Search Results for:

UT

Utah Saints

Two - 2026 Reissue

Two is the second album by British electronic group Utah Saints, and was released in 2000. It's the result of a nine-year layoff that was this close to retirement by techno terms. In 1992, Utah Saints' self-titled debut was one of the year's most exciting dance releases. Jez Willis and Tim Garbutt's anthems boomed out with the exuberance of copyright liberation, but their unreleased second album was permanently bricked up by fear for copyright violation. In 2000 they finally got to release this beauty featuring guest vocalists Michael Stipe (R.E.M.), Chuck D (Public Enemy) & Edwin Starr a.o., and samples by the likes of Metallica, Average White Band, The Pretenders, The Stooges and Joyce Sims.

TRACK LISTING

Side A
1. Sun
2. Power To The Beats
(vocals by Chuck D)
3. Love Song

Side B
1. Lost Vagueness
2. Punk Club
3. Funky Music Sho Nuff Turns Me On
4. Massive

Side C
1. Rhinoceros
2. Morning Sun
3. Sick

Side D
1. B777
2. Techknowledgy
3. Three Simple Words
4. Wiggedy Wack

Utopia 541 Magazine

Issue 1 - The Double Edged Sword

Out of the deepest depths of winter emerges Issue 1… The Double Edged Sword.

2 covers, centred around 2 monumental concerts. Jam packed with beautiful artwork and juicy words about music that we’ve been enjoying recently and gigs we’ve been going to. Summery nostalgia to get you through the cold days. Icy truths to keep you in the present. You don’t want to miss this…

Featuring:

Massive Attack – Live at the Co Op

Fontaines D.C. – Live from Wythenshawe Park

Kneecap – The Kneecap Story

Oasis – On Film

Black Country New Road – Live at the Albert Hall

Shame – Live at New Century

Squid – The Hearth And Circle Round Fire

Viagra Boys – Viagr Aboys

Earl Sweatshirt, MIKE & SURF GANG

POMPEII // UTILITY

'POMPEII // UTILITY' unites two kindred spirit rappers from opposite coasts within SURF GANG’s world-building genius. Structured as a true double album — MIKE on one side, Earl on the other — 'POMPEII // UTILITY' unfolds through a rotating cast of side quests and characters from within its shared creative ecosystem. Jadasea, Anysia Kym, Niontay, Na-Kel Smith, and Lerado Khalil all make appearances, passing through the album’s vast terrain, while behind the scenes, SURF GANG producers Harrison, EvilGiane, Elipropperr, and Flea Diamonds (with input from additional producers) wield the gritty, raspy, animated beats that build its container. SURF GANG's previous production credits include Baby Keem, Kendrick Lamar, A$AP Rocky & Playboi Carti.

Arriving on the heels of 2025 albums from both rappers — MIKE’s 'Showbiz!' and Earl’s 'Live, Laugh, Love' — 'POMPEII // UTILITY' plays like a victory lap that traces their friendship back over more than a decade. Where two rappers going head-to-head might otherwise incite rivalry or comparison, 'POMPEII // UTILITY' offers something rooted and communal — a shared understanding of care, joy, grief, process, and responsibility to something larger than yourself. A joint release via all three artists’ respective labels: 10k, Tan Cressida and Surf Gang Records.

STAFF COMMENTS

Barry says: A duo of killer split from two of the biggest rap projects in the USA, joined together by production collective Surf Gang. While both sides are deep and industrial by design, 'Utility' is a little darker and more muddy while 'Pompeii' has a little more groove and rhythmic juxtaposition, in all both work together perfectly.

TRACK LISTING

1. The Fall
2. MY WORST (rebuke)
3. Da Bid
4. NOT 4TW
5. THE POPE
6. AFRO
7. Minty
8. F.E.A.R.
9 Tampering
10. Shutter Island
11. Back LA
12. Back Home
13. Kirkland
14. #FREE #MIKE
15. Man of the Month
16. this2shallpass
17. :( again :)
18. Home on the Range
19. React
20. Hot Water (Cahuilla)
21. rectangle lens
22. Leadbelly
23. quikk
24. Ew!
25. Earth
26. Chali 2na
27. Sisyphus
28. Locusts
29. Tour de France
30. Chicago
31. Book of Eli
32. AOK
33. Don't Worry!

The Utopia Strong

Doperider

The life of a psychonaut can take one to many plateaus of reality. Opinions vary as regards which of these are either desirable or optimal. All things considered though, it’s fair to say that once the average cerebral wanderer finds themselves a stoned skeleton on a motorbike, it’s a sign that they’re going places. Such were the movements of The Utopia Strong, in making their third and arguably trippiest full length album for Rocket Recordings. As the band explain: “When recording we tend to have books, bits of art and interesting things lying around the place. (Kavus) had recently bought the Paul Kirchner compendium, Awaiting The Collapse.” Paul’s character ‘Dope Rider’ (the skeleton in question) drives around the desert, getting into all manner of high jinx and spouting cosmic philosophy, highlighting the absurdities of life, death and the American mythos. “When we had created that particular track, one of our most beautiful and outré, it seemed to name itself.” Serendipity has always played a strong role in The Utopia Strong, with the improvisatory approach of Steve Davis, Kavus Torabiand Mike York - as well as the innate chemistry between the trio allowing them to evolve their approach to facilitate the most adventurous exploratory missions possible. In this realm, the band’s formidable history is transcended and usurped by their combined psychic intensity. 'Doperider' does indeed take the band down a variety of auditory pathways previously unexplored, and further into the realms of more surrealistic visions akin to the systems-built bliss of Caterina Barbieri, the unforgiving noisescapes of Hiro Kone or the alien soundtracks of latter-day Laurie Spiegel. Essentially however, the mission of The Utopia Strong remains intact - to offer a transformative pathway to wonders anew. As Steve notes: “Hopefully we’ve done justice to the comic book character Dope Rider and that he’d have loved riding along on his Harley Davison on another quest, with the wind blowing through his rib cage, listening to this album. if the audience choose the psychonaut road, then we are delighted to have been of service”

STAFF COMMENTS

Barry says: Love a bit of Utopia Strong, Steve came into the shop one time and we had a nice chat about modular synths like nerds (we had the same oscillator dealer - thanks Matt), and I was pretty excited about their burgeoning music even then. It's come a LONG way, growing in scope and familiarity, and we now get the deepest mix of Bureau B thump and boundary-melting psychedelic rave you ever did hear. A superb, chaotic behemoth.

