1. Fantasneeze (feat. Matilda Mann)
2. Blindfold (feat. Liz Lawrence)
3. Willow (feat. Lucy Rose)
4. Better Now (feat. Rae Morris)

‘Growing Eyes Becoming String’ is the sixteenth studio album from British noise-rock pioneers The Telescopes. Originally recorded over two sessions back in 2013 – one over a harsh Berlin winter in the Brian Jonestown Massacre studio with Fabien Leseure, and a second back in Leeds with early Telescopes producer Richard Formby – it’s a lost treasure that nearly never was. Succumbing to a hard-drive crash nearly a decade ago, the sessions were presumed lost and soon forgotten, until now. Miraculously rescued from the digital ether and finished by founding member Stephen Lawrie in his own studio over the pandemic, the album is now finally set for release via Fuzz Club and reveals another side to where The Telescopes were at in 2013.

Where their physical output at the time mostly consisted of experimental noise improvisations, so far removed from any obvious structure, ‘Growing Eyes Becoming String’ shows how The Telescopes – Lawrie backed by London experimental unit One Unique Signal – were actually creating more song-based music in a parallel existence. Across its seven tracks are all the trademarks of quality that longtime fans associate with The Telescopes’ music. Solid songs, melody, harmony, noise, dissonance, improvisation, experimentation and an all-embracing journey beyond the realm of natural vision.

“The objective with both sessions was to go in blind and be entirely in the moment”, Lawrie recalls: “There were no preconceived ideas, everything was written as it went along. Much like our drive to Berlin, through an intense blizzard with almost zero visibility, we were relying on the heightened instinct of being entirely in the now.” The result is another masterfully hypnotic set that matches its more melodic spaced-out moments against heavy drone-rock blow-outs: “Loaded with guitars, noise and melody, swirling around pounding repetition, this is a more vocal document of where The Telescopes head was at during that time.”

STAFF COMMENTS

Barry says: Deep, fuzzy psychedelic wig-outs and stark minimal drum / bass drones sit behind the stoned drawl of Telescopes' Stephen Lawrie. It's a hefty chunk of lysergic noodles and third-eye opening walls of sound, finely crafted and palpably authentic.

TRACK LISTING

Vanishing Lines
(In The) Hidden Fields
Dead Head Lights
We Carry Along
Get Out Of Me
What You Love
There Is No Shore

Recorded at a packed-out Paper Dress Vintage in London, it's a discography-spanning set that sees the band storm through tracks from their highly-praised 2023 album 'God Intentions' (which they were touring in support of at the time), as well as 2020's 'This Can Only Lead To Chaos' and their 2017 self-titled debut. Talking about the album, vocalist/guitarist John-Paul Hughes recalls: "We played a sold-out Paper Dress Vintage in Hackney, London, on Sunday 30th July 2023, as the last date on our summer UK tour. Helicon is a band built on live performance and musicianship, not fancy studio production tricks. We recorded our Fuzz Club Live Session back in 2020 but to capture the power and energy of a Helicon live show in front of an audience is a buzz. This setlist has songs from all 3 studio albums released on Fuzz Club, so it's a nice way to tie that period of work together."

TRACK LISTING

1) Dark Matter (Live)
2) Flume (Live)
3) Heliconia (Live)
4) Zen Roller (Live)
5) Devil On Your Tongue (Live)
6) Permo (Live)
7) What You Love Will Kill You
8) Seraph (Live)
9) Tae The Moon (Live)

In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda’s first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman’s perspective.

Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women. Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.

On DECEMBER 1st, BLIXA SOUNDS will release a Remastered Edition of Mother Juno, the classic 1987 album by punk blues legends The Gun Club

This timeless album has been digitally re- mastered and comes in replicate packaging to the original release. Long out-of-print, this album has been on the collector's market since not long after first being released.

This classic line- up only stayed together for this one album, featuring drummer Nick Sanderson (The Jesus and Mary Chain), as well as guitar from Kid Congo Powers (The Cramps, Nick Cave and the Bad Seeds), bassist Romi Mori, and Blixa Bargeld (Einsturzende Neubauten, Nick Cave and The Bad Seeds) providing lead guitar on the haunting "Yellow Eyes."

The album was recorded under the guidance of producer Robin Guthrie, guitarist and co-founder of Cocteau Twins. Mother Juno is widely considered by many to be the swan song of the Gun Club discography.

TRACK LISTING

1. Bill Bailey
2. Thunderhead
3. Lupita Screams
4. Yellow Eyes
5. The Breaking
6. Hands
7. Araby
8. Hearts
9. My Cousin Kim
10. Port Of Souls

After releasing his seventh - arguably best and most popular album - The Odd Shower, The Bitter Springs' singer / songwriter Simon Rivers reinvented himself as Poor Performer, whose own debut, Like Yer Wounds Too, followed the same winning formula, widened somewhat by the inclusion of songs with a greater fragile beauty and introspection . . . though rarely without a degree of self-effacing humour and a rather stylish wit. Decades of self-releasing compact disc-only albums from the far southwestern suburbs of London, with scant regard for promotion or the normal machinations of showbiz - touring, for instance - did little to spread the word about Rivers' unique and prestigious talents. A conversational singer with a delightfully warm and convivial stone, Rivers' sense of the absurd and willingness to portray aspects of life generally unrecognised by pop music, one supposes it's not entirely unfair to have expect Top of The Pops to come calling. Yet the relative absence of cult of Simon Rivers fans is somewhat perplexing, for his lyrics, ideas and tunes all do merit it. There's little affectation in the sense of stage persona, but heaps of personality and intriguing, occasional perverse idea. It's hard to listen to anything he's down without a degree of sheer enjoyment. It's real, without affectation. The very real bumps heads with the slightly mental, just like in life! So what does this new guise - Oldfield Youth Club - have to offer? It's partially a revival of Rivers' first 'real' band, Last Party, and it displays hallmarks of that band's youthful energy. There's a bit of teen glam in Good News I'm Afraid and (Theme From Oldfield Youth Club, even while lead track We're The OYC and When Bob Grant Ruled The World add a dollop of an energetic ruefulness to the mix. A Kind Of Loving In A Loveless Town is an immediate classic, a song one could hear dozens of times before really reaching the core of its magic and majesty. Lest this sound like the work of a solo artist, it does feel like a band - a rather clever one, in fact. Including members Kim Rivers and Neil Palmer (both from Last Party), as well as trumpeter / vocalist Alison Targett, Oldfield Youth Club is a band with an obvious musical kinship. There's a connection to the literal style of Vic Godard's Subway Sect (and members have been shared between both acts) or early Go-Betweens . . . there's an alchemical sensibility shared by all three acts wherein their words and tunes inform each other in a deceptively casual but arresting manner. It's hard not to love, a rare work that earns immediate affection and just grows better from there.

TRACK LISTING

We're The Oyc
Good News I'm Afraid
Strange Family Dynamic
Lightbulb Moments
When Bob Grant Ruled The World
A Kind Of Loving In A Loveless Town
(theme From) Oldfield Youth Club
Cutbacks
Talk 2 People
Baby Joy
The Glue
Net Curtains

Augustus Muller (Boy Harsher) announces the score for the movie My Animal, directed by Jacqueline Castel feat. Amandla Stenberg (The Hunger Games, Star Wars) and Bobbi Salvör Menuez (I love Dick, Something In The Air). The score marks Muller’s debut as feature film composer.

My Animal (premiered at the 2023' Sundance Film Festival), screenplay written by Jae Matthews (Boy Harsher), tells the story of Heather, a strong, defiant young woman who lives in a rural northern town and desires to play on the local hockey team. She meets and falls deeply in love with Jonny, a figure skater new to the area. Their relationship flourishes despite Heather’s hidden personal struggles with her alcoholic mother, her unaccepted sexual orientation, and a familial curse which transforms her, her twin brothers, and her father into feral wolves once a month. Heather and Jonny’s tryst soon clashes against their small community, exposing the truth and prompting a passionate, violent night of personal transformation.

Augustus Muller wrote and recorded the score at his home studio, primarily used hardware and analog synthesizers, in Northampton, MA. With director Jacqueline Castel, Muller pays homage to Klaus Schulze music for ‘Angst' and John Carpenter's 'Assault on Precinct 13' as major influences. Muller embarked on his composing career in 2019, crafting captivating scores for two short films for the adult film site, 'A Four Chambered Heart'. The scores, titled 'Machine Learning Experiments', were released in 2020, showcasing his talent with their innovative soundscapes. In 2023, Muller joined forces again with 'A Four Chambered Heart', composing two more scores, entitled 'Cellulosed Bodies'.

TRACK LISTING

1. Transformation #1
2. Sanctuary
3. A Walk Home
4. A Soft Howl
5. Winter Drone
6. Patts Theme
7. Casino Drive
8. The Slots
9. Transformation #2
10. Drone (Dream Theme)
11. Soft Love
12. Soft Love (Slow)
13. Hockey Tryouts
14. Back Of Your Car
15. Making Love
16. Climbing Sadness
17. Heart To Heart
18. Crybate
19. Sudden Loss
20. Out Of Time
21. Climbing Sadness (The Funeral)
22. Outside The Rock
23. Somethings Building
24. Transformation #3

Behind their reverb-drenched pop/psychedelia, Crayola Eyes are a Jakarta-based six-piece band consisting of vocalist and tambourine-shaker Reno Nismara, guitarists Kendra Ahimsa (aka the highly sought-after illustrator Ardneks) and Bayu Andrianto, bassist Aditya Hadisusanto, keyboardist Anindya Anugrah, and drummer Ferry Prakarsa. Their self-titled debut album titled ‘Gushing’ — co-produced with Bernardus Fritz — was originally released digitally in February 2023 and is now being issued on vinyl by their new label home, Fuzz Club. As Shindig! wrote on its release, the eight tracks on ‘Gushing’ deal in “insistent, widescreen dream-rock carving a straight highway through your third eye”. As the title suggests, ‘Gushing’ is intended to capture the band's nature in creating and delivering songs without compromise and restraint. It can also be seen as a manifestation of their stance to be in control of their own music, to create what they want to create. The result is an album of varying styles yet still bonded by Crayola Eyes' fundamental particularity, which makes for an authentic creation that can be enjoyed by everyone. A song of ascension. A wall-of-sound whirlwind. An homage in overdrive. A bittersweet, conversational number. A kaleidoscopic string section. A head-on collision between krautrock and good ol’ rock & roll. A trip to the sinister outskirts of late ‘60s psychedelia. A stripped-down ballad. It's all on there on this deeply engrossing debut. 

STAFF COMMENTS

Barry says: Euphoric ambience, soaring baggy melodies and echoic vocal flourishes from Jakarta's Crayola Eyes. Swimming with influence from the classic school of psychedelic rock but ligtened with a melodicism you rarely hear pulling through such heft. For me, the perfect temper to the weight of fuzz-heavy psych.

TRACK LISTING

Teaching Of Truth
Blacker Than Coal
Spectrum (for Sonic Boom)
Love Traffic
Pocket Moon
Crayola Eyes
Grass Lick
Today's News, Tomorrow's Films

Flying Objects is the new collaborative project from indie heavyweights Smoke DZA and Flying Lotus - featuring Black Thought (The Roots/Jimmy Fallon), Estelle, Conway The Machine, and more. Smoke DZA is a popular independent rapper from New York City who has worked with Big K.R.I.T., Wiz Khalifa, Action Bronson and ASAP Rocky among others, and is a founding member of the Smokers Club.

His album, Rolling Stoned was awarded the High Times Doobie Award for Hip Hop album of the year for 2011. Other popular album releases include Rugby Thompson (produced by Harry Fraud), Dream.Zone.Achieve (features from Cam'ron, Joey Bada$$, Ab-Soul, Wiz Khalifa, Curren$y), and Don't Smoke Rock (produced by Pete Rock).

Flying Lotus is a producer, DJ, filmmaker and rapper from Los Angeles who has worked with Kendrick Lamar, Danny Brown, Mac Miller, Chance The Rapper, Blu and more. He is also the founder of the record label Brainfeeder. He has released seven studio albums. His debut project 1983 dropped in 2006 on Stones Throw Records and his next six projects all came out on Warp Records - to critical acclaim.

