Search Results for:

WILLIAM

Lucinda Williams

Lucinda Williams - 2CD Edition

    Lucinda Williams reissues her critically acclaimed 1988 Rough Trade album, out-of-print for 10 years and 25 years since its original release it has been newly remastered.

    This 2CD release includes never-before-released album, Eindhoven Live + Bonus Tracks, featuring a live recording from Effenhaar in Eindoven, Neon May 19th, 1989 in addition to previously released bonus tracks.

    TRACK LISTING

    Disc 1
    1. I Just Wanted To See You So Bad
    2. The Night's Too Long
    3. Abandoned
    4. Big Red Sun Blues
    5. Like A Rose
    6. Changed The Locks
    7. Passionate Kisses
    8. Am I Too Blue
    9. Crescent City
    10. Side Of The Road
    11. Price To Pay
    12. I Asked For Water (He Gave Me Gasoline)

    Disc 2
    1. I Just Wanted To See You So Bad
    2. Big Red Sun Blues
    3. Am I Too Blue
    4. Crescent City
    5. The Night's Too Long
    6. Something About What Happens When We Talk
    7. Factory Blues
    8. Happy Woman Blues
    9. Abandoned
    10. Wild And Blue
    11. Passionate Kisses
    12. Changed The Locks
    13. Nothing In Rambling
    14. Sundays
    15. Nothing In Rambling (Live)
    16. Disgusted (Live)
    17. Side Of The Road (Live)
    18. Goin' Back Home (Live)
    19. Something About What Happens When We Talk (Live)
    20. Sundays (Live)

    Lucinda Williams

    Lucinda Williams

      Lucinda Williams reissues her critically acclaimed 1988 Rough Trade album, out-of-print for 10 years and 25 years since its original release it has been newly remastered.

      Dubbyman / Specter / Boo Williams / Taelue

      Sole Discretion EP Part 2

      Sole Aspect returns with the second part of its Sole Discretion series and this one goes deeper into the club while expanding on the textured, late-night energy of its predecessor. Dubbyman opens with widescreen deep house on 'Always In & Out' which wraps Aki Dawson's hypnotic Chi-town vocals in slow-burning warmth. The Windy City's Specter follows with a warm, weighty beatdown rooted in the US Mid West before Boo Williams turns up the heat with rolling basslines and his signature rhythmic deftness, backed with a subtle cosmic glow. Taelue closes the set with 'Interplanetary' which is a raw, futuristic cut that drifts into spacey territory and, along with the other cuts, is a sharp reminder that Chicago house's future is in good hands.

      TRACK LISTING

      Side 1
      1. Dubbyman - "Always In & Out" (feat Aki Dawson)
      2. Specter - "Obsidian"

      Side 2
      1. Boo Williams - "Chunky Soul"
      2. Taelue - "Interplanetary"

      Martin Aston

      Facing The Other Way : The Story Of 4AD - Anniversary Edition

        The first official account of the iconic record label. This Mortal Coil, Birthday Party, Bauhaus, Cocteau Twins, Pixies, Throwing Muses, Breeders, Dead Can Dance, Lisa Germano, Kristin Hersh, Belly, Red House Painters. Just a handful of the bands and artists who started out recording for 4AD, a record label founded by Ivo Watts-Russell and Peter Kent in 1979, and which went on to be one of the most influential of the modern era.

        Combining the unique tastes of Watts-Russell and the striking design aesthetic of Vaughan Oliver, 4AD records were recognisable by their look as much their sound. In this comprehensive account concentrating on the label’s first two decades (now updated with extensive new material 13 years after the paperback was first published), music journalist Martin Aston explores the fascinating story with unique access to all the key players and almost every artist who released a record on 4AD during that time, and to its notoriously reclusive founder. With a cover designed by Vaughan Oliver, this is an essential book for all 4AD fans and anyone who loved and loves the music of this period.

        William Basinski

        The Disintegration Loops - Arcadia Archive Edition

          Since the turn of this century, perhaps no other modern composition has had a more resonant healing effect than The Disintegration Loops. Composer William Basinski’s deteriorating analog tape loops evolved from melodic symphonies to melancholic silence over a span of time that uncannily turned passing minutes into pensive lifetimes. In her foreword for the new box set reissue of The Disintegration Loops, the pioneering multimedia storyteller Laurie Anderson describes the impact of this transformation in poetic detail: “These dissolving sounds, this emptying space, has gained my complete confidence. They are taking me somewhere. I am willingly following these sounds, becoming more and more transparent.” The Disintegration Loops – Arcadia Archive Edition is an expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package includes eight vinyl records (or four CDs for the less analog-inclined) in sturdy full-color jackets featuring the restored original artwork, and a new 1000-word foreword by Laurie Anderson – all housed in a striking heavyweight, case-wrapped box. It is the ideal encapsulation of one of the 21st century’s most truly transcendent works. As Anderson concludes in her foreword, “this music has created another world, a world to be carried away in.”

          TRACK LISTING

          1. Dlp 1.1 (1:03:35)
          2. Dlp 2.1 (10:50)
          3. Dlp 2.2 (32:41)
          4. Dlp 3 (41:53)
          5. Dlp 4 (20:12)
          6. Dlp 5 (52:19)
          7. Dlp 6 (40:32)
          8. Dlp 1.2 (20:41)
          9. Dlp 1.3 (12:02)

          Lucinda Williams

          World's Gone Wrong

            Throughout her long career, Lucinda Williams has never shied away from writing about difficult but real things. If you think about it, you could call 'Change The Locks' a topical song ahead of its time. There were several biting and brave songs on her 'Good Souls Better Angels' album, as well as the post-Covid masterpiece 'Stories From A Rock N Roll Heart'. With 'World’s Gone Wrong', Lucinda ups the ante on topical songs. It is a pure reflection of our very turbulent times, intense and musically powerful.

            STAFF COMMENTS

            Barry says: Lucinda's not happy. In fact, i'd go so far as to say she's livid. She wars it well though, channelling her righteous anger into a canonically brilliant mix of classic rock, melodic country and modern pop music. A timeless artist, and a brilliant listen too. Stay mad Lucinda.

            TRACK LISTING

            1. The World's Gone Wrong (feat. Brittney Spencer)
            2. Something's Gotta Give (feat. Brittney Spencer)
            3. Low Life
            4. How Much Did You Get For Your Soul
            5. So Much Trouble In The World (feat. Mavis Staples)
            6. Sing Unburied Sing
            7. Black Tears
            8. Punchline
            9. Freedom Speaks
            10. We've Come Too Far To Turn Around (feat. Norah Jones)

            William Onyeabor

            Atomic Bomb - 2025 Reissue

              William Onyeabor was born outside Enugu, a small, rural town in Eastern Nigeria, he created his own genre of African electronic funk in the late 70s and early 80s, making music completely unique for his time. Today, he is reaching cult status among a growing list of admirers, including everyone from Damon Albarn and Hot Chip to Carl Craig and Madlib, with some likening him to the Kraftwerk of West Africa, or a precursor to LCD Soundsystem.

              Among the crate-digging few that knew of him, he is considered a complete myth. While he has never performed live and almost never given interviews, his fantastical biography is scattered and has to this day not been verified. And he refused to speak about anything regarding the past.

              According to various rumors, he left home following the Biafran War and went to study cinematography in the Soviet Union, returning in the mid-70s to start his own film company and record label, Wilfilms. He then self-released eight remarkable records from 1978-1985. He wrote and produced everything on his own, and possibly played every instrument himself. Then, at some point of his life, he became born again and denounced his earlier music, deciding it is something he would never speak about.


              TRACK LISTING

              1. Beautiful Baby
              2. Better Change Your Mind
              3. Atomic Bomb
              4. Shame
              5. I Need You All Life 

              Hayley Williams

              Ego Death At A Bachelorette Party

                After 20+ years spent fulfilling their contract for Atlantic Records - a contract Williams signed as a mere teenager - Paramore announced in December of 2023 that they were finally an independent band. This surprise collection is self-released by Hayley Williams on her new venture Post Atlantic.

                These songs come as the third batch of work released from Williams as a solo artist. The COVID-era saw her release two extraordinary albums - 2020’s 'Petals For Armor' and 2021’s 'Flowers for Vases'. Both albums were gorgeous and stark meditations on loss and offered up a contrast to the high-energy and up-tempo muscle she displays in Paramore. “The record—epitomizing vulnerability and transformative growth—reveals a more mature and introspective side of Williams,” said Pitchfork of Petals, and went on to say of Flowers “her voice is undoubtedly the standout feature... husky and gentle, dangerous yet warm,” and explained that the minimal production “makes this a purposeful reset.”

                TRACK LISTING

                1. Ice In My OJ
                2. Glum
                3. Kill Me
                4. Whim
                5. Mirtazapine
                6. Disappearing Man
                7. Love Me Different
                8. Brotherly Hate
                9. Negative Self Talk
                10. Ego Death At A Bachelorette Party
                11. Hard
                12. Discovery Channel
                13. True Believer
                14. Zissou
                15. Dream Girl In Shibuya
                16. Blood Bros
                17. I Won’t Quit On You
                18. Parachute

                Marlon Williams

                Vampire Again

                  "Vampire Again" is a theatrical track inspired by Williams' experience dressing as a vampire for a screening of Nosferatu while no one else did!

                  TRACK LISTING

                  1.Vampire Again
                  2.Down In The Garden

                  Mark William Lewis

                  Mark William Lewis

                    Already deemed one of the best releases of 2025 (Vulture), Mark William Lewis’ timeless self-titled album moves between nostalgic, deep-rooted poems and upbeat, indie rock grooves. Presented as A24 Music’s first independent artist release.

                    Mark William Lewis is a singer/songwriter/producer from London whose music takes in wide ranging genres such as left field pop, hypnagogic pop, ambient, indie rock, slowcore and folk rock. In pensive, impressionistic lyrics he explores themes of alienation, intimacy, and the social environment of his hometown.

                    Mark's music has been widely praised for its emotional depth and innovative songwriting, with support from publications such as Pitchfork and The Fader praising his ability to create atmospheric soundscapes that resonate with listeners on a profound level.

                    He is the first artist to be signed to A24 not linked to a movie release or soundtrack. Their first signing as a record label has taken careful consideration, but Mark’s cinematic sound and edge of cult coolness makes him an excellent choice.

                    The album (his second full length) is self-titled, a very personal and revelatory body of work. His timeless sound is influenced by songwriting greats including Neil Young, Bob Dylan, Elliot Smith.

                    He has been compared and / or associated with contemporary artists including Dean Blunt, MIKE, Bar Italia, Mica Levi and King Krule.

                    STAFF COMMENTS

                    Matt says: Never has melancholy and fragility sounded so good as when MWL burst onto the scene last year – rightfully earning top spot in many EOY lists (including mine!).
                    Expanding the instrumental and fx palette somewhat; his rich, syrupy & velvet voice still speaks rousingly (and sometimes painfully) to our hearts, while his harmonica playing reaches its emotional zenith – has there been a more sincere songwriter from the UK in the last decade? I say no.

                    TRACK LISTING

                    1. STILL ABOVE
                    2. RECENT FUTURE
                    3. SEVENTEEN
                    4. SOCIALISING
                    5. TOMORROW IS PERFECT
                    6. SPIT
                    7. UGLY
                    8. SKELETONS COUPLING
                    9. PETALS
                    10. BRAIN
                    11. SILVER MOON
                    12. ECSTATIC HEADS

                    John Williams

                    Star Wars: Episode III - Revenge Of The Sith (Original Motion Picture Soundtrack)

                      Mutant, in association with Walt Disney Music and LucasFilm, are proud to present a 20th anniversary celebratory pressing of John William's original score to the iconic final chapter of the Star Wars prequel trilogy - Star Wars: Episode III - Revenge of the Sith.

                      Following a powerful return to cinemas this spring, George Lucas' 2005 science fiction epic has continued to capture the hearts generation after generation. Returning for his sixth Star Wars film, John Williams brings the tragedy of Anakin Skywalker to life with a masterful flair. From the opening fanfare's hard pivot to the action packed dogfight, Williams weaves between kinetic adventure, and haunting heartbreak with grace and precision. In a series full of the absolute pinnacle of music ever committed to film, Revenge of the Sith sits proudly side by side, while feeling wholly unique.

                      Long out of print on physical media, and only being pressed on Vinyl for the second time ever, this limited edition release features incredible original artwork by Matt Ferguson and is pressed on 2x 140gm black vinyl. 


                      TRACK LISTING

                      1. Star Wars And The Revenge Of The Sith 
                      2. Anakin's Dream
                      3. Battle Of The Heroes
                      4. Anakin's Betrayal 
                      5. General Grievous 
                      6. Palpatine's Teachings 
                      7. Grievous And The Droids 
                      8. Padmé's Ruminations
                      9. Anakin Vs. Obi-Wan 
                      10. Anakin's Dark Deeds
                      11. Enter Lord Vader
                      12. The Immolation Scene
                      13. Grievous Speaks To Lord Sidious
                      14. The Birth Of The Twins And Padmé's Destiny
                      15. A New Hope And End Credits

                      Kathryn Williams

                      Mystery Park

                        Kathryn Williams, the folk singer-songwriter long celebrated for her quiet emotional depth and lyrical precision, releases her new studio album ‘Mystery Park’. A deeply personal, intimate collection, ‘Mystery Park’ marks 27 years of making music. It’s a reflective, textured work shaped by time’s shifting tides.

                        “Kathryn Williams has never made a bad record” Clash Magazine

                        Known for her delicate, moving voice and poetic songwriting, Williams rose to prominence in 2000 with ‘Little Black Numbers’, the self-released album that earned her a Mercury Prize nomination and became a touchstone for a new generation of British folk. With ‘Mystery Park’, Williams returns to the sparse and affecting sonic palette that marked her early releases ‘Old Low Light’ and ‘Relations’. These are songs made in the quiet margins of motherhood and memory, written over time, and recorded in close creative communion with trusted collaborators.

                        “This is the most personal record I’ve made,” says Williams. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs - a map of memories.”

                        TRACK LISTING

                        Thoughts Of My Own
                        Goodbye To Summer
                        Gossamer Wings
                        Tender
                        This Mystery
                        Sea Of Shadows
                        Move Me
                        Personal Paradise
                        Knew You Forever
                        Sunsets
                        Servant Of The Flame

                        Saul Williams, Carlos Niño & Friends

                        Saul Williams Meets Carlos Niño & Friends At TreePeople

                          Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño. The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.

                          The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.

                          For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). 

                          TRACK LISTING

                          1. Sound Then Words
                          2. We Would Lift Our Voice...
                          3. We Are Calling Out In This Moment...
                          4. The Water Is Rising / As We Surpass The Firing Squad…
                          5. We Have Work To Do... (Speaking After The Concert)

                          Kieran Hebden & William Tyler

                          41 Longfield Street Late 80s

                            The debut collaborative album from world-renowned UK producer, Kieran Hebden (Four Tet), and American guitarist, William Tyler, '41 Longfield Street Late ‘80s' is inspired by their shared deep connection to 1980s American country and folk artists such as Lyle Lovett, Nancy Griffith, Joe Ely and David Grissom. A cover of Lyle Lovett's song 'If I Had a Boat' is the most literal pull from this ‘80s country sound, accompanied by soft synth tones.

                            STAFF COMMENTS

                            Barry says: A perfect mix here of William Tyler's warm, athletic guitar playing and Hebden's organic, off-the-grid electronic production resulting in an album that sits easily in the canon of either artist, but is probably just as much reinventing a sound as it goes. A gorgeously immersive journey.

                            TRACK LISTING

                            1. If I Had A Boat
                            2. Spider Ballad
                            3. I Want An Antenna
                            4. When It Rains
                            5. Timber
                            6. Loretta Guides My Hands Through The Radio
                            7. Secret City

                            William And Jim Reid

                            Never Understood: The Story Of The Jesus And Mary Chain

                              For 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain.

                              The rest was not silence, and picking up those conversations again more than 40 years later, William and Jim tell the full story of one of Britain's greatest guitar bands for the very first time - a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.