TRACK LISTING

1. Prophecy
2. Spell Of Seven
3. Moths Of The British Isles
4. The Atavist
5. Unity Of Light
6. Harpies
7. Doperider

The Bandulus Vs. The Utopians

SoundClash Series Vol.3

Badasonic Records proudly presents a new chapter in its Soundclash Series: a transatlantic 45rpm featuring Belgian ska-reggae-soul collective The Utopians and Austin, Texas’ finest rocksteady outfit The Bandulus. Each band reimagines one of the other’s songs, creating a true musical exchange that bridges continents while celebrating shared roots.

On the A-side, The Utopians take on The Bandulus’ rocksteady gem 'Be Your Man' and transform it into a driving early reggae cut, infused with raw energy and vocal stylings influenced by Toots & The Maytals. Flipping to the B-side, The Bandulus reinterpret The Utopians' 'Don’t Work'. Originally an early reggae track, the song is reborn as a late-70s reggae version, adding a fresh electronic edge while keeping the soulful core intact.

This special release is the direct outcome of the two joint European tours that brought the bands together, solidifying not only their artistic respect but also a genuine friendship. Produced and mixed by Nico Leonard for Badasonic Records, the single captures the warmth of analog recording and the creativity of two groups committed to carrying Jamaican-inspired music into the present day.

Available as a collector’s edition 45rpm vinyl and digitally worldwide, this split single is more than just a record — it’s a cultural dialogue, a celebration of collaboration, and a testament to the strong bond between The Utopians and The Bandulus.


TRACK LISTING

1. Be Your Man
2. Don’t Work

Warrington-Runcorn New Town Development Plan

Public Works And Utilities

The sixth Warrington-Runcorn album continues to explore New Towns and the demise of the post-war consensus. This time Gordon Chapman-Fox’s gaze falls on our public services that have been starved of cash or privatised since 1980.

“It seems ridiculous in hindsight for a developed country to have packed up and sold off vital infrastructure such as power, water or the rail network” says Gordon. “40 years down the line, and all of these vital industries are barely functional. Their prime function now is to drain cash from our pockets and into the bulging wallets of shareholders.”

Gordon’s anger continues to power his desire to make Warrington-Runcorn a statement for the here and now, rather than an exercise in rose-tinted nostalgia.

The People Matter, as side two’s sole track will attest.

“This album very much came from my live shows” says Gordon. “A lot of these tracks were designed to be performed live, and you will have heard quite a few of them if you’ve seen me live in the last year.”

There is a certain rawness to some of the tracks, not to mention an almost upbeat danceable quality. This is no less atmospheric than previous albums, but it has become fused with an urge to get you to move your feet.

STAFF COMMENTS

Barry says: Yet another stunning suite of evocative, progressive electronica with a focus on the development and growth of society and infrastructure in *the past*. What's particularly striking about Gordon's work here is that it feels like one of his incendiary, hypnotic live shows and veers more into shadowy ambience and crackling saturation that he does so well. A superb, and completely essential continuation of the WRNTDP story.

TRACK LISTING

1. Swift Safe And Comfortable
2. Sunset Over Stanlow
3. 800 Yards Down At Ince Six Feet
4. Water Treatment Works
5. Renewal And Regeneration
6. The People Matter

Gwenno

Utopia

Having released three albums in Welsh and Cornish, 'Utopia' is Gwenno Saunders’ first album recorded predominantly in English, and presents a very different side to her life and songwriting.

Forty-three years into her life, Saunders has been many people. The disaffected Cardiff schoolgirl; the teenage Las Vegas dancer; the singer in indie pop group The Pipettes. There was a turn in a Bollywood film, a nightclub tour, a stint cleaning floors in an East London pub. Long before she would become an acclaimed solo songwriter in both Welsh and Cornish, a winner of the Welsh Music Prize, a nominee for the Mercury, a Bard of the Cornish Gorsedh, there were the days of Nevada, London, Brighton; of Irish dancing, techno clubs, messiness and chaos.

'Utopia', Saunders’ fourth solo album, is an extraordinary exploration of all of these selves. If the singer regards her first three solo records — 2014’s Y Dydd Olaf, 2018’s Le Kov and 2022’s Tresor as “childhood records”, rooted in her upbringing, her parents, her formative identity, then Utopia captures a time of self-determination and experimentation. These are songs of discovery, of the years between being someone’s daughter and becoming someone’s wife and someone’s mother. They range from floor-fillers to piano ballads, via contributions from Cate Le Bon and H. Hawkline, and encompass William Blake, a favourite Edrica Huws poem, and the Number 73 bus. It is her finest work to date.


STAFF COMMENTS

Barry says: The brilliant Gwenno returns for her latest LP, this time sees the multilinguist rendering her experiences in Vegas in English, and with it moving more towards her wistful 80's influenced indie sound we've not heard so much in the past few albums. Regardless of the language in which she writes, Gwenno's music is always endlessly evocative and beautifully conceived. It's stunning, a perfect development of her sound.

TRACK LISTING

1 London 1757
2 Dancing On Volcanoes
3 Utopia
4 Y Gath
5 War
6 73
7 The Devil
8 Ghost Of You
9 St Ives New School
10 Hireth

Emotional Rescue and Utopia Originals join forces to release the pop / new wave funk of Obscure Desire, a one-off project and EP from effervescent 80s Auckland, New Zealand that saw three friends come together to make a perfect piece of club pop history.

Revolving around the musical talent of Andrew Waldergrave, a trained pianist, music degree drop-out, who moved to the island’s cultural centre of Auckland and emersed himself in the arts and nightlife scene the city had to offer. Working at Obscure Desire, a Fashion Boutique meets Salon, he became friends with Grant Mitchell and Giselle Trezevant, together forming not a band, but as they saw it, a project to make a record for their scene and beyond.

Coming from outside of the established band route of endless rehearsals, local gigs, growing a fan base and home recordings, they fell did not have the support network of indigenous New Zealand labels. As so often the case in unearthing these lost reissue gems, the artists took matters into their own hands, seeking to write, record and release themselves. After meeting Trevor Reekie, head of the local Pagan Records label, he took on production duties. Collating the necessary musicians, the project grew from the one song to become a full EP, recording between a home 16 track studio and a full 24 track desk at Harlequin Studios.

Centred around the title song, "Obscure Desire" is a perfect pop moment. Waldergrave’s piano leads into an infectious groove of slap bass, gated drums, Reekie’s acoustic guitar and cut vocals, before Trezevant’s vocals propel the song to an 80s swing out vibrations. 

Here reduced to the best two versions, more room is given to let the other recordings breathe, first the gloriously anthemic instrumental "Bullet". Intricate programming and production, lead into the pop sensibility of "I Wonder", some kind of wonderful antipodean reimagining of Chris & Cosey finest pop moments, an optimistic paene that permeates the whole EP. Closing "4A", espouses the jazz-funk, with Trezevant’s simple French lyrics telling of dreams of a lover’s image.