TRACK LISTING

A1. Spiritual
A2. Painted Houses (feat. Conway The Machine)
A3. Zelle Transfers
A4. Drug Trade (feat. Black Thought)
A5. Harlem World 97 (feat. Estelle)
B1. Spiritual (Instrumental)
B2. Painted Houses (Instrumental)
B3. Zelle Transfers (Instrumental)
B4. Drug Trade (Instrumental)
B5. Harlem World 97 (Instrumental)

The ten songs on Boy Harsher’s second full length album, Careful, spanning forty-four minutes, contain eerie narrative soundscapes that are both bracing, high tempo and dynamic. The album delivers manifold emotions, from the nostalgic yearning of “LA” to the gripping intensity of “Come Closer”. The nervousness of Augustus Muller's bent, out of tune synths paired with the lush and sometimes brittle vocals of Jae Matthews, delivers an unsettled, yet fulfilling encounter with Boy Harsher. Careful summons a new spirit for the young band - that of growth and desire. 

TRACK LISTING

1. Keep Driving
2. Face The Fire
3. Fate
4. LA
5. Come Closer
6. They Look You Gave (Jerry)
7. Tears
8. Crush
9. Lost
10. Careful 

Boy Harsher's entire catalogue as strictly limited indie editions on colored vinyl. Country Girl marked a distinct sonic shift with the band, as the EP was the first group of songs written in their new home in rural Massachusetts. The novel isolation of the Northeast gave Jae and Augustus plenty of time to write and explore new sounds, while reminiscing about their time in the south. The move also put the band within driving distance of New York City which was another important factor in their progression.

TRACK LISTING

1. Motion
2. Electric
3. Country Girl
4. February
5. Underwater
6. Send Me A Vision
7. Westerners
8. Swing

Boy Harsher's entire catalogue as strictly limited indie editions on colored vinyl. Lesser Man (Extended Version) is the first release of Boy Harsher`s imprint, Nude Club Records, originally released on cassette by Soft Science in (2014), and Night People (2015). The album was reissued by the infamous Berlin goth label aufnahme + wiedergabe in Nov 2017 on 500 copies, and sold out in less than two weeks.

TRACK LISTING

1. Lust
2. Modulations
3. Pain
4. Run
5. Crimea
6. Love
7. Spell
Bonus 1. Pain (The Soft Moon Remix)
Bonus 2. Pain (Radio Edit)

Boy Harsher's entire catalogue as strictly limited indie editions on colored vinyl. Yr Body Is Nothing was originally released by DKA Records. All three LP pressings sold out in a matter of weeks. With a heavy emphasis on rhythm and atmosphere, the 10-songs presented here showcase a songwriting and production style that is sophisticated and unique, dark but powerfully uplifting. The sound is paradoxically massive yet minimal, providing the perfect space for Jae Matthews’ rich, deep, and emotive vocals to occupy as she, along with co-pilot Gus Muller, pulls the listener ever deeper with each passing song.

TRACK LISTING

1. Intro
2. A Realness
3. Yr Body Is Nothing
4. Last Days
5. Suitor
6. Morphine
7. Save Me
8. Deep Well
9. Big Bad John
10. Cry Fest

Renowned musician Andy Crofts (The Moons / Paul Weller) unveils captivating new album 'Live at the 100 Club' featuring The Lunar String Quartet. In an eagerly awaited musical event, celebrated artist Andy Crofts is set to release his latest album, 'Live at the 100 Club,' featuring the mesmerizing accompaniment of The Lunar String Quartet. Music enthusiasts can mark their calendars for November 10th, when this exceptional album will be available on limited edition red/blue transparent vinyl and all major digital platforms. 'Live at the 100 Club' captures the magic of Andy Crofts' dynamic performance at the historic 100 Club, renowned for its pivotal role in the British music scene. With his distinct blend of rock, pop, and orchestral elements, Crofts takes audiences on a sonic journey unlike any other. All songs written by Andy Crofts except track 12 (Isolation) John Lennon. 

TRACK LISTING

1. Chinese Whispers
2. Sometimes
3. The Old Brigade
4. How Long?
5. Sleep
6. Westway
7. Far Away
8. Maybe I’m The Perfect Man (For You)
9. English Summer
10. Wondering
11. The Lone Wolf
12. Isolation
13. Jennifer (Sits Alone)
14. An Ordinary Romance

The Bug Club cap off 2023 with their second full-length album - an hour-and-a-bit long double LP called 'Rare Birds: Hour of Song'.

Now then, what could you possibly have to say that takes two records to spit out? Pay attention to this and learn. It's The Bug Club's Hex Enduction Hour. South Wales' Double Nickels On The Dime. It's The Faust Cycle for people with shorter attention spans. Listen to me, why don't you. I'm from the label. I'm relevant. I have a huuuuge record collection, I love name-dropping, and I don't have many friends.

Their eighth release since joining forces with Bingo Records in summer 2020, 'Rare Birds...' is a culmination of a year spent relentlessly touring. But it's not one of those hackneyed road records. It's about birds, to an extent. Well, it is, and it isn't.

Spare us an hour and four minutes. That's what we're asking of you here. It's a big ask, these days.

But if you do, you'll find yourself entrenched in an immersive world of The Bug Club. The other records - with the sardonic and surreal, the riffs and the obsession with outer space - were a run up. With 'Rare Birds...' Sam, Tilly and Dan have created an expansive environment in which we can all bask in a cocktail of garage rock, poetry, nonsense, wordplay, sentimentality and fuck-offs. Ivor Cutler's come round to play with Gordon Gano and Kimya Dawson in a semi-detached in Caldicot. They've made something you're going to really like.

STAFF COMMENTS

Barry says: Snapping percussion and raucous guitar lines, swimming in post-punk waters but with a wry and keen humour to go along with the impeccable jagged garage-rock instrumentation. Another killer outing from Bingo records.

TRACK LISTING

1. burds Wurds - My First Lie
2. Samuel Was Beautiful Tonight
3. burds Wurds - For Feeling
4. I Will Feel The Same
5. burds Wurds - Tomorrow's Triangle
6. Undone
7. burds Wurds - I Think We'll Go With This
8. Fully Clothed
9. burds Wurds - The Key
10. Marriage 03:36
11. burds Wurds - Shut My Beak
12. Four Sisters
13. burds Wurds - What's Your Sweet Cereal?
14. Is This The Music You Like?
15. Can Ya Change A Thing Like This?
16. burds Wurds - Hot Emptiness
17. We Can't All Play Saxophones
18. burds Wurds - Big Gold Medallion
19. Short And Round 02:40
20. burds Wurds - Louder Than Normal Ha Ha Ha
21. Passionflower, Paperbacks And Woodlice
22. burds Wurds - The Pantry Flap
23. Blues Magicians
24. burds Wurds - The Big Frog
25. Strawberry Season
26. burds Wurds - It's Lovely
27. Do It All Again
28. burds Wurds - Really Nice
29. Drown Me Out
30. burds Wurds - Twelve Surnames
31. One Big Heavy Person
32. burds Wurds - More Of A Pretty Turkish Bookmark
33. Mister Do You Have The Time For Sittin'?
34. burds Wurds - Fish Tongue
35. In My Hour Of Song
36. The Loudest Violin
37. burds Wurds - Now We Can Move On
38. Antique Heirlooms
39. burds Wurds - Cubed Up!
40. Cheap Linen
41. Burds Wurds - Something Small
42. Rare Birds
43. burds Wurds - Ready For Living
44. Three Brians
45. burds Wurds - From One Rare Bird
46. Wide Awake Forever
47. Burds Wurds - This Story's End

'Pure Particles' follows the great sellout success of The Bug Club's debut EP 'Launching Moondream One'. Again released on Bingo Records, it sees the South Wales trio deliver a larger portion of raucous, riffing garage shot through with a sense of humour that reminds you that, while they may be excellent musicians, they're certainly not going to bore you about that.

TRACK LISTING

1. The Word Of God 00:35
2. My Baby Loves Rock & Roll Music 02:37
3. Vegetable Garden 02:56
4. The Fixer 02:27
5. Pure Particles 02:13
6. Jonathan's Gone 02:07
7. If My Mother Thinks I'm Happy 04:22
8. A Love Song 01:14
9. Pure Particles Theme 01:37

The Bug Club’s name does a good job of introducing the band & their music: a tight-knit, collaborative effort focused on telling tales of the everyday that we often take for granted, shot through with humour & riffs-a-plenty.

Imagine Jonathan Richman bought a really big amp & a time machine & found himself somewhere on the Nuggets compilation. Or perhaps Ray Davis palled up with Sterling Morrison, got really into The Minutemen & agreed that songs need not be longer than two minutes. Then, maybe, you’re almost where the Welsh three-piece are coming from.

The creative trio of Sam Willmett (guitar/vocals), Tilly Harris (bass/vocals) and Dan Matthew (drums) formed The Bug Club in 2016 in the little-known rock n' roll hotbed that is Caldicot, Monmouthshire. Following relentless gigging in their local area, The Bug Club were picked up by Bingo Records & released their first proper single - ‘We Don’t Need Room For Lovin’ - in February 2021. It garnered immediate acclaim, with BBC 6 Music’s resident tastemaker Marc Riley playing it a few times a week ever since & booking them in for a post-lockdown live session right off the bat. The announcement of the EP ‘Launching Moondream One’ followed - as did the release of second single ‘Checkmate’, with which came a similar level of radio airplay. And then the same again for the EP's title track.

First and foremost a live band, the band record as a group quickly, capturing the energy & sound of the gigs that make them such a popular fixture on the live circuit. 

RIYL: The Modern Lovers, The Wave Pictures, The Vaselines, The Velvet Underground, The Kinks.

TRACK LISTING

1. Checkmate 02:13
2. All Of The Scariest Monsters Live In London 02:04
3. We Don't Need Room For Lovin' 02:00
4. Launching Moondream One 01:33
5. The Word Of God 00:35
6. My Baby Loves Rock & Roll Music 02:37
7. Vegetable Garden 02:56
8. The Fixer 02:27
9. Pure Particles 02:13
10. Jonathan's Gone 02:07
11. If My Mother Thinks I'm Happy 04:22
12. A Love Song 01:14
13. Pure Particles Theme 01:37

'The heartwarming story of the collaboration and friendship between English football’s oddest couple, Elton John and Graham Taylor' The Times 'An ever-entertaining telling of a remarkable sporting fairy-tale' Daily Telegraph_____________________ An unforgettable British underdog story from one of our greatest narrative nonfiction writers, John Preston, and the international musical icon and bestselling author, Sir Elton John. Britain in the 1970s was beset by unrest and unemployment, as inflation soared, fuel was scarce, and hooliganism was on the rise. And for Watford FC, the outlook was even gloomier.

Rundown and rat-infested, Watford were an ailing side with holes in their kit and barely enough fans to fill a stand. Of the 92 clubs in the Football League, spread across four divisions, Watford were in 92nd place. Meanwhile, Elton John was the most successful rockstar in the world.

With six-inch platforms, spangled jumpsuits, and peroxide hair, he was glamorous, gay, and seemingly a world away from the semi-detached house in Pinner where he had supported Watford FC as a child. Many assumed he would move to America. Instead, he bought the football club.

Watford Forever is the remarkable story of Elton John's ownership of Watford FC and its transformational journey to the top of the First Division under iconic manager Graham Taylor. Perhaps most remarkably, four of the same players who had been written off as has-beens went with them all the way from the bottom to the top. Inspiring and infectiously funny, this is a tribute to football's unlikeliest friendship as Elton John and Taylor, a straight-talking former fullback with a love of Vera Lynn, beat the odds and their personal demons to save a club and a community.

Immersed in the grime and glamour of '70s Britain, Watford Forever is one of sport's great underdog stories and a love letter to the beautiful game.

Heads High keeps up the good early work with a third interesting offering, this time in the form of a meeting of the fiendish minds of Mike Misiu and Eddie Smilie, aka Wednesday Club. They offer up late-night club sounds with plenty of musical nouse and worldly nuance that comes as a result of late-night sample mining across the African musical landscape. Their tunes are crafted on nice analogue gear so have that lovely freed edge feel and from the space-house of 'Magic Body' to the swaggering dub of 'Magic Dub' via the cosmic expressiveness of cruising groover 'Love & Care'. This one gets dubbed out to close a fine dancefloor adventure.