                              Kathleen Hanna

                              Rebel Girl: My Life As A Feminist Punk

                                An electric, searing memoir by the original riot grrrl and legendary frontwoman of Bikini Kill and Le Tigre Hey girlfriend I got a proposition, goes something like this: Dare ya to do what you want. Kathleen Hanna’s rallying cry to feminists echoed far and wide through the punk scene of the 1980s, ’90s, and beyond. Her band, Bikini Kill, embodies this iconic time, and today their gutsy, radical lyrics of anthems like ‘Rebel Girl’ and ‘Double Dare Ya’ are more powerful than ever.

                                But where did this transformative voice come from? In Rebel Girl, Hanna’s raw and insightful new memoir, she takes us from her tumultuous childhood home, to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes blindingly clear, being in a ‘girl band’, especially a punk girl band, in those years was not a simple or a safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightening rod for controversy took limitless amounts of determination.

                                But the relationships she developed during those years buoyed her – including with her bandmates Tobi Vail, Kathi Wilcox, and Billy Karren; her friendship with Kurt Cobain; and her introduction to Joan Jett – and they were a testament to how the true punk world nurtured and cared for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her later bands, Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement and its decline, documenting with love its grassroots origins but critiquing its later exclusivity.

                                In an uncut voice all her own, Hanna reveals the darkest, hardest times along with the most joyful – and how it all fuelled her revolutionary art, from the 1980s to today.

                                John Williams, Charles Gerhardt & The National Philharmonic Orchestra

                                Star Wars: The Empire Strikes Back

                                  Originally released 21 May 1980, 'The Empire Strikes Back: Symphonic Suite from the Original Motion Picture Score' presented selections of composer John Williams’ music for STAR WARS: THE EMPIRE STRIKES BACK, which had premiered in theatres just two days before. Performed by The National Philharmonic Orchestra under the baton of conductor Charles Gerhardt, the one-disc record was intended to supplement – not compete with – the “official” two-record soundtrack released one month earlier by RSO Records.

                                  This album consists of the Concert Suite from THE EMPIRE STRIKES BACK (The Imperial March, Han Solo and the Princess, Yoda's Theme, and The Asteroid Field), supplemented by several other cues from the film score, including Alfred Newman's Fox Fanfare, plus Maestro Williams’ Main Title/The Imperial Probe, and Training of a Jedi Knight.


                                  To avoid repetition of familiar material, Williams, conductor Charles Gerhardt, and producer George Korngold (son of composer Erich Korngold, one of Williams’ musical heroes) presented new arrangements and orchestrations, performed by 96-member National Symphonic Orchestra.

                                  TRACK LISTING

                                  1. 20th Century-Fox Fanfare
                                  2. Main Title/The Imperial Probe
                                  3. Luke’s First Crash
                                  4. Han Solo And The Princess
                                  5. The Asteroid Field
                                  6. The Training Of A Jedi Knight And “May The Force Be With You”
                                  7. The Battle In The Snow
                                  8. The Imperial March
                                  9. The Magic Tree
                                  10. Yoda’s Theme
                                  11. The Rebels Escape Again
                                  12. Lando’s Palace, The Duel (Through The Window)
                                  13. Finale

                                  William Tyler

                                  Time Indefinite

                                    After crucial stints in Silver Jews and Lambchop, William Tyler emerged with a string of inquisitive albums that paired his country rearing and classical enthusiasm with his ardor for experimentation and field recordings. His productive enclave of instrumental music has not only ushered in new sounds, but also critical new voices. No other solo American guitarist this century has impacted that fecund scene quite like him. And on the brilliant, bracing 'Time Indefinite', Tyler’s first solo album in five years, he steps at last into the widening gyre he helped create. The guitar is the starting point for an album that will make you reconsider not only Tyler but also the possibilities of an entire field. A vortex of noise and harmony, ghosts and dreams, anguish and hope, it is not just a great guitar record. It is a stunning record by a great guitarist, a masterpiece of our collectively anxious time.

                                    In early 2020, as the world teetered at the edge of unrests still unimagined, Tyler left LA for Nashville, where he’d lived most of his life. Most of his gear and all of his records stayed, awaiting a presumed rapid return. It, of course, wasn’t. So as Tyler dealt with the depression, nerves, and questions of those endlessly tense times, he began recording ideas with his phone and a cassette deck, resigning himself to the distortion inherent in those devices. Tyler was talking with Kieran Hebden about making a record together, and some of these bits felt like test cases. As that collaboration crept in other directions Tyler magpied other sounds. He asked longtime friend, producer Jake Davis, to help stitch them together, opting to embrace the hiss and wobble and to unintentionally make a record that reflected those times and these—uneasy, damaged, honest.

                                    A seesaw of struggle and survival defines these songs, a map of anguish and belief and the trails that link them. “This is a mental illness record,” Tyler will tell you without shame, as open in life and speech as he is on tape. “It’s music about losing your mind but not wanting to, about trying to come back.” He doesn’t need to tell you that; you can feel it, possibly recognize it from your own experience.

                                    Tyler’s albums have been nests of non-musical influences, as he has pivoted between spirituality and philosophy and summoned the landscapes of the greater American imagination. Time Indefinite is no different, especially in the way it conjures the deeply personal films of Ross McElwee. In the mid-’80s, he began to make a movie about Sherman’s march through the South, but it spiraled into a tangled history about family, loss, and what we do when our best instincts surrender to the worst things we can imagine. The record is a nod to this idea, of time’s relentless push and our place in, beneath, and beside it. It is no great revelation that the lives we lead shape the work we make, whether or not we intend that to be the case. In these songs, you can hear Tyler wrestle with incoming demons out loud—addiction, middle age, loneliness, neurosis. All of our struggles are different, but we are united in having them. This is the soundtrack that Tyler’s create.

                                    TRACK LISTING

                                    1. Cabin Six
                                    2. Concern
                                    3. Star Of Hope
                                    4. Howling At The Second Moon
                                    5. A Dream, A Flood
                                    6. Anima Hotel
                                    7. Electric Lake
                                    8. Hardest Land To Harvest
                                    9. Held

                                    Marlon Williams

                                    Te Whare Tīwekaweka

                                      “Ko te reo Māori, he matapihi ki te ao Māori” goes the Māori whakatauki(proverb) that has guided Aotearoa singer/songwriter Marlon Williams’ (KāiTahu, Ngāi Tai) fourth solo album, 'Te Whare Tīwekaweka'. Translated, it means “The Māori language is a window to the Māori world” and expresses Marlon’s motivation behind his first te reo Māori album. “Through the process of constructing these songs,” Marlon says, “I’ve found a means of expressing my joys, sorrows and humour in a way that feels both distinctly newyet also connects me to my tīpuna [ancestors] and my whenua [land, home].

                                      ”Connection lies at the heart of 'Te Whare Tīwekaweka', the album’s five-year process reconnecting Marlon to family, friends and his home town of Lyttelton after a globe-trotting decade establishing his career. The album signifies another step in Marlon’s journey with his ancestral tongue, his ability in the language developing as the songs accumulated in the hours spent with close friend and co-writer, rapper KOMMI.

                                      The language unlocked both a newfound lyrical honesty and a grand sonic vision. Supported by long-time touring band The Yarra Benders, co-producer Mark Perkins (Te Whānau-ā-Apanui), the He Waka Kōtuia singers and featuring a collaboration with pop star Lorde, the album traverses Marlon’s familiar folk-country-bluegrass territory, while continuing his exploration of poppier waters and the inherent rhythms of Māori music. The result is a collection at once contemporary and timeless

                                      TRACK LISTING

                                      1. E Mawehe Ana Au
                                      2. Kei Te Mārama
                                      3. Aua Atu Rā
                                      4. Me Uaua Kē
                                      5. Korero Māori
                                      6. KoTēnā Ua
                                      7. Whakamaettia Mai
                                      8. Ngā Ara Aroha
                                      9. Huri Te Whenua
                                      10. Kuru Pounamu
                                      11. Kāhore He Manu E
                                      12. Pānaki
                                      13. Rere Mai Ngā Rau
                                      14. Pōkaia Rāte Marama

                                      Lucinda Williams

                                      Lu's Jukebox Vol. 7: Lucinda Williams Sings The Beatles From Abbey Road

                                        'Lucinda Williams Sings The Beatles From Abbey Road' features 12 Beatles songs that include classic hits such as 'Can’t Buy Me Love,' 'With A Little Help From My Friends' and 'Something.' Williams and her band also take on beloved deeper tracks such as 'I’m So Tired,' 'I’ve Got A Feeling,' and 'Yer Blues.' Being raised on the blues in the South, the latter is a song Williams was clearly meant to sing. Recorded at The Beatles' legendary studio in London, the new collection serves as Vol. 7 of her celebrated Lu’s Jukebox series and is the first new volume in almost four years.

                                        While many great artists have recorded in the hallowed Abbey Road Studios, as it turns out, Williams is the first major artist to actually record Beatles’ songs there aside from the Fab Four themselves.

                                        As an acclaimed, award-winning singer/songwriter for more than four decades, Williams’ music has been highly influential and covered by a multitude of artists. Williams is also an extraordinary interpreter who, like all great interpreters, has the ability to inhabit a song and make it her own. She does just that throughout this selection of Beatles tracks, as she has done on each Lu’s Jukebox volume.

                                        TRACK LISTING

                                        1 Don't Let Me Down
                                        2 I'm Looking Through You
                                        3 Can't Buy Me Love
                                        4 Rain
                                        5 While My Guitar Gently Weeps
                                        6 Let It Be
                                        7 Yer Blues
                                        8 I've Got A Feeling
                                        9 I'm So Tired
                                        10 Something
                                        11 With A Little Help From My Friends
                                        12 The Long And Winding Road

                                        J Spaceman & John Coxon

                                        Music For William Eggleston's Stranded In Canton

                                          In 2015, Spaceman, Coxon, and friends performed a new original score live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and will finally be unveiled through this release.. Stranded in Canton is a black-and-white film portrait of Memphis in 1974, shot in bars and on street corners, showing Eggleston’s friends carousing, playing music and firing pistols into the night sky. It is raw, greasy, Quaalude-y and hot. Jagged and intimate, the film is a handheld window into a different world; “Hogarth on Beale Street” as writer Richard Williams describes it in the album’s liner notes. The tones Spaceman and Coxon came up with mirror the ragged nature of the film perfectly. Riffs written under flickering light bulbs, hypnotic tremolo, boozy romances, some barroom boogie, the blues, and hoping the bottle won’t let you down tonight. The characters of Stranded in Canton dance around the music, living their best Memphis lives by any means necessary.

                                          TRACK LISTING

                                          1. I Was Stranded In Canton
                                          2. Last Week I Took A Trip
                                          3. It’s Not Gospel
                                          4. What Train Blues
                                          5. I Don’t Know What I Can Possibly Do
                                          6. Mother’s Milk
                                          7. Back Up William
                                          8. Everybody In Their Life At One Time Or Another
                                          9. Love For The Asking
                                          10. Credits Roll

                                          William Basinski

                                          September 23rd

                                            The first new release by iconic composer, William Basinski, since the hugely acclaimed Lamentations (2020). September 23rd is the first release in William Basinski's new Arcadia Archive series. Recorded in September 1982 in his first loft in the pre-gentrified DUMBO neighbourhood in Brooklyn, New York, September 23rd is a recently unearthed early entry in what has become a hugely inspirational and influential catalogue. Built from a piano piece that Basinski composed in high school in the mid-1970s, September 23rd quickly evolved into a vastly different work.

                                            As Basinski explains: "The original piano recordings were made on a piano belonging to my downstairs neighbour, John Epperson – later known more famously as world-renowned drag artist, Lypsinka – at 351 Jay Street aka Casa Degli Artisti, our first loft in New York. It was recoded with a little portable (probably Radio Shack) cassette deck sitting on the piano as I improvised a piece I had been working on since high school. It was pretty terrible, but when I did the John Giorno/William Burroughs cut-up technique, suddenly I had something to put through the Frippertronics loop and feedback loop tape delay system – and boy did I get results. A very prolific time for a young, wacked-out queen in NYC."

                                            “At its best, William Basinski’s music inspires the sort of rapturous testimony usually reserved for peak experiences, cult leaders and the dead.” – Pitchfork. 

                                            STAFF COMMENTS

                                            Barry says: A wonderfully immersive piece from Basinski that has some of the hallmarks of his legendary 'Disintegration Loops' series, but with a more melancholic edge. Flickering echoes and building ambient washes coalesce together into a river of piano-adjacent echoes and barely perceptible atmospheres.

                                            TRACK LISTING

                                            1. September 23rd (40:11

                                            Experience the divine power of gospel music with the reissue of the legendary album Together by Gloster Williams and The King James Version. Originally released in 1977 on Gospel Roots Records, this seminal work is now re-released for the first time on vinyl, courtesy of Regrooved Records.

                                            Together captures a moment in gospel music that is both timeless and transcendent. Led by the dynamic Gloster Williams, The King James Version choir brings an electrifying blend of traditional gospel with hints of soul and R&B, creating a sound that uplifts and inspires. This album is famed for its stirring harmonies, powerful lyrics, and the passionate delivery that fans and newcomers alike will find deeply moving.

                                            Highlights of the album include the soaring title track, "Together," which has been a staple in gospel music playlists for decades, celebrated for its message of unity and spiritual upliftment. Each song on the album is crafted with care, featuring intricate arrangements and a raw emotional energy that captures the essence of gospel music's golden era.

                                            This reissue is a meticulously remastered version that enhances the original recordings while preserving the authentic sound that made Together a must-have for gospel collectors and enthusiasts. It's pressed on high-quality vinyl to deliver the best listening experience, ensuring that the richness of the choir’s vocals and the depth of the instrumentation are beautifully rendered.

                                            Don't miss this opportunity to own a piece of gospel history. The reissue of Gloster Williams and The King James Version’s Together is a testament to the enduring power of gospel music to console, celebrate, and connect us. Add this vital record to your collection and let its messages of faith and fellowship fill your home with joy and inspiration.



                                            TRACK LISTING

                                            A1. Get Ready For This
                                            A2. What Good Is A Song
                                            A3. No, No One
                                            A4. He Loves You Interlude
                                            B1. There's Not A Friend (Part One)
                                            B2. Touch My Life
                                            B3 . Monologue) Together
                                            B4. There's Not A Friend (Part Two)

                                            Volume 2 from the Jackin' Disco crew promises to deliver something other than murder on the dancefloor despite the Sophie Ellis-Bextor flip; paring the disco pace back to a downer-tempo, albeit still delivering ample energy to fit on a single slice of 7" wax. The edit on the A-side is sourced from not from Bextor's breakout disco-dance hit but rather her equally-as-good, classic feature cut 'Groovejet' by producer Spiller. On the B comes an equally loopy, happy-to-be-jacked bootleg of Carol Williams' 'Love Is You'.

                                            TRACK LISTING

                                            A1. Spiller - Groovejet (feat Sophie Ellis Bextor)
                                            B1. Carol Williams - Love Is You

                                            Kathryn Williams & Withered Hand

                                            Willson Williams

                                              ‘Willson Williams’ witnesses the meeting of two likeminded musicians who’ve built their successful, independent careers on inventive folk instrumentation, reflective and sincere lyricism, and not a small amount of self-deprecation. Their modest confessionals, written poetically and over nostalgic and atmospheric melodies, are as relatable as ever, and together they find new ways to unpack their feelings.  

                                              One overarching theme on the album is that of grief, when the writing process saw them both, tragically, in mourning for separate loved ones; Dan for his brother Karl and his friend Scott Hutchinson of Frightened Rabbit, and Kathryn for her friend, comedian and BBC Radio 4 presenter Jeremy Hardy. They explain that “the initial premise and starting point for us was discussions and open conversations on bereavement. We’d both recently lost friends who were also in the public eye, and we talked about the strange place between personal loss and the communal grieving of a public figure”. Contrastingly, the music on ‘Willson Williams’ is warm, heartfelt and even cheerful, an opposing nature that is completely in keeping with both their humour and candidness.