Released in 1986 with no local support from radio and TV, it became something of a hit record in New Zealand’s more discerning clubs, however the members soon moved to London and the project remained a one-off moment. Over time the EP has gained cult status to become globally desired that sees copies of the original 12” selling for hundreds of dollars. Now at last available for a global reach, while remaining a personal, uplifting moment of time. 

STAFF COMMENTS

Matt says: Isle Of Jura kick off 2025 in fine style with this ineffable slice of 80s mayhem. Straddling, no striding into electro-funk, new wave and boogie with an enchanted nonchalance.

TRACK LISTING

A1. Obscure Desire (Extended Mix)
A2. Obscure Desire (Harlequin Mix)
B1. Bullet
B2. I Wonder
B3. 4A

Utah Saints

Utah Saints - National Album Day 2024 Edition

Out of print since its original release over 30 years ago, Utah Saints' eponymous debut album returns - remastered & extended with b-sides, remixes and rarities - on 2CD. Includes special limited edition mirror board packaging, for National Album Day 2024.


TRACK LISTING

LP/CD1 Tracklist:
1. NEW GOLD DREAM (81-82-83-84)
2. WHAT CAN YOU DO FOR ME
3. SOULUTION
4. BELIEVE IN ME
5. TOO MUCH TO SWALLOW (PART 1)
6. SOMETHING GOOD
7. I WANT YOU
8. STATES OF MIND
9. TRANCE ATLANTIC GLIDE
10. KINETIC SYNTHETIC
11. MY MIND MUST BE FREE

LP/CD2 Tracklist:
1. UTAH SAINTS TAKE ON THE THEME FROM MORTAL KOMBAT
2. WHAT CAN YOU DO FOR ME (MADNESS MIX)
3. SOMETHING GOOD (051 MIX)
4. I WANT YOU DJ TIM’S BLISS MIX (SHORT VERSION)
5. I STILL THINK OF YOU (PERFECTO MIX)
6. HIGHLANDER (CJ BOLLAND MIX)
7. OHIO (DJ MISJAH MIX)
8. STAR (UNION JACK MIX)
9. I WANT YOU (SABRES 130 MIX)

Future Utopia

Django's High

Future Utopia is the brainchild of Grammy and Ivor Novello-Award winning artist, producer and songwriter, Fraser T. Smith (Adele, Dave, Stormzy).

‘Django’s High’, Fraser’s second album as Future Utopia, follows the release of his ‘We Were We Still Are’ EP, featuring Biig Piig, Kae Tempest and TOMI, and ‘12 Questions’, his first album as Future Utopia, featuring the likes of Dave, Stormzy and Kano, to name but a few. Unlike these previous projects and collaborations, ‘Django’s High’ sees Fraser take to lead vocals - layered and distorted over 70s-style progressive synths - transporting the listener to a psychedelic Utopia.

TRACK LISTING

1. Looking For A Way Out (Of Del Rio)
2. Django’s House
3. Exit Strategy
4. Intuition
5. Casino
6. Vegas Hiatus
7. Interplanetary Signs
8. Stars Align
9. Zodiac
10. Sennen With Emin

The Utopia Strong

The BBC Sessions

The history of BBC Maida Vale Sessions is familiar to The Utopia Strong. As musicians, and lifelong music fans, the legacy - the importance - of such recordings is not lost on them. Space and place influence creativity, as is the case here, and the sleeve is a loving homage to those classic BBC releases, affectionately nodding to Strange Fruit Peel Sessions from days of yore.These pieces, originally recorded live at Maida Vale for a Marc Riley session on BBC 6 Music in September 2022, capture The Utopia Strong stretching themselves and continuing to develop their aural explorations.The five-track album opens with the analogue arpeggios of ‘Minature Citadels’, a title perfectly summing up the imagery provoked by the music; evolving, jagged patterns of skylines and castellations, turrets and towers. The closing outro of squarks and drones could be twice as long and not outstay its welcome.

The nagging refrain running through ‘Lamp Of Glory’ is Mike York on the pipes, which he handmakes himself. The overall effect is a sublime, warped concoction of balearic energy and non-Western modes. ‘Disaster 2’ (a piece initially recorded on their second studio album, 2022’s International Treasure) begins with a beautiful synth drone that maintains its position, overpowering the modular patterns pulsating behind it, augmented by yet more glorious, lamenting pipes. The last two tracks both exceed ten minutes and allow the band to extend out further. Release comes as the drums kick in after six minutes of ‘The Tower Is Locked’, emulating the live sets The Utopia Strong have become famed for.The final track, ‘Weather All’, was also honed across several live performances. Having been booked for Andrew Weatherall’s Conveanza festival pre-lockdown, the band finally performed there in September 2022, following his passing. While performing this piece, the heavens opened and the entire festival, band and audience, were drenched. “It felt absolutely biblical”, says the band. Steve Davis has a rich history with the Beeb, but on this occasion he is wrangling his ever-expanding array of analogue synths, dilating his musical imagination. The heritage of the location and overall experience was not lost on the band.‘

Yard Act

Where's My Utopia? CD Fanzine Edition

Where’s My Utopia CD Fanzine edition. The second editions of the Yard Act Fanzine, designed by us for you for no other reason than to tear down more trees.

Where’s My Utopia? is the follow up to the Leeds band’s critically-acclaimed debut record The Overload which arrived in January 2022. The new album is a co-production between Yard Act and Gorillaz member Remi Kabaka Jr. The brand new album out 1st March 2024 features lead single ‘Dream Job’, which is out now.

The zine if printed on 140gsm uncoated paper and house in a beautiful 350gm uncoated cover. Includes the CD album.

TRACK LISTING

1. An Illusion
2. We Make Hits
3. Down By The Stream
4. The Undertow
5. Dream Job
6. Fizzy Fish
7. Petroleum
8. When The Laughter Stops
9. Grifter’s Grief
10. Blackpool Illuminations
11. A Vineyard For The North

Yard Act

Where's My Utopia?

Where’s My Utopia? is the follow up to the Leeds band’s critically-acclaimed debut record The Overload which arrived in January 2022. The Overload was shortlisted for the Mercury Prize after a slew of positive reviews, national radio playlistings and a placing at #2 in the Official Charts. The new album is a co-production between Yard Act and Gorillaz member Remi Kabaka Jr. 