TRACK LISTING

Magic Body
Magic Dub
Love & Care
Dub & Care

Duke Ellington and Ella Fitzgerald's paths had surely crossed many times during the Thirties, Forties, and early Fifties. However, no recorded trace of the two legendary musicians collaborating exists until 1957, when Norman Granz produced a series of big band and small group sessions. This album presents Ella singing Ellington tunes backed by a small group featuring tenor saxophonist Ben Webster and legendary violinist Stuff Smith, plus Ella's regular accompanist Paul Smith and the great Oscar Peterson sharing the piano, and Barney Kessel and Herb Ellis taking turns on guitar. "Webster and Smith solo in their highly singular manner with Ben's take- off on 'Rocks' the climax of the song. Stuff is angular, probing and strong in his solo on 'I Let a Song'. The slow- walking 'Squeeze Me' is individualized by a unison blend among Ella, Stuff and Ben. These are history-making sessions. An absolute must in any library." - ***** John A. Tynan, DownBeat

TRACK LISTING

1. Don't Get Around Much Anymore 
2. Prelude To A Kiss 
3. In A Sentimental Mood 
4. Sophisticated Lady 
5. Just A-Sittin' And A-Rockin' 
6. I Let A Song Go Out Of My Heart 
7. Do Nothin' Till You Hear From Me 
8. Just Squeeze Me (But Don't Tease Me) 
9. Azure 
10. Rocks In My Bed 
11. Lush Life 
12. Mood Indigo

In the early 2000s, San Francisco's Black Rebel Motorcycle Club were part of a vanguard of acts spearheading a garage rock revival - each a beacon of the staying power of gritty guitar music: The White Stripes and Dirtbombs in Detroit, The Kills in London, The Strokes and Interpol in New York, The Raveonettes in Copenhagen - the list goes on. Each made their mark, and BRMC’s take on rock and roll in the 20th century was particularly alluring - dark and atmospheric, their debut LP took them immediately out of the underground and onto stages worldwide, bringing their rock and roll manifesto to a new generation of music fans and artists.

TRACK LISTING

1. Red Eyes And Tears
2. Funny Games
3. Six Barrel Shotgun
4. Beat The Devil's Tattoo
5. Whatever Happened To My Rock And Roll
6. Spread Your Love
7. Lose Yourself
8. Fire Walker

Described as "one of the most exciting names in UK indie pop” by Wonderland Magazine on her last release “supermarket”, SOFY continues to justify that with every next track, falling on eagerly awaiting ears.

This LP arrives into out-stretched fingers and welcoming arms as SOFY’s army of rats continues to grow into cult-like status, and the buzz around her name is starting to turn into a national sonic stir. The “Chaos & Commotion” mixtape is a nod to her previous two EP’s “Bored In Colour (Pt.1)” and “Bored In Colour (Pt.2)”, but stands as a 9-track opus demonstrating the incredible artistic evolution of SOFY and the creative confidence instilled by the rewards she has reaped from earlier releases. Incredibly, the mixtape is SOFY’s first ever masterpiece pressed to vinyl.

The mixtape is SOFY’s first project as a proud signee to independent record label Chess Club Records, whose exemplary work has been recognized in their recent nomination for the ‘Best Boutique Label’ as part of the Independent Music Awards, 2023.

TRACK LISTING

A1. Yoyo
A2. Ashley Cole Type Beat
A3. Socks
A4. Timothée Chalamet
A5. Breathing Exercises
B1. No Drama
B2. WET PAINT
B3. He’s Not You
B4. Supermarket

X Club. (Steel City Dance Discs) launch their label 'Hide The Junk'
Big tip for fans of Fjakk, Shed, Luke Slater, Kettama etc.

The production duo of Ben Clarke and Jesse Morath. Founded in Brisbane / Meanjin Australia’s warehouse scene and exported to London and beyond, their music is inspired by early 90s techno all the way through to future-facing drum’n’bass, with X Club. carving out a space entirely of their own thanks to their authentic and eclectic take on dance music with serious consideration for underlying groove.

With releases on labels such as Steel City Dance Discs, SPANDAU20 / CROWDS, 99CTS Records and Stay On Sight, X Club have seen their records reach global audiences with frequent touring across the UK, Europe, North America, Asia and Australia.

"HTJ001" is the debut release and launch pad of their own label Hide The Junk, which will explore the groovier, percussive and fun side of techno. It features four tracks that have been heavily tried and tested across many dancefloors over the past 9 months and teased/  promoted across the duos debut Boiler Room at AVA in Belfast, as well as Lot Radio NYC and HÖR Berlin. It's a high powered juggernaut of blistering modern techno. 

STAFF COMMENTS

Matt says: High speed wreckin' ball techno from Steel City Dance Discs signing X Club who keep up the relentless rumble across four intense, Rush Friendly bangers. Nice to spot a Chemical Bros sample too ;)

TRACK LISTING

A1. Block Rockin
A2. End Of The Line
B1. It Isn’t Nice To Fool Mother Nature
B2. Exertion (Transmission)

Heading back to the band’s studio in London, Bombay Bicycle Club have lovingly crafted album six – My Big Day. It’s a powerful, expansive body of work, replete with an irrepressible dose of joy. My Big Day also found the band’s studio door wedged open for a collaborative experience, inviting the likes of Jay Som, Nilüfer Yanya, and Holly Humberstone and Damon Albarn who all feature. On first listen, Bombay Bicycle Club have opened up the curtains and let this revelatory set of vibrant, joyous compositions bask in the sunshine. It’s an album that means business, sculpted by one of Britain’s best guitar bands.

TRACK LISTING

1. Just A Little More Time
2. I Want To Be Your Only Pet
3. Sleepless (feat. Jay Som)
4. My Big Day
5. Turn The World On
6. Meditate (feat. Nilufer Yanya)
7. Rural Radio Predicts The Rapture
8. Heaven (feat. Damon Albarn)
9. Tekken 2
10. Diving (feat. Holly Humberstone)
11. Onward

Provocative post-punk from Israel’s undercover goth prince. Megira’s lone album with the Modern Dance Club showcased a grimier, more driving vision of his brand of trashy no wave. Spread across 31 tracks and two LPs, Love Police schizophrenically mixes industrial soundscapes, surf ditties, hardcore, swamp pop, bubble grunge, screaming, ecstasy, and enough fuzz to warrant a needle check.

TRACK LISTING

SIDE A
1. The Return Of The Russian Frogmen That Died And Came Back To Life As
Strange Looking Radioactive Creatures
2. Sababa One
3. Rhythm Of Hate
4. At The Elvis Inn
5. No Wave Exercise
6. Existence
7. The Wall Of Death
8. U.S.F.

SIDE B
9. And Now I Wanna Drown In Your Dark Dreamy Eyes
10. Boo
11. Beach Bums Must Die
12. The Strange And Bizarre Tale Of The Boy Who Had One Testicle Too Many
13. 333
14. (Used To Be...) Psychic Youth
15. Elvis Is Not Dead
16. Smack Dab

SIDE C
17. Beneath The Underground
18. Valley Of Tears
19. Mao/Mao
20. Here Comes Your Mama
21. Ode To A Cocksucker
22. Homesless Body
23. Sababa?

SIDE D
24. Freak Junior
25. Psychic Youth-2
26. Another No Wave Exercise
27. Street Machine
28. Da Homogreaser Stomp
29. All Tuned Up And Ready To Go
30. Je Ne Parle Pas Francais
31. Dead Girl Blues

To celebrate the album’s 25-year anniversary, The Jesus And Mary Chain reissue their long-sold-out sixth studio album ‘Munki’. 

Originally released June 2nd 1998 on Sub Pop / Creation Records, ‘Munki’ was – up until the Mary Chain’s reformation in 2007 – an experimental rock’n’roll masterclass turned swan song for the Reid brothers, whose fractious in-fighting culminated in the band’s break-up less than a year after its release. It was perhaps fitting, then, that ‘Munki’ is argued by some as the definitive Mary Chain record in the way it seemed to chart the full array of musical directions the band had ploughed over the five records that came before.

The decision to bookend the album with Jim’s rousing sing-along ‘I Love Rock 'N' Roll’ and William’s caustic white-noise anthem ‘I Hate Rock 'N' Roll’ perfectly captures the two-fold tension at the heart of the Mary Chain at that time – a tension between noise and melody, and warring brothers. Across the album’s 17 tracks and 70-minute running time, there are the expected abrasive noise-rock epics ‘Cracking Up’ and ‘Degenerate’ by way of fuzzed-out pop hits like ‘Fizzy’ and the tender acoustic slow-burner ‘Never Understood’. Between the Reid’s Glaswegian snarls and unapologetically insolent lyrics – "I'm a mean motherf*cker now, but I once was cool”, “McDonald’s is sh*t!”, “Children are fools!” being just a few lyrical highlights – ‘Munki’ also features two great guest appearances. Mazzy Star’s Hope Sandoval returns for another Mary Chain duet on ‘Perfume’, which has a swagger that’s equal parts menacing and bittersweet, and the Reid’s younger sister Linda.

TRACK LISTING

1. I Love Rock 'N' Roll
2. Birthday 
3. Stardust Remedy 
4. Fizzy 
5. Moe Tucker 
6. Perfume 
7. Virtually Unreal
8. Degenerate 
9. Cracking Up 
10. Commercial 
11. Supertramp 
12. Never Understood 
13. I Can't Find The Time For Times 
14. Man On The Moon 
15. Black
16. Dream Lover 
17. I Hate Rock 'N' Roll 

‘Interiors’ is the fifth studio album by Brooklyn-based minimalist post-punk/synth-pop duo The Vacant Lots. The 8 songs on ‘Interiors’ synthesise all of the band’s past work while pushing forward into the future. It’s Jared Artaud and Brian MacFadyen’s darkest and most visionary work yet. Ethereal metallic synths and blistering electronics are driven by disco-on-downers dance beats lashed with gutter-rock guitar riffs and icy detached vocals with evocatively concise and lacerating lyrics.

Recorded over many sleepless nights and amphetamine-fueled mornings in the project’s isolated Brooklyn bunker home studios, the album follows the band’s minimal is maximal aesthetic coalescing into dark bedroom anthems for loners and lovers with nods to 70s/80s punk and nightclub music ala Joy Division, Iggy Pop’s The Idiot, Depeche Mode, and New Order. On the lead single “Amnesia,” Jared Artaud says "It’s about dealing with duality and integrating the conflicting feelings within a relationship. It’s about feeling dissociative and getting burned by the fire. Then coping with how this inevitably leads to the dissolution of the relationship. This is a mantra for all the songs on the album."

TRACK LISTING

1. Amnesia
2. Paradise
3. Ashes
4. Evacuation
5. Destruction
6. Scars
7. Endgame
8. Damaged Goods

Owners Club call themselves a "pub rock four piece" - but they are so much more than that. There's a through line in their taut, visceral guitar sound going from British greats like Roxy Music and Marc Bolan, through The Buzzcocks and The Jam before taking a detour off to NYC and nodding towards The Strokes and The Walkmen. The Dorking-based four piece are a blistering live act, with songs that range from singing about the long discontinued Double Diamond beer to vampires, the occult and an England that feels like a distant memory.

This EP will be the band's debut release on vinyl. Recorded at Small Pond Studios in Brighton in April this year, and produced and mixed by Matt Gleeson of WELLY fame, it presents three songs that brilliantly demonstrate what a ferocious, tightly-wound sound this Dorking four-piece can produce.

The lead single will be Double Diamond - a song that came about after a chance purchase of a Double Diamond-branded ashtray from a car boot sale by Dorking train station. The song is a romantic and messy vision of the life the ashtray’s lived, the pub it came from, the punters who left their fag ends in it and the messy nights and bar fights it’s witnessed. With sprawling synths, punchy guitar lines and tongue-in-cheek lyrics, the song is an anti-advertisement for a drink which no longer exists, as well as a look through rose-tinted beer googles at what Britain's night life - for better or (almost certainly) for worse - was once like. As the advert used to state: you know where you are with Double Diamond. It works wonders.

TRACK LISTING

A1: Double Diamond
A2: Evil Twin
B: Village Green

The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday (1915-1959) changed the art of American pop vocals forever. Songs for Distingue Loversis one of the best albums from her late period and finds her surrounded by important instrumentalists, such as Ben Webster and Harry "Sweets" Edison.

The album received a four-star rating in Down Beat upon its release: "This is one of those loose, utterly relaxed sessions where the rhythm section is settled in a happy groove behind the singer and the horn players are left free to say their piece without the restriction of short takes. Miss Holiday remainsthe unique stylist, still incomparable."- John A. Tynan

TRACK LISTING

1. Day In, Day Out 6:49
2. A Foggy Day 4:40
3. Stars Fell On Alabama 4:32
4. One For My Baby (And One More For The Road) 5:42
5. Just One Of Those Things 5:33
6. I Didn't Know What Time It Was 6:02
7. Body And Soul 6:26
8. They Can't Take That Away From Me 4:14
9. Darn That Dream 6:23
10. Let's Call The Whole Thing Off 3:26
11. Comes Love 4:00
12. Gee, Baby, Ain't I Good To You 5:41
13. Embraceable You 6:49
14. Moonlight In Vermont 3:53

After launching Le Très Jazz Club, Fuzati (Klub des Loosers) and Modulor are now starting Le Très Groove Club, their new label dedicated to vinyl reissues of groove masterpieces.