                                              TRACK LISTING

                                              1. Arrow
                                              2. Grace
                                              3. R U 4 Real
                                              4. Our Best
                                              5. Shelf
                                              6. Wish
                                              7. Sweetest Wine
                                              8. Weekend
                                              9. Sing Out
                                              10. Elvis
                                              11. Big Nothing

                                              Cliff Solomon / The Jak & Lex Lathan / William Kincaid

                                              Battle Cry / The Call (On The Edge) / Circuit Collapse

                                              Another amazing Dirty Blends edition with three tracks of heavy jak beat and OG Chicago warehouse flavours.

                                              The A side kicks off with Kincaid presenting a dark and menacing composition played and created with blood and sweat behind the vintage music boxes to come with this 12 minute cranium splitter - "Circuit Collapse".

                                              Cliff Solomon honors the timeless work of originators Boyd Jarvis & Timmy Regisford with an '85 flavoured exercise of proto-house entitled "Battle Cry". With drum machines you'd associate more with the boogie genre, plus expert keyboard sections and sound effects, this retrograded house track will definitely devastate today's dancefloor leaving people scratching their heads as to its origin.

                                              The Jak and Lex Lathan collaborate on "The Call (On The Edge)". recorded at Nation HQ and perhaps the most twisted and discordant offering out of the three. Warped vox, detuned synths and deranged licks smothering a straight up jak beat rhythm. Seriously wild stuff for the more adventurous DJ and dancer - TIP! 


                                              STAFF COMMENTS

                                              Matt says: Dirty Blends can do no wrong in my book at the moment. There's no one out there daring to take on the dark passion of jak beat with such authority. With each release they seem to get closer to the spirit of Ron Hardy... if you don't know - get to know.

                                              TRACK LISTING

                                              A1. William Kincaid - Circuit Collapse
                                              B1. Cliff Solomon- Battle Cry
                                              B2. The Jak & Lex Lathan - The Call (On The Edge)

                                              William Doyle

                                              Springs Eternal

                                                Serving up art-pop for the anthropocene, Springs Eternal is the Mercury-nominated, critically acclaimed artist William Doyle’s most ambitious and most playful creation to date. Taking a panoramic view of the ecstasies and agonies of life in the 2020s, the record asks how we exist as fragile flesh and blood – our hearts beating and our minds racing – in an unprecedented, almost unimaginable time of runaway climate destruction and technological expansion.

                                                Springs Eternal presents a strange and thrilling cast of characters – from cowboys to castaways – who just might be Doyle, once or twice removed. “Most of the songs are in the first-person, but rather than being autobiographical, I was trying to imagine hyperreality versions of myself,” Doyle says. “What if decisions I made in my life had resulted in the self of each particular song? How many degrees of separation am I from those realities? It’s a frightening thought, and frightening thoughts often make for good songs.”

                                                Across 11 tracks, we hear from narrators teetering on the precipice of global disaster, heartbreak, addiction, indoctrination and mental illness, until they pass into the great unknown. The lyrics, by turns earnest and ironic, upfront and allegorical, are paired with infectious melodies and often outright swagger. Co-produced by indie superproducer Mike Lindsay (Tunng, LUMP) at his MESS studio in Margate, we hear the siren song of the sea washing around pulsating electronics and stirring instrumentation, featuring contributions from musicians Alexander Painter, Genevieve Dawson and Brian Eno.

                                                A recurring theme of water and flooding runs through the record, alluding simultaneously to the global climate crisis and the deluge of overwhelm these parallel-universe Williams are experiencing. “It wasn’t until we were mixing the record that I realised how many water references there are,” Doyle says. “I guess there’s a fluid border between our inner selves and the outside world that allows things to flood in, in unstoppable or perhaps irresistible ways.”

                                                Springs Eternal is the next chapter in the William Doyle sonic odyssey that began with his incarnation as East India Youth (Total Strife Forever, 2014; Culture of Volume, 2015) and developed under his own name, producing the critically acclaimed records Your Wilderness Revisited (2019) and Great Spans of Muddy Time (2021). Alongside his own output, Doyle recently produced Anna B Savage’s celebrated debut album A Common Turn (2021) and plays in Orlando Weeks’ band both live and on his upcoming record.

                                                TRACK LISTING

                                                Garden Of The Morning
                                                Now In Motion
                                                Relentless Melt
                                                Soft To The Touch
                                                Eternal Spring
                                                Cannot Unsee
                                                Castawayed
                                                Surrender Yourself
                                                A Short Illness
                                                A Long Life
                                                Because Of A Dream

                                                Los Angeles-based visual artist and musician Lionel Williams was born and raised in a family of musicians - he is the grandson of soundtrack composer John Williams. Since 2010, he has been releasing music as Vinyl Williams. After three albums released on No Pain In Pop (Lemniscate, 2012) and Chaz Bundick's Company (Into, 2015 and Brunei, 2016), Vinyl Williams joined French label Requiem Pour Un Twister for his fourth album Opal released in 2018. Throughout his art, both musical and visual, Lionel Williams explores the syncretistic territory between reality and dreams, between earth and space. "Music is a chance to transmute qualitative opposites into the center, to dissolve all illusions of duality", he says. Since chaos and disorder are an illusion, Vinyl Williams is trying to reach a new state of celestial harmony on Opal. The result is an album fueled with mysticism and space age utopia, ten kaleidoscopic lush pop songs that takes you into a transcendental journey on an opal marbled vinyl limited to 500 copies.

                                                TRACK LISTING

                                                1. Sanctuary Spells
                                                2. Noumena
                                                3. Spirit Of Now
                                                4. Lansing
                                                5. Aphelion
                                                6. Florian Veridiction
                                                7. Nether Congrenes
                                                8. None With Other
                                                9. Eternity
                                                10. Millenial Ballroom

                                                Lucinda Williams

                                                Car Wheels On A Gravel Road - 2023 Reissue

                                                  Acclaimed singer-songwriter Lucinda Williams’ classic 1998 album 'Car Wheels On A Gravel Road' is now on vinyl for the first time. The album won a Grammy for Best Contemporary Folk Album and features the songs 'Can’t Let Go' and 'Car Wheels on a Gravel Road'.

                                                  TRACK LISTING

                                                  1. Right In Time
                                                  2. Car Wheels On A Gravel Road
                                                  3. 2 Kool 2 Be 4-Gotten
                                                  4. Drunken Angel
                                                  5. Concrete And Barbed Wire
                                                  6. Lake Charles
                                                  7. Can't Let Go
                                                  8. I Lost It
                                                  9. Metal Firecracker
                                                  10. Greenville
                                                  11. Still I Long For Your Kiss
                                                  12. Joy
                                                  13. Jackson

                                                  William Eggleston

                                                  512

                                                    William Eggleston is a famed photographer and musician credited for iconic album covers such as Spoon’s Transference and Jimmy Eat World’s Bleed American. 512 was inspired and recorded at the Parkview Apartments in Memphis, Tennessee where Eggleston lived for almost ten years. The apartment was full of art and inspiration: cameras, naturally, but also high-end stereo tube amplifiers and objects that you’d rush towards money in hand at your local flea market. But also a gigantic nine foot Bosendorfer grand piano and a massive grand vintage JBL theater speaker console. His home was overwhelmed by music.

                                                    By recording there the album captures not just his performances, but also the vibe of the place; it often felt as though there were artists lurking in the aether listening along. His visitors over the years were no small change: Lee Friedlander, Carl Sagan, Dennis Hopper , Paul McCartney and many others came to see him and listen to his hypnotic “Musik”. You can hear local traffic, a dog barking, weather; reality, in other words. But there was another space layered on top, a kind of surreality echoing his music, as you can imagine a gathering of musicians listening in, eager to join him. Thus came along 512 which features the legendary Brian Eno on bells and production from Leo Abrahams (Regina Spektor, Paul Simon, Jon Hopkins).”

                                                    TRACK LISTING

                                                    1. Improvisation
                                                    2. Ol’ Man River
                                                    3. Smoke Gets In Your Eyes
                                                    4. Over The Rainbow
                                                    5. That’s Some Robert Burn
                                                    6. Onward Christian Soldiers

                                                    William The Conqueror

                                                    Excuse Me While I Vanish

                                                      William The Conqueror's fourth album finds the indie-rock trio firing on all cylinders as frontman Ruarri Joseph confronts the thin line between creativity and madness, inspired by compassion for the reallife angels of the world. Produced by the band in a playground of vintage gear and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the resulting album's ten tracks marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic. Joseph's compelling semi-spoken vocals and swamp-blues-Seattlescuzz guitars are propelled by the rhythm section of Naomi Holmes (bass) and Harry Harding (drums) as Excuse Me While I Vanish delivers an effortlessly winning blend of melody and ensemble dynamics, the most accomplished and undeniable William The Conqueror album to date.

                                                      TRACK LISTING

                                                      1. The Puppet And The Puppeteer
                                                      2. The Bruises
                                                      3. Sheepskin Sleeve
                                                      4. L.W.Y.
                                                      5. Somebody Else
                                                      6. Shots Fired From Heaven
                                                      7. The Tether
                                                      8. Elsie Friend
                                                      9. A Minute's Peace
                                                      10. In Your Arms

                                                      William Loveday Intention

                                                      Secret Intention

                                                        The William Loveday Intention is the latest incarnation of song and dance man Wild Billy Childish, who has been recording and performing since the 1977 Punk explosion; notably with The Pop Rivets, The Milkshakes, Thee Mighty Caesars, Thee Headcoats, The Buff Medways and CTMF, and many more!

                                                        The 'intention' of The William Loveday group was to revisit some early tunes which Billy had imagined could be orchestrated.

                                                        Jess Williamson

                                                        Time Ain't Accidental

                                                          After recently releasing the critically-acclaimed Plains album (I Walked With You A Ways) with Katie Crutchfield of Waxahatchee, Jess Williamson’s Time Ain’t Accidental is the sound of a woman running into her life and art head-on. With a vocal dynamic kindred to Linda Ronstadt and Emmylou Harris, Williamson blends the emotional immediacy and story-telling of traditional country with the artful, wholly honest transmissions of songwriters like Townes Van Zandt and Terry Allen. The album's reckoning with loss, isolation, romance, and personal reclamation signals both a stylistic and tectonic shift for Williamson: from someone who once made herself small to an artist emboldened by her power as an individual.


                                                          TRACK LISTING

                                                          1. Time Ain’t Accidental
                                                          2. Hunter
                                                          3. Chasing Spirits
                                                          4. Tobacco Two Step
                                                          5. God In Everything
                                                          6. A Few Seasons
                                                          7. Topanga Two Step
                                                          8. Something’s In The Way
                                                          9. Stampede
                                                          10. I’d Come To Your Call
                                                          11. Roads

                                                          William Tyler & The Impossible Truth

                                                          Secret Stratosphere

                                                            Recorded live at Yellowhammer Brewing in Huntsville, Alabama, in May 2021, Secret Stratosphere finds William Tyler and fellow psychedelic dreamers The Impossible Truth refashioning prime cuts from the Nashville guitarist's rich catalog, casting new light onto once-familiar songs. Featuring the crackling combo of Jack Lawrence (Raconteurs, Dead Weather), Brian Kotzur (Silver Jews, Country Westerns), and Luke Schneider (solo, Margo Price), the quartet stretch the dynamics of Tyler's compositions to their fullest interdimensional potential, exposing a deep undercurrent of kosmische and post-rock influences (with the right amount of grit from the nitrous corner of the Dead Lot). In teasing these influences out on favorites and new songs alike he cheekily calls closer "Area Code 601" a "Hawkwind meets Charlie Daniels Band number" before sending the crowd home on a previously unreleased stunner that lives somewhere between mind-expanding prog and beer commercial–backing Southern rock Secret Stratosphere confirms William Tyler's place as one of our most brilliant guitarists, bandleaders, and composers.

                                                            TRACK LISTING

                                                            01 Our Lady Of The Desert
                                                            02 Highway Anxiety Radioactivity
                                                            03 Whole New Dude
                                                            04 I'm Gonna Live Forever (If It Kills Me)
                                                            05 Gone Clear
                                                            06 We Can't Go Home Again
                                                            07 Area Code 601

                                                            The William Penn Jazz Ensemble

                                                            Carvings

                                                            Superb private spiritual jazz meets classical choir. The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album "Positive Vibes". "Carvings", recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon association of African American and white members at the time results in a unique fusion of cultural influences that is reflected in the music.

                                                            The musical journey is both profound and spiritual, taking listeners on an experience that is both deep and meaningful.

                                                            STAFF COMMENTS

                                                            Matt says: Ambrosial, spiritual jazz with gospel-leaning passages and some breath-taking flute work. A real treasure trove find from the archives.

                                                            TRACK LISTING

                                                            Meditation
                                                            Carvings
                                                            Naima
                                                            Blessings And Glory To God
                                                            Lazy Bird
                                                            Dolphin Dance

                                                            The William Loveday Intention

                                                            Season Of The Witch

                                                              Hand-Numbered, Limited to 500.

                                                              The William Loveday Intention* is the latest incarnation of song and dance man Wild Billy Childish, who has been recording and performing since the 1977 punk explosion. Notably with The Pop Rivets, The Milkshakes, Thee Mighty Caesars, Thee Headcoats, The Buff Medways and CTMF.

                                                              The A side is his take on the Donovan classic.

                                                              Willie Williams

                                                              No One Can Stop Us Now

                                                                Willie Williams’ seminal ’No One Can Stop UsNow’ is a cover of Ashford and Simpson’s soul /disco classic ‘Ain’t No Stopping Us Now’, and is simply one of the greatest, most soulful reggae / disco cuts ever made. This is the latest in the series of special edition 12”s of all-time classic Studio One party bombs available on super loud 12”. First released on Studio One in 1979, this party anthem features the sublime keyboards of Jackie Mittoo alongside the awesome studio group, The Brentford All Stars (here working under the name The Brentford Disco Set). 100% essential monster Studio One tunes that rock any dancefloor

                                                                TRACK LISTING

                                                                No One Can Stop Us Now
                                                                No One Can Stop Us Now (Version)

                                                                Vinyl Williams

                                                                Cosmopolis

                                                                  Lionel "Vinyl" Williams is an American multimedia artist based in Los Angeles, his music is deeply intertwined with his other media of expression (graphic design, interactive website and videos) with whom he shapes a consistent immersive new-age-infused psychedelic universe

                                                                  Vinyl Williams' celestial pop is part of the construction of his own 'Cosmopolis', an ideal city, where the skyline is drawn by marvellous organic architecture and monumental ancient structures, where while walking on twisted paths, you can hear indistinctly lush vocals, iridescent gauzy keyboard harmonies, and rolling rhythms. Without acknowledging it, you are floating, your soul can ramble, free to imagine.

                                                                  Musically, 'Cosmopolis' is a synthesis of Williams' craze, his contemporary dreampop production, 60s sunshine pop influences, Brasilian Tropicália hints, jazz chords, and complex arrangement. He continues to dig deep into his parallel universe, which he has developed with a rare consistency. From chaos emerges harmony and incredible pop songs.

                                                                  For fans of: Triptides, Gold Celeste, Toro y Moi, Unknown Mortal Orchestra, GUM, Tame Impala, Swin Mountain, Chris Cohen, Morgan Delt, Dungen, Dumbo Gets Mad, Pond, Maston, Holy Wave, Arthur Verocai, The Free Design, The Association, Once And Future Band...

                                                                  TRACK LISTING

                                                                  Probable Cause
                                                                  Beaming
                                                                  Exopalace
                                                                  Modern Arch
                                                                  Paracosm
                                                                  Solar Coaster
                                                                  Telaculum
                                                                  Precious Star
                                                                  Saturnalia
                                                                  Ode To Artifice
                                                                  Hyperbolic

                                                                  Marlon Williams

                                                                  My Boy

                                                                    My Boy, the third solo record from New Zealand singer/ songwriter Marlon Williams, announces an artist emerging anew. Gone is the solemn, country-indebted crooner with the velvet voice – in his place comes a playful, shapeshifting creature. Following the release of his second album, 2018’s Make Way For Love, Williams’ toured the world, playing major festivals and collaborating with Lorde, Yo-Yo Ma and Florence Welch.