Since first steering their golden Rover into swift public acclaim back in 2020, Leeds quartet Yard Act have become one of the great indie success stories of the decade so far. Along the way, they’ve ticked off milestones ranging from a Number Two chart placing and Mercury Prize nomination for debut album The Overload, to a co-sign from Elton John who joined the band to guest on a string-laden reworking of album closer ‘100% Endurance’.

Yet, whilst the band’s trajectory continuously shot upwards, vocalist James Smith and his wife had also welcomed in a son. And it’s this duelling sense of responsibility and ambition, guilt, love, drive and everything in between that forms the narrative backbone of brilliantly exploratory second album Where’s My Utopia?

Written in snapshots of time between a relentless touring schedule, and produced jointly by the band and Gorillaz’ Remi Kabaka Jr, the quartet’s second act is a giant leap forward into broad and playful new sonic waters. “The main reason that ‘post-punk’ was the vehicle for Album One was because it was really affordable to do, but we always liked so much other music and this time we've had the confidence to embrace it,” James explains. Across the record, influences ranging from Fela Kuti to Ennio Moricone via Spiller’s ‘00s pop smash ‘Groovejet’ make themselves known.

It’s a celebratory palette upon which Smith allowed himself to reach lyrically deeper into himself than ever. Gone, largely, are the outward-facing character studies of yore, replaced with a set of songs that stare fully into the headlights of life, wrangling with the frontman’s own fears and foibles to create a sort of Promethean narrative - but with jokes. “You can commit to the idea that we’re just animals who eat and fuck and then we die, and that’s fine,” he suggests. “But for me, creativity always seems to be the best way of articulating the absolute minefield of what human existence is.”


STAFF COMMENTS

Matt says: It’s not easy to write about Yard Act. You immediately want to find other wry social commentators to group them in with – Mark E Smith, Sleaford Mods, Mike Skinner, Jarvis Cocker - but James Smith is none of these people. Less vulgar and course than Mark or Jason, more poetic than Skinner, and without Cocker’s romantic filter; James Smith tells his tales with both wit and simplicity, highlighting humour in the mundane with incredibly fast and clever prose. “This Is My Utopia“ does however, have its more tender moments: “Down By The Stream” ends with him vehemently chastising school bullies and other abusers; while “Blackpool Illuminations” is a beautiful, personal, heartfelt message to his (recently born) son. They could well end here; but instead gift us one last hurrah via the arms-aloft anthem: “A Vineyard For The North” (which alongside “We Make Hits“ and “When The Laughter Stops“ comprises the album’s big indie-disco hits).

The band possess incredible depth and dimension. From jagged and jovial outbursts to lavish and luxurious orchestrations, sophisticated and structured arrangements seem to encompass more than they should, all with elegance and swagger. There’s sharp call-response vocal quips and jibes between Smith and his bandmates; while intricate, (sometimes) vocodered vocal harmonies, subtle dubs and plunderphonic sample usage a la Avalanches & DJ Shadow all contribute to a very ambitious album which pours out the contents of Yard Act’s hearts for us, the listener to digest and surmise: rock stars aren’t all that different to the rest of us.

TRACK LISTING

1. An Illusion
2. We Make Hits
3. Down By The Stream
4. The Undertow
5. Dream Job
6. Fizzy Fish
7. Petroleum
8. When The Laughter Stops
9. Grifter’s Grief
10. Blackpool Illuminations
11. A Vineyard For The North

Nirvana

In Utero - 30th Anniversary Edition

The classic third (and final) album gets a 30th anniversary makeover.

IN UTERO 30 – 8LP SUPER DELUXE BOX SET:
Celebrating In Utero’s 30th, the 8LP Super Deluxe features 180-gram pressings of the album + 5 b-sides & bonus tracks newly remastered, 2 complete concerts from Los Angeles ’93 & Seattle ‘94 plus 6 bonus live songs from the tour – 72 total tracks – 53 unreleased tracks. Bonus items: an Angel-on-acrylic panel; 48-pg book with unreleased photos; new 20-pg fanzine; LA gig poster litho; 2 ticket stubs; replicas of the promo Angel mobile, 3 gig flyers, all-access tour laminate & 4 backstage passes.

IN UTERO 30 – 5CD SUPER DELUXE BOX SET:
Celebrating In Utero’s 30th, the 5CD Super Deluxe features the album + 5 b-sides & bonus tracks newly remastered, 2 complete concerts from Los Angeles ’93 & Seattle ‘94 plus 6 bonus live songs from the tour – 72 total tracks – 53 unreleased tracks. Bonus items: an angel-on-acrylic panel; 48-pg book with unreleased photos; new 20-pg fanzine; LA gig poster litho; 2 ticket stubs; replicas of the promo angel mobile, 3 gig flyers, all-access tour laminate & 4 backstage passes.

IN UTERO 30 – LIMITED EDITION 1LP + 10-INCH:
Celebrating In Utero’s 30th, the album pressed on 180-gram vinyl plus 5 b-sides & bonus tracks pressed on a 10-inch have been newly remastered from 96kHz 24-bit transfers of the original analog tapes by original album engineer Bob Weston. Original album artwork has been expanded to a premium tip-on gatefold jacket for the first time with new 10-inch jacket art.

IN UTERO 30 – 2-CD DELUXE EDITION:
Celebrating In Utero’s 30th, the 2CD Deluxe Edition features the album newly remastered plus 14 previously unreleased live tracks from the ‘93/’94 In Utero tour. Each song on In Utero is represented with a live performance from Los Angeles, Springfield, Rome, New York & Seattle plus two cover songs widely played throughout the tour: The Vaselines’ “Jesus Doesn’t Want Me For A Sunbeam” & David Bowie’s “The Man Who Sold The World.” Housed in a softpak with newly designed 20-pg booklet.

DBH / The Utopia Strong

Jumbled Whole / The Gatekeeper

New one on cult Yorkshire label Golden Lion Sounds featuring renowned Manchester finger picker DBH (previously of Crowfoot and Thread Recordings). One of the most skillful acoustic guitarists I've ever had the pleasure of witnessing, his tracks of late have taken on a dreamy, enchanted elegance, which is the case here on "Jumbled Whole". A collage of serene strings, echoed artifacts and gentle strums guiding the mind through a blue sky vista filled with fluffy clouds and dancing daisies. Taking it straight to the meadows!

On the flip, The Utopia Strong, previously releasing on Rocket, swap the guitars for synthesizers and enter a psychedelicized alternative realm - with gated arpeggios, winding melodies and galloping drums creating the sense of a magic carpet ride through entity-rich dimensions and realities much more vast and grandiose than our own. 