This second release keeps on honouring Jacky Giordano's work, who is going disco on this "Boucles Rythmiques" album.

TRACK LISTING

1. The Winner Man
2. Fast March
3. Cap Horn
4. Les Dauphins
5. Sport Dance
6. Pente Douce
7. The Witch Queen
8. Bass In Milky Way
9. San Antonio
10. Départ
11. Rouages

Top drawer mini LP of nostalgic house music complete with overactive drum machines and primitive sampling from the shadiest of corners. Absolutely killer.

New heat beat out by Duke & Cliff! "Unearthed Essentials" pays honourable homage to the embryonic period of acid house over six tracks. Think names like Boyd Jarvis, Marcus Mixx, Gherkin, Leron Carson,  Virgo, Adonis etc etc.

Bringing back that raw authentic flavour to the dancefloors of 2023. See also this week: "Piano Vandals" by Fabio Monessi. 

TRACK LISTING

Overdubbed Drums A Piano And A Synth
Skoolhouze
Go Kid Go
Presence Of The Past
Sympte Frequency Move Ya Thang
Ethereal

Coach Party figurehead Jess Eastwood says that ‘All I Wanna Do Is Hate’ is about: “Acting out against people who are trying to help, but you're not ready for that and choose to do the opposite of the advice you're given. This song is just about being incredibly angry, for what, is up to whoever is listening; but sometimes you need to go against everyone to learn a valuable lesson. Maybe you’ll write a cool angry song about it.” 

TRACK LISTING

1A What's The Point In Life
2A Parasite
3A Born Leader
4A Micro Aggression
5A July
1B Be That Girl
2B All I Wanna Do Is Hate
3B Hi Baby
4B All Of My Friends
5B Always Been You 

Anonymous Club is Danny Cohen's candid documentary about the personal travails and hard-fought triumphs of Courtney Barnett, as she rose through the ranks of indie rock during the last decade.

A cautiously redemptive portrait, any happy ending reflects the possibilities of fulfillment and stability, not the things themselves. In May 2021, months before the film's release, Courtney Barnett and collaborator Stella Mozgawa rendezvoused with Cohen in Melbourne to shape a score that fit that premise--nothing too obvious or instructive, to tell the audience how they should feel. Barnett found she liked listening to what the duo had made, existing within its reflective gaze. She began sorting through those little instrumentals like amoebic puzzle pieces, figuring out how they fit into a full picture. The result is a seamless series of 17 instrumental improvisations called End of the Day: Music from the Film 'Anonymous Club', soundtrack reimagined as impressionistic sound-art collage. Like Barnett's rock songs, they wordlessly ask hard questions of our softest parts, wondering what it is we really find there.

TRACK LISTING

Start Somewhere
Life Balance
First Slow
A To B
(Electricity)
Two Circles Reflecting
End Of The Day
Floating Down
Spring Ascends
Intro
B To C
Like Water
Gold Room
Sun Through
River
Get On With It
Eternity Repeat

Augustus Muller (Boy Harsher) teams up again with Four Chambers to release Cellulosed Bodies, which features two scores, Crash and Automation, through imprint Nude Club Records. Four Chambers is the self-described “project” of experimental pornographer Vex Ashley, filmmaker, photographer, and cultural phenom. Both scores serve as accompaniments to films released by Ashley last year through Four Chambers.

Crash and Automation demonstrate Muller’s mastery of stark, industrial soundscapes. Yet, Muller takes the compositions further - introducing club elements such as ‘nu disco’ tendencies and vocal samples. Thus, he embraces the theme of body meets machine as explored in the visual content of the films.

Crash is an homage to David Cronenberg’s 1996 film of the same name. Both Ashley and Cronenberg explore the eroticism of car accidents, a fetish that feels both mechanical and gory. This violent juxtaposition is Muller’s ultimate inspiration. Featured in Crash, “Body and Machine” is a pulsing, synth anthem, exhibiting both synthetic echos and playful plucky highlights. “Perverse Technology” is a groovy and discordant number, where “Sharing a Smoke” has a somber austerity, you can almost see the hands pass across leather seats, shattered glass against sweaty bodies, and open-mouth kisses in the headlights.

Automation experiments came from the isolation brought upon the pandemic, which turned many into digital fiends. Ashley explores the fixation of technological intimacy, with Automation, a sci-fi feeling porn that features a severe computer entity and trapped prey, succumbing to pleasure. Unlike, Crash, Muller uses less “industrial” sounds in Automation, instead favoring synthetic instrumentation. “Who is in Control” and “Observation” are chilling examples of this - compositions that feature oblique strings and organ like synthesis. Songs such as “Subdue Yourself”, featuring vocal samples of dominatrix Miss Marilyn, are deftly human, yet “speak” from the perspective of the machine.

Ultimately, both sides of Cellulosed Bodies play with the mercurial erotic relationship between body and machine. A soundscape that is both haunting and humble, Muller’s follow-up with Four Chambers features some of his best score work.

“You belong to the machine, you are nothing, you are use, you are there to be taken...”

“Cellulosed Bodies (Original Score)” is the second collaboration between Augustus Muller and Four Chambers. In 2020, the Soundtrack “Machine Learning Experiments” was already released as a two-part soundtrack on CD and LP.

TRACK LISTING

Side A - Crash:
1. Fur And Metal
2. Sharing A Smoke
3. A New Wound
4. Perverse Technology
5. Body As Machine
6. Shattered Glass

Side B - Automaton:
7. Initialize
8. Next Subject
9. Endoscopy
10. Examination
11. Acceptance
12. You Belong To The Machine
13. Observation
14. Stretching / Invading
15. Who Is In Control
16 Subdue Yourself

CRUSHED! is the culmination of a year’s worth of work, and builds on Cole’s streak of instantly catchy and meticulously crafted pop songs that are destined to be scream-along anthems. Incorporating threads of pop, emo and indie, CRUSHED! is a mark of Cole’s continued growth as a songwriter and producer, and is a brilliant and bold offering from an artist who continues to go from strength to strength as one of the most exciting young popstars in the UK. “I think of CRUSHED like it’s my diary. I took relationships and experiences I’ve had in the past and literally felt crushed every time I’d think about each scenario. Each song helped me get through unresolved trauma over sour relationships. As I wrote these songs in early 2022, each step of making these songs come to life has helped me overcome each unwanted memory in a different way. We recorded them in September, and having to revisit them so confidently knowing they would be out for the world to see was a whole other obstacle needing facing. But I know that I don't ever want to put music out unless it feels like you’re reading my diary. It’s where I am most authentic and vulnerable, and I wouldn't want you to see me any other way”. 

TRACK LISTING

1. HEARTBREAKERS
2. SAD GUY GEMINI
3. IS IT COOL 2 B FRIENDS?
4. YOUAREYOUAREYOUARE
5. HOMEWRECKER

Tunnel Club are Newcastle-based duo Steve Key & Graeme Stoker, and here on their 3rd album they’re liberally sprinkling 90s-influenced goodness of all flavours from tough to euphoric to bring a smile to the faces of ravers of a certain age. Established in 2015, this is the band’s first release since Exit Space in 2018, with the last 5 years having been focussed on developing their live show & sound. Old skool in character, if not directly in sound, influences include Orbital, 808 State, The Black Dog, Ulrich Schnauss, Surgeon and Dave Clarke in one big pigeon hole-less melting pot.

Liverpool-based Trout (they/she) release their debut EP Colourpicker, on Chess Club Records. 

Following the sunny, jangly ‘garden’, ‘in my room’ leans back into the grungier side of Trout’s repertoire, a track which plays on the fine line between romantic and unsettling in its depiction of an all-consuming adoration. This manifests itself in refrains like ‘Be the places I ignore / The hairs on my bed / Be the mould growing up my door’, and Trout explains; “‘’in my room’ is about completely adoring someone. It’s meant to be sweet and endearing but also a little creepy at the same time. I leant into the idea of being so obsessed with someone that you want them to be everywhere and everything, good and bad. It’s a satirical song but also a love song”

Trout is the creative alias of 23 year old Cesca - who spent their childhood years growing up in Copenhagen, born to an Iranian father and British mother. Their early musical memories are of sibling rivalries played out to the soundtracks of the Gipsy Kings and a worn out Suzanne Vega tape which emboldened their early love of songwriting. On turning nine however, they found themselves suddenly uprooted, relocating with their family to a country they’d never even heard of - Wales. The teething problems which hallmarked such a shift in Trout’s psychogeography were compounded further by the prospect of learning a third language. Arriving in a “particularly Welsh part of Wales,” they had to quickly learn the Welsh language - an ability Trout now carries proudly. With their adolescence framed by green hills in the East and the Irish Sea to the West, growing up in rural Wales nurtured Trout’s reverence for nature and water, an inextricable part of their identity which has manifested in their passion for sustainability, and is reflected back in their artist moniker.

Despite favouring the freedom of art class over the more rigid music syllabus at high school, after graduating Trout headed for the border, relocating to Liverpool to study music at LIPA. Whilst Trout reflects that it was Liverpool city itself and the community they found there which had the most significant impact on the course of their creativity, they credit their education with developing their interest in music production. Having previously dismissed this side of things as a dry, technical process, Trout credits a particular professor with shifting their perceptions to the craft - encouraging them to approach it as a style and creative outlet of its own. After mastering basic production software, Trout quickly realised that they were suited to the medium in a surprising way - having discovered several years earlier that their hyper-visual and aural response to music wasn’t the norm (and was in fact synesthesia). Trout began to employ this as their “sixth sense” relying on their instinct to understand where their songs needed embellishment or reigning in, and the Colourpicker EP is named in honour of this.

This holistic approach to their craft is rarified on Colourpicker, which Trout elucidates as a collection of which reflect the “to-and fro-ing of many thoughts I was having at the time.” Tracks like ‘words’ and ‘bugs’ capture the feeling of being trapped in a state of unwilling inertia, the latter envying the productivity of the insects outside their bedroom. ‘garden’ builds on this theme, unpacking the temptation for codependency, whilst ‘gutter’ and ‘sad sad sad sad sad’ are written “from a stronger place,” namely the bittersweet defiance of having your emotions and experiences doubted by someone close to you. Across the EP’s six tracks, it becomes abundantly lucid that Trout is the kind of artist with the innate power to make you feel like you’re living their highs and lows in real time. Their influences are therefore unsurprising, but by no means insignificant - with Trout nodding specifically to the poetic songwriting genius of Adrianne Lenker, the layered vocals of Warpaint, and Sorry’s seamless blend of post-punk with idiosyncratic electronic flourishes. Carrying an undeniable charm and arriving in earnest, Colourpicker is set to be a striking first declaration from Trout, promising plenty more to come from this compelling new talent.

TRACK LISTING

01. Gutter
02. In My Room
03. Sad Sad Sad Sad Sad
04. Words
05. Garden
06. Bugs

'Good Time' is the debut album from Austin, TX noise-pop band DAIISTAR, due out September 8th via Fuzz Club. Creating a narcotic blend of noise and melody, the band takes their inspiration from the neo-psychedelic era of the 80s and 90s and pull it into the future with modulating synthesisers, heavy guitars, bouncing bass lines, and spiralling hooks. 'Good Time' was produced by The Black Angels' Alex Maas and engineered by James Petralli of White Denim.

Made up of Alex Capistran (guitar/vocals), Nick Cornetti (drums), Misti Hamrick (bass) and Derek Strahan (keys), DAIISTAR formed in the spring of 2020, just weeks before the pandemic started. "To us, these songs were a glimmer of light", Capistran says: "Starting a band at the peak of the pandemic to some might seem ill-timed, but to us it was a way to escape for a moment. There was something to look forward to and we kept our heads in the future. These songs guided us through some dark times and hopefully they can do the same for you. GOOD TIME is here."

TRACK LISTING

1) Star Starter
2) LMN BB LMN
3) Repeater
4) Tracemaker
5) Purified
6) Say It To Me
7) Parallel
8) Speed Jesus
9) Heathens Gate
10) Velvet Reality

‘Nostalgia’s Glass’ is the eleventh studio album from cult Manchester-born, Berlin-based post-punk group The Underground Youth, due out August 18th on Fuzz Club. “Nostalgia’s Glass looks back at the music of The Underground Youth, forming new songs in a style reminiscent of the band's past”, band leader Craig Dyer writes: “The aim became to create a collection of songs that paid homage to our back catalogue and attempted to dissect not only the positive but the negative elements of nostalgia, primarily the romanticisation of the past – be it the politics of a country, the controversial legacies of film and musical icons or the sentimental idealisation of long dead toxic relationships.”