                                                                    He also forged a fledgling acting career with roles in films The True History of the Kelly Gang and Netflix series Sweet Tooth, as well as a cameo in Oscar winning film A Star Is Born. My Boy parlays this flush of worldly experience into a vivid record as spirited and kinetic as the unfolding life of its performer. “I’ve always explored different character elements in my music,” says Williams. “And the more I get into acting, the more tricks I’m learning about representation and presentation. To get braver and bolder with exploring shifting contexts and new ways of doing things.”

                                                                    As the pandemic paused global travel, Williams found himself at home in New Zealand, reconnecting with family and friends. Soon new demos and lyrical themes emerged: of self-identity and escapism; tribalism and a gnarled family tree; and ruminations on the role of masculinity and mateship. Co-produced with Tom Healy and recorded at Roundhead Studios in New Zealand, My Boy finds Williams’ leading a new band through a set of genre-hopping tunes: from the cheery sway of ‘My Boy’ and chugging ‘80s noir sheen of ‘Thinking Of Nina’, to the charging synth of ‘River Rival’, and the sultry pop jam ‘Don’t Go Back.’ All this sonic and emotional whiplash is intentional, and ultimately My Boy sees Williams having fun, even while interrogating the behaviors of himself and those around him.

                                                                    TRACK LISTING

                                                                    1. My Boy
                                                                    2. Easy Does It
                                                                    3. River Rival
                                                                    4. My Heart The Wormhole
                                                                    5. Princes Walk
                                                                    6. Don’t Go Back
                                                                    7. Soft Boys Make The Grade
                                                                    8. Thinking Of Nina
                                                                    9. Morning Crystals
                                                                    10. Trips
                                                                    11. Promises

                                                                    William Orbit

                                                                    The Painter

                                                                      William Orbit returns with his first new album in over eight years. Entitled ‘The Painter’ it is unmistakeably William Orbit and features vocal collaborations from an array of artists including Katie Melua, Beth Orton, Georgia, Polly Scattergood, Ali Love and more.

                                                                      TRACK LISTING

                                                                      1. Duende (feat. Katie Melua)
                                                                      2. Bank Of Wildflowers (feat. Georgia)
                                                                      3. I Paint What I See (feat. Beth Orton)
                                                                      4. William Orbit & Hukwe Zawose - Heshima Kwa Hukwe
                                                                      5. Nuestra Situación (feat. Lido Pimienta)
                                                                      6. The Diver (feat. Natalie Walker)
                                                                      7. William Orbit & Polly Scattergood - Colours Colliding
                                                                      8. Gold Coast
                                                                      9. Second Moon
                                                                      10. Promethean Lies (feat. Ali Love)
                                                                      11. Planet Sunrise
                                                                      12. No Other World (feat. Beth Orton)
                                                                      13. Free Glo (feat. Gloria Kaba And Laurie Mayer)
                                                                      14. I Paint What I See (feat. Beth Orton) (Epic Mix) (VINYL ONLY EXCLUSIVE TRACK)

                                                                      William Doyle

                                                                      The Dream Derealised - 2022 Reissue

                                                                        It’s nearing a decade since William Doyle released his Mercury Music Prize nominated debut album, Total Strife Forever, as East India Youth in 2014. A year later, he had toured the world and was releasing his second album, Culture of Volume, but it would be another four years before Doyle returned with his third full album, and the first official release under his own name. The dizzyingly ambitious Your Wilderness Revisited arrived in 2019 and was followed last year by the artpop masterpiece, Great Spans of Muddy Time.

                                                                        In the years between leaving the old project behind and re-emerging under his own name, Doyle self-released a string of ambient-leaning albums, The Dream Derealised, Lightnesses Vol I & II and Near Future Residence, which are now to receive a first vinyl pressing via Tough Love as both a highly limited four LP box set, titled ‘Slowly Arranged: 2016-19’, and as separate albums.

                                                                        The Dream Derealised is a collection of nine abstract, lo-fi pieces that were recorded during the summer of 2016, when focusing on creating them helped guide Doyle through a “difficult period of anxiety, panic and a regular dissociative feeling called derealisation.” At the time, doing something creative in a quick and immediate fashion felt vital to Doyle, carrying him to a new place: “I’m releasing them now as a cathartic measure, and as a message for others who may be going through difficult times themselves. What I told myself at the time, what I can tell you now: You are not in danger. You are not going insane. You are not alone.”


                                                                        TRACK LISTING

                                                                        1. Seeing Spectral
                                                                        2. Everything Tilted
                                                                        3. Flexford Looping
                                                                        4. A Silence Of Vision
                                                                        5. Derealisation LKX
                                                                        6. I No Longer Knew What To Do
                                                                        7. Field Open Wide
                                                                        8. Don’t Get Carried Away
                                                                        9. All To Be Footnotes 

                                                                        William Doyle

                                                                        Near Future Residence - 2022 Reissue

                                                                          It’s nearing a decade since William Doyle released his Mercury Music Prize nominated debut album, Total Strife Forever, as East India Youth in 2014. A year later, he had toured the world and was releasing his second album, Culture of Volume, but it would be another four years before Doyle returned with his third full album, and the first official release under his own name. The dizzyingly ambitious Your Wilderness Revisited arrived in 2019 and was followed last year by the artpop masterpiece, Great Spans of Muddy Time.

                                                                          In the years between leaving the old project behind and re-emerging under his own name, Doyle self-released a string of ambient-leaning albums, The Dream Derealised, Lightnesses Vol I & II and Near Future Residence, which are now to receive a first vinyl pressing via Tough Love as both a highly limited four LP box set, titled ‘Slowly Arranged: 2016-19’, and as separate albums.

                                                                          Near Future Residence is music for an imagined place based on real ideas; the soundtrack for an ecologically sustainable housing development somewhere in a not-too-distant future Britain. The eleven instrumental pieces here come from a place of optimism, imagining a future that is based on cooperation, community and ecological urbanism. It's music intended to sit in this imagined environment rather than impose upon it, similar in principle to the function of Kankyō Ongaku (Japanese environmental music). The ideas contained on Near Future Residence laid the groundwork for - and can be seen as a companion piece to - the album Your Wilderness Revisited, released to critical acclaim in 2019. Doyle explains how the pieces “were composed in entirely generative ways using samples of instruments, synthesisers and field recordings I've collected and developed throughout 2018. In generative composition, rules are set and parameters are chosen and then put into motion, the results constantly changing and surprising.”

                                                                          TRACK LISTING

                                                                          1. Flexford Forest Community Choir
                                                                          2. Cadence Gardens, 2026
                                                                          3. Sightings At Tangmere Close
                                                                          4. Music For The 3rd Floor Atrium
                                                                          5. Rose Building Improv Group
                                                                          6. Next Door’s Granular Band Practice
                                                                          7. Hocombe Astral Projection Society (Abridged)
                                                                          8. New European Optimism
                                                                          9. Derwenthorpe Rainwater Harvest
                                                                          10. Municipal Harmonics
                                                                          11. Near Future Residence

                                                                          William Doyle

                                                                          Lightnesses I & II - 2022 Reissue

                                                                            It’s nearing a decade since William Doyle released his Mercury Music Prize nominated debut album, Total Strife Forever, as East India Youth in 2014. A year later, he had toured the world and was releasing his second album, Culture of Volume, but it would be another four years before Doyle returned with his third full album, and the first official release under his own name. The dizzyingly ambitious Your Wilderness Revisited arrived in 2019 and was followed last year by the artpop masterpiece, Great Spans of Muddy Time.

                                                                            In the years between leaving the old project behind and re-emerging under his own name, Doyle self-released a string of ambient-leaning albums, The Dream Derealised, Lightnesses Vol I & II and Near Future Residence, which are now to receive a first vinyl pressing via Tough Love as both a highly limited four LP box set, titled ‘Slowly Arranged: 2016-19’, and as separate albums.

                                                                            Lightnesses Vol. I & II sees Doyle create what we might understand as true ambient music – that is, music intended for the background that wasn’t composed as such, but allowed to blossom out of the setting of some rules and parameters, played by sounds he created and then resampled. The deceptively simple, droning pieces are unlike anything Doyle has made before or since. “During their creation I’d often take photographs of the light coming in through the windows of the two houses I lived in during their creation. I’d post these on social media and they became quite popular parts of my output. This music was intended to accompany those visuals. The first volume’s photo is a double exposure of the sun shining in on my notebook and my hand, whereas the photo for the second volume was taken in Joshua Tree Park, California as I saw our tail lights illuminate one of the trees.”

                                                                            TRACK LISTING

                                                                            Disc 1)
                                                                            1. Aisles Of White
                                                                            2. Number Of Harmony,
                                                                            Disc 2)
                                                                            3. History Of Change
                                                                            4. Winter Of Fullness

                                                                            The William Loveday Intention

                                                                            I'm Good Enough

                                                                              Brand new double 7” by The William Loveday Intention! As part of an incredibly productive year by one of the world's most productive and cherished artists, Billy Childish releases a new EP by The William Loveday Intention as part of his attempt at “a career in a year”. “Four tracks that address the game of being a human being.” 'I'm Good Enough' is a fresh look at Thee Headcoats' classic. 'Failure not Success' speaks for itself - and embodies the quest for un-muddied art. 'Becoming Unbecoming Me' is the story of a Jewish girl in Austria who changed her identity and married a Nazi to escape the death camps. 'Subterranean Homesick Blues' is our version of Bob Dylan's version of 'Too Much Monkey Business' by Chuck Berry.”

                                                                              TRACK LISTING

                                                                              A – I'm Good Enough
                                                                              B – Failure Not Success
                                                                              C – Becoming Unbecoming Me
                                                                              D – Subterranean Homesick Blues (Alt Version)

                                                                              The final William Stuckey release unfortunately did not make it on time for the man himself who sadly passed last year, with support of his family we are very happy to do this 45 justice.

                                                                              The previously unreleased 'Everything That's Good In Life' A Very suitable unreleased track up there with his finest moments, it's got everything that would have made this a classic over the years and no doubt will make it a future classic for years to come, flipped with an alternate 7" Mix of 'Hold Me Close' this is a rock solid 45. You know what to do.

                                                                              TRACK LISTING

                                                                              1. Everything That's Good In Life
                                                                              2. Hold Me Close (7 Inch Mix)

                                                                              Lucinda Williams

                                                                              Lu's Jukebox Vol. 6: You Are Cordially Invited... A Tribute To The Rolling Stones

                                                                                Lu's Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy's Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. The series aired as ticketed shows through Mandolin in late 2020 with a portion of ticket sales benefitting independent music venues struggling to get by through the pandemic. Like thousands of artists, Williams cut her teeth and developed her craft by playing in small, medium and large clubs throughout the country, and the world. These venues are vital to the development of artists and their music. Williams has never forgotten her roots, and often performs special shows in some of her favorite halls. 

                                                                                TRACK LISTING

                                                                                1. Street Fighting Man
                                                                                2. The Last Time
                                                                                3. Get Off My Cloud
                                                                                4. Paint It Black
                                                                                5. Play With Fire
                                                                                6. No Expectations
                                                                                7. Dead Flowers
                                                                                8. Salt Of The Earth
                                                                                9. You Gotta Move
                                                                                10. Moonlight Mile
                                                                                11. Time Waits For No One
                                                                                12. Sway
                                                                                13. Doo Doo Doo Doo Doo (Heartbreaker)
                                                                                14. (I Can't Get No) Satisfaction
                                                                                15. Sympathy For The Devil
                                                                                16. You Can't Always Get What You Want

                                                                                First Word Records is very pleased to present a brand new full-length album from Sarah Williams White! Emanating from the "hilly fields of Lewisham" in South London, Sarah Williams White is a singer songwriter, multi instrumentalist and producer. Her sound is a unique blend of psych-soul, folktronica and experimental synth-pop.

                                                                                Sarah released her acclaimed debut album 'Of The New World' on First Word in 2015, which was written, produced and performed by Sarah from her home studio, with the assistance of drummer, engineer & husband, Timmy Rickard. Her projects have seen support from the likes of Lauren Laverne, Tom Ravenscroft, Nemone & Chris Hawkins (BBC 6 Music), Jamie Cullum (BBC Radio 2), FIP Radio, Clash & The Guardian, to name a few, and she's toured the UK with Dan Le Sac vs Scroobius Pip and Golden Rules (Lex). There have been additional collaborations with label-mate Quiet Dawn (on the 2021 compilation / EP 'A Family Affair') and with her brother, Paul White - a revered producer in his own right, with credits including Danny Brown and Sudan Archives.

                                                                                Following a hiatus, Sarah now brings us her sophomore album, 'Unfathomable'. A project that offers up escapism from the mundane, enticing us to connect with our natural planet in this prevalent time, via the eyes of a new mother.

                                                                                In her words, Sarah states that the album is "about escape. It's about deflating the ego by looking up to the endlessness of outer space, connecting with the greatness of mother nature, and loving how unfathomable the universe and life itself is".

                                                                                11-tracks in all, including the recent singles 'Nebula', 'Green' and 'Monsters', this opus sees Sarah's buttery lathing of vocals merged with cutting beats and atypical pop sensibilities across the project, again entirely self-produced from home, defining her as one of the UK's most irresistible DIY psych-soul talents.

                                                                                With a voice reminiscent of Peggy Lee, tapestried harmony akin to Hiatus Kaiyote, beats fit for Little Dragon, and experimental production evocative of Kate Bush, Sarah Williams White's signature genre-defying sound invites us into a world uniquely hers.

                                                                                TRACK LISTING

                                                                                1. Nebula
                                                                                2. Oh!
                                                                                3. Monsters
                                                                                4. Spectrum Of Light
                                                                                5. Those Ones
                                                                                6. Green
                                                                                7. Greetings
                                                                                8. How I Need You
                                                                                9. 364
                                                                                10. Unfathomable
                                                                                11. Exit Lyra

                                                                                William Loveday Intention

                                                                                Sex And Flys

                                                                                  Wild Billy Childish has been recording and performing since the 1977 punk explosion. The Pop Rivets, Thee Milkshakes, The Headcoats and The Buff Medways are just a few musical outfits that Billy has been involved with. Billy is also an internationally exhibited artist and poet. The William Loveday Intention is the latest incarnation. The groups name can be attributed to Billy's grandmother, Ivy Loveday, who registered his birth as William Ivy Loveday, with William being his great grandfather's name. The 'intention' of The William Loveday group was to revisit some early tunes which Billy had imagined could be orchestrated. This was the beginning of a 'career in a year' with over 14 LPs being recorded during the lockdown period at Jim Riley's Ranscombe Studios.


                                                                                  Side A's 'Sex And Flys' is a complete make-over of the original Rhythm 'n' Punk track previously recorded by Thee Headcoats (which can be found on the 1996 long player 'In Tweed We Trust'). Side B's 'Becoming Unbecoming Me (Slight Return)' recounts the true-life story of a Jewish girls change of identity in war-time Venice to escape the death camps.

                                                                                  William Loveday Intention

                                                                                  The Jutland Sea

                                                                                    Wild Billy Childish has been recording and performing since the 1977 punk explosion. The Pop Rivets, Thee Milkshakes, The Headcoats and The Buff Medways are just a few musical outfits that Billy has been involved with. Billy is also an internationally exhibited artist and poet. The William Loveday Intention is the latest incarnation. The groups name can be attributed to Billy's grandmother, Ivy Loveday, who registered his birth as William Ivy Loveday, with William being his great grandfather's name. The 'intention' of The William Loveday group was to revisit some early tunes which Billy had imagined could be orchestrated. This was the beginning of a 'career in a year' with over 14 LPs being recorded during the lockdown period at Jim Riley's Ranscombe Studios.


                                                                                    'The Jutland Sea' is a tribute to all that fought in the Battle Of Jutland in 1916 - the largest naval battle of the The Great War. Billy's Grandfather was aboard HMS Thunderer. 'Scapa Flow' (not to be confused with the track of the same name by The Milkshakes) is an instrumental in honour of the home base of The Grand Fleet.