STAFF COMMENTS

Matt says: I've been a long term fan of DBH - imbibing the spirit of John Fahay, Jack Rose, Bert Jansch etc - into modern finger picked soundscapes. The Utopia Strong are a new one on me - totally different in sound; but similarly, they conjure up imaginary dream worlds from their equipment of vintage synthesizers and rickety drum boxes. One of my favourite 7" sleeves the label have produced too!

TRACK LISTING

A. DBH - Jumbled Whole
B. The Utopia Strong - Gatekeeper

The Utopia Strong

International Treasure

Call it synchronicity, call it happenstance, call it no more than three friends getting together to give their speakers a workout. Yet The Utopia Strong’s formidable conflagration of psychedelic radiance and beatific harmony has evolved way beyond all or any expectations since the band’s inception.. ‘International Treasure’ chronicles the collaborative collision of Steve Davis, Kavus Torabi and Mike York heading into unchartered psychic territory, seemingly with nothing but their instincts as co-ordinates.What’s resulted is a step beyond anything either band or audience might have expected - a deeply rewarding voyage into inner space which moves into darker and still more evocative sound-worlds whilst remaining fundamentally off the map. Influences know no bounds in this context, and the listener would be forgiven for locating the atmospheres and soundscapes of this album on some sonic promontory above and between the potent abstractions of Tim Hecker, the improvisatory excursions of The Necks, and the gothic allure of Bohren Und Der Club Of Gore.‘International Treasure’’ is the next chapter in a story which only grows more rewarding with every stop along the way - one in which three heads travel together deeper into their own musical journeys, and the resulting alchemical power transmutes its origins into gold. As no less a sage than Andrew Weatherall proclaimed, The Utopia Strong are “gnostic sonics in a nutshell”.


STAFF COMMENTS

Barry says: The frankly astounding Utopia Strong return for another LP of lysergic synthlines and dreamy psychedelic electronica. It's full of hefty grooves and sonic waves, but never overwhelmingly heavy, opting instead for a perfectly balanced and wonderfully produced audio expedition. Lovely.

TRACK LISTING

01 - Trident Of Fire
02 - Persephone Sleeps
03 - Shepherdess
04 - Spirits From The Deep
05 - The Islanders
06 - Disaster 2
07 - Revelations
08 - International Treasure
09 - Castalia 

Lena Willikens & Sarah Szczesny Feat. Viktoria Wehrmeister And Detlef Weinrich

Phantom Seance Ballett

"Phantom Seance Ballett is a boombox orchestra, Nō mimes, Vicky’s protection spells, Detlef’s psychic shuffles, a smoke machine, a strobe light chamber, painting, Margit Carstensen’s chiffre, Susie Greene’s insults, Schleim, Ebichu’s echoes and Anna Oppermann’s limbo."

Thus we welcome Lena Willikens & Sarah Szczesny's ethereal Phantom Kino Ballett project to Utter with 'Phantom Seance Ballett', an unusually tangible manifestation of what has become an on-going series of live performances and installations that incorporate sound, video, costume, still imagery and beyond. The themes explored weave in and out of grasp, touching on the otherworldly and mysterious, on hypnotic rites and ceremonies, on the fetishisation of cultural tropes and curios.

While carefully documented, these happenings had not been distilled or presented in a cohesive format until now. Of course, an attempt to harness and package such an experience required an imaginative leap beyond the traditional 'record-in-sleeve' approach and Lena and Sarah have overseen every aspect of this remarkable collection themselves.

Working with designer Till Sperrle, Lena and Sarah have conjured up a fold-out box containing an LP, a riso-printed credits poster detailing the samples and snippets collaged into the sound, a 36 page book with imagery from various shows and an essay by Thomas Vorreyer plus sticker pack. The limited 50 copy artist edition contains an additional 10 special riso-prints within an artist stamped hand-numbered box. For all, the LP contains twenty hidden locked grooves cut into the run-out on each side presenting snippets from the artists' archive.

The first of these pieces - 'Identikit Arkaden Seance' - took place on the 2nd of October 2019 at NAK Neuer Aachener Kunstverein and is a live recording. This performance was part of their exhibition "Chambers of Phantom Kino Ballett", where they showed new video works and displayed the now infamous costumes and slippers worn by Lena, Sarah and a rotating cast of guest phantoms.

At this performance, the seven performers carried boomboxes playing individual audio tracks inside and outside the Kunstverein, while Viktoria Wehrmeister and Detlef Weinrich improvised music alongside the phantoms' moving soundtracks of sonic snippets, poetry, field recordings and soundscapes.

The second piece - 'Studio Chamber Seance' - contains diverse audio tracks of performances that were held by Willikens and Szczesny in collaboration with Wehrmeister and Weinrich. It has been deconstructed and rearranged with additional sound material from the Lena Willikens & Sarah Szczesny archive, then edited and mixed by Lena and Sarah in Amsterdam and Cologne last year. Additional music by Detlef Weinrich and Viktoria Wehrmeister features throughout, recorded live in Aachen 2019 and Frankfurt 2020.

Mastered by Gordon Pohl. Transfer, additional mastering & lacquer cut by Helmut Erler at D&M.

TRACK LISTING

A. Identikit Arkaden Seance (Live Recording)
B. Studio Chamber Seance
+ 20 Locked Grooves (10 Per Side)

UT

In Gut's House

Radical No Wave pioneers UT reissue their critically acclaimed In Gut's House album Their second studio album originally released in 1988 on Blast First Records now fully remastered with original cover artwork, song lyrics and band photos.

Ut is a radical rock group founded by Nina Canal, Jacqui Ham and Sally Young in Dec ’78. Originating in the downtown NYC No Wave scene and inheritors of the collision between rock, free jazz and the avant-garde, Ut exploded the rigidity of conventional rock, constructing songs through collective improvisation, swapping instruments and rotating the role of singer/director.

Migrating to London in 1981, Ut played with bands like The Fall and The Birthday Partyand released music on its own label Out Records, including Live at The Venue in 1982, the Ut EP in 1984, the Confidential 12” in 1985 and their first studio LP Conviction in 1986. Ut became a favourite of BBC's John Peel and recorded sessions for his show in 1984, 1985 and 1987.

Joining forces with Blast First in 1987, they released a compilation of live performances called Early Live Life that same year and the highly critically acclaimed In Gut's House in 1988, which made the year’s NME ‘Top 50 Albums’. The album Griller followed in 1989, engineered by label mate Steve Albini, who shared Ut's raw aesthetic and captured the band’s intensity.

Ut disbanded in 1990, but began performing again in 2010. The band has been reissuing its entire remastered catalogue, available on vinyl, CD and digital download, on Out Records through Forte Distribution. The reissues have so far included the Ut and Confidential 12” EPs in November 2017, Ut Live at The Venue in April 2018, Early Live Life in November 2018 and Conviction in April 2019.

