Opener ‘Am Scheitelpunkt’ takes the wrong route to the right party, bounding down the backstreets and bursting into a red-lit rave up. Easy on the one, but heavy on the two, the shoulder rolling rhythm oozes NDW funk, while the buzzing electronics and echo-soaked vocals balance punk attitude with art-house poise.
Gig over, you follow the crowd into the green room to compare notes, share lines and let cupid do his thing. The breezy guitar work, rolling bass and sleazy synths move and groove you, eventually slinking into a slow jam with just a hint of G-funk. Sophisticated and smooth, ‘Meine Nöte’ works the room like a pro, leaving you loose lipped and tripped out on the nearest sofa.
‘Wovon Ich So Erschöpft Bin’ is a hit from the heart of the afterparty, distracted with details of dreams and nightmares, but desperate to shake a limb. The slow motion synths, cocaine sparkle and louche funk form a slightly wobbly groove which might be a little more drunk than it first thought. Grab a little water and keep your wits sharp, I think Roxy Music are sipping champagne with Achim Reichel on the other side of the room. Realising you’re too high for public consumption, you grab your dance partner and head off in search of horizontal mambo or hypnotic tango.
Barging through the bedroom door and rattling the headboard ‘Bettgeheimnis’ brings the nipple chaffing bass hits and Yamaha fanfares, edging us ever closer to a fist clenching climax - party til you pass out people. Sailing through the blinds on Aurora’s first bus,
‘Du(b) und. Ich’ is cosmic cod-reggae for the lover that rocks. As the psychedelic sounds swirl off into the digital domain, Neuzeitliche Bodenbeläge twist a cryptic sonnet into a romantic raga, leaving the outboard bubbling in the bongwater and the coffee on the stove.
Punk poetry, loose limbed rhythms and the sickest synth sounds around, Neuzeitliche Bodenbeläge ladies and gentlemen...