                                                                                    Jamire Williams

                                                                                    But Only After You Have Suffered

                                                                                      Composer, producer, percussionist Jamire Williams applies sound collage practice to modern jazz composition, beat production, MC/vocalist features, and his uniquely impressionistic drumming style to make the deeply spiritual But Only After You Have Suffered – an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape.

                                                                                      "Williams shows himself to be an inspired crafter of sound." – Pitchfork

                                                                                      A creative collaborator of Solange Knowles and a first-call drummer for the likes of Jeff Parker, Blood Orange & Moses Sumney, on his new album Williams brings together artists from his hometown of Houston (vocalists Corey King, Lisa E. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long Journey in sound (Chassol, Svet, Kenneth Whalum).

                                                                                      TRACK LISTING

                                                                                      A1. Hands Up
                                                                                      A2. Bow (feat. Corey King)
                                                                                      A3. Gly (feat. Mic Holden)
                                                                                      A4. Just Hold On
                                                                                      A5. Take Time, Look Up (Jawwaad Speaks)
                                                                                      A6. Safe Travels (feat. Fat Tony & Zeroh)
                                                                                      A7. C'est Un Mot
                                                                                      B1. For The Youth (feat. Corey King)
                                                                                      B2. Pause In His Presence (feat. Lisa E. Harris & Sam Gendel)
                                                                                      B3. No One Knows
                                                                                      B4. When It Gets Dark (feat. Kenneth Whalum)
                                                                                      B5. And Then The Anointing Fell

                                                                                      Sebastian Williams

                                                                                      Get Your Point Over / I Don't Care What Mama Said (Baby I Need You)

                                                                                        Originally released on the Ovide label from Houston, Texas in 1970 and currently going for around £175, if you can find a copy.

                                                                                        Get Your Point Over is a brass-led funky dancer that beautifully compliments Sebastian Williams’ soulful vocal style, while the flipside, I Don't Care What Mama Said (Baby I Need You), is a slower groove that lets that vocal really soar, arriving complete with a groovy psychedelic guitar break before Williams testifies to his lady amid some punchy brass stabs.

                                                                                        Two stellar tunes from Sebastian Williams (aka Roger Williams of no-hit wonders The Quarter Notes), whose solo recording career amounted to just three 45s, all five years apart, along with a couple of releases as Sebastian And The House Rockers and finally, in 1975, just Sebastian.

                                                                                        Imagine vintage Tavares lead singer Chubby Tavares at his gritty best with a funky brass section in a soulful Harold Melvin And The Blue Notes- styled blast. Both tracks mastered from the original sound source for maximum soul sound

                                                                                        TRACK LISTING

                                                                                        1. Get Your Point Over
                                                                                        2. I Don’t Care What Mama Said (Baby I Need You)

                                                                                        Tom Williams

                                                                                        Follow The Leader

                                                                                          Celebrating 10 years since his first album, Tom Williams releases his most eclectic project to date. 'Follow The Leader' represents a departure from his previous output, and is comprised of a collection of songs which comment on pre- and post-lockdown life, providing beautifully crafted snapshots of modern Britain.

                                                                                          Having released six studio albums to date, Tom Williams has built a passionate fanbase of discerning music lovers since his first album, Tom Williams & The Boats Too Slow ten years ago. His 2017 album All Change was voted by BBC 6 Music Recommends as one of their Top Ten Albums Of The Year, and his last album 2019s What Did You Want To Be? which was produced by Tim Rice-Oxley, was described by The Guardian as surging, vintage pop-rock and championed extensively by Jo Whiley at BBC Radio 2, Steve Lamacq and Lauren Laverne at BBC 6 Music, Huw Stephens at Radio 1, Q Magazine and Clash.

                                                                                          Follow The Leader signifies a departure from Williams previous output. Self-produced, the album boasts rich orchestral sounds and full band performances, mixed with claustrophobic drum machines, synthesizers and deep sub bass sounds.

                                                                                          William Fitzsimmons

                                                                                          Ready The Astronaut

                                                                                            Centring around the Icarus myth, William Fitzsimmons’ seventh album sees him debark on a slightly different sound aesthetic, yet still his distinctive voice holds it all together.

                                                                                            For fans of Bon Iver, The National, Sufjan Stevens and José Gonzalez.

                                                                                            TRACK LISTING

                                                                                            ‘Ready The Astronaut’ (CDGRON242 / LPGRON242)
                                                                                            Dancing On The Sun
                                                                                            No Promises
                                                                                            Down With Another One
                                                                                            Daedalus, My Father
                                                                                            As Long As I Can Breathe
                                                                                            Ready The Astronaut
                                                                                            You Let Me Down
                                                                                            Maybe She Will Change Her Mind
                                                                                            If I Fell Back To The Earth (You Will Never Find Me)
                                                                                            Icarus
                                                                                            To Love Forever

                                                                                            Bonus CD (LPGRON242 only)
                                                                                            Ready The Astronaut (Alternate Version)
                                                                                            Adore You
                                                                                            Maybe She Will Change Her Mind (Alternate Version)

                                                                                            Ian William Craig / Kago

                                                                                            Split Series #24

                                                                                              The twenty-fourth - and final - issue in FatCat’s long-running and much-loved Split Series arrives on the 25th Anniversary of the Brighton-based label.

                                                                                              ‘Split Series #24’ features acclaimed Canadian singer / composer Ian William Craig alongside the brilliant but little-known Estonian Kago - two artists each using their voice as a central element of their craft, mediated through technology to conjure startlingly singular soundworlds.

                                                                                              Neither side here will sound quite like anything you’ve previously heard. Ian William Craig provides a 19-minute-long immersive tape piece, with Kago delivering a warped, acid-tinged slice of Eastern European freak-folk to round off a killer release that fits the free-wheeling aesthetic of the Split Series perfectly.

                                                                                              Last ever release in FatCat’s long-running and much-hyped Split Series, described by NME as “a virtual academy of the abstract... [where] the shock troops of post-everything music gather” and by The 405 as having “left an indelible mark on the face of modern electronica.”

                                                                                              Hand-drilled and hand-numbered sleeves with full printed inner sleeve in a one-off vinyl pressing.

                                                                                              For fans of Tim Hecker, William Basinski, Ben Frost, The Caretaker, Maarja Nuut, Mari Kalkun.

                                                                                              TRACK LISTING

                                                                                              Ian William Craig
                                                                                              Because It Speaks

                                                                                              Kago
                                                                                              Kröösnomi
                                                                                              Avovang
                                                                                              Suure Reede Lapsed
                                                                                              Leontiine Kirotosk
                                                                                              Tetermats 2
                                                                                              Käed Lahti On Ulga Kergem
                                                                                              Sõita
                                                                                              Uued Vigikad

                                                                                              Lucinda Williams

                                                                                              Lu's Jukebox Vol. 2: Southern Soul: From Memphis To Muscle Shoals

                                                                                                Lu's Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy's Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. The series aired as ticketed shows through Mandolin in late 2020 with a portion of ticket sales benefitting independent music venues struggling to get by through the pandemic. Like thousands of artists, Williams cut her teeth and developed her craft by playing in small, medium and large clubs throughout the country, and the world. These venues are vital to the development of artists and their music. Williams has never forgotten her roots, and often performs special shows in some of her favorite halls.

                                                                                                TRACK LISTING

                                                                                                1. The Games People Play
                                                                                                2. You'll Lose A Good Thing
                                                                                                3. Ode To Billy Joe
                                                                                                4. I Can't Stand The Rain
                                                                                                5. Misty Blue
                                                                                                6. Main Street Mission
                                                                                                7. You Don't Miss Your Water
                                                                                                8. It Tears Me Up
                                                                                                9. Rainy Night In Georgia
                                                                                                10. Take Me To The River
                                                                                                11. Still Long For Your Kiss

                                                                                                Sweet Williams

                                                                                                What's Wrong With You

                                                                                                  Cyclical chime and post-punk rumble from former Charlottefield man T House, taking in the strange majesty of Lungfish and the dread of The For Carnation. Sweet Williams exists as a vehicle for the creative endeavours of Thomas House (b. 1980, Eastbourne, England). Perhaps best known for the group Charlottefield with whom his unique musical language was developed, House has also been a part of musical projects as diverse as the thunderous gloop of Sloath, the sinister folk of Haress and the bottomless musical universe that is Joeyfat. House’s musical back catalogue could read like a treasure map of underground European music if you wished it to and were eager enough to follow it (you should).

                                                                                                  It is one such collaboration that spawned this new Sweet Williams record that you hold here – digitally – in your (virtual) hands. Sick and frustrated with the UK, House and his French partner moved to Zaragoza Spain in 2018 where House had formed a tight relationship with legendary post-punk group Picore (House playing guitar and bass for the group now since 2008). When younger, it is easy to buy into the idea that a band is a gang and roles within are sacred and fixed. This begins as an easy dogma to follow, but as time moves along (and you are moved with it), it becomes impossible to adhere still to those rules. People come and go. Life takes over. This is enough to make most people stop making music altogether. House experienced something of a revelation when it came time to put together Sweet Williams: the limitations of any given time would be embraced and treated as a collaborator, as opposed to a saboteur. Sweet Williams would work like a band, except fate and circumstance would be the only permanent member, the only creative director.

                                                                                                  So - this new Sweet Williams record was made in Zaragoza with the instrumental core of Picore as the band. Circumstance and limitations were fully embraced. Participants forced to be open to what was thrown at them. The result is 8 songs recorded almost live, 2 guitars, bass, drums, vocals. The same as Sweet Williams records that have come before but yet completely different. To these ears, there is a greater intensity to the musical interplay, with fewer moments of tranquillity or respite than previous records. The band appears giddy with the excitement of the moment and how spectacular and free they sound together. Awkward rhythms become soothingly pulse-like through repetition. Aggressive guitar clang and dissonance becomes beautiful through inspired interplay, strings ringing out against each other like bells drawn from some uncanny sense memory. A gruff voice is initially interpreted as an aggressor but soon becomes a friend and a guide.

                                                                                                  It is a wild ride. Tempting though it is to throw musical comparisons about, this record isn’t really one for genre classification. House seems to be playing a longer game than that. It instead feels like part of a body of work in the great tradition of bands like The Fall or Pere Ubu, or labels such as 4AD or Touch & Go. That’s not to say it sounds anything like those reference points but rather that it’s the latest step of a conscious creative journey that embraces change and fortunes (good and bad) in order to make a body of work that becomes its own genre, despite great variation within. “Of course we’d normally be trying to get you to come out and see us play these songs live. You could replicate the experience by drinking too much, sleeping in your clothes, not showering and then putting the new LP on, about early evening” Sweet Williams

                                                                                                  TRACK LISTING

                                                                                                  1. Dead Singer
                                                                                                  2. Steal It
                                                                                                  3. Stopper
                                                                                                  4. Five Perfect Darts
                                                                                                  5. Woods Demand
                                                                                                  6. White Table
                                                                                                  7. Slide Right Off
                                                                                                  8. Fucked Away 

                                                                                                  Lucinda Williams

                                                                                                  Lu's Jukebox Vol. 1: Runnin' Down A Dream: A Tribute To Tom Petty

                                                                                                    Award-winning, revered singer/songwriter Lucinda Williams is working to help independent music venues during this time with the announcement of Lu’s Jukebox. Scheduled as a sixepisode series of mostly full-band, HD video performances in-studio, Lu’s Jukebox will feature a themed set of songs by other artists curated by the multi-Grammy award winner. The first episode kicks off on October 22nd with Running Down A Dream: A Tribute To Tom Petty, featuring songs from his celebrated career in advance of his 70th Birthday.

                                                                                                    TRACK LISTING

                                                                                                    1. Rebels
                                                                                                    2. Runnin' Down A Dream
                                                                                                    3. Gainesville
                                                                                                    4. Louisiana Rain
                                                                                                    5. I Won't Back Down
                                                                                                    6. A Face In The Crowd
                                                                                                    7. Wildflowers
                                                                                                    8. You Wreck Me
                                                                                                    9. Room At The Top
                                                                                                    10. You Don't Know How It Feels
                                                                                                    11. Down South
                                                                                                    12. Southern Accents
                                                                                                    13. Stolen Moments

                                                                                                    William Doyle

                                                                                                    Great Spans Of Muddy Time

                                                                                                      It’s nearly a decade since William Doyle handed a CD-R demo to the Quietus co-founder John Doran at a gig, who loved it so much he set up a label to release Doyle’s debut EP (as East India Youth). Doyle’s debut album, Total Strife Forever, followed in 2014, as did a nomination for the Mercury Music Prize. A year later, he was signed to XL, touring the world and about to release his second album – all by the age of 25.

                                                                                                      After self-releasing four ambient and instrumental albums, Doyle’s third full-length record – and the first under his own name – Your Wilderness Revisited arrived to ecstatic reviews in 2019: Line of Best Fit described it as “a dazzlingly beautiful triumph of intention” and Metro declared it an album not only of the year, but “of the century”. Just over a year later, as he turns 30, Doyle is back with Great Spans of Muddy Time.

                                                                                                      Born from accident but driven forward by instinct, Great Spans’ was built from the remnants of a catastrophic hard-drive failure. With his work saved only to cassette tape, Doyle was forced to accept the recordings as they were – a sharp departure from his process on Your Wilderness Revisited, which took four long years to craft toward perfection. “Instead of feeling a loss that I could no longer craft these pieces into flawless ‘Works of Art’, I felt intensely liberated that they had been set free from my ceaseless tinkering,” Doyle says.

                                                                                                      “The album this turned out to be – and that I’ve wanted to make for ages – is a kind of Englishman-gone-mad, scrambling around the verdancy of the country’s pastures looking for some sense,” says Doyle. “It has its seeds in Robert Wyatt, early Eno, Robyn Hitchcock, and Syd Barrett.” Doyle credits Bowie’s ever-influential Berlin trilogy, but also highlights a much less expected muse: Monty Don, presenter of the BBC programme Gardeners’ World, Doyle’s lockdown addiction.

                                                                                                      “I became obsessed with Monty Don. I like his manner and there's something about him I relate to. He once described periods of depression in his life as consisting of ‘nothing but great spans of muddy time’. When I read that quote I knew it would be the title of this record,” Doyle says. “Something about the sludgy mulch of the album’s darker moments, and its feel of perpetual autumnal evening, seemed to fit so well with those words. I would also be lying if I said it didn’t chime with my mental health experiences as well.”

                                                                                                      Great Spans of Muddy Time is a beautiful ode to the power of accident, instinct and intuition. The result, however, is far from an anomaly: this celebration of the imperfect album is one that required years of honed craft and dedicated focus to achieve. “For the first time in my career, the distance between what I hear and what the listener hears is paper-thin,” Doyle says. “Perhaps therein reveals a deeper truth that the perfectionist brain can often dissolve.”


                                                                                                      STAFF COMMENTS

                                                                                                      Barry says: There has been a significant stylistic change in Doyle's output since his early material as East India Youth, and every single note oozes with the intellectual construction and well placed melodic sensibilities that will ensure his place in the musical landscape for years to come. 'Great Spans...' is a wonderfully rich and fascinating journey, and one that rewards with each further listen.

                                                                                                      TRACK LISTING

                                                                                                      Side A
                                                                                                      I Need To Keep You In My Life
                                                                                                      And Everything Changed (But I Feel Alright) 
                                                                                                      Somewhere Totally Else
                                                                                                      Shadowtackling
                                                                                                      Who Cares
                                                                                                      Nothing At All

                                                                                                      Side B
                                                                                                      Rainfalls
                                                                                                      New Uncertainties
                                                                                                      St. Giles’ Hill
                                                                                                      Semi-bionic
                                                                                                      A Forgotten Film
                                                                                                      Theme From Muddy Time
                                                                                                      [a Sea Of Thoughts Behind It]

                                                                                                      Ian William Craig & Daniel Lentz

                                                                                                      In A Word

                                                                                                        In a Word, the sixteenth installment of the intergenerational collaboration series FRKWYS, brings together composer Daniel Lentz and vocalist and sound artist Ian William Craig for an album that embraces erosion and the potential of its loam left behind. A major figure in American composition, Daniel Lentz has worked at the middle and margins of postminimalism for more than four decades. A pioneer of “live multitrack recording” with the Daniel Lentz Group, he frequently writes for ensembles of similar instruments, from choirs to string orchestras to glass harmonicas. Like his west coast colleagues Harold Budd and Ingram Marshall, Lentz composes music of slow changes, built on fundamental harmonies and rhythms that evoke vast spaces and deep, ancient stone.