The Underground Youth was started in 2008 as the creative project of Craig Dyer. The band – Craig now joined by Olya Dyer (Drums), Leonard Kaage (Guitar/Producer) and Samira Zahidi (Bass) – have now released 11 albums and 4 EPs over the years, developing their unique sound which has ranged from cinematic lo-fi psychedelia to a raw and noisy, albeit romantically melancholic, form of post-punk. Shrouded in a dark aesthetic and the imagery of various art film movements, The Underground Youth have established a devoted global following, continuously built upon by their extensive touring schedule through Europe, Asia and North America.

STAFF COMMENTS

Barry says: The brilliant Underground Youth return for an all-new LP inspired by their storied past, looking back on the highs and lows of a career that has seen them rise to one of the most beloved of the Fuzz Club roster. A wonderfully conceived, intensely satisfying whole.

TRACK LISTING

1) Émilie
2) I Thought I Understood
3) Finite As It Is
4) Another Country
5) Frame Of Obsession
6) Interlude
7) Nostalgia's Glass
8) The Allure Of The Light
9) Omsk Lullaby
10) Epilogue (feat. Josef Van Wissem)

Coco María and Bongo Joe reunite for the second edition of Club Coco, featuring a sackful of Latin inspired tracks from international bands and producers. All the songs were selected by Coco María, who in recent years has gone from a promising up-and-comer to an ever-present and influential figure in the music industry, widely known for her tireless work shining a light on contemporary, pan-Latin roots music around the world, through both her live DJs sets and eclectic radio sessions.

This compilation brings together several of the most respected and innovative artists on the frontiers of tropical music today. Those who take the energy, melodies and textures of classic Latin music and turn those gems into songs tailor-made for a new generation of music lovers. Simply put, it's a record for those diggers who jump with excitement when they find a vinyl reissue of some Latin star of the past, be it Joe Arroyo, Los Mirlos or Aniceto Molina and then wonder, "This classic music sounds amazing, but where are the bands that are taking these sounds to new places?”

TRACK LISTING

1. Raz Olsher - Pacific Dreams
2. Los Pirañas - Puerta Del Sol
3. Lola's Dice - Sacudete
4. Guess What - Children's Favourite
5. Acid Coco - Seguimos Sonriendo
6. Juan Hundred - Always Ready To Smoke
7. Las Mijas - Ronca (Carta Para Una Mija)
8. Dip In The Dub - La Cumbia Del Sufi Que No Sabia Bailar
9. Chupameeldedo - Metalero
10. Guess What - Stickle Bricks
11. Candeleros - El Bravo
12. Iko Chérie - Lepidoptera
13. Ronald Snijders - Off The Groove
14. Raz Olsher - Vamonos Cocos

"Curating and ordering the tracks for a Mr Bongo Record Club is always special You're reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other's latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.

Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Hareton Salvanini, Copa 7, and Mirna. There's also the wonderful Brazilian- not- Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We've picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych- pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ogon too."

TRACK LISTING

Dora Morelenbaum - Japao
New York Community Choir - I'll Keep My Light In My Window (12" Mix)
General Lee - Pleasure
The Drive - Africa Bossa
Chiemi Eri - Okosa-Bushi
Manny Corchado And His Orchestra - Pow-Wow
Sven Wunder - Easy Going
Dina Ogon - Bakom Glaset
Vee Gees - Talkin
Mave & Dave - Do You Really Want My Love
Hazel Scott And The Braza Brasil - Ye-Me-Le
Ines Soares - Um Amor Para Toda A Vida
Hareton Salvanini - Estrada
Copa 7 - Copa Sete No Samba
Mirna - A Volta
Dina Ogon - Tombola 94
Unknown Artists - I Do You Love
Ash Soul, Inc. - I Do Love You
Ponderosa Twins Plus One - Bound
Matty - Blood
Shira Small - Eternal Life

‘Minsky Rock Megamix II’ takes its own fearless journey through the heart of the ‘Fear Fear’ album; on its way, it samples snatches from each of the album’s tracks and places them into glimmering new musical surroundings, all pinned to a constant metronomic beat that turns the whole thing inside out to create one streamlined, super-heavy whole.

Over twenty-three (cosmic) minutes, the track finds the pulse of ‘Fear Fear’ and follows it onto the dancefloor. Within this new mix, fragments of familiar tracks are twisted out of shape before being reborn with pounding Nu Beat basslines, Blackburn rave stabs and tweaking acid riffs that curl around minimal electro rhythms in a seamless mix.

Vocals are taken out of their original context and cut & pasted into a new stream of consciousness, forming their own manic hallucinations.

The result is an utterly mesmerising trip that feels like stumbling across a 21st century Detroit pirate radio station in full joyous flow.

‘Minsky Rock’ is the brainchild of Working Men’s Club frontman Syd Minsky-Sargeant and producer Ross Orton (Arctic Monkeys / M.I.A.). They previously remixed the band’s self-titled debut album.

12” vinyl with etching on Side B.

TRACK LISTING

Minsky Rock Megamix II

Ravanelli Disco Club comes slick French duo Palavas who hail from the sun-drenched coast of the South of France, somewhere between Montpellier and Marseille. Named after the Pavalas resort - that was once the splendid queen of Mediterranean sandy beaches - the AZZUR Records founders are the epitome of the French dolce vita! With previous releases on Toucan Sound and Future Disco, their music is an intoxicating blend of nostalgia and cosmic futurism that dazzles discerning dancefloors every weekend with their shimmering solar odyssey.

On ‘Déesse D’été’ – which poetically translates to Summer Goddess - Palavas pay homage to the vibrant and infectious sound of the 80s, blending disco, funk, and new wave with a contemporary twist. This full-length journey provides us with a perfect summer soundtrack for the sunshine season, with upbeat rhythms and warm catchy melodies designed to get sun drenched bodies moving and grooving. Composed and sung in both French and English, the duo show case their tasteful aesthetic, versatility, and artistic flair effortlessly blending their musical influences resulting in a sound that is totally unique.

From the infectious beats of ‘We Are Strong Enough’ to the soulful ballad ‘One Night is Not Enough featuring Ryan Konline' or the new wave tribute ‘You Can't Get Away’, each cut is a beauty in its own right. Guaranteed to make you feel the warmth of the sun on your face and to lift your winter spirits.

TRACK LISTING

A1.  Déesse D’été (Original Mix)
A2.  We Are Strong Enough (Original Mix)
A3.  You Can’t Get Away (Original Mix)
A4.  Chevauchée Fantastique (Original Mix)
A5.  What You Feel (Original Mix)
B1.  Get Up (Motion For You)
B2.  Illusion (Original Mix)
B3.  Animals (Original Mix)
B4.  Someone’s Love (Original Mix)
B5.  One Night Is Not Enough (Original Mix) Feat. Ryan Onlin

Lip Filler is a project we’ve become so involved in that it’s basically completely taken over our lives. We’ve put every part of ourselves into the music that we write. It’s a projection of our living situation, how we’ve all changed as people over the past few years, and a reflection on the human aspect of us growing up in our flat together. What started out as a bunch of housemates pissing about in their living room getting noise complaints, has turned into something we are all so invested in and excited for. 

TRACK LISTING

1. Cool
2. Haircut
3. Susie
4. Monster Truck 

Hot off the back of this year's critically-acclaimed new album 'New York City', Brooklyn punk institution The Men are back already with a Fuzz Club Session album due out digitally and on limited double LP vinyl June 23rd. Recorded live to tape at Brooklyn's Serious Business Studio by Travis Harrison, the live session sees the Men storm through three tracks from 'New York City', one from 'Devil Music', a cover of English punk band Blitz and nine-brand new tracks that have never seen the light of the day until now, ranging from blistering noise-rock and cathartic rock'n'roll to lo-fi country-rock and hypnotising drones. This is the 20th release in the Fuzz Club Session series from London-based label Fuzz Club, which has previously hosted the likes of A Place To Bury Strangers, Night Beats, Holy Wave, The Entrance Band and more.

TRACK LISTING

1) Big Hair - Live
2) Through The Night - Live
3) Nothing - Live
4) Give You What You Came For - Live
5) Attack - Live
6) Fire - Live
7) Heart Strings - Live
8) Trapped Inside - Live
9) Right About You - Live
10) Driver - Live
11) Shake It - Live
12) Anyway I Find You - Live
13) River Flows - Live
14) Sacred Ground - Live

Swiss based artist Androo, who previously released on MFM sub label Second Circle, returns with his debut LP 'Club Salon Theatre'.

Far from an album in traditional form, 'Club Salon Theatre' explores its potential as a musical collage of sound. Recorded during 2021 and the beginning of 2022, it is the result of Androo's desire to draw connections between diverse fragments of music and art.

Originally born out of the Dub sound-system scene in Geneva and with a continued love for the modal music of the likes of John and Alice Coltrane and Pharoah Sanders, Androo has long put improvisation at the center of his practice. His understanding of dub music as an integral part of the experimental music tradition, with ties to the school of Musique Concrète for instance, and with trap music as another vital ingredient, has as much to do with the form as with the method. With the studio as a laboratory for experimentation, Androo utilizes a variety of outboard instruments as well as working in-the-box, but it’s his classic “dub style” technique of mixing at the hardware console that leaves its quintessential mark throughout the whole record.

'Club Salon Theatre' is a rich patchwork of imagined scenes, emotive melodies, flying rhythms, harmonic changes, loose improvisations, with an almost romantic thread running through it. Like a collection of musical poems, gently arranged in what is sometimes sparse musical language. Far from a patchwork of scattered and disjointed inspirations, there is a real unity and singularity at work, resulting in a record which can be enjoyed as a collection of sonic poems, simultaneously nonchalant and earnest, sentimental and playful.

TRACK LISTING

A0. Préface, Bonjour
A1. (shhhht) Introduction
A2. Wyatt Revolt
A3. Or,
A4. Autonomia
A5. – Ah Balbec!
A6. Obsessions. étoiles. Neurones
A7. Giant Steps (alternate Take)
A8. Bcp De Bruit Pr Rien (si Jav Sus)
A9. Pensées
A10. Equipments (guattarix Mix)
A11. Clou, Vis
A12. Moment’s Notice (part 1)

B1. Moment’s Notice (part 2)
B2. Judso Danc Theate
B3. Club Géography
B4. Original J Dub
B5. Djs, Argen, Capital, Plus-valuxe
B6. Subversion, Seduction
B7. Histoires Sans Livres
B8. Tout ça
B9. UZI
B10. Outro (en Finir Avec Les Clubs)

The Royston Club are the Wrexham band tipped by Gigwise as “the new band from Wales most likely to do a Catfish”.

Despite only being active for two years, the young four-piece have already completed two UK headline tours totalling 30 dates, selling around 8,000 tickets in the process. Their early releases have been supported by BBC 6Music (Steve Lamacq, Chris Hawkins, Tom Robinson), Radio 1, Radio X (X-Posure playlist) and BBC Wales (BBC Wales A-List, Artist of the Week with Huw Stephens including three days of on-air interviews, and Janice Long live session), among others.

The Royston Club are singer and guitarist Tom Faithfull, guitarist Ben Matthias, bassist Dave Tute and drummer Sam Jones.

TRACK LISTING

1. The Deep End
2. Shallow Tragedy
3. Mrs Narcissistic
4. I’m A Liar
5. Mariana
6. 52
7. Cold Sweats
8. Blisters
9. Missed The Boat (Jumped In The Sea)
10. A Tender Curiosity
11. Believe It Or Not
12. Cherophobe

The Endless Coloured Ways is a collection of songs by legendary singer / songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. From Fontaines D.C to Guy Garvey, and Aurora to Feist, each artist has offered their own incredible take on a timeless classic.

TRACK LISTING

1. Road - Bombay Bicycle Club And The Staves
2. Northern Sky - Karine Polwart And Kris Drever

‘Western Mystery Tradition’ is the third studio album from Detroit, MI via Brooklyn, NY outfit Moonwalks and is due for release May 26th via Fuzz Club. A departure from the band’s DIY psych-rock roots to a more mature and polished sound, the album was produced by Mattiel’s Jonah Swilley and recorded in May 2019 at Detroit’s acclaimed (and rumored haunted) Masonic Temple with Bill Skibbe (Jack White, The Kills) in a lodge belonging to the Free Masons’ Detroit chapter. “Western Mystery Tradition was conceived in the winter of 2019 amidst a polar vortex in Detroit, Michigan”, Moonwalks recall of the record’s origins: “At the time and in between touring, we lived together in a house on the west side that lacked a working stove and had no power in half of the building. The band - trapped indoors due to temperatures in the negatives and massive amounts of snow - drew inspiration from our isolated state amidst a bleak Michigan winter.”

