The guitars are out, and the knives are drawn. To the galloping rhythm of a world spiraling out of control, The Young Gods take aim and strike with renewed power. From the very first second of 'Appear Disappear', the six- string tears through space, baring its fangs in an electric howl. The trio has returned to its most aggressive fundamentals, to its art of sonic warfare - never superfluous when war is everywhere.
Rarely has a Young Gods album been so deeply infused with its era-one of military conflicts, mass surveillance, and intimate dramas. Since their inception in 1985, the band has pioneered musical landscapes that dared to fuse the raw urgency of rock with the power of electronics. 'Appear Disappear' captures that beating heart. The Young Gods honor their wn history as much as their lifelong influences, from psychedelic rock to post- punk, from the swirling, very «Doors-like» 'Intertidal' to the industrial rolls of 'Systemized'.
«We wanted something raw,» summarizes Franz Treichler, guitarist and vocalist. «After the atmospheric rock of 'Data Mirage Tangram' (2019) and the instrumental piece 'In C by Terry Riley' (2022), we needed and wanted to express ourselves more directly.»
A guerrilla album, then. A record of resistance. In both its themes and intensity, it plunges into the heart of the trap, into «the brain of the monster» - which Che Guevara precisely located in Switzerland and which still thrives there comfortably. But it is not impossible to confront it.
'Appear Disappear' is a reflection on our involvement in the world’s problems and our ability to take a stand. How do we react, make the right move amid the vast sea of data we process every second?» asks Treichler. Propelled skyward by the electro pulse of Cesare Pizzi (sampling, electronics) and the pounding drums of Bernard Trontin, 'Mes yeux de tous' unfolds the same dizzying question: How do we avoid being swallowed by the «cloud» we ourselves feed?
The answer is in our hands. The impact is physical, the dance tribal. To an obsessive tempo, 'Shine that Drone' imagines a crowd stomping the ground, raising a wall of dust to blind surveillance drones. 'Blackwater' celebrates new tools of resistance how to turn digital surveillance to our advantage. 'Blackwater' was the codename of a Chinese activist who mapped police movements in real-time during the Hong Kong Umbrella Revolution. The bass undulates and sways, like a silent revolt spreading through the streets.
But 'Appear Disappear' is also - and above all - a record about love. A collective chant, created in jam sessions by a trio more united than ever, and an ode from Franz Treichler to his wife Heleen, who passed away in 2023. Love is shouted, it overturns everything. 'Blue Me Away' reserves the album’s most beautiful explosions, its rawest bursts of sound. Treichler is certain: «Chaos dances when feminine and masculine dances unite.» The music of The Young Gods is its soundtrack.
Rarely has a Young Gods album been so deeply infused with its era-one of military conflicts, mass surveillance, and intimate dramas. Since their inception in 1985, the band has pioneered musical landscapes that dared to fuse the raw urgency of rock with the power of electronics. 'Appear Disappear' captures that beating heart. The Young Gods honor their wn history as much as their lifelong influences, from psychedelic rock to post- punk, from the swirling, very «Doors-like» 'Intertidal' to the industrial rolls of 'Systemized'.
«We wanted something raw,» summarizes Franz Treichler, guitarist and vocalist. «After the atmospheric rock of 'Data Mirage Tangram' (2019) and the instrumental piece 'In C by Terry Riley' (2022), we needed and wanted to express ourselves more directly.»
A guerrilla album, then. A record of resistance. In both its themes and intensity, it plunges into the heart of the trap, into «the brain of the monster» - which Che Guevara precisely located in Switzerland and which still thrives there comfortably. But it is not impossible to confront it.
'Appear Disappear' is a reflection on our involvement in the world’s problems and our ability to take a stand. How do we react, make the right move amid the vast sea of data we process every second?» asks Treichler. Propelled skyward by the electro pulse of Cesare Pizzi (sampling, electronics) and the pounding drums of Bernard Trontin, 'Mes yeux de tous' unfolds the same dizzying question: How do we avoid being swallowed by the «cloud» we ourselves feed?
The answer is in our hands. The impact is physical, the dance tribal. To an obsessive tempo, 'Shine that Drone' imagines a crowd stomping the ground, raising a wall of dust to blind surveillance drones. 'Blackwater' celebrates new tools of resistance how to turn digital surveillance to our advantage. 'Blackwater' was the codename of a Chinese activist who mapped police movements in real-time during the Hong Kong Umbrella Revolution. The bass undulates and sways, like a silent revolt spreading through the streets.
But 'Appear Disappear' is also - and above all - a record about love. A collective chant, created in jam sessions by a trio more united than ever, and an ode from Franz Treichler to his wife Heleen, who passed away in 2023. Love is shouted, it overturns everything. 'Blue Me Away' reserves the album’s most beautiful explosions, its rawest bursts of sound. Treichler is certain: «Chaos dances when feminine and masculine dances unite.» The music of The Young Gods is its soundtrack.
TRACK LISTING
A1. Appear Disappear
A2. Systemized
A3. Blue Me Away
A4. Hey Amour
A5. Blackwater
B1. Tu En Ami Du Temps
B2. Intertidal
B3. Mes Yeux De Tous
B4. Shie That Drone
B5. Off The Radar