                                                                                                        Canadian artist Ian William Craig combines his classically trained voice with precarious technologies: homemade analog synths, altered reel-to-reel machines, and faulty tape decks. His solo albums, including the acclaimed Centres (2016) and, more recently, Red Sun Through Smoke (2020), document a haunted nostalgia. In contrast to Lentz’s (sometimes) radical expansiveness, Craig’s music is fragile and self-consciously created alone, using his customized machination to create warped nocturnes of melody and dissonance. The sessions for In a Word took place in the Santa Barbara home studio of engineer Dick Dunlap. For both musicians the experience was an exploration toward each other. Craig with his rickety tape decks, Lentz sat at a grand piano. Lentz was immediately enchanted by Craig’s voice and equipment: “With the first note he sang, I was hooked. The beauty of his voice and his unique analog looping setup, all compacted into a small suitcase, were both remarkable and always surprising in what they could do. The music emerged spontaneously from simple, even cautious beginnings.

                                                                                                        For Craig, who rarely works with other musicians, the sessions encouraged him to shed selfconsciousness and attune himself to his cocreator. Previously, he had regarded his tape decks and synths as bandmates, providing the creative energy he could get from other people. Recording with Lentz pushed him to find a new, more collaborative perspective. “I tried my best to control what was going on at first, and failed spectacularly. Once I let this aspect go and began to listen to Daniel, to my surroundings, and to the engineers, something finally clicked.” In a Word documents a coming together of two distinct musical personalities, and also a transformation. Lentz’s toiling, echoing piano, recalling his work on 1984’s Point Conception or the 1992 collaboration Music for 3 Pianos with Budd and Ruben Garcia, are churned into lush earth by Craig’s faltering machines. Craig’s folk-like tenor is realigned with Lentz’s crisp, minimalist repetitions; the combination is warm yet deeply layered, like the Californian sunset that would acknowledge the two composers at the end of each session day. Together, Craig and Lentz unearth deep forms of sonic expression from a common ground and newly seeded camaraderie. Lentz’s unmistakable piano sound is clearly relished by Craig’s tape decks, which add ghostly counterpoints of distortion and disintegration to its acoustic resonances. To this hall of haunted mirrors, Craig’s voice adds a yearning, human quality that is sometimes caught up in the same machinery, and is sometimes allowed to spirit above it. 

                                                                                                        An accompanying documentary of the collaboration directed by Eli Welbourne will be released in tandem. A portion of the proceeds from this release will benefit Wolfstone Ranch, a spiritually-based, activist community dedicated to making the rural Midwest a more compassionate place for all the animals who live there.


                                                                                                        TRACK LISTING

                                                                                                        A1. Tasteful Gloss
                                                                                                        A2. Joyce
                                                                                                        A3. Aphrodite
                                                                                                        A4. Erebus
                                                                                                        A5. Up Up Up Stay
                                                                                                        B1. A Pair Of Pears
                                                                                                        B2. Fragrance
                                                                                                        B3. Stöltzle
                                                                                                        B4. Poire

                                                                                                        Lucinda Williams

                                                                                                        Good Souls Better Angels

                                                                                                          On May 8th three-time Grammy Award winner Lucinda Williams unabashedly takes on some of the human, social and political issues of our day with her boldest and most direct album to date, Good Souls Better Angels. During the course of her celebrated four-decade, pioneering career Williams has never rested on her laurels as she continues to push herself as a songwriter. On Good Souls Better Angels, she has much she needs to get out. In 2014 and 2015, Williams released two critically acclaimed double albums back to back with Down Where The Spirit Meets The Bone and The Ghosts Of Highway 20, respectively.

                                                                                                          Both releases found her experimenting with arrangements, vocals, song structure and personal subject matter. On Good Souls Better Angels, Williams changes course and chooses to forgo the personal and narrative-based songcraft that has become synonymous with her name and instead speaks to some of the injustices permeating our society. The new songs cut straight to the core with frank and honest commentary on domestic abuse (“Wakin’ Up”), the constant barrage of news (“Bad News Blues”) the dangerous, quick to judge and convict aspects of social media (“Shadows & Doubts) and the haunting reality of the “Man Without A Soul”.

                                                                                                          Williams recorded Good Souls Better Angels backed by her remarkable, long time band, featuring Butch Norton (drums), Stuart Mathis (guitar) and David Sutton (bass). The rock-solid unit propels the music with both fire and finesse, particularly on the raw blues number “You Can’t Rule Me”, which kicks off the album with equal parts attitude and swing. Good Souls Better Angels also features some of Williams’ most intimate and up front vocals on record. She addresses the pain of depression on the achingly beautiful “Big Black Train” and tenderly delivers a poignant song of hope with “When The Way Gets Dark”. She encourages us to push forward on the path of promise and perseverance on the deeply soulful and moving album closer “Good Souls”. Good Souls Better Angels marks the first time Williams’ husband/manager Tom Overby is credited as a co-writer on many of the new songs. The album was co-produced by Williams, Overby and Ray Kennedy, who last worked with Williams on her 1998 landmark album Car Wheels On A Gravel Road. 

                                                                                                          TRACK LISTING

                                                                                                          1. You Can't Rule Me
                                                                                                          2. Bad News Blues
                                                                                                          3. Man Without A Soul
                                                                                                          4. Big Black Train
                                                                                                          5. Wakin Up
                                                                                                          6. Pray The Devil Back To Hell
                                                                                                          7. Shadows And Doubts
                                                                                                          8. When The Way Gets Dark
                                                                                                          9. Bone Of Contantion
                                                                                                          10. Down Past The Bottom
                                                                                                          11. Big Rotator
                                                                                                          12. Good Souls

                                                                                                          Ian William Craig

                                                                                                          Red Sun Through Smoke

                                                                                                            Vancouver-based singer/composer Ian William Craig returns with a brilliant and powerfully emotive new album. His first for a long while to be centred around the piano - and also one of his most pared back - the record was made through an intense period of personal loss and environmental catastrophe.

                                                                                                            ‘Red Sun Through Smoke’ was recorded over two cataclysmic weeks in August 2018 in Kelowna, whilst the city was encircled by the forest fires which, under a warming climate, now regularly rage through British Columbia in summertime. With smoke engulfing the landscape, it was recorded from start to finish in the living room of a small house owned by his grandfather, who was moved into palliative care and tragically died halfway through the recording, his lungs filled with fluid as a result of the smoke.

                                                                                                            Forged in trauma and an intense, bewildering slew of mixed emotions, Ian William Craig has created an album of incredible beauty, sadness and depth. ‘Red Sun Through Smoke’ is a profoundly moving album, a standout record in a prolific body of work that shows no sign of faltering.

                                                                                                            TRACK LISTING

                                                                                                            Random
                                                                                                            The Smokefallen
                                                                                                            Weight
                                                                                                            Comma
                                                                                                            Condx QRN
                                                                                                            Mountains Astray
                                                                                                            Take
                                                                                                            Last Of The Lantern Oil
                                                                                                            Supper
                                                                                                            Far And Then Farther
                                                                                                            Open Like A Loss
                                                                                                            Stories

                                                                                                            William Doyle

                                                                                                            Your Wilderness Revisited

                                                                                                              William Doyle (previously Mercury nominated with his East India Youth project) releases his first new album for four years ‘Your Wilderness Revisited’. The album is an extraordinarily imagined exploration on the theme of the British suburban environment, inspired by William’s personal experience of having grown up in this setting and how he eventually saw beyond its ordinary stereotypes, towards something that was both illuminating and inspirational. It features guest appearances from writer and film maker Jonathan Meades (whose programme ‘Magnetic North’ was an influence on the album), saxophonist Laura Misch and legendary musician Brian Eno.

                                                                                                              As William himself puts it, “This album has been rattling inside of me for over 10 years now. When I left the suburb I spent my entire teenage life in, I started to think back to it and notice the influence it had on me, on my art, and on my development as a person. The architecture and the planning of the modern British suburb influenced this album as much as the experiences and emotions I superimposed upon that landscape at a formative age. I started creating in these places, I started to expand myself in these places, I grappled with grief and loss in these places. I realised that I wouldn’t be alone in having these experiences here, and so I thought there should be a way of redefining or reimagining these places that painted a different picture of them in our collective consciousness. These weren’t just places to escape to the nearest city from – perhaps they held as much truth and beauty in them as anywhere else. This album is, in part, an interrogation and excavation of that truth and beauty.”

                                                                                                              TRACK LISTING

                                                                                                              1. Millersdale
                                                                                                              2. Nobody Else Will Tell You - William Doyle Feat. Laura Misch
                                                                                                              3. Zionshill
                                                                                                              4. Design Guide - William Doyle Feat. Brian Eno
                                                                                                              5. Continuum
                                                                                                              6. Full Catastrophe Living
                                                                                                              7. Blue Remembered
                                                                                                              8. An Orchestral Depth
                                                                                                              9. Thousands Of Hours Of Birds

                                                                                                              Sweet Williams

                                                                                                              Where Does The Time Come From

                                                                                                                Rumbling, angular post-punk FFO: The For Carnation, Lungfish, The Breeders, My Bloody Valentine, Hey Colossus. "it's the ugliness of this that makes it beautiful to me" - Jon Hillcock, BBC 6 Music // The Sweet Williams on new album Where Does The Time Come From is one Thomas House, a South coast native guitarist and songwriter whose bands have a habit of dissolving. This latest LP contains ten post-punk infused songs of an almost brutalist nature, House's music in its purest form, performed almost entirely by himself.

                                                                                                                The first single is 'Ride A Gold Snail', a rumbling post-rock juggernaut that sets a backwards drum beat to a filthy, holding pattern bassline, with guitar amps on the verge of burning out and elliptical, elusive lyrics. "It's probably my most romantic song," says House. The video was shot and assembled in Zaragoza, Spain, the town House calls home since October of 2018 In 2016, the Sweet Williams line-up responsible for the open, organic sound of that year's album 'Please Let Me Sleep On Your Tonight' dissolved in a potent formula of work, babies, babies and work. Armed with a clutch of new songs and no time to break in a new band, House repaired to Agricultural Audio in the heart of rural Sussex with trusted producer Ben Hampson and set to work. The resulting recordings reflected House's fascination with, and horror for, busted mechanics; in place of the live band's fluid, entropic interplay, structured patterns lurch and correct, a crowbar jammed in every gear. "It doesn't represent a performance," he explains. "It represents the songs as I hear them in my head." However, the record was not conceived in a bathysphere.

                                                                                                                These compositions could be seen as the culmination of twenty-plus years playing in countless bands, from the incandescent fury of House's old vehicle Charlottefield, to the discipline honed on guitar in post-punk stalwarts Joeyfat, to a newfound confidence in vocal texture and melody in Haress. Lyrical themes cover love, dread, betrayal, bliss, injustice, death, sex, the end of the world. You might struggle to ascertain the narrative. House takes an impressionistic approach to his subject matter. "My dad read me Elidor and The Owl Service when I was sick as a kid. And his own made up stuff. There's another world behind this one." After the bracing opening two tracks, the celebratory 'Stop It I'm Killing You' and its stinging hangover 'Stunt Freeze', the album proceeds to its dusky heart. By the time of 'Two Golden Sisters', House's hands barely brush the strings of his guitar as he croons to the memory of a long lost love.

                                                                                                                TRACK LISTING

                                                                                                                1. Stop It I'm Killing You
                                                                                                                2. Stunt Freeze
                                                                                                                3. Fifties
                                                                                                                4. RF
                                                                                                                5. Very Long Division
                                                                                                                6. Ride A Gold Snail
                                                                                                                7. Rusted Mouth
                                                                                                                8. Two Golden Sisters
                                                                                                                9. Facing East
                                                                                                                10. Discomforter

                                                                                                                Marlon Williams

                                                                                                                Live At Auckland Town Hall

                                                                                                                  “Well, this is the largest amount of people we’ve ever had in a room to watch us, so it feels pretty damn special,” Marlon Williams says, sitting down to the piano during the first night of two sold-out shows at the historic Auckland Town Hall. May 25th, 2018 was special in many respects. Williams had returned home to New Zealand to close a 60-date world tour for his new album, Make Way For Love. He shared the stage with his second family, The Yarra Benders, with the two evenings at Auckland Town Hall serving as a fitting cap after having toured the globe together over the course of two album campaigns.

                                                                                                                  Across the past several years on the road, the Marlon Williams live show has taken on an almost mystical status — not just for Williams’ extraordinary voice, but also for the hypnotic command he has over an audience, his seamless blending of genres, and the effortless, instinctive relationship he shares with his band. Live at Auckland Town Hall showcases Williams at his finest, performing a set that includes songs from his acclaimed self-titled debut album, as well as 2018’s Make Way For Love, and standalone single, “Vampire Again.” The live album also includes previously unreleased covers of Barry Gibb, Yoko Ono, the late Lhasa De Sela, and a Williams live favorite, “Portrait of a Man” by Screaming Jay Hawkins.

                                                                                                                  Live at Auckland Town Hall captures an artist both early enough in his career to be humbled by the occasion, and developed enough to present a stunning catalogue of music and quality of performance. As Williams’ first official live release, Live at Auckland Town Hall feels sure to enter the canon of great live albums in the years to come, a dazzling snapshot of Marlon Williams’ musical singularity.

                                                                                                                  TRACK LISTING

                                                                                                                  SIDE A:
                                                                                                                  1. Come To Me
                                                                                                                  2. I Know A Jeweller
                                                                                                                  3. Everyone’s Got Something To Say
                                                                                                                  4. Beautiful Dress
                                                                                                                  5. I Didn’t Make A Plan
                                                                                                                  6. The Fire Of Love

                                                                                                                  SIDE B:
                                                                                                                  7. Is Anything Wrong?
                                                                                                                  8. Can I Call You
                                                                                                                  9. Dark Child
                                                                                                                  10. I’m Lost Without You
                                                                                                                  11. What’s Chasing You

                                                                                                                  SIDE C:
                                                                                                                  12. Party Boy
                                                                                                                  13. Carried Away
                                                                                                                  14. Vampire Again
                                                                                                                  15. Nobody Gets What They Want Anymore
                                                                                                                  16. Make Way For Love

                                                                                                                  SIDE D:
                                                                                                                  17. Love Is A Terrible Thing
                                                                                                                  18. Portrait Of A Man
                                                                                                                  19. When I Was A Young Girl

                                                                                                                  Tom Williams

                                                                                                                  What Did You Want To Be?

                                                                                                                    Having taken a break from the music industry to teach in 2015, Tom was offered a week-long artist residency in the music department of Leeds Beckett University, and on the condition the university provided him with a band, Tom accepted the post and entered into one of the most creatively inspiring periods of his career, and resulted in the critically acclaimed album ‘All Change’. The new album ‘What Did You Want to Be?’ was recorded in January 2018 in East Sussex at Tim Rice-Oxley’s (Keane) home studio. Written under a year since ‘All Change’ came out, the album came from a series of intense, ‘20 song days’ that Rice-Oxley encouraged Tom to throw himself into.