Moonwalks consists of Kerrigan Pearce (drums), Jacob Dean (guitar), and Kate Gutwald (bass). Originating in Detroit's DIY scene, the trio started out playing in warehouses and makeshift venues across the city. Since then, they’ve gone on to tour extensively throughout North America and Europe supporting acts like The Murlocs, Metric, Julian Casablancas & The Voidz, Thee Oh Sees, The Liminanas, and The Mystery Lights to name a few. 

TRACK LISTING

1. Intro
2. War On Nothin'
3. Natural Possession
4. Cherry Shade
5. Jodi's Shoes
6. Outer Limits
7. Crown Of Roses
8. Joy Of Geraniums
9. Cream Of The Country
10. Into Time
11. Heavy Tears 

Two more classic tunes from the Deptford Northern Soul Club dancefloor. Remastered for maximum effect. Harold Hutton’s ‘Lucky Boy’ was originally on the Chess sub-label, Checker. Released in 1965, an original goes for around £50 these days. ‘Lucky Boy’ was the B-side of his debut single, ‘It’s A Good Thing’, which launched him on a career that included regular spots on Soul Train during the 1970s. Filled with Motown-esque horn stabs, ‘Lucky Boy’ builds into a bongo-powered frenzy. The super soulful Dells’ flipside from a year later was initially on Cadet, another Chess subsidiary originally called Argo. Another £30-£50 gem, if you can find an original copy. Typical of the band’s close harmony style, ‘Thinkin' About You’ is a mid-tempo groove with an insistent rhythm and some lush strings. All topped with a heart-warming baritone vocal on a classic piece of soul romanticism.

Known worldwide as "The First Lady of Song," Ella Fitzgerald was one of the finest female jazz vocalists of all time. Blessed with a highly resonant voice, wide range, and near-perfect diction, she was famous for her infectious swing and her imaginative scat singing. Ella was also a highly talented interpreter of ballads, as proved by the selections heard on the present album, on which she is backed by small groups including such masters as Oscar Peterson, Lou Levy, Paul Smith, Barney Kessel, Herb Ellis, Ray Brown, and Louie Bellson, among others.

TRACK LISTING

Misty
Stella By Starlight
Wait Till You See Her
Bewitched
With A Song In My Heart
Get Out Of Town
Easy To Love
Cry Me A River
This Year's Kisses
Ill Wind
Comes Love
These Foolish Things
'round Midnight

Ontario four piece Tokyo Police Club burst on to the scene as teenage sensations with 2007’s A Lesson in Crime EP, an opening salvo that delighted discriminating young music fans around the world and saw them win plaudits from NME, Pitchfork and more.

The EP was followed up in 2008 with Peter Katis on the desk for their debut album Elephant Shell which spawned the hits Your English is Good and Tesselate. Elephant Shell is the sound of these four young friends coming of age and into their own. The album catapulted the band into the popular consciousness, landing the band on the stages of the world’s biggest festivals, a spot in MTV’s video rotation, appearances on the Late Show with David Letterman, and even a cameo on Desperate Housewives. Beyond that, Elephant Shell has stood up as one of the defining albums of this particular era in indie rock. Hard to believe it’s 15 years hence. Elephant Shell is ripe for a reissue and this 2023 edition comes on tricolour-incolour-vinyl.

TRACK LISTING

1. Centennial
2. In A Cave
3. Graves
4. Juno
5. Tessellate
6. Sixties Remake
7. The Harrowing Adventures Of…
8. Nursery, Academy
9. Your English Is Good
10. Listen To The Math
11. The Baskervilles

Dreams, Pains & Paper Planes is Pixey’s first longer form project since the glittering Sunshine State EP arrived in October 2021, which had followed her hugely acclaimed early-2021 debut EP for Chess Club, Free To Live In Colour.

Commenting on the mini-album, Pixey says: “Dreams, Pains & Paper Planes is my biggest release to date. The majority of the record was written, recorded and produced by myself in my bedroom, alongside a couple of studio tracks. Genre bending was something I wanted to experiment with, tailoring to the moods of each song but still keeping to the core big beat elements. I wanted to write a record that kept a sunny sound but was more anxious lyrically. More than anything, I want the listener to feel like they can dip into an alternate world for a while, whether it’s comforting or not”

TRACK LISTING

1. Recycled Paper Planes
2. Come Around (Sunny Day)
3. I'm Just High
4. Kids!
5. Melody (From You To Me)
6. So, Just Smile
7. Treat Me Right
8. In My House

A masterclass in cinematic psychedelia, ‘God Intentions’ is the third studio album from Glasgow outfit Helicon and is due out April 28 on Fuzz Club. Their most ambitious and collaborative album to date, it was recorded at Dystopia, Glasgow with producers Luigi Pasquini and Jason Shaw, mastered by RIDE’s Mark Gardener and includes contributions from the Rhona MacFarlane String Quartet, Lavinia Blackwall (Trembling Bells), Mark O’Donnell (Tomorrow Syndicate), Sotho Houle (French avant-garde violinist) and Anna McCracken. Talking about the new record, guitarist/vocalist John-Paul Hughes says:

“‘God Intentions’ is inspired by my brother Gary's story and a few other influences. It's a journey through regret, redemption and resurrection. Our familiar darkness is there, but the record carries a fresh and uplifting positivity. I had a clear idea of how I wanted it to sound and feel long before it began. We're so pleased we achieved it. We managed to hold true to the idea whilst allowing the string quartet, Sotho, Lavinia, Anna, Mark, Jason, Luigi and other collaborators the space to put their mark on it. The album art, by San Francisco-based collage artist Nina Theda Black, captures the depth and breadth of themes and sounds we brought together to create a kind of motion in your mind.”

TRACK LISTING

1. Dark Matter
2. Flume
3. Château H
4. Heliconia
5. Disobey
6. Zen Roller
7. Whiplash
8. God Intentions
9. Last Tango In Glasgow
10. Tae The Moon
11. Starlounger 

Yes! It exists! Here are the unreleased recordings of what would have been the very last album of The Gun Club. Recorded in the very last period of the band, between 1991 and 1993, the studio recordings that Jeffrey Lee Pierce did with The Gun Club, with maximum quality and excellence of sound and presentation. What Jeffrey Lee Pierce exposes here is highest vocal and guitar performing, from sounds which remind us to Jimi Hendrix and Television, to truly intimate heartbreaking blues, going through soul and rock. Includes covers from The Who, Wilson Picket and more.

Working Men’s Club present their Steel City EP, a 5-track release featuring remixes of tracks from their second album, Fear Fear by some of Sheffield’s most innovative producers: Toddla T, Charla Green, Ross Orton, Diessa and Warp originals, Forgemasters.

Fear Fear was released in July 2022 on Heavenly Recordings, reached #11 in the UK album chart upon release, and saw glowing reviews across Europe and the U.S.

The EP was previously only available on CD which came exclusively with purchases of the album via Bear Tree record shop in Sheffield. Before the end of 2022, these remixes were made available digitally as part of a deluxe edition of Fear Fear and now, this will be the first time the remixed tracks will be widely available on LP. 

TRACK LISTING

Side 1:
1. Money Is Mine (Toddla T Home Sick Remix)
2. Fear Fear (Charla Green Remix)
3. Ploys (Ross Orton Remix)
Side 2:
1. Rapture (Diessa Remix)
2. The Last One (Forgemasters Remix) 

Porto-based trio 10 000 Russos will release their new ‘Live In Berlin’ double LP on March 24th 2023 via Rubber Duck, a new live album imprint by Fuzz Club Records. The record captures the band storming through their subterranean motorik psych-drone live at Berlin’s Astra Kulturhaus on October 16th 2021. Recorded whilst out on a European tour, ‘Live In Berlin’ finds 10 000 Russos performing their 2021 ‘Superinertia’ LP in full the album’s five songs expanded and taken to even more transfixing and hedonistic heights in a live setting. These shows were 10 000 Russos’ first with the new, more-electronic line-up and sound, with newly-recruited synth player Nils Meisel making his debut on the ‘Superinertia’ LP and completing the line-up alongside founding members João Pimenta (drums/vocals) and Pedro Pestana (guitar). Across the hour-long set, Pimenta’s deadpan sprechgesang vocal and machine-like percussion, Pestana cascading psych guitar-loops and Meisel’s repetitive synth basslines all combine on a performance that will pull you into a trance at times and get you on your feet at others. 

TRACK LISTING

1. Station Europa (Live)
2. Saw The Damp (Live)
3. A House Full Of Garbage (Live)
4. Super Inertia (Live)
5. Mexicali/Calexico (Live)

Based between Brussels and Berlin, Golden Hours is comprised of past and present members of Gang Of Four, The Brian Jonestown Massacre, Tricky, The Fuzztones and The Third Sound, to name just a few. A band with mileage and stories, they trade in rock’n’roll missives that are at times dark, tense and hypnotic, at others sweaty, relentless and danceable. Made up of Hákon Adalsteinsson (Guitar/Vocals), Rodrigo Fuentealba Palavacino (Guitar), Tobias Humble (Drums/Vocals) and Wim Janssens (Bass/Keys/Vocals), Golden Hours’ self-titled debut album is due for release March 31st 2023 on Fuzz Club Records.

Wim says of the project and its incoming debut: “The musical backgrounds of each member are pretty broad but somehow when we come together there’s a pretty clear definition of what our music should sound like. There’s a beautiful friction between the noise we produce and the love for melody that seems to overtake at just the right moment. There never seems to be a lack of ideas when we come together. In silent agreement, every idea gets tried and will be further developed into a song or skipped in a heartbeat. No time is wasted. It all happens pretty automatically.”

TRACK LISTING

1. Come And Find Me
2. Drone Club
3. The Forgotten One
4. Japan On My Mind
5. Run Man Run
6. Calling Me Home
7. Dead On
8. Not Enough
9. Keep On Dreamin'

Air Formation formed in 2000, long before spiritual forbearers Slowdive and Loop were considered acceptable influences. Since signing to Club AC30 back in 2005, a long time bastion of the modern shoegaze sound, the band have gained a devoted following and received critical acclaim, with Drowned In Sound describing the band as "one of the nation's most consistent outfits" and their incendiary live shows have seen them share stages with the likes of Swervedriver, Chapterhouse and The House of Love.

Originally released in February 2007 on CD, 'Daylight Storms' quickly became a classic album in the genre. Glowing reviews followed in the likes of Drowned In Sound, NME and Brooklyn Vegan, alongside radio play from 6Music's Steve Lamacq and Gideon Coe.

Air Formation in 2007 are: Matt Bartram (Guitars & Vocals), Ben Pierce (Bass), James Harrison(Drums), Phil Macy (Guitar) and Richard Parks (Keyboards).

TRACK LISTING

1. Cold Morning
2. Tidal
3. Daylight Storms
4. I Can't Remember Waking Up
5. Into View
6. Formation 1
7. You Have To Go Somewhere
8. Adrift
9. The Dark Has Fallen
10. Before We Forget

Two more classic tunes from the Deptford Northern Soul Club Records dancefloor. Remastered for maximum effect.

Shawn Robinson’s ‘My Dear Heart’ was originally released on Minit in 1966. Original copies go for around £250 plus. Filled with positively glowing soul sounds underpinned by gorgeous vibes and a heady beat. Big at Wigan back in the day, a favourite of Richard Searling.

The flipside, from 1967, is from the inimitable Bessie Banks, the hit maker of ‘Go Now’ fame. Originally released on the Verve imprint. Fired up by choppy guitar and a heavy cross mix of vibes and horns, it’s a chugger with some essential breaks for added impact.

A triumphant anthem. 

TRACK LISTING

1. Shawn Robinson - ‘My Dear Heart’
2. Bessie Banks - 'I Can’t Make It (Without You Baby)'

When The Slow Readers Club hit the studio in early 2022 with producer Joe Cross (Hurts/Courteeners), they battled dark times with a refreshing optimism. The result is ‘Knowledge Freedom Power’ , a sizzling synth-rock beast of a record akin to White Lies, Muse and modern-day Bloc Party, and a rallying cry of emancipation, both stylistically and socially. It’s a righteous punch of the air, a surge towards the future.Frontman Aaron Starkie says, “The world had got so bleak it felt a little indulgent to paint apocalyptic pictures when they were out in the real world. I thought people would probably want to hear more uplifting things, it was my intention to be a bit more positive. There’s still a lot of melodrama in there and it’s still dystopian in places but there’s more positive shades in this record.”

