Robinson first started work on the track while travelling in Lombok, Indonesia, drawing influence from her humid surroundings, the country’s distinctive musical culture, and the far-sighted blend of aural inspirations. On returning to the UK, she enlisted the assistance of Alex Searle (bass and lead guitar) and Patrick Dawes (percussion) to complete her musical vision.
Opening with an infectious rhythm rich in disco drums and ear-catching hand percussion patterns, “Ello Koko” brilliantly blends flash-fried tropical funk guitars, squelchy electro synths, weighty dub disco bass, warm electric piano chords and sampled Indonesian vocal snippets. The resultant dancefloor-focused workout is simultaneously low-slung, jaunty and kaleidoscopic: it’s as impressive a solo debut as we’ve heard for some time.
As you’d expect, Robinson’s original version comes backed with some similarly inspired remixes. The first revision comes courtesy of rising stars Flamingo Pier, a collective whose glorious fusions of electrofunk, disco, Latin and African rhythms regularly explore similar sonic territory as “Ello Koko”. Their take on the track is powered forwards by an elastic synth bassline, Nile Rodgers style disco guitars, NYC boogie style lead lines and Patrick Dawes’ superb percussion. It’s a summer-fresh treat.
To complete the package, Razor ‘N’ Tape co-founder and Escort band member JKriv sticks a rocket up the backside of “Ello Koko” and turns it into an unfeasibly heavy dub disco treat. Alex Searle’s bassline and Dawes’ heady percussion dominate the mix, with Robinson’s dancing melodies stretching out atop the weighty grooves. Throw in some well-placed, delay-laden breakdowns and you have a version tailor made for celebratory peak-time moments.