UT

Conviction

Next in UT's reissue and remastered back catalogue series, their first studio album "Conviction", originally released in 1986.

The 2019 remastered reissue of CONVICTION will include song lyrics, photos of the band and an introduction by Stewart Lee. The CD will add Ut’s previously unreleased 7” single “Ampheta Speak / While I Wait”, recorded for Charles Ball’s Lust/Unlust label in 1980. A CD booklet will feature the poster for the original 7” release and some of the cover artwork.
First 500 LP will come with Stewart Lee introduction as a printed insert.

Radical rock group UT was founded by Nina Canal, Jacqui Ham and Sally Young in 1978. Originated in the downtown NYC No Wave scene and inheritors of the collision between rock, free jazz and the avant-garde, Ut exploded the rigidity of conventional rock, constructing songs through collective improvisation, swapping instruments and rotating the role of singer/director.
Migrating to London in 1981, Ut played with bands like The Fall and The Birthday Party and released music on its own label Out Records, including Live at The Venue in 1982, the Ut EP in 1984, the Confidential 12” in 1985 and the LP Conviction in 1986. Ut became a favourite of BBC's John Peel and recorded sessions for his show in ‘84, ‘85 and ‘87. Joining forces with Blast First in 1987, they released the live compilation album Early Live Life and then the highly critically acclaimed In Gut's House in 1988, which made the year’s NME ‘Top 50 Albums’. The album Griller followed in 1989, engineered by label mate Steve Albini, who shared Ut's raw aesthetic and captured the band’s vibrant intensity.Ut disbanded in 1990, but began performing again in 2010. Ut are now reissuing their entire remastered catalogue on Out Records.

TRACK LISTING

1. Confidential
2. Sick
3. Phoenix
4. Absent Farmer
5. Stain
6. Prehistory
7. Bedouin
8. Kcahsmahs (Spare Coconut)
9. Mouse Sleep
10. Ampheta Speak
11. While I Wait

UT

Early Live Life

Early Live Life is a compilation of some of UT's best live performances from 1979–1985, spanning their origins in New York City to their migration to London in late 1981. The UT reissue campaign began on November 17, 2017 with the release of the UT EP and the Confidential 12", on Vinyl and CD. Upcoming reissues in 2019 include their studio albums Conviction, In Gut’s House and Griller. Remastered at Wolf Studios by Dominique Brethes, vinyl cut by Noel Summerville. The live tracks jump out of the vinyl with some verve, as visceral now as they were Live back in the 80s. This is searing no-wave power in the live setting, originally released in 1987 by BLAST FIRST records.



Stephen Steinbrink

Utopia Teased

Stunned with grief in the months following the Ghost Ship fire, Oakland-based Stephen Steinbrink ate LSD daily, bought a synthesizer, and locked himself in his shipping container studio, refusing to sleep for days as he wrote and recorded what would become Utopia Teased, as a means of working through his overwhelming feelings of cynicism and loss.

Recorded in between stints touring as a member of Dear Nora, and then as a touring member of Girlpool, Utopia Teased is Stephen Steinbrink's followup to his critically acclaimed 2016 album Anagrams. Unlike the pristine production of Anagrams, on Utopia Teased Steinbrink embraces the rough edges, as he shifts his focus from the craft of production to the art of processing and capturing his experiences with honesty. He explains, “I was driving the preamps a little too hard, mixing down to tape, bouncing back to the computer, and repeating the process over and over again. I wanted it to reflect how fried my brain felt at the time, totally pulverized. The songs just poured out of me, it hardly felt like work to make them up. It was like turing on a spigot. I don’t write often, maybe once or twice a year, but when I do, a lot comes out..”

“Empty Vessel” and “Maximum Sunlight” both sung from perspective of residents of Tonopah, Nevada, were written to accompany a book about the town, by Steinbrink's friend Meagan Day. The sparse imagery on “Empty Vessel,” ostensibly about a semi-transient lock-picking truck driver, feels at least semi-autobiographical as Steinbrink sings “You're 31, you don't believe in anything…If you don't stop moving you'll never get hurt.” His evocative lyrics continue to intrigue on “Maximum Sunlight” as he sings “Sleeping through the night in the drained pool / I said I love you to a fool” from the perspective of a 30-year-old alcoholic ATV enthusiast.

Much of his outlook on life is captured on the elegiac waltz “Zappa Dream,” (originally written and recorded by his friend Rosie Steffy) on which he sings, “Dreams are so fucked up / Even the really good ones…Would it be such a bad thing / To be finished with living?...Everyone preserves a myth / Guards it like a bone / You see it in your lover's eyes / But never in your own…There is a magic on this earth / In cats and clouds and cars / For everything that you call "real" / Was once the dust of stars / Yeah you have been a river rock / And a drop of rain / And with any bit of luck / You'll be those things again / Are you in love with your life or a dream / Or just overwhelmed/ Wondering what this could possibly mean?” At the close of the, too-little-too-late acoustic narrative “Mom”, guest vocalist Melina Duterte of Jay Som joins him in conjuring a memory of listening to extraterrestrial radio, drifting asleep in a suburban Phoenix Wal-Mart parking lot. The album’s heartbreaking closer “I’m Never Changing Who You Are” continues Steinbrink’s recollection of his adolescence, asking an unnamed family member “Will you try to love more than you did?” while soberly accepting his reality.

In an interview with North of the Internet, Steinbrink recalled a video he came across on his phone, which was taken the day after the fire, “It sent me spiraling and thinking, it’s almost been a year. Nothing really felt actual those weeks, and I could only only react to the future at a remove because the horror of everything was inescapably tying me to the present. The idea of doing laundry or driving across the bridge to San Francisco to work was too abstract, so I just didn’t do it. I hardly did anything. Two days after the fire I woke up, walked to P.’s porch and sat there for hours alone and cried without a jacket on until the sun started going down. Geese were flying across power lines at dusk and I took a video of them on my phone. I imagined one of the birds was my friend.” In the same interview, he goes on to share some insight provided by a friend he reached out to when trying to finalize the album: “Finishing the thing puts a limit around something that comes from an infinite well; this is uncomfortable.” True.


TRACK LISTING

1. Bad Love 
2. I Wanna Be Free 
3. A Part Of Me Is A Part Of You 
4. Empty Vessel 
5. Maximum Sunlight
6. Zappa Dream
7. Coming Down
8. Mom
9. In Another Kind Of Dream
10. Become Sphere
11. You Could Always Leave 
12. I'm Never Changing Who You Are

UT

Live At The Venue Nov 1981

THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

first time on vinyl . Part of the ongoing UT remaster/reissue series. Originally released in 1982 as a Cassette only release. Features five tracks recorded in November 1981 at the Venue.