That positivity powers to the fore with the album’s lead single and title track, an instantly addictive hybrid of the band’s new pulsating synth style with their anthemic alt - rock roots. Its streamlined, straight – to – the - point hook highlights the fact that there can be an alternative to a world which is becoming increasingly authoritarian and ignoring the needs of the many in favour of the few. Aaron adds, “Growing up as a council estate kid in Manchester I was very conscious of having a limited horizon and I guess I had a chip on my shoulder and something to prove. It’s that background that inspired both our band name and the album’s title track ‘Knowledge Freedom Power’. It is an exercise in positive sloganeering, a mantra for education as a means of a way out from social and psychological confinement.” As much as the record finds The Slow Readers Club channelling a brighter spirit, there’s no dumbing down of their famously ferocious and insightful lyricism. A beam of hope shines throughout ‘Sacred Song’ : part in the form of a spiritual saviour, but also embracing the power of love as a force for good, something which can also be achieved by the friendship and community spirit infused in ‘Lay Your Troubles On Me’ . Yet a darkness still looms large, whether its within the warmongering satire - and ultimately individual powerlessness – of ‘Seconds Out’ or the steady march of automation over the human workforce on opener ‘Modernise’ ‘Knowledge Freedom Power’ is the band’s sixth album and the latest giant leap in one of the greatest self-made success stories in recent British rock history. Since debuting in 2011 with their eponymous and self - released debut album, they’ve constantly grown in stature leading to sold - out headline gigs including the Manchester Apollo and London’s Scala , shows as guests to Pixies ,Catfish and The Bottlemen and James , as well as festivals stretching from the Neighbourhood Weekender to Mad Cool Madrid.

When lockdown kicked in the same week that ‘The Joy Of The Return’ debuted at #9, The Slow Readers Club reacted to the cancellation of their touring plans by creating a darker, more ethereal set of songs, which they recorded via Whats App and Google Drive and by recording one band member at a time in the studio. The result was ‘91 Days in Isolation’ , which they self-released in October 2020 Knowledge Freedom Power’

STAFF COMMENTS

Liam says: Next outing for Manchester favourites The Slow Readers Club, 'Knowledge Freedom Power' takes the band's signature dark power-pop and refines it to the nth degree! Big soaring choruses, mega vocals and crisp synths, Readers fans will love this!

TRACK LISTING

1.‘Modernise’
2.‘Afterlife’
3. ‘Sacred Song’
4.‘Lay Your Troubles On Me’
5.‘How Could You Know?’
6. ‘Knowledge Freedom Power’
7. ‘What Might Have Been’
8. ‘Seconds Out’
9. ‘Forget About Me’
10. ‘No You'

Two tracks from Chicago’s mighty Salem Travelers, from their brief time on the Chess subsidiary Checker in 1968.

The A-side, ‘Tell It Like It Is’, goes for around £45 on seven, its follow up, an previously unheralded classic from the same year. Both tracks are a unique funky take on gospel.

‘Tell It Like It Is’ is filled with wah wah guitar chops and some excellent lead breaks that spice up the conga-adorned upbeat; a heady song grasping for the truth.

‘Give Me Liberty Or Death’ is slightly slower, with a Motown-styled backbeat behind a fist pumping anthem that reels in its churchy roots and some great vocal interplay, a message song filled with emotion.

Two fantastic tunes from a transient ever-changing group who, in the 1960s and 1970s, were known for soulful harmonies, glass-shattering lead singing.

Typical of their repertoire of songs that provided social commentary on the troubles of the world from the war in Vietnam, drugs, violence, prejudice, civil rights and child delinquency.

TRACK LISTING

1. Tell It Like It Is
2. Give Me Liberty Or Give Me Death

Since their formation just over 30 years ago, hardly any German band has managed to create such a unique musical cosmos as Bohren & der Club O fGore, from Mühlheim.

With their dark instrumental tracks, Bohren have been able to create a firm fanbase, and renowned musicians such as Mike Patton (Faith No More), Ry-X, John Grant, Soap&Skin and Thor Harris (Swans) have long since fallen for Bohren’s timeless songs.

The wonderfully titled ‘Bohren For Beginners’ now collects all the highlights of the Bohren catalogue in partly remixed versions, as well as a new song, for the first time as a 3LP album; a gateway drug for newcomers as well as for diehard fans.

Since a large part of the Bohren back catalogue has already been deleted for years, musical treasures are unearthed here that have lost none of their quality, and they will still be giving you goosebumps in 20 years.

TRACK LISTING

1. Karin
2. Prowler
3. Constant Fear
4. Maximum Black
5. Ganz Leise Kommt Die Nacht
6. Unrasiert
7. Still Am Tresen
8. Black City Skyline
9. Kleiner Finger
10. Zombies Never Die
11. Daumen
12. Catch My Heart
13. Mitleid Lady
14. Der Angler
15. Schwarze Biene (Black Maja)

Green Dream in F# is a culmination of The Bug Club universe that has been constructed over the course of two sold out EPs, a couple of standalone singles, and the kind of relentless touring the band has quickly become known for. ‘It’s Art’ is a typically short piece of garage pop perfection, beginning quietly and with singer and guitarist Sam Willmett listing the band’s musical heroes in the manner similar to one of those he namechecks: Jonathan Richman. The band’s ever-present sardonic wit is at the forefront, as they question the meaning and purpose of art - and in turn themselves - before throwing in a blistering guitar riff and the trademark duel-vocals between Sam and Tilly Harris (bass, vocals) before things get too serious.

The band say this first single sets the tone for the album, and musically it presents us with a refined version of what we have come to expect on the basis of previous releases: whip-smart pop songs performed flawlessly and with humour by one of the tightest musical units going. As indicated by the names of both first single and album, The Bug Club’s debut LP shows the band taking a long, hard look at the way the music industry - and by extension the art world - takes itself so seriously, and deciding to ignore that and carry on doing things on their own terms.

Riding atop drummer Dan Matthew’s relentlessly solid foundation, Green Dream in F# packs in 14 tracks covering favourite The Bug Club topics including space, small town life, love and swearing. Sam and Tilly’s playing could be virtuosic if they were in any way arrogant, but they’re not, and so well-crafted and at times complex guitar work sits neatly within the sharp song structures that never stick around too long, and backs engaging and, at times, laugh-out-loud funny lyrical storytelling.

Following the remarkable DIY success of early EPs Launching Moondream One and Pure Particles (also available via Bingo Records), Green Dream in F# shows a band not at all phased by the prospect of putting out their debut full length. Instead, they use the space to stretch their abilities and create something as cohesive, involved and engrossing as you’d expect the imaginary, dog-directed symphony their LP’s name pokes fun at to be.

TRACK LISTING

1. Only In Love
2. Six O’Clock News
3. Little Coy Space Boy
4. Love Is A Painting
5. It’s Art
6. Love For Two
7. My Guy
8. Going Down
9. Yesterday’s Paper
10. Sitting On The Rings Of Saturn
11. Christmas Lullaby
12. Love Letters From Jupiter
13. Some Things Sound Better In Space
14. Green Dream In F#

Berlin-based psychedelic post-punk group The Third Sound (led by Brian Jonestown Massacre guitarist Hákon Aðalsteinsson) are set to release a new Fuzz Club Session LP on December 9th. Recorded live at Berlin's Marie Antoinette club, the 10-track double album sees The Third Sound perform a discography-spanning set with tracks from last year's highly-praised 'First Light' LP (2021), 'All Tomorrow's Shadows' (2018), 'Gospels of Degeneration' (2016), 'The Third Sound of Destruction and Creation' (2013) and 'The Third Sound' (2011). The session is released on vinyl, digitally and as a series of videos by Fuzz Club Records. It's number 19 in the London label's ongoing Fuzz Club Session series which has also seen the likes of A Place To Bury Strangers, Night Beats, Holy Wave, Heaters, The Entrance Band, The Myrrors, Lumerians, The Underground Youth, 10000 Russos and more. 

TRACK LISTING

Ghosts Of Memphis
We Will Be Together
Dissociation
Your Love Is Evol
For A While
You Are Not Here (ft. Lucy Kruger)
This Is The Only Way I Know
Half Alive
Nine Miles Below
Re-Elevation

Following Ben UFO and Four Tet’s selections last year, Hunee helms volume three which includes three tracks this time including music from Digital Justice, Dorothy Ashby and Frantz Tuernal.

In his own words: “These three distinct pieces of music tap into different layers of my memory. One being part of the imagination, the other two rooted in the memories of a special morning in the woods of Houghton (and other times and places). On one side we have a beatless ecstatic piece of electronic music by Digital Justice called Theme From ‘It’s All Gone Pearshaped’. Originally released in 1994 on Rob Gretton’s (ex-manager of Joy Division and New Order) label Robs Records, Pearshaped is a 13 minute live jam from two friends messing around in a loft studio full of synths, inadvertently creating magic that can “take many shapes and forms in the hands of a DJ and the movement of a dance floor, whilst its harmonic counterpoint shines through the wildest mixes and combinations”

On the flip, we have Dorothy Ashby’s spiritual piece featuring Koto and spoken word “For Some We Loved” from her classic album “The Rubáiyát Of Dorothy Ashby” originally released in 1970 on Cadet and Frantz Tuernal’s “Koultans” originally released in 1986 by l’AMEP (Association Martiniquaise d’Enseignement Populaire) which was also a school in Martinique. “After dancing to a set from Cedric Woo at an intimate, after-closing dance party at Brilliant Corners called “Freedom Suite” which completely re-calibrated my sense of experiencing and dancing to music, I went home and immediately searched through my collection for music to listen to and potentially play with these new found sensitivities - the very physical experience of music, the pulling force pushing one into the transcendence of time and space. Dorothy Ashby’s “For Some We Loved” immediately took me back to that feeling and opened up in front of me an otherworldly-world through it’s free flowing polyrhythms and sparkling Koto playing. I have yet to play my own “Freedom Suite” night, but I hope when that moment comes, I can give back what I have received back then, and “For Some We Loved” is a first step in trying just that. I have been shown Frantz Tuernal’s privately pressed 12“containing “Koultans” by my trusted music friend Nicolas Skliris from Paris a few years ago. An unlikely piece of music (a Zouk song with flamenco-inspired guitar playing) from Martinique that was both a highlight back at Giant Steps when I played the song 3 times in a row in the early morning, and a few weeks later in the woods of Houghton where a few thousand dancers were deeply moved to its melody, when the sun came up in the morning and started descending upon the lake behind the DJ booth, bathing the smiles upon the dancers faces with its reflection.”

STAFF COMMENTS

Matt says: Hunee curates the third volume of the Floating Points-endorsed, Melodies Record Club. I'd heard of Dorothy Ashby, but the other two are new to me - championing the label's ethos of uncovering some overlooked and rare moments of musical brilliance from across the world. It's another winner make no mistake!

TRACK LISTING

A1. Digital Justice–Theme From “It’s All Gone Pearshaped”
B1. Dorothy Ashby–For Some We Loved
B2. Frantz Tuernal-Koultans 

The Minnesota-born, Florida-raised, NYC-based artist Breanna Barbara’s 2nd album - ‘Nothin’ But Time - is a raw and immersive trip through the sounds of psychedelic rock and blues, anchored by her forceful vocals and unforgettable songwriting. Sporting a sound that feels classic and of-the-moment at the same time, Nothin’ But Time is the next chapter in Barbara’s exciting career, cementing her as an artist who’s committed to plumbing new emotional depths as she bursts through every sonic barrier put in her way.

Nothin But Time arrives following Breanna’s 2016 debut Mirage Dreams, a trio of critically acclaimed singles (most recently ‘New Moon’) and a number of collaborations with legendary trip-hop vanguard Tricky. As well as joining his US touring band as lead female vocalist, Breanna also did an official rework of his 'When We Die' track and featured on the 2021 Lonely Guest album, False Idols.

For the recording of Nothin’ But Time Barbara and her band returned to Nashville’s Bomb Shelter studio with Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff) – with whom she recorded Mirage Dreams. With musical contributions from Jack Lawrence (The Dead Weather), Tall Juan, Derry DeBorja (Jason Isbell), and Champagne Superchillin’s Ben Trimble and Charles Garmendia, the album was put to tape in the months prior to the COVID-19 pandemic: “I’d learned so much since the last time we were in the studio that I knew I could have a stronger voice getting back into the studio again.”

