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W.25TH

Cuneiform Tabs

Age

    Quickly on the heels of their astounding debut, Cuneiform Tabs return with 'Age', an LP that takes a massive leap forward in both melodic sensibilities and inventiveness. Bathed in late night psychedelia, the group's experimental penchant remains, yet this time wrapped around tunes too sweet to be denied. In pulling back a little of the crackle and haze that made their first album so inviting, the Tabs have revealed more of their pop instincts. Happy to let a picked acoustic guitar stand alone like a Vashti Bunyan home recording and sit deep in the looping repetition of a drone sample like a bedroom My Bloody Valentine. The overall effect is of a perfect set of early Animal Collective demos or Syd Barrett attempting a Television Personalities cover at 3am.

    The duo of Matt Bleyle and Sterling Mackinnon continue their system of trading songs back and forth across the Atlantic. A furtive correspondence between the Bay Area and the UK building, layering and blurring as they grab whatever instrument is needed until these sonic nuggets are fully formed. While these songs are very much the product of the Tascam and rudimentary software that is integral to the band, this album is truly the embrace of their melodic songwriting talents – not unlike the recent breakthrough of labelmate Cindy Lee.

    With the dream-like strum of 'Ivy', the slow shimmer of 'Orbital Rings' and enchanting madcap swirl of 'Blended Medal', this is hypnagogic pop at its finest. 'Age' is the record Bob Pollard hears in his head every time he heads down to the basement to pick up a guitar. This is the sound of riding in an elevator hearing McCartney singing 'Blackbird' in the distance, only to have it draw closer and closer with each floor as you finally race down the hallway, putting your ear to each door searching for the source. This is Leonard Cohen smoking in the middle of the street outside of a Suicide show. If all of this sounds phenomenal, it is.

    TRACK LISTING

    1. Flush In The Cheeks
    2. Crow Speech
    3. Feiform Tabs
    4. So Light
    5. Orbital Rings
    6. Ivy
    7. Taoist Face Wash
    8. Blended Medal
    9. Alyosha
    10. Flintstone Meal

    Cindy Lee

    Diamond Jubilee

      Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.

      Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). Over several albums, Flegel has combined delicate melodies and sheer beauty with moments of experimentation. With Diamond Jubilee, Flegel’s undeniable songcraft comes to the foreground, embracing a more instant connection and accessibility. Timeless tales of love and longing, surrounded by sticky hooks, take the listener on an unforgettable journey.

      Diamond Jubilee was written and recorded over several years by Patrick Flegel in Toronto, Durham, Calgary and Montreal at Realis- tik Studios. The album was mixed by Steven Lind, who also contributes to several tracks and co-wrote “Baby Blue,” and was mastered by Joshua Stevenson.

      STAFF COMMENTS

      Laura says: Diamond Jubilee was digitally self released last year and garnered rave reviews from fans and media alike. It now finally gets a physical release through Superior Viaduct's new artist label, W.25TH. It's an absolutely sublime collection of vintage sounding pop songs, drawing on sounds and styles from the 1950's onwards: there's hint's of do-wop and soul, 60's girl groups, Velvetsy art-rock, folk and country. The pop waters are muddied with psychedelic waves at times, but for the most part it's laid back dream-pop, delivered in a sort of shimmering, otherworldy haze. You can imagine it perfectly soundtracking a David Lynch film.

      It's pricey, but at 32 track and over two hours long, it's worth it. An absolute gem of a record!

      Andy says: I first heard this Cindy Lee album with zero context playing on the office computer whilst I opened boxes of records. After about half an hour I began to wonder; what is this classic music and why haven’t I heard it before? Is it a compilation of great bands that for some reason didn’t make it?

      It sounds like a beautifully curated hazy mixtape moving through doo-wop, sixties pop, girl groups, psych rock, indie pop, synth pop and even dislocated disco! I started to imagine it was the haunted soundtrack to some long lost David Lynch film, playing on a lonely old medium wave radio in a deserted house on a quiet and still street. This wistful sound felt warped, fractured, brokenly lo-fi yet sophisticatedly arranged, sweet yet macabre and with a deep sense of longing laced throughout. It was the best thing I’d heard in a long time!

      Welcome to the mysterious world of Cindy Lee; the alter ego of Canadian maestro Patrick Flegel. Six years in the making and featuring 32 tracks spanning two hours of music, this could be your most exciting (and exotic!) musical discovery of 2025. It certainly was mine!

      TRACK LISTING

      1. Diamond Jubilee
      2. Glitz
      3. Baby Blue
      4. Dreams Of You
      5. All I Want Is You
      6. Dallas
      7. Olive Drab
      8. Always Dreaming
      9. Wild One
      10. Flesh And Blood
      11. Le Machiniste Fantome
      12. Kingdom Come
      13. Demon Bitch 3
      14. I Have My Doubts
      15. Til Polarity’s End
      16. Realistik Heaven
      17. Stone Faces
      18. GAYBLEVISION
      19. Dracula
      20. Lockstepp
      21. Government Cheque
      22. Deepest Blue
      23. To Heal The Wounded Heart
      24. Golden Microphone
      25. If You Hear Me Crying
      26. Darling Of The Diskoteque
      27. Don’t Tell Me I’m Wrong
      28. What’s It Going To Take
      29. Wild Rose
      30. Durham City Limit
      31. Crime Of Passion
      32. 24/7 Heaven

      Cindy Lee

      Whats Tonight To Eternity

        Cindy Lee is more than just a recording music project. It is the culmination of a lifelong exploration of art, the electric guitar, queer identity and gender expression. “Singers like Patsy Cline and The Supremes carried me through the hardest times of my life,” explains Flegel, “and also provided the soundtrack to the best times.”

        Following the dissolution of Canadian experimental indie band Women, Flegel would delve deeper into songwriting that bends further toward high atmospherics and bracing melodies—a unique space where splendor naturally collides with experimentation. Delivering moments of sheer beauty through somber reflections on longing and loneliness, Cindy Lee is something to hold onto in a world of disorder. What’s Tonight To Eternity, Cindy Lee’s fifth long-form offering, showcases the project’s most entrancing strengths: ethereal snowdrift pop and sly nods toward classic girl-group motifs.

        Recorded at Flegel’s Realistik Studios in Toronto and featuring younger brother Andrew Flegel on drums, the album travels hand in hand with a spectral guide. Flegel found inspiration for Cindy Lee in the form of Karen Carpenter, drawing on the singer / drummer’s early recordings as well as her look and style. “I found a deep interest and comfort in Karen’s story, which is a cautionary tale about the monstrosity of show business, stardom at a young age and being a misfit looking for connection.

        The darkness and victimizing tabloid sensationalism she suffered is easily tempered and overwhelmed by her earnest output, her artistry, her tireless work ethic. Something utterly unique and magical takes shape in the negative space, out of exclusion. What I relate to in her has to do with what is hidden, what is unknown.” What’s Tonight To Eternity remains a mix of pop culture indoctrination, pain and suffering, hopes and dreams, fierce confrontations and wide-open confessional blurs.

        Closing with the song “Heavy Metal” (dedicated to the memory of former Women bandmate Chris Reimer) and adorned by Andrea Lukic’s Journal of Smack artwork, the album continues the bold and rewarding path on which Cindy Lee has embarked.

        TRACK LISTING

        Plastic Raincoat
        I Want You To Suffer
        The Limit
        What?s Tonight To Eternity
        One Second To Toe The Line
        Lucifer Stand
        Speaking From Above
        Just For Loving You I Pay The Price
        Heavy Metal


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