American Utopia fits hand-in-hand with Byrne’s vision for his series ‘Reasons To Be Cheerful’ - an ongoing series curated by Byrne of hopeful writings, photos, music, and lectures – named for the song by the late Ian Dury. Over the last year, Byrne has been collecting stories, news, ideas, and other items that all either embody or identify examples of things that inspire optimism, such as a tech breakthrough, a musical act, a new idea in urban planning or transportation – something seen, heard, or tasted. Just as the album questions the current state of society while offering solace through song, the content of the series recognizes the darkness and complexity of today while showcasing alternatives to the despair that threatens us. 

While David Byrne has collaborated on joint releases with Eno, Norman Cook (aka Fatboy Slim), and most recently St. Vincent over the past decade, American Utopia is Byrne’s first solo album since, 2004’s Grown Backwards, also on Nonesuch. American Utopia morphed during the writing and recording process, beginning with longtime collaborator Eno, and eventually growing to include collaboration with producer Rodaidh McDonald (The xx, King Krule, Sampha, Savages) alongside a diverse cast of creative contributors including Daniel Lopatin (aka Oneohtrix Point Never), Jam City, Thomas Bartlett (St. Vincent producer, aka Doveman), Jack Peñate, and others. The album was recorded in New York City at David’s home studio, Reservoir Studios, Oscilloscope, XL Studios, and Crowdspacer Studio and in London at Livingston Studio 1.

Speaking about the album, Byrne said:
Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political?

These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world – the world we have made for ourselves. We look around and we ask ourselves – well, does it have to be like this? Is there another way? These songs are about that looking and that asking.

This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere – the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire – I have a feeling that is what these songs touch on.

I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.

It’s not easy, but music helps. Music is a kind of model – it often tells us or points us toward how we can be.


STAFF COMMENTS

Barry says: From what I garner from reading Byrne's comments on his newest release, he is commenting (possibly) sarcastically on the duality of American life... or possibly he wasn't. What is less ambiguous is just listening to the album, taking in the excellently written songs and the latent, wry politicism peppered throughout. It's wonderful, that's all you need to know.

TRACK LISTING

1. I Dance Like This
2. Gasoline And Dirty Sheets
3. Every Day Is A Miracle
4. Dog’s Mind
5. This Is That
6. It’s Not Dark Up Here
7. Bullet
8. Doing The Right Thing
9. Everybody’s Coming To My House
10. Here

Utro

Third Album

Formed by Vladislav Parshin (of Motorama), in Rostov-On-Don, in 2010, the band became known in Russia for it’s experimental instrumentation, minimalist approach to the music and existential, spiritual lyrics in Russian language. Utro took the blueprint from Soviet bands, post-punk bands from Germany and UK and pushed it way further, using just drums, percurssion, synth bass, synthesizers, and voice. In 2015 Uto announced "We don’t use guitars anymore, we play live drums, synth bass and different keyboards."

UT

UT EP & Confidential EP

The UT reissue series. The band is reissuing its remastered catalogue on Out Records through Forte Distribution in 2017 and 2018. The UT reissue campaign starts with the Ut EP and the Confidential EP, remastered by Dominique Brethes at Wolf Studios and repackaged as a double 12” (both cut at 45rpm for maximum sound fidelity).

The double 12” has both 12”’s in a PVC outer bag (with DL code), there will be 500 only of the double-pack 12” set. Ut is a radical rock group founded by Nina Canal, Jacqui Ham and Sally Young in NYC in Dec 1978. Originating in the downtown No Wave scene and inheritors of the collision between rock, free jazz and the avant-garde, Ut exploded the rigidity of conventional rock, constructing songs through collective improvisation, swapping instruments and rotating the role of singer/director.

Migrating to London in 1981, Ut played with bands like The Fall and The Birthday Party and released music on their own label, Out Records. Ut became a favorite of BBC's John Peel and recorded sessions for his show. Joining forces in 1987 with the label Blast First, they released the critically acclaimed In Gut's House in 1988 and made the NME ‘Top 50 Albums’ that year. As The Washington Post exclaimed, “With In Gut’s House, Ut has scraped and droned one of the finest underground rock albums of the year... The tightly interwoven, firmly focused sound... is rich, spooky, urgent and quite unexpectedly beautiful.”

The album Griller followed in 1989, engineered by label mate Steve Albini, who shared Ut's raw aesthetic and captured the band’s intensity. Ut disbanded in 1990 and began performing again in 2010. They have since toured the US, UK, Ireland and Europe.

“The raw power and sheer drive of Ut is quite straightforward and unmistakable. This is a true threatening guitar band.” – N.Y. Rocker

“I swear I have never seen a band play harder, I have never seen musicians put so much into their instruments, I have never seen such concentration on stage; in short, I have never seen people make rock ‘n’ roll so much their own, using the normal tools to create a singular, bone-shaking form of expression.” – The Village Voice.

Comus

First Utterance

First Utterance is the debut album of the progressive folk band Comus. It was released in 1971, with the opening song “Diana” being released as a single.

The album was notable for its unique blend of progressive rock, folk, psychedelia, and elements of paganism and the macabre. The overall thematic tone of the album is of vulnerable innocence facing abusive power, the songs dealing with violence (“Drip Drip”), rape (“Diana”, “Song to Comus”), and insulin shock therapy (“The Prisoner”). These themes contrast starkly with the acoustic sound of the record, featuring acoustic guitar, violin, flute, and lyrical, almost Arcadian, female harmonies.

References to Comus by other bands and artists include Opeth, citing its lyrics in album and song titles and tattoos. Experimental outfit Current 93 also covered “Diana” as the opening song on their 1997 LP Horsey.

The cover artwork was drawn in ball point pen by Roger Wootton, lead singer and songwriter of the band. The centrefold artwork was painted by guitarist Glenn Goring.

Reviews were favourable, such as the NME praised the album’s “highly unusual but fascinating sound” and Time Out said “the overall effect is unique”.

TRACK LISTING

A1. Diana
A2. The Herald
A3. Drip Drip
B1. Song To Comus
B2. The Bite
B3. Bitten
B4. The Prisoner 

When Castlemaine’s Oliver Hugh Perry released his self-recorded debut EP, ‘Tropical Oceans’, D.D Dumbo was born. Led by the spooky strut of the title-track, the lo-fi four song-set of blues-laced, deconstructed pop announced Perry as an exciting newcomer fluent in a language all his own. People took notice and soon he was performing solo with a 12-string electric guitar, two drums and a bunch of effect pedals and on tour with the likes of Daughter, Iron & Wine, Jungle, St Vincent, Tame Impala, tUnE-yArDs and Warpaint.

