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WRONG SPEED

Irked

The Grievance

"We first met Irked at The White Hotel in Salford. They were first on the bill. The venue is a repurposed warehouse on an industrial estate, cold on hot days and a dampness in the air even when it’s dry outside. As with all great bands they made the venue theirs. The White Hotel is the perfect space for a group to OWN when they're on fire and Irked were on fire. We think playing live is still the best way to make friends and Irked make lots of friends when they play. We kept in touch, hassling them to record the songs we’d heard and loved.

First came a One Sided 12" (pressed twice, sold out twice) after which they were invited onto the Marc Riley / Gideon Coe BBC 6Music show to do a session. Then came a Tour 7" (in time for their UK dates with Pigsx7, also long sold out).

They've gone up and down the UK numerous times – playing with the likes of Uranium Club, Part Chimp, Benefits, Hey Colossus and Swami John Reis as well as festivals like Manchester Punk Festival, NOISE ANNOYS, Clamlines, our own Wrong Speed Fest, Twisterella, Summer Streets and Rock Against Racism. Their enthusiasm for being in a band is genuine and infectious.

The Grievance is born out of this excitement for playing live and the noble desire to rip it up. However, as with all the best party music there's a mission statement too. Dancing to Betty Davis or Syl Johnson or Bikini Kill or Public Enemy is all well and good in the clubs, but when you really dig into it, you are taught and inspired as well as entertained. As the title suggests, there is spleen being vented here, just as when Huggy Bear vented, or Dead Kennedys vented, or X-Ray Spex vented. IRKED’s rage might be tempered by wit and killer hooks but it’s still laser focused. The Grievance is genuinely righteous music made by people embedded in their local community and rightly enraged at the world around them.

We’re not here to tell you how to file this record or what type of music it might be. We’re here to tell you that Irked belong alongside anyone who wants to bring a zest to a room, who wants to question what's going on, and who wants music played by folks who aren't cosplaying. We're done with that. We can spot it. The Grievance is inspiring, raging, uplifting, sometimes-hilarious/sometimes-brutally honest, catchy-as-f*ck punk rock and you’re going to love it." - Wrong Speed

TRACK LISTING

1. I.R.K.E.D.F.U.
2. Repeat Offender
3 Running
4.Who Asked?
5. The ACP
6. Settle Down
7. The Grievance
8. Green Space
9. Death Cult
10. The Hardest Man In Billingham
11. The Keynote Speaker
12. Freak Pub
13. Vomit
14. IRKED Vs. Area Manager

CD CONTAINS 5 BONUS TRACKS FROM THE BANDS SELF-TITLED EP (+ 2 ‘SECRET TRACKS’)
15. Snakes
16. Backstreets
17. Crippling Empath
18. Lanzarote
19. Move

AAA Gripper

We Invented Work For The Common Good

AAA Gripper have seemingly dropped out of nowhere but the story goes back. The idea was conjured in the summer of 2023 at the first Wrong Speed Records festival in the town of Glastonbury. Inspired by a weekend of radical sounds and fine company a decision was made - 'let's try something'.

Recording hours and hours of bass and drums in deep Somerset then editing it down to a sharp and concise 32 minutes. From Can's Lost Tapes boxset to No Means No's 0+2=1 via a thousand song structure decisions. Wild guitar strafe and precise hyper vocal added. Nine tight tunes magically appeared. The band raised a glass of tea. The band was born. The 'something' had worked.

We Invented Work For The Common Good is a deep dive into the world of the working person. How we end up. Why we climb onto the conveyer belt and never get off. The front cover is one of many of the same photo taken every day, on the walk to work, the dark mills looming - KEEP THEM BUSY, THEY WON'T RISE UP.

Music is therapy. They think it's part of the bread and circuses. We know it's armour. We know it's weaponry.

TRACK LISTING

1. Lower Demons
2. Wasp Women
3. The Arcade Claw King
4. The Saucer Makers Boy
5. Let Me See Your Hands
6. Angel Washes
7. Young Paunchy
8. Hair Vampire
9. The Gold Sells Out

Hey Colossus

Dances / Curses

Amplification moves air and gestures to the celestial. A splitter van parks in a service station. The afterglow of the stage. The weight of a bass cab up a steep flight of metal stairs. Hey Colossus are no strangers to the dualities of life as a loud rock band. But more importantly, they know how to channel both facets into records that transcend all limitations in a blinding volley of incandescence.

'Dances / Curses' - their lucky thirteenth record - is the work of six musicians at the peak of their considerable powers of intuition and inspiration.Constant motion is also something Hey Colossus know a little about, now into their eighteenth year as a band in a never-ending search for new trouble and new epiphanies. When this iteration of the band - which came together around the making of their last release, 2019’s ‘Four Bibles’, geographically spread between Somerset, Watford, London, Nottingham and Sheffield - first began work the chemistry apparently took care of itself, with their meetings at weekend rehearsals seeing them undergo a process less like jamming and more like a particularly intensive form of instant composition. Whatever sparks were spontaneously flying in these initial sessions, they gave rise to enough material to make 'Dances / Curses' a double record, running the gamut from the rhythmically-driven, infectiously melodic songcraft of ‘Donkey Jaw’ and ‘Medal’ via the slow-burning atmospherics of ‘U Cowboy’ to the mightily motorik-driven 15 minute travelogue that is ‘A Trembling Rose’, which takes in a plethora of unified headspaces in richly cinematic style.

Longterm Hey Colossus fan Mark Lanegan makes an appearance amidst the languid and sun-soaked denouement of ‘The Mirror’, the existential gravitas of his tones entirely at home in these revelatory surroundings. Fittingly for a band who operate entirely by their own co-ordinates, 'Dances / Curses' is released on bassist Joe Thompson’s own Wrong Speed Records (and Learning Curve Records in the US), his latest such venture in a lifetime of steadfast belief in the DIY maxim, “It's 100% time for all bands to take control of their shit” he notes. All the tools are there to do it yourself. Back your own horse. It's practical. It's positive. There's a chance things will never be the same, if change doesn't happen now it never will.”

True to form for a band in full control, 'Dances / Curses' is far from the kind of sprawling psych opus that exists purely due to the band being too baked, biased or blasé to edit it down. Indeed, this serendipitous record marks something even these six musicians never necessarily intended - a work in the tradition of the double album with an element of mystery, a record that somehow changes itself every time it returns to the shelf. Somewhere on the great continuum between Unwound’s Leaves Turn Inside You and Stevie Wonder’s Journey Through "The Secret Life Of Plants", somewhere between the dances of aspiration and the curses of reality, Hey Colossus have created their finest alchemical achievement to date.

TRACK LISTING

1. Eyeball Dance
2. Donkey Jaw
3. Medal
4. Dreamer Is Lying In State
5. Nine Is Nine
6. A Trembling Rose
7. A Trembling Rose (Reprise)
8. The Mirror
9. Revelation Day
10. Stylites In Reverse
11. U Cowboy
12. Dead Songs For Dead Sires
13. Blood Red Madrigal
14. Tied In A Firing Line


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