                                                                                                                    TRACK LISTING

                                                                                                                    Run Down
                                                                                                                    Rock & Roll
                                                                                                                    Dawned On Me
                                                                                                                    Graveyard
                                                                                                                    Stay Afloat
                                                                                                                    Keeping It In
                                                                                                                    Early Morning Rain
                                                                                                                    Some Time
                                                                                                                    It’s Dark Now
                                                                                                                    Crying At The TV
                                                                                                                    Real Slow

                                                                                                                    William Tyler

                                                                                                                    Goes West

                                                                                                                      Some words from M.C. Taylor of Hiss Golden Messenger:

                                                                                                                      "I met William Tyler on a train going south out of London. He had a nervous and cryptic and welcoming aura and was the first Nashville native (there is such a thing) that I’d ever met. We both carried more than we could manage on that trip, and I realized later that his bags were full of books. Books about psychology, philosophy, the Civil War, and astrology. Books—I realize now as I write this—about measuring and deciphering the boundaries of kindness and cruelty. William and I bonded early in our relationship over Barry Hannah, a hellraising writer from Mississippi who practically reinvented the way that words could be assembled on a page. Like Hannah, William Tyler knows the South—as a crucible of American histories and cultures, an entity capable of expansive beauty and incomprehensible violence, often in the same beat.. In the music of William Tyler, the South is not apart from America; the South is America condensed. And like Hannah—and this part is important—William moved to California, where Goes West was written.

                                                                                                                      William’s new record, Goes West, is the best music that he’s ever made. I’m sure of this because I know and love all of his music intimately, and this album moves me the most, and the most consistently. The first time I heard it was in the late spring in the Texas Hill Country, rolling between limestone and scrub. I was on a cleanse then—no alcohol, no drugs, no evil thoughts—and was astonished at the emotional clarity that the album held. Goes West marks a sort of narrowing of focus for William’s music; it sounds as though he found a way to point himself directly towards the rich and bittersweet emotional center of his music without being distracted by side trips. Perhaps this is down to the fact that William only plays acoustic guitar on the album, a clear and conscious decision considering that he is one of Nashville’s great electric guitarists."

                                                                                                                      STAFF COMMENTS

                                                                                                                      Barry says: William Tyler definitely has an ear for a progression. Pitch-perfect guitar athletics, tempered by warming Americana vibes help to make what could easily have been a confusing ball of sound into a multi-layered, and beautifully textured tapestry. Undoubtably one of the greatest folk / Americana artists out there today. Superb

                                                                                                                      TRACK LISTING

                                                                                                                      1. Alpine Star
                                                                                                                      2. Fail Safe
                                                                                                                      3. Not In Our Stars
                                                                                                                      4. Call Me When I’m Breathing Again
                                                                                                                      5. Eventual Surrender
                                                                                                                      6. Rebecca
                                                                                                                      7. Venus In Aquarius
                                                                                                                      8. Virginia Is For Loners
                                                                                                                      9. Man In A Hurry 
                                                                                                                      10. Our Lady Of The Desert (features Bill Frisell)

                                                                                                                      Vinyl Williams

                                                                                                                      Opal

                                                                                                                        After three albums released on No Pain In Pop (Lemniscate, 2012) and Chaz Bundick’s Company (Into, 2015, Brunei, 2016), Vinyl Williams has joined French label Requiem Pour Un Twister for his fourth album: Opal. Throughout his art, both musical and visual, Lionel Williams is always exploring the syncretistic territory between reality and dreams, between earth and space. For him “music is a chance to transmute qualitative opposites into the center, to dissolve all illusions of duality”. As “chaos and disorder is an illusion”, with Opal, Vinyl Williams is trying to reach a new state of celestial harmony. The result of which is an album fuelled with mysticism and space age utopia, ten kaleidoscopic lush pop songs that takes you into a transcendental journey.

                                                                                                                        For fans of: Unknown Mortal Orchestra, Toro Y Moi, Todd Rundgren, Morgan Delt, Mild High Club, Triptides, Homeshake and Connan Mockasin

                                                                                                                        TRACK LISTING

                                                                                                                        Sanctuary Spells
                                                                                                                        Noumena
                                                                                                                        Spirit Of Now
                                                                                                                        Lansing
                                                                                                                        Aphelion
                                                                                                                        Florian Veridiction
                                                                                                                        Nether Congrenes
                                                                                                                        None With Other
                                                                                                                        Eternity
                                                                                                                        Millenial Ballroom

                                                                                                                        Shina Williams & His African Percussionists

                                                                                                                        African Dances

                                                                                                                          First official reissue of the extremely rare full-length album by Lagos-based bandleader Shina Williams. Clean copies of the original currently sell for up to £500.

                                                                                                                          The record was born in 1979 when Shina put Biddy Wright, Fred Fisher, Saliu Alabi, Prince Bola, Tutu Shoronmu, Tunde Willimas and several other decorated Nigerian musicians - who played with the likes of Fela Kuti, SJOB Movement, Sonny Okoson, King Bucknor amongst others - together to record. The result is ‘African Dances’, a timeless fusion of afrobeat, electronics, boogie and disco.

                                                                                                                          Includes his most well-known song, ‘Agboju Logun’ that Williams knew was ground breaking - “I want to show the whole wide world that Africa is alive with modern musicians to reckon with anywhere,”. This album version is a different mix to the two-track 12” that came out under on Earthworks, Rough Trade in 1984.

                                                                                                                          TRACK LISTING

                                                                                                                          Cunny Jam Wayo
                                                                                                                          Agboju Logun
                                                                                                                          Gboro Mi Ro

                                                                                                                          Jess Williamson

                                                                                                                          Cosmic Wink

                                                                                                                            A reference to the Jungian idea of synchronicity, or “meaningful coincidences,” Cosmic Wink is as much a reflection on inspired companionship as it is a rebirth. Jess Williamson fell deeply in love, and then her life was uprooted; she left Texas for California, leaving behind the roadworn verses of her previous albums for brighter, bolder songwriting.

                                                                                                                            The Byrds-ian jangle of album opener “I See The White” airbrushes halos around the brain with an immortal pop hook. When Williamson asks her listener to “tell me everything you know about consciousness,” it’s an invitation down a two lane blacktop, both vessels heading the same direction.

                                                                                                                            The Rhodes-soaked “Wild Rain” begins with a ghostly air until a swell of synths gives way like the heavens parting. Williamson’s voice emerges from the clouds promising that she will “treasure your patience / from you I learned what it means to make a family.”

                                                                                                                            Concluding with “Love On the Piano,” Williamson’s new musical and lyrical mind declares “Love is my name now / Love, Darlin” over a revolving acoustic guitar line and lightly pressed upright piano notes. Vulnerability can feel something less vulnerable when love - true, deep love - creates a latticework to hang the frame of our humanity, which in many ways is the message underlying the entire album.

                                                                                                                            TRACK LISTING

                                                                                                                            1. I See The White
                                                                                                                            2. Awakening Baby
                                                                                                                            3. White Bird
                                                                                                                            4. Wild Rain
                                                                                                                            5. Thunder Song
                                                                                                                            6. Mama Proud
                                                                                                                            7. Dream State
                                                                                                                            8. Forever
                                                                                                                            9. Love On The Piano

                                                                                                                            Known for his effortlessly distinctive voice, Make Way For Love marks Marlon's exponential growth as a songwriter. Throughout 11 original songs, he explores new musical terrain and reveals himself in an unprecedented way in the wake of a fractured relationship. While Make Way For Love draws on Marlon's own story, it captures the vagaries of relationships we've all been through: the bliss, ache, uncertainty, and bitterness. Like the best breakup records, Make Way For Love doesn't shy away from heartbreak, but rather stares it in the face, and mines beauty from it. Delicate and bold, tender and searing, it's a mightily personal new step. Make Way For Love was recorded with producer Noah Georgeson and his backing band, The Yarra Benders, in North California's Panoramic Studios after several weeks of pre-production in his native Lyttelton, New Zealand with regular collaborator Ben Edwards. The finished result is an expansive record that moves Marlon several paces from "country" - the genre that's been affixed to him more than any in recent years - with forays into cinematic strings, reverb, rollicking guitar, and at least one quiet piano ballad.

                                                                                                                            STAFF COMMENTS

                                                                                                                            Barry says: Heartfel odes, tinkling keys and powerful confident guitars weave into an engrossing and confident whole. Superbly written melodies and pitch-perfect production make this a sure-fire winner.

                                                                                                                            TRACK LISTING

                                                                                                                            Come To Me
                                                                                                                            What's Chasing You
                                                                                                                            Beautiful Dress
                                                                                                                            Party Boy
                                                                                                                            Can I Call You
                                                                                                                            Love Is A Terrible Thing
                                                                                                                            I Know A Jewller
                                                                                                                            I Didn't Make A Plan
                                                                                                                            The Fire Of Love
                                                                                                                            Nobody Gets What They Want Anymore
                                                                                                                            Make Way For Love

                                                                                                                            William Eggleston

                                                                                                                            Musik

                                                                                                                              Native Memphian William Eggleston, 77, is widely regarded to be the most important photographer of the late 20th Century but there is another side to him that took root in his Sumner, Mississippi childhood, where he discovered the piano in the parlour that ignited in him a lifelong passion for music.

                                                                                                                              In the 1980’s, Eggleston, who disdained digital cameras and modernity in general, became surprisingly fascinated with a synthesizer, the Korg O1/W FD, which had 88 piano-like keys and in addition to being able to emulate the sound of any instrument, also contained a four-track sequencer that allowed him to expand the palette of his music, letting him create improvised symphonic pieces, stored on 49 floppy discs, encompassing some 60 hours of music from which this 13 track recording was assembled.

                                                                                                                              The music, which he refers to as ‘Musik’, adopting the German spelling of his hero, JS Bach, is highly emotional, whether he’s improvising a Bach-like organ fanfare out of whole cloth, using a Korg patch titled ‘Guitar Feedback’ to create a dirge, or playing Lerner and Lowe’s ‘On The Street Where You Live’ as a dramatic overture.

                                                                                                                              Release available in a beautiful gatefold double LP with photography by Alex Soth.

                                                                                                                              Kathryn Williams

                                                                                                                              Songs From The Novel Greatest Hits

                                                                                                                                Mercury-nominated singer-songwriter Kathryn Williams releases a ‘soundtrack album’ to a brand new novel by best-selling author Laura Barnett, that follows the life of a fictional singer. Greatest Hits, the hotly-anticipated follow-up to Barnett’s novel The Versions of Us, was published in June 2017 and now the brand new album by Kathryn Williams – Songs from the Novel Greatest Hits, is released.

                                                                                                                                Thomas William Hill

                                                                                                                                Asylum For Eve

                                                                                                                                  From the combined backgrounds of film score composition and field recordings comes ‘Asylum For Eve’, Thomas William Hill’s rich and expressive new album and the first written under his own name.

                                                                                                                                  While not a concept album in the strict sense of the term, the album’s title refers to a hypothetical imagining of ‘Mitochondrial Eve’, the theorised matrilineal ancestor of all living humans, reincarnated in today’s world of restricted movement. Threads inspired by this juxtaposition of division and connectedness run through the album, which drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music.

                                                                                                                                  Sweet Williams

                                                                                                                                  Please Let Me Sleep On Your Tonight

                                                                                                                                    Up from the sea-lap pebbles of the Sussex coast, cupped like metal-fire in the clutching cauldron of the Brighton downs dwells the throb, purr, snarl and roar of Sweet Williams. A band whose grooves warm like loving wine, whose riffs swagger and lurch with all the seeming bonhomie of a sailor new on shore-leave, and yet like a stray dog which you imagined you could tame, those same riffs are liable in the end to wind up biting you on the arse.

                                                                                                                                    Convened by ex-Charlottefield vocalist and guitarist Thomas House and assembled from a collection of musicians whose other projects, both former and current (including those of House himself), spread like marble veins throughout the strata of the vibrant wealth of the Brighton alternative music scene, Sweet Williams have, since their debut album Bliss, consolidated a sound which has become ever richer and ever more compelling. The progress of that journey began to be illustrated at the end of 2014 and beginning of 2015 with the release of the two download EPs Two Clocks and You might Be Singing to Yourself the former part live recording, part Spanish studio recordings and the latter recorded by the band at home in Brighton. Now with the completion of their second full studio album that progress is made most apparent.

                                                                                                                                    To watch the band live is to be swept up in a musical embrace which even at its most savage and complex moments, even at its most disorientating never feels less than natural and right. But that natural feel and the infectious immediacy of the sound belie the exquisite intricacies of the arrangements and the sheer bloody hard work and endeavour therein. Andy Thomas’ head-sway bass, grinds and syncopates in lip-curl licks which knit with the beautiful fascination and disarming power of Tom Barnes’ drums to launch a tightly woven, complicated raft for the two guitars of House and Sarah Dobson to sail upon. Guitars which work at odds with each other at times in aggressive counterpoint opposition, only to then come together as friends in shimmering, lush accord, guitars which hang chords upon the air like velvet valve-mist but which, at any moment, will turn on a penny into sharp, murderous clamour and rage. Atop all this like a watchful hawk, sit the vocals of Thomas House. Sometimes hanging back, sometimes malevolent, always unbowed, forever defiant, they range from the laconic and gently stated through to unbridled, vicious howls.

                                                                                                                                    You should grab a hold of this new album, you should grab a hold of it at the first chance you get and whilst you listen to it, whilst it takes root and begins to grow within your heart like an old friend, keep your fingers crossed that they’ll be bringing their sublime guitar magic to someplace near you soon. 

                                                                                                                                    TRACK LISTING

                                                                                                                                    1 Endless Love
                                                                                                                                    2 The Deer Song
                                                                                                                                    3 Ex-Circus
                                                                                                                                    4 Ghost Waves
                                                                                                                                    5 Half-Stripped
                                                                                                                                    6 Please Let Me Sleep On Your Tonight
                                                                                                                                    7 Come Swimming
                                                                                                                                    8 Two Clocks
                                                                                                                                    9 …

                                                                                                                                    Marlon Williams

                                                                                                                                    Marlon Williams

                                                                                                                                      Marlon Williams’ self-titled album features majestic rendering of such diverse touchstones as classic orch-pop ballad ‘Lost Without You’ and conceptual 1974 vintage nugget ‘Silent Passage’.

                                                                                                                                      These covers blend seamlessly with novelistic noir standouts ‘Strange Things’ and ‘Dark Child’ (cocredited to childhood choral pal Tim Moore), which deliver gallows humour with a widescreen groove.

                                                                                                                                      Marlon was nominated for five New Zealand Music Awards (equivalent to The Brits / Grammys) and an ARIA award (Australian Ivor Novello) and won Best Male Solo Artist and Best Newcomer 2015 for the New Zealand Music Awards.

                                                                                                                                      TRACK LISTING

                                                                                                                                      Hello Miss Lonesome
                                                                                                                                      After All
                                                                                                                                      Dark Child
                                                                                                                                      I’m Lost With Out You
                                                                                                                                      Lonely Side Of Her
                                                                                                                                      Silent Passage
                                                                                                                                      Strange Things
                                                                                                                                      When I Was A Young Girl
                                                                                                                                      Everyone’s Got Something To Say

                                                                                                                                      After releasing ‘Easy Fantastic’, his acclaimed third LP with The Boat on Moshi Moshi Records last year, Tom Williams jumped ship to explore a stripped back solo venture that focuses entirely on the charming intensity of his lyrical songwriting and the minimal arrangements provided by a close circle of friends. The “New House” mini-album follows “New Guitar” (released in March this year) and both feature seven new songs each, all written over the past two years and put to tape at 2kHz Studios in Crouch End, London with Ian Grimble (The Fall, Manic Street Preachers, Siouxie And The Banshees). The collection of songs give an intimate insight into Tom’s transition from band to solo artist, his relocation from Tunbridge Wells to St Leonards and eventually settling in the new house which became the central point to the stories tying all these songs together. Playing with Tom on many of the tracks and also on stage is Ant Vicary from The Boat as well as Sarah Maycock, Fiona Keeler and Catherine Black on piano, vocals and cello respectively. 



                                                                                                                                      Vinyl Williams is the moniker of Lionel Williams, 25 year old Los Angeles based artist and experimental-pop musician. ‘Into’ - his startlingly accomplished second album - effortlessly fuses psych, krautrock, ambient and shoegaze into a transcendental whole.

                                                                                                                                      The record ripples outward into blissful sonic geography. Lead track ‘World Soul’ sounds like celestial soul music; ’Gold Lodge’ floats on jazzy chords and a propulsive baseline; ’Greatest Lives’ and ‘Iguana City’ are loungey new age jams that continually unfold; ‘Xol Rumi’ closes the album in an etheric motorik voyage. Uniquely, all the album’s 14 tracks are written, performed and produced solely by the multi-instrumentalist Williams.