‘Utopia Defeated’ is his debut album, an epic, sprawling opus sprung from Oliver’s imagination, written and performed almost entirely by him. Based in the 4AD Studios in London, the album was recorded, engineered and produced by Perry and 4AD’s resident engineer Fabian Prynn.

Featuring the singles ‘Satan’ and ‘Walrus’, the tentrack album hurdles effortlessly over the expectations set by his intriguing debut EP. In an early review, Uncut magazine heralded it as “a looping, globally attuned 2016 update of Jeff Buckley’s ‘Grace’.”

TRACK LISTING

Walrus
Satan
In The Water
Cortisol
Alihukwe
King Franco Picasso
The Day I First Found God
Toxic City
Brother
Oyster

Nirvana

In Utero - Back To Black Edition

To say that Nirvana's third and ultimately final studio album In Utero was 1993's most polarizing record would be the understatement of a decade. The unadorned sonic rawness of Steve Albini's recording laid bare every primal nuance of the most confrontational yet vulnerable material Kurt Cobain, Krist Novoselic and Dave Grohl would ever record. And with its 1991 predecessor Nevermind having sold some 30 million copies, singlehandedly returning honest rock ’n’ roll to the top of the pop charts, In Utero was essentially the first record Nirvana would make with any expectations from the public. 

So from the opening quasi-shamble melodics of "Serve The Servants" through the bittersweet closing strains of "All Apologies," In Utero was the sound of the most incredible yet conflicted rock ‘n’ roll band of the era at the peak of its powers coming to terms with a generational spokes-band mantle they'd never seen coming—and ultimately surmounting these struggles to make the record they needed to make. 

As Rolling Stone's David Fricke said in his review at the time, "In Utero is a lot of things—brilliant, corrosive, enraged and thoughtful, most of them all at once. But more than anything, it's a triumph of the will." 

TRACK LISTING

1. Serve The Servants
2. Scentless Apprentice
3. Heart-Shaped Box
4. Rape Me
5. Frances Farmer Will Have Her Revenge On Seattle
6. Dumb
7. Very Ape
8. Milk It
9. Pennyroyal Tea
10. Radio Friendly Unit Shifter
11. Tourette's
12. All Apologies

People's Temple

Utopia

Oh yeah! Agitated gets in on the act with a three tracker psych blast from the midwest's purveyors of the finest 'Elevators chug and UK invasion jangle you are likely to hear! Formed in 2007 by two sets of brothers: Alex Szegedy (guitar/vocals) and George Szegedy (drums) and Spencer Young (bass/vocals) and William Young (guitar/vocals).

An easy reference point could be the Nuggets compilation, in fact Nuggets compiler Lenny Kaye had this to say about them last year: "Awash in reverb and mood enhancers, the People's Temple create an atmosphere truly "Texas Revisited," embracing trippy International Artists like the Red Krayola and Bubble Puppy, bone-shaking a tambourine ("Nevermore," "Looter's Game"), and mumbo-jumboing poetics ("House of Fools"). Alternately soaring, dislocating, unsettling and uplifting, the album culminates in the phantasmagoria of "(Dark Dreams) Distant Memories," a hymn to the glories found in a millisecond's delay by way of Jane's Addiction. Pass the Kool-Aid," Kaye wrote.

A live single on Third Man Records, a 45 on Trouble in Mind, singles and albums on Hozac, is setting this up as a complete doozy of a single..


Crazy, Hungarian voodoo shamanism here published through Wadada's Arka imprint. In the Suns Of The Arqa style, world music is pushed to the most psychedelic and spiritual realms. "Aeon" by the Gayan Uttejak Orchestra is described as 'Apocryphal musicological fragments from the Paleolith to the 1st Millenium', with each track coming with a brief history about the time it emerged (written in the inlay). It's some really far out stuff, eastern European instruments and scales meeting in a collage of psychedelic swirls, spoken word utterances and rampant percussion workouts. More incidental and atmospheric than the direct trancendendance of the Arqa gear, you actually get the feeling you're lost in some ancient Budapest drinking hole, with the smell of goulash filling the air.


Gillian G. Gaar

Nirvana's In Utero - 33 1/3

Though "Nevermind" was Nirvana's most commercially successful album, and the record that broke them - and the grunge phenomenon - internationally, "In Utero" has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like. Here, the full story behind the creation of "In Utero" is told for the first time.

Hafler Trio

An Utterance Of The Supreme Ventriloquist

"An Utterance Of The Supreme Ventriloquist" was originally issued by Soleilmoon in 1996 in a hand-numbered edition of 451 clear vinyl LPs. Now, nine years later, it's being released for the first time on compact disc. "Utterance" consists of two 21-minute pieces, "Placing The Seed" and "Seeding the Place". It's a psychedelic head-trip that reaches a similar plane of consciousness occupied by Nurse With Wound. The material has been completely remastered for maximum digital appreciation, and is presented in a deluxe embossed folder with lavishly printed inserts, all wrapped in semi-transparent paper.

Murcof

Utopia

A specially priced collection from Murcof, featuring reworkings of tracks from "Martes" the two tracks from last year's exceptional "Ulysses" 12" and two further previously unreleased Murcof tracks, "Una" and "Ultimatum".

Swingin Utters

Dead Flowers, Bottles, Bluegrass And Bones

After laying low for a little while, the leaders of the Bay Area street punk scene, the Swingin Utters re-emerge with "Dead Flowers, Bottles, Bluegrass And Bones". Produced by Blag Dahalia from the Dwarves it's a match made in heaven with the end result full of body and structure, with grit and street cred that the Utters have based their style on since the beginning. Known for their alternating vocals (Johnny and Darius), they throw another voice into the mix on the album, Spike Slawson, their basiist and lead signer of Me First And The Gimme Gimmes. Raging stuff from this highly popular Fat Wreck band.

Utah Carol

Comfort For The Traveler

"Comfort For The Traveler", Utah Carol's second full-length release, is an eclectic mix of art pop, folk, indie rock and americana seasoned with bitter sweet, boy / girl vocal harmonies. It is haunting, mysterious and melodic with songs about longing, unrealised dreams and the endless search for something that is forever just out of reach. Fans of Yo La Tengo, Mates Of State and The Carter Family will enjoy their wistful, country-tinged melodies.


Latest Pre-Sales

198 NEW ITEMS

E-newsletter —
Sign up
Back to top