Nothin’ But Time reflects Barbara’s headlong journey into the world of psychedelic rock and pop, mixing these heady styles with her already established hard-driving blues-rock approach with warped theremin tones as well as celestial vibes courtesy of DeBorja’s own synth wizardry, as Barbara and her band sought out to create mind-expanding music that’s also firmly rooted in the real.

There’s the organ-rich ecstasy of “You Got Me High” and the hair-raising, Cat Power-recalling intimacy of “Devil”; “Me Too” is a searing rumination on the patriarchy’s oppressiveness over punchy strings, while opener “Diamond Light” features rolling drums and miles-long guitar lines, as Barbara’s voice cuts through the atmosphere while ruminating on nostalgia and the perils of looking back. “We can look at things so beautifully, but in hindsight they have another facet to them,” she explains regarding the lyrical perspective.

Over the driving beat of “Landslide,” Barbara zooms in on the ways that fate affects our daily living, and the complications that come from taking the wheel yourself. “I’ve been trying to trust my intuition more as I get older,” she explains. “I’m very impressionable, so I find it best for me to focus when there’s nothing else around to influence my decision.” Then there’s the howling title track, which takes on the heavy subject matter of facing down death itself.

“Death has always been something that’s hung over my head,” Barbara ruminates while discussing the song. “The idea that we have nothing but time makes me want to throw everything in the air, but I also want to hold on to everything so tightly that I don’t want to move forward.” And ‘Nothin’ But Time’ is defined by such honest self-expressions—a fearlessness that’s at the core of her artistic outlook and overall way of being. “I’m all about not being afraid of your own voice,” Barbara states. “The way out of the hardest times is deep within you. You are enough.”

TRACK LISTING

Side A
1) Diamond Light
2) Landslide
3) Nothin’ But Time
4) Rise
5) Me Too
6) Weight Of The World
Side B
7) You Got Me High
8) Exist
9) Old Soul
10) Devil
11) Weaning

Ellie Bleach releases her debut EP No Elegant Way To Sell Out via the London based tastemaker label Sad Club Records (Clara Mann/John Myrtle). Raised in the seaside commuter town of Southend, Ellie Bleach draws from the rotating cast of bizarre, lonely characters that exist within suburbia — crafting an indie-meets-baroque-pop sound that melds witty lyricism with the strangeness of modern life. Hotly tipped by the likes of The Line Of Best Fit & So Young Magazine, and handpicked by Black Country New Road for their own personally curated festival this autumn.

Taught piano by a pet healer at an early age, a wry, humorous vein runs through Ellie Bleach's music; weaving confessional songwriting with an old school showmanship that spans light whimsy to grandiose theatricality. Inspired by leading female songwriters of the 90s, from Fiona Apple and PJ Harvey to Alanis Morrissette, Ellie Bleach’s charming facade and razor-sharp satire harbours a biting cynicism that lingers restlessly in the wings.

The EP title, No Elegant Way To Sell Out, refers to a lyric from the first verse of 'Precious Feelings' and is emblematic of the whole EP. "I see 'selling out’ as abandoning oneself in pursuit of success, in whatever form that may be. Whether it’s romantic love or industry acclaim, all of the characters in the EP are desperate to be understood and appreciated." says Bleach. The production on the EP was inspired by soft rock and easy listening of the 70s and early 80s. The production on 'Tupperware Party' and 'Precious Feelings' lean towards pastiche, Bleach describes wanting to "paint a vivid picture of the stories told in the lyrics." 'Tupperware Party' features big 80s drums and guitar solos in accordance with the song's story set in 1985, 'Precious Feelings' features Bossa-nova rhythms and smooth Rhodes, as if on a cruise ship with the narrator. 

TRACK LISTING

Tupperware Party
Precious Feelings
Doing Really Well Thanks
Something Wrong
Big Strong Man

Created under isolation, ‘Closure’ is the fourth album from Brooklyn duo The Vacant Lots and is Jared Artaud and Brian MacFadyen’s most fully realised work to date. Out September 30th on Fuzz Club Records, the record packs 8 minimal is maximal salvos into 23 minutes that coalesce into a stun-blast soundtrack for today’s shattered society. New York City’s artistic skyline may have changed immeasurably since the last century, yet the minimalist post-punk/synth-pop duo vividly gouge into the city’s immortal outsider spirit and underground cultural tropes, set against a pulsating backdrop of modern apocalypse.

Laced with evocatively concise and lacerating lyrics delivered detached and deadpan, ‘Closure’s spine-chilling onslaught of towering guitar shrapnel, ethereal metallic synth melodies and cold electronic turbulence comes infused with shades of New Order and Jesus And Mary Chain; the kind of modern disco and post-punk grooves that pillaged New York clubs in the 80s. Inevitably, the penetrating spirit of New York electronic trailblazers Suicide haunts the new record with its subterranean gravitational pull, having previously manifested physically when the two-piece befriended the late Alan Vega – leading to collaborations, support spots and Artaud now co-curating the ‘Vega Vault’ of unreleased material and co-producing and mixing the 2021 lost ‘Mutator’ LP.

TRACK LISTING

1 Thank You
2 Consolation Prize
3 Eyes Closed
4 Disintegration
5 Obsession
6 Chase
7 Red Desert
8 Burning Bridges

The French duo head down to the discotheque with some mixes their mates have made for them - The Neptunes, Slum Village, Boris Dlugosch, Basement Jaxx, Cosmo Vitelli, Gonzales and many more.

Californian duo Wet Satin (comprised of former Lumerians members Jason Miller and Marc Melzer) will release their self-titled debut album on August 12th via Fuzz Club. Taking a step away from the brain-frying space-rock/psych wig-outs harnessed in their 15 years playing together in Lumerians, Wet Satin deals in what the duo call "Kosmische Tropicale" – an expression of reverence and enthusiasm growing from a long-time shared obsession with lost Cosmic Disco, Cumbia, Afrofunk and Library Music records. “We wanted to make something fun. Not too serious, but not frivolous either. Something that paid respect to its influences by adding a square to the quilt rather than trying to make a replica."

Wet Satin is a new project that got underway when the pair disbanded Lumerians in 2020 and then proceeded to suddenly have a lot of unplanned downtime for some reason. Borne out of a desire to offer up a more uplifting and hedonistic respite from our reigning hellscape, Miller says of Wet Satin’s intentions: “We started writing this album during a pretty bleak and heavy time, which I guess sort of sounds like ‘we started writing this album on a Wednesday’ now, but that's sort of the point too. There's an endless buffet of suffering you have a lifetime pass to gorge yourself on whenever you want it, but there's also a lesser-known dance club attached where you can work off some of those doom calories. Music has the ability to alter your environment and take you somewhere else. We genuinely had a lot of fun writing and recording this. The process fell somewhere in between over-indulgence and necessary catharsis, but it achieved a kind of balance in the end. It's a travel brochure for a very specifically peculiar psychological terrain. We think you'll have fun there. Try the hot springs.” 

TRACK LISTING

1) WitchKraft Singles
2) Golden Prawn
3) Rainbow Glint Ft Luis Vasquez
4) Bad Wax
5) Brandy Stains
6) Sun Glitter
7) Diamond Nectar
8) FonzieDance4U
9) Colored Tongues
10) Erta Ale 

Two major soul sides, one from the Twinight catalogue, one from Capsoul. Velma Perkins is the sister of guitarist, songwriter and producer Al Perkins (whose Atco 45, ‘Nothing Is Impossible’, was a big Northern sound). A successful songwriter in her own right under her married name Vee Allen, ‘Yes, My Goodness, Yes’ was the flipside of her only Twinight single, her 1970 debut 45 ,‘I’ll Always Love You’.

With more than a touch of Diana-era Supremes, it’s a gorgeous uptempo groove with typical Twinight horns and a funky guitar that could well be Al himself lending a hand. It’s a super rare 45 that never seems to come up for sale these days. Cut with Johnson, Hawkins, Tatum and Durr’s debut single for Capsoul, ‘You Can’t Blame Me’.

Signed to the label by DJ and singer Bill Moss (his ‘Sock It To ‘Em Soul Brother’ on Pama is a corker) as The Revelations, the band changed name and cut two 45s before disappearing. A super soulful funky mid-tempo tune that lets all five (even though there are just four names in their chosen name) vocalists lay down a super plush soundtrack. Punctuated with strings, it’s a magnificent full-on sound that goes for over £30 on seven inch.

TRACK LISTING

A1. Velma Perkins - Yes, My Goodness Yes
B1. Hawkins Johnson, Tatum & Durr - You Can't Blame Me

24 year old Mancunian alt pop star Phoebe Green's debut studio album 'Lucky Me' is due out in August 2022. Produced by Alex Robertshaw of multi time Mercy Award nominated outfit, Everything Everything and his production partner Tom Fuller, the album announcement comes off the back of supporting Self Esteem, Everything Everything & Baby Queen in one month alone, a BBC Radio 1 Maida Vale session & a Killing Eve sync.

TRACK LISTING

Break My Heart
Lucky Me
Make It Easy
Crying In The Club
Sweat
Clean
Just A Game
One You Want
Won’t Sit Still
DieDieDie
I Wish You Never Saw Me Cry
Leach
I Don't Wanna Make You Cold

Coach Party grew up on the Isle of Wight (“it's only a matter of time until you meet pretty much everyone else on the Island,” says Eastwood) and eventually crossed paths as avid music fans - working in venues, playing together and meeting at the same gigs. Coach Party eventually formed after Eastwood and guitarist Steph Norris decided to start playing music together; quickly realising that there was something special about the pair’s songwriting and bond, guitarist Joe Perry and drummer Page joined the ranks. Musically, Coach Party are inspired by a broad palate of artists, but always find themselves drawn back to Nirvana, Sonic Youth and The Strokes, and contemporary artists like Wolf Alice, The Big Moon and Tame Impala. Ultimately though, Coach Party’s primary drive to write and perform music comes from “the often entertaining struggle of real life.” The band still live and work on the Isle of Wight (Jess at a farm park, Guy in a music studio and Steph & Joe in cafes), and describe life on the island as going “through pretty distinct phases of being a great, and a really frustrating place to live.” 

TRACK LISTING

1. FLAG
2. Shit TV
3. 3 Kisses
4. Weird Me Out
5. Nothing Is Real

Two tracks from the short-lived Twinight label from Chicago that peaked in the late 1960s and early ‘70s, their biggest star being the super soulful Syl Johnson.

Featuring ‘Is It Worth A Chance’, the flipside of Josephine Taylor’s 1969 single ‘I’ve Made Up My Mind’, original copies of which go for anything between £30 and £100 these days.

A brass peppered funker with a driving bassline behind Josephine’s strutting vocal, it was the climax of her short career that started with three 45s for the Mar-V-Lus label.

Cut with Krystal Generation’s 1970 side ‘Satisfied’, the B-side of their ‘Is It Meant To Be’ that goes for around £75 if you can find a copy.

A female four-piece from Chicago featuring Darlene Arnold, who recorded several sides in her own right as well as half a dozen with Krystal Generation, who also released a couple of singles on Gene Chandler’s Mister Chand label.

‘Satisfied’ revolves around Darlene’s lead vocal, some glorious harmonies and some sassy Staxlike horns.

Slightly slower paced than Josephine Taylor’s cut - more soulful but just as funky.

TRACK LISTING

Josephine Taylor ‘Is It Worth A Chance’
Krystal Generation ‘Satisfied’

Emerging Liverpool based songwriter, producer and multi-instrum multi-instrumentalist Pixey burst onto the scene in September 2020 with her incredible single ‘Just Move’. The track was written, recorded and produced in Pixey’s bedroom in Liverpool - with additional production added b added by frequent Gorillaz and Jamie T collaborator James Dring in London. Her debut EP 'Free To Live In Colour' followed to equal acclaim.

TRACK LISTING

1. Life In Stereo
2. Sunshine State
3. Shine On
4. Take Me On
5. Day Dreaming
6. Heaven 

“Wattage” by The Explorers Club – A special tribute album to classic 60s radio that plays out like a show of the time and features eight cover versions along with many guest singers including Chris Price, Lannie Counts, Ryan Williams and Jeff Celentano.

TRACK LISTING

1 Intro
2 Be Young, Be Foolish, Be Happy
3 Gimme Little Sign
4 I’ve Been Lonely Too Long
5 Come Softly To Me
6 Hurt So Bad
7 Tragedy
8 I’m So Proud
9 Loving You In Sweeter Than Ever