                                                                                                                                      Williams is highly influenced by the archetypal forces of ancient initiation, multi-religious symbolism, and Jung's take on psycho-analysis. He interweaves these ideas into a vacuum of supernatural and futuristic realms of sound & colour; aiming to create a paradoxical menage of “sonic matrices” deliberately designed to have a beneficial psycho-physical effect on the listener. It is the singular sound of a restless creative scrying these concepts to conjure a uniquely personal & intuitive experience.

                                                                                                                                      The interactive visual elements for each song on the album create a constellation of simulated synesthesia, impressions of multi-sensuous realms beyond the senses. Williams employed scientific illuminism (the method of science & the aim of religion) in the process of creating the virtual worlds as well as soundscapes – to generate an entire mysterious planet of harmony & equilibrium.

                                                                                                                                      His music’s amorphous sensation is a constant across all Williams' artistic mediums. He has exhibited his similarly ethereal art across New York, Los Angeles, Berlin, and Seoul, and created official videos for Unknown Mortal Orchestra, Tears For Fears, Young Magic, and Dub Thompson.

                                                                                                                                      Vinyl Williams on Into:
                                                                                                                                      “Into’ was made to help subconsciously stimulate as well as soothe the listener into a critically neutral / balanced mental state. The main technique employed was through the incorporation of opposites into the sound & visual, such as meditative abrasiveness.”

                                                                                                                                      Williams is the grandson of film composer John Williams and the son of Mark Towner Williams, drummer for Crosby, Stills, & Nash, Tina Turner, and Air Supply; his mother Leah was a classical pianist. He grew up in a Mormon community in Utah, USA. As a direct reaction to religious dissonances experienced in Utah, he has experimented with audio as a pragmatic healing tool. He also created one of the world’s first truly interactive music videos (players could explore an environment and manipulate individual elements of audio with their movements.

                                                                                                                                      TRACK LISTING

                                                                                                                                      1. Gold Lodge
                                                                                                                                      2. Space Age Utopia
                                                                                                                                      3. Ring
                                                                                                                                      4. World Soul
                                                                                                                                      5. Hall Of Records
                                                                                                                                      6. The Tears Of An Inanimate Object
                                                                                                                                      7. Iguana City
                                                                                                                                      8. Greatest Lives
                                                                                                                                      9. Zero Wonder
                                                                                                                                      10. Axiomatic Mind
                                                                                                                                      11. Eter Wave Agreement
                                                                                                                                      12. Plinth Of Uncanny Design
                                                                                                                                      13. Allaz
                                                                                                                                      14. Xol Rumi

                                                                                                                                      After releasing Tom Williams and The Boat’s acclaimed 3rd LP ‘Easy Fantastic’ on Moshi Moshi Records, Tom is jumping ship to explore a stripped back venture called ‘New Guitar’, one that focuses entirely on the charming intensity of his lyrical songwriting and the minimal arrangements provided by a close circle of friends.

                                                                                                                                      The first single ‘New Guitar’ is revealed here in the form of a live performance at Replay Acoustics, the place where Tom found the Guitar that “all kinds of new songs fell out” of. The first song that did, is about moving down to the sea and serves as a perfect introduction to the project. The mini-album features more songs written over the past two years and studio versions (available upon release) were put to tape at 2kHz Studios in Crouch End, London with Ian Grimble (The Fall, Manic Street Preachers, Siouxie And The Banshees). Footage from these sessions was captured to create The Making-of “New Guitar” Mini Album Documentary directed by Jake Cunningham, giving a insight into Tom’s transition from band to solo artist, his relocation from Tunbridge Wells to St Leonards and the pivotal instrument that ties all these songs together.

                                                                                                                                      This release see’s Tom accompanied by Ant Vicary from The Boat as well as Sarah Maycock, Fiona Keeler and Catherine Black on piano, vocals and cello respectively. It is released on Tom’s own Wire Boat Recordings label.

                                                                                                                                      TRACK LISTING

                                                                                                                                      1. New Guitar
                                                                                                                                      2. Oh Boy
                                                                                                                                      3. Tuesday Morning
                                                                                                                                      4. Open Mic
                                                                                                                                      5. She's Everything
                                                                                                                                      6. I've Been Thinking
                                                                                                                                      7. 1992

                                                                                                                                      Devon started recording Gilding The Lily with long-time associate Jorge Elbrecht (Lansing-Dreiden, Violens, Ariel Pink) immediately after completing Euphoria, and over the intervening two years the songs steadily evolved, mirroring changes in Williams’ life that include marriage and multiple intercontinental relocations!

                                                                                                                                      From album opener “Deep In The Back of Your Mind” through first single “Flowers” and the lushly romantic “Will You Let Go Of My Heart?” Williams has honed his trademark blend of power-pop, orchestrated soft-rock and layered, melodic jangle-pop to a perfect edge. The elegant “Games” is a great example of what Devon does best — complex emotions played against a driving pop tune. It’s these contrasts that enliven Gilding The Lily and the consummate skill with which Williams arranges and executes his beautiful songs that mark him as a truly unique talent.

                                                                                                                                      TRACK LISTING

                                                                                                                                      1: Deep In The Back Of Your Mind
                                                                                                                                      2: Games
                                                                                                                                      3: All I Gave To Do
                                                                                                                                      4: Pendulum
                                                                                                                                      5: Flowers
                                                                                                                                      6: Around In A Maze
                                                                                                                                      7: Puzzle
                                                                                                                                      8: Rabbit Hole
                                                                                                                                      9: Will You Let Go Of My Heart?
                                                                                                                                      10: Lost My Concentration
                                                                                                                                      11: Gilding The Lily

                                                                                                                                      Moskenstraumen, Christopher William Anderson’s first and only release under his own name, sees him saying goodbye to the electric guitar as the instrument of choice for solo compositions.

                                                                                                                                      The tracks were crafted using a Gretsch Duo Jet and numerous tape and digital delays/loopers into something far removed from the sound of the source.

                                                                                                                                      Originally self-released 3 years ago almost to the day and sold in painstakingly produced hand crafted packaging only a few were lucky enough to grab a copy. Now we are incredibly privileged to help "Moskenstraumen" see the light of day again amongst the increasing ranks of Sacred Tapes releases.

                                                                                                                                      Written and recorded by Christopher Anderson between 2009-11


                                                                                                                                      TRACK LISTING

                                                                                                                                      An End To Calm
                                                                                                                                      Blood & Salt
                                                                                                                                      Moskenstraumen
                                                                                                                                      Eye
                                                                                                                                      The Last Refracted Light

                                                                                                                                      William Onyeabor

                                                                                                                                      World Psychedelic Classics 5: Who Is William Onyeabor?

                                                                                                                                      THE PICCADILLY RECORDS REISSUE/COLLECTION OF THE YEAR 2013.

                                                                                                                                      Through its World Psychedelic Classics series, Luaka Bop has succeeded at introducing long-forgotten artists including Os Mutantes, Shuggie Otis and Tim Maia to the world at large. William Onyeabor is as obscure as these other artists were before their Luaka Bop releases, although his recordings from the 70s and 80s are beloved by die-hard record collectors and artists such as Damon Albarn, Devendra Banhart, Four Tet and Caribou, to name a few. The music ranges from synth-heavy electronic dance music to Afrosoul with saxophones and female backup singers, to psychedelic funk with wah-wah guitar and fuzzy keyboards - and often combines all of these elements.

                                                                                                                                      'Who Is William Onyeabor?' may be the most complicated, if also one of the richest, undertakings in Luaka Bop's (rarely straightforward) 25-year history. Following the eight albums Onyeabor self-released between 1978 and 1985, he became a Born-Again Christian, refusing ever to speak about himself or his music again. Various biographies can be found online. Some say he studied cinematography in the Soviet Union and returned to Nigeria in the mid-70s to start his own film company, Wilfilms. Some say he was a lawyer with a degree from a university in Great Britain. Others portray him as a businessman who for years worked on government contracts in Enugu, Nigeria.

                                                                                                                                      By attempting to speak with Onyeabor himself, and by talking to people who seem to have firsthand knowledge, Luaka Bop has been trying to construct an accurate biography of him for the past 18 months...without success.

                                                                                                                                      One thing that's undisputable is that Onyeabor's music is utterly unique and ahead of its time.

                                                                                                                                      The vinyl release comprises 13 tracks spanning Onyeabor's body of work and will include artwork by John Akomfrah, Njideka Akunyili, Harrison Haynes, Dave Muller, Odili Donald Odita and Xaviera Simmons. 

                                                                                                                                      "The world might just be better off not hearing [Onyeabor's "Atomic Bomb"], which will burrow and propagate its seed exponentially by the second, into the hearts and souls of all humanity. It's the catchiest song I've ever heard; when it gets in my brain, I can't sleep...He's a mythical character from Nigeria." - Devendra Banhart in Uncut

                                                                                                                                      "Anyone out there who is making music at the moment...will be quite excited by this..." - Damon Albarn on BBC Radio One

                                                                                                                                      "LCD Soundsystem sounds like an American William Onyeabor." - Peaking Lights

                                                                                                                                      "Talked to Luaka Bop about details of the William Onyeabor comp they are working on... Gonna blow minds!!!!!!!!!!!!!!!" - Four Tet

                                                                                                                                      "People are really going to freak out!" - Caribou

                                                                                                                                      TRACK LISTING

                                                                                                                                      1. Body And Soul
                                                                                                                                      2. Atomic Bomb
                                                                                                                                      3. Good Name
                                                                                                                                      4. Something You Will Never Forget
                                                                                                                                      5. Why Go To Ware
                                                                                                                                      6. Love Is Blind
                                                                                                                                      7. Heaven And Hell
                                                                                                                                      8. Let’s Fall In Love
                                                                                                                                      9. Fantastic Man

                                                                                                                                      LP EXCLUSIVES – NOT AVAILABLE ON CD OR DIGITALLY:
                                                                                                                                      10. When The Going Is Smooth & Good
                                                                                                                                      11. The Way To Win Your Love
                                                                                                                                      12. Jungle Gods
                                                                                                                                      13. Love Me Now

                                                                                                                                      William D Drake

                                                                                                                                      Yew's Paw

                                                                                                                                        William D Drake is a composer, songwriter and performer in his own right as well as being a contributing member of the critically acclaimed North Sea Radio Orchestra. The work of a highly original and eccentric figure, Drake's music is flavoured with tastes developed from early childhood. The sense of dark antiquity in 78 rpm records of Debussy, Paderewski and Rachmaninov, silent film and the first Disney shorts infiltrated an imagination already seduced by Edward Lear and Spike Milligan's use of the surreal and the absurd. His is a many-layered and enticing vision where sweetness jostles with the macabre, absurdity with gravity. "Yew's Paw", a cycle of 13 solo piano pieces, is a powerful expression of these colliding themes. Stylistically, its roots can be traced equally to Drake's classical training and his influential membership of Cardiacs.

                                                                                                                                        After five years as a band, encompassing five EPs and two albums, Kent-based six-piece Tom Williams & the Boat might appear fully-formed but, with the release of their second album, ‘Teenage Blood’, they’re only just beginning to reveal their true colours.

                                                                                                                                        ‘Teenage Blood’ is made up of ten tracks that Tom says reflect a new sense of focus for the band. After becoming obsessed with the idols of pop-rock’s history, such as Tom Petty, Teenage Fanclub, The Band and Loaded-era Velvet Underground, Tom decided to write songs that take the traditional song structures of that genre – repeated choruses, catchy hooks – and fill them with a subversive lyricism, touched upon in the debut release.

                                                                                                                                        The result is a tight, narrative set of tracks that don’t so much form a concept as a series showing the progression of doomed love affairs – moving from youthful naïveté in ‘Too Young’ into ‘There’s A Stranger’s gut-punch realisation of the death of a romance (‘the best song I’ve ever written’, says Tom) and finally the ‘rolling credits’ of ‘Emily’, a depiction of the (re)birth of a new relationship. Teenage Blood’s consistent focus and narrative drive make for a more cohesive album than Too Slow; a mixture of the black and white polarity of their debut that explores new, captivating shades of grey - the spaces in between pop and alternative music, love and hate.

                                                                                                                                        Tom Williams & The Boat

                                                                                                                                        See My Evil EP

                                                                                                                                          Tom Williams and the Boat return following a summer that has seen them play across the UK at various festivals including five sets at Glastonbury and high profile sets at Latitude and Lounge On The Farm with an EP of new material recorded throughout August. The band are currently putting the finishing touches to their debut album, due for release in Spring 2011.

                                                                                                                                          Lead track "See My Evil" has been raising eyebrows amongst fans, who now number the likes of Huw Stephens, Steve Lamacq and Tom Robinson, taking their well known ear for a melody into new and darker musical territory and saw The Fly rapt with ‘an unexpected dark dynamism, and an all-round righteous fury’ whilst Likesounds thrilled to a track so ‘massive and loaded with hooks’ when they caught the band live at the Buffalo Bar. Coupled with "Get Older", a bluesy confessional burning with the anger of a young Nick Cave, the two tracks further demonstrate Tom Williams and the Boat as one of the most inventive songwriting teams around. With the dark mood persisting into the groove of "Strong Wheels", threaded gossamer like with a sinewy guitar line there is still space for the release of "Kick the Cat" and the warped confessional of "In Love".

                                                                                                                                          STAFF COMMENTS

                                                                                                                                          Laura says: This EP is all over 6 music at the moment, and deservedly so - it's ace!

                                                                                                                                          TRACK LISTING

                                                                                                                                          1. See My Evil
                                                                                                                                          2. Get Older
                                                                                                                                          3. Strong Wheels
                                                                                                                                          4. In Love
                                                                                                                                          5. Kick The Cat

                                                                                                                                          Devon Williams

                                                                                                                                          Carefree

                                                                                                                                            "Carefree", Devon Williams' debut album, has a melodic complexity that belies its immediacy, and descends from a lineage of great music. Those yearning for a return to intelligent pop music — songs as gratifying on their 1,963th listen as they are memorable after their first — need look no further. Over the course of a year and a half, Williams recorded at three different studios around Los Angeles, walking away with a handful of songs each time. Laying down multiple guitar tracks — making as many as ten different mixes for some songs — Williams scrutinized every moment to achieve his ideal sound. Songs such as "A Truce" or "Honey" presumably come from a lifelong fan of greats such as Nilsson and Chilton, Cope and Downes, Lennon and McLennan.

                                                                                                                                            Man Like Me

                                                                                                                                            Wine And Dine - Williams Remix

                                                                                                                                              Having wowed us all with the ace "Oh My Gosh", Man Like Me returns with live favorite "Wine And Dine". On the flip the grind-tastic grime groove of the original is whisked up into a fierce and frolicsome slice of electrohouse by Tsuba boy Williams.

                                                                                                                                              Desmond Williams

                                                                                                                                              Delights Of The Garden

                                                                                                                                                Desmond Williams' work with legendary dub engineer Scientist caught the ear of Thievery Corporation, and he's been part of the ESL set up ever since. This album is a perfect distillation of the ESL sound - dubwise, easy, bossa and jazz-edged grooves inna global-downbeat stylee.

                                                                                                                                                Victoria Williams

                                                                                                                                                Musings Of A Creek Dipper

                                                                                                                                                  "Musings of a Creek Dipper" sees Williams in her usual low key, patched jeans, reflective introversion. She has a fragile quality to her vocals, reminiscent of a rustic Rickie Lee jones but with no urban abrasiveness. An intriguing performer whose work unfolds on each subsequent listen.

                                                                                                                                                  Victoria Williams

                                                                                                                                                  Water To Drink

                                                                                                                                                    Although a much larger production than her 1998 album "Musings of a Creek Dipper", Victoria Williams has lost none of her down home Louisiana on her latest release "Water to drink", she has the same concerns and preoccupations as usual with an all pervading Christian compassion.


                                                                                                                                                    Latest Pre-Sales

                                                                                                                                                    225 NEW ITEMS

                                                                                                                                                    E-newsletter —
                                                                                                                                                    Sign up
                                                                                                                                                    Back to top