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UMBERTO

Umberto

Black Bile

    ‘Black Bile’ compiles some of Umberto’s most resplendent, sanguine music to date. The solo work of LA composer Matt Hill draws heavily from the world of cinema, spinning immersive narratives and rich atmospheres using sound alone.

    Hill, an active composer for film and television, recently scored the 2022 Jerry Pyle film ‘Loveseat’ (soundtrack was released in 2023). Other recent scores include the 2020 thriller ‘Archenemy’, from the producers of cult classic ‘Mandy’.

    Inspired by the ancient Greek theory of the ‘four humors’, an early medical theory linking the inner workings of the human body to the elements, ‘Black Bile’ specifically links the feelings of melancholy with autumn. Hill’s celestial compositions are an autumnal soundtrack conveying beauty, yearning, reflection and comfort.

    Many of the album’s phrases are constructed from just two notes or sounds, arranged by Hill into complex patterns that undulate with an organic pulse. The spare melodic structure holds myriad small and beautiful details. The songs began with Hill improvising on the piano, to find the notes and patterns that created the musical and emotional structure from which he could expand with textural detail. Hill then would often remove the initial structure leaving a sparer, more skeletal one which he could again expand upon to create a full piece. The careful attention to each detail gives his minimal compositions emotional heft.

    The album masterfully stakes Umberto’s claim among other avant-ambient boundary pushers such as Lawrence English or Laurel Halo.

    “There is real compositional variety and intrigue in his songs… elaborate and unpredictable... it’s hard not to be impressed with Umberto’s evolution of late, as lacerating experience as it may be at times.” - The Quietus

    “Songs that are subtle yet unsettling, like a horror film that rattles your psyche without relying on tired shock tactics.” - Self-Titled

    “Masterfully polished and skilfully arranged... dazzling” - Brainwashed

    TRACK LISTING

    Grasp
    Spoonwood
    Empty Shell
    October
    Monkshood
    Vestige
    Dying Honey & Linden

    Umberto

    Helpless Spectator

      Umberto is an artist whose work is distinctly cinematic. Composer Matt Hill’s performances and delicate compositions taken together have the cumulative ability to surprise. Hill, whose Umberto moniker is an homage to director Umberto Lenzi, is an experienced and active film composer, most recently scoring the film ‘All That We Destroy’. In addition to film and commercial work, Umberto has released a number of lauded solo recordings.

      On Umberto’s Thrill Jockey debut ‘Helpless Spectator’, his haunting music is otherworldly and affecting alike, leaving the listener with an unsettling and profound air of mystery. Umberto’s early recordings harken back to classic synth- driven sci-fi and horror soundtracks. ‘Helpless Spectator’ uses synthesizers in an entirely different manner. Cold, looming monolith tones are now warm, softer pads that envelope the listener while guitar, cello, banjo and pedal steel add movement and light. Still, Hill unsettles with his arrangements and melodic phrasing. Unexpected shifts and turns in even the most tender movements of ‘Helpless Spectator’ are inflected with a contemplative melancholy and fragility.

      Umberto makes masterful use of varied textures throughout the album, blending supernatural effects and grounded instruments to create distinct atmospheres. ‘Helpless Spectator’ is inquisitive and moving in equal measure, an album of sombre elegance and delicate arrangements whose cumulative effect of unease is entirely unexpected.

      TRACK LISTING

      Hidden Thoughts
      Leafless Tree
      Spontaneous Possession
      Reflection
      The Higher Room
      Sadness, Happiness,
      Disgust, And Surprise
      Absent Images
      Arroyo

      Umberto

      Night Has A Thousand Screams

        New album from Umberto, his first for Mogwai’s Rock Action label.

        Created and recorded as a film soundtrack for the Glasgow Music & Film Festival in February 2012, ‘Night Has A Thousand Screams’ conveys a deep love of the film scoring greats such as John Carpenter, John Williams, Jerry Goldsmith and Vangelis.

        STAFF COMMENTS

        Ryan says: Once again Umberto's love of italian soundtracks shines through on 'Night has a thousand screams'. It follows on from his previous work & is still synthesizer heaven.


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