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Warehouse is a five piece band from Atlanta, GA. The band formed while many of its members were attending school for various useless degrees. Taking inspiration from the 1980's Athens, GA scene (Pylon, R.E.M., The B-52's) and having a mutual taste for bands like Stereolab and Abstract Expressionist visual art, they quickly took on a post-punk style characterized by the spidery and interlocking guitar riffs of Alex Bailey and Ben Jackson, filled by the effortless drums of Doug Bleichner and the agile racing bass riffs of Josh Hughes. The full and textural sound provides a unique body for vocals, added by Elaine Edenfield, whose lyrics can be described as sidewinding and oblique, oscillating quickly between melodicism and contrary roughness, using vocals as more of a physical tool of expression than as a glossy harmony to the sound. Warehouse can be described as breathlessly fast-paced, conveying a deep sense of desired intensity and emotionality. Warehouse's first album Tesseract was self-released in 2014 and later re-released under Bayonet Records. Their new album super low is more concise continuation of Tesseract, while still carrying the prior album's organic and wildly sprawling nature. Largely written in a notorious punk house that was torn down to build a parking garage, the album was finished in a new environment: across from a food mart called super low. The title connotes stark change, but it also hints at the additional psychological undertones of the album's meaning, to move down into more darkly subconscious and deeply endogenous areas of yourself in order to work through them and out. Also contrastingly literal, it denotes Warehouse's self-evident, uncontrived and rough-around-the-edges nature. 


01 Oscillator
02. Exit Only
03. Simultaneous Contrasts
04. Arbitrarium V
05. Super Low
06 Reservoir
07. Long Exposure
08 Modifier Analog
09 Audrey Horne
10. Garden Walls

Kites Of San Quentin

7.83Hz Earth Chorus

    Kites of San Quentin deliver a mini album (plus DVD). Featuring atmospheric electronic cuts, this fusion of computer compositions and ethereal female vocals harks back to the early Bristol scene (and also early Moloko) but also moves things forward to post-dubstep atmospheric grooves and futuristic rhythms (juke etc). The fragile harmonies also hint at ghostly folk music that has somehow ended up in the future.


    1. Vimana
    2. Fable Dark
    3. III
    4. The Witch House
    5. V
    6. Daimones

    Jacksons Warehouse

    Hotel By The Sea

      "Hotel By The Sea" is a worthy introduction to JacksonsWarehouse, with its up tempo guitar driven energy, bouncy rhythm section, naïve yet distinctive and slightly shambolic indie edge, it rattles straight into your consciousness. The self assured vocal coupling draws you deeper into the track where the darker 'black satirical humour' elements of Stuart Brown's lyrics await to unfold an unlikely story. Taking influences from an eclectic mix of bands and artists such as The Doves, Nirvana, The Pixies, Arcade Fire JacksonsWarehouse remain a band whose integrity inspires the composition of far from ordinary songs.

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