Search Results for:

ULRICH SCHNAUSS & MARK PETERS

The new album by electronica producer Ulrich Schnauss and the Engineers guitarist Mark Peters 'Destiny Waiving' lands in store on Hamburg's Bureau B.

Hailing from Kiel in North Germany, it's now 20 years since the electronica prodigy Ulrich Schnauss released his debut album. His second, 'A Strangely Isolated Place' cemented his reputation as both a pioneer and an artist who routinely creates inspirational music that is adored by many. As a full time member of Tangerine Dream since 2014, his lifelong passion for their work inspired a creative resurgence for the band, resulting in their most successful new album for over 30 years, 2017's 'Quantum Gate'.

Liverpool born guitarist (and founder of the dream pop outfit Engineers) Mark Peters shared a similar musical path, exploring ambient textures and effect laden songwriting via a series of blissful albums for the band. In 2017 he released his first solo album, 'Innerland' which was enthusiastically received by BBC6 music and later included in Rough Trade's top ten best albums of 2018.

'Destiny Waiving' completes a collaborative trilogy that began with 2011's 'Underrated Silence' and followed by 2013's 'Tomorrow Is Another Day' (Schnauss also became a full time member of Engi-neers at this time). Initial sessions began at Ulrich's East London home studio in early 2017 and final mixes where completed there in late 2020. Despite it's extended conception, most tracks where com-pleted during 2017, in part informed by improvisational sets in London, Dublin and St James' Church in Birmingham (as part of the Seventh Wave electronica festival).

Despite these exercises in exploration, 'Destiny Waiving' is perhaps the most focused and concise collection of all three releases. Ranging in tone from precognitive foreboding to soaring optimism, the album delicately hones a particular atmosphere that is unmistakable in their work. While track titles such as 'The Supposed Middle Class' acutely display a concern for society at large, compositions and performances reveal a great deal more light and shade. This inherent balance is a key facet of the duo's chemistry, signposted by the titles of 'Chiaroscuro' and 'Clair-Obscur' and the shifting moods within the tracks. For every rushing, upward sweep (Hindsight is 20/20, 'Circular Time'), contemplative countering is evident in tracks such as 'Words Can Be Dismissed' and 'So Far', 'The Moment'.

As we're all tired of hearing now, the global situation in 2021 is less than ideal, but if it's any consolation, Ulrich and Mark have fulfilled their destiny by creating a work that's both undeniably potent and endlessly immersive.


TRACK LISTING

Side A
1. The Supposed Middle Class
2. Hindsight Is 20/20
3. Circular Time
4. Chiaroscuro
Side B
1.Words Can Be Dismissed
2.Speak In Capitals
3.Clair-Obscur
4.So Far, The Moment

Bonus Dinked EP
Side A:
1.Hindsight Is 20/20 (Count Two Four Version)
2.Circular Time (Measure By Measure Version)
Side B:
1.Words Can Be Dismissed (Talking Snare Version)
2.Speak In Capitals (Uppercase Drumming Version)



Electronic duo Ulrich Schnauss (A Long Way to Fall, A Strangely Isolated Place) and Mark Peters (of the band Engineers) return with a second collaborative album titled Tomorrow is Another Day, released by Bureau B. This second project offers a sublime exploration into their signature expressionistic landscapes while exploring the potential of a collaborative model in which Schnauss's keyboards and Peters's guitar work together in juxtaposition.

Ulrich Schnauss, born in the industrial port town of Kiel in northern Germany in 1977, emerged in Berlin's drum 'n bass scene in the mid-1990s. Mark Peters was born in Liverpool in 1975 and embraced a deeply euphonic pop aesthetic that incorporated intricate formal structures. The two musicians met years ago when both were making shoegaze music and formed a close friendship. Schnauss joined Peters's band Engineers as a keyboardist in 2010. After the collapse of the second-wave shoegaze movement in the early 2000s, both musicians drifted away from the genre's dreamy, shimmering aesthetic and returned solidly to their own musical roots. Peters has subsequently explored classic, guitar-based music and Schnauss has returned to his origins as an electronica producer.

Tomorrow is Another Day represents a maturing of the pair's creative process. Following their first collaborative album titled Underrated Silence (2012), which seamlessly blends the two instrumental voices into an integrated sonic landscape that delivers surprisingly intense emotion beneath the surface of its delicate composition, Schnauss and Peters subsequently began to craft a musical exchange in which each musician's contribution was emphasized in contrast to the other's voice. The differences in Schnauss' and Peters's musical backgrounds are highlighted and embraced as their two voices emerge in dialogue. Here, the synths are drier, the guitars more discreet. The shifting tonality of the music's richly layered patterning defines its composition with punctuated gestures as melodic lines emerge in sharper relief. With neither musical style overpowering the other, the effect is that of two equally masterful voices in coherent conversation, celebrating the dynamic nature of instrumental combination and exploring a new method of creative approach - one that allows for concurrence and dissent, in turn.

TRACK LISTING

1. Slow Southern Skies
2. Tomorrow Is Another Day
3. Das Volk Hat Keine Seele
4. Inconvenient Truths
5. One Finger And Someone Else's Chords
6. Additional Ghosts
7. Walking With My Eyes Closed
8. Rosmarine
9. Bound By Lies
10. There's Always Tomorrow

The musicians: Ulrich Schnauss, born in Kiel in 1977, now residing in London, three solo albums released to date, Engineers keyboard player and an in-demand remixer (Mojave 3, Depeche Mode, Lunz/Roedelius, to name just a few). Mark Peters, born in Liverpool in 1975, bass player, guitarist, vocalist and songwriter in the British band Engineers, also three album releases to their name thus far.

The music: synthesizer, piano, guitar and drum computer, a reduced, yet bacchanal instrumental combination of ambient, electronica and shoegaze sounds. Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse on the one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel Gottsching for example. A brother in spirit of Robin Guthrie one might say, an apposite epithet for Schnauss. His collaborative partner Mark Peters might also be considered his soul brother. Through his band, Engineers, he has similarly found success in following the footsteps of his musical paragons. Engineers have released wonderful albums of dream pop, infused with the same spirit as the solo efforts of Schnauss.

TRACK LISTING

1. The Messiah Is Falling
2. Long Distance Call
3. Forgotten
4. Yesterday Didn't Exist
5. Rosen Im Asphalt
6. The Child Or The Pigeon
7. Ekaterina
8. Amoxicilin
9. Gift Horse's Mouth
10. Underrated Silence


Latest Pre-Sales

145 NEW ITEMS

E-newsletter —
Sign up
Back to top