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THE WIRE

The Wire

Issue 483 - May 2024

    Still House Plants: London’s post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

    FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

    Cheer-Accident: Thymme Jones’s motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

    Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

    NikNak: The British musician turns the tables on sound art. By Tayyab Amin

    Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire’s mystery record selection? Tested by Emily Pothast

    Unlimited Editions: Tripalium Corp

    Unofficial Channels: Billdifferen

    Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

    BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

    Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

    Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

    The Inner Sleeve: Lee Gamble on Various Artists’ Decay Product

    Epiphanies: Jlin maximises her creative potential with Philip Glass

    Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O’The Clock, Goran Kajfeš Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinonó, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

    The Boomerang: Amon Düül, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

    Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain’t It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cárdenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

    On Screen: Neo Sora Ryuichi Sakamoto: Opus

    On Location: André 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: Itō Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Bríghde Chaimbeul, London, UK On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

    The Wire

    Issue 482 - April 2024 (+ The Wire Tapper 64)

      Darius Jones: The New York based composer and saxophonist draws connections between Fluxus and US avant jazz. By John Morrison

      Steve Roach: Synthesizer worship with the Arizona ambient musician. By Ned Raggett; [Ahmed]: Revolutionary grooves from the radically minded Anglo-Swedish-French quartet. By Stewart Smith

      Clarissa Connelly: The Scottish born, Denmark based multi-instrumentalist meditates on myth, memory and modernity via her singular songcraft. By Leah Kardos

      Shovel Dance Collective: The London avant folk ensemble balance the trad and the weird. By Lucy Thraves

      Invisible Jukebox: Ka Baird: Will the New York based artist lose their Bearings when faced by The Wire’s mystery record selection? Tested by Ryan Meehan

      Unlimited Editions: Industrial Coast

      Unofficial Channels: The Rest

      Arushi Jain: The India born synthesist humanises electronics. By Vanessa Ague

      Kulku: Berlin no-age ensemble prepare rare record release. By Oli Warwick

      Harmony Holiday: Backstage with the pioneers of Black music. By Kehinde Alonge

      Richie Culver: Outsider art and working class electronics. By Spenser Tomson

      The Inner Sleeve: Raji Rags on D’Angelo’s Voodoo

      Global Ear: Dublin DIY strategies against economic constraints. By Daniel Baker

      Epiphanies: Aura Satz heeds the siren’s song

      The Wire Tapper 64: A track-by-track guide to this issue’s free CD

      The Wire

      Issue 479 + 480 - January + February 2024

        Special bumper double issue. On the cover: Releases of the Year: We asked our contributors to vote for their top ten records, CDs, streams and more, then added up the votes; Critics’ Reflections: Our writers discuss their memorable cultural experiences of the year; Columnists’ Charts: Our specialist critics delve deep into their musical niches from noise to modern composition; Archive Releases of the Year: We asked our contributors to vote for their top ten archive records, CDs, streams and more, then added up the votes. Plus: Engineered Phantoms: AI for the masses. By Abi Bliss; Back to the Land: Strange as folk. By Louis Pattison; Rival Camps: Crossing the streams. By Britt Brown; Weapons of Mass Distraction: Artists and Gaza. By GAIKA. Also inside this issue: Invisible Jukebox: Linton Kwesi Johnson: The veteran reggae poet faces down The Wire’s mystery record selection. Tested by Gabriel Bristow; Laetitia Sadier: The Stereolab founder promotes community and healing with her new solo work. By Claire Biddles; Fred Frith: The Henry Cow co-founder returns to his groundbreaking 1974 album Guitar Solos with a reissue and a new album. By Clive Bell. Plus: Unlimited Editions: Bead Records; Unofficial Channels: Lanner Chronicle; Phil Geraldi; HUUUM; Lisa Ullén; Thomas Ignatius; Global Ear: Chicago; The Inner Sleeve by Vince Clarke; Epiphanies by Mariam Rezaei; many pages of reviews and much more.

        The Wire

        Issue 477 - November 2023 (With Free Wire Tapper 63 CD)

          Irreversible Entanglements: With a new album in the can, the US quintet discuss freedom, community and dismantling the mechanisms of oppression. By Phil Freeman

          The Primer: Jazz & Poetry: A user’s guide to the ongoing conversation between mighty music and vibrant verse. By David Grundy

          Vanishing Twin: The London based art pop trio take a playful approach to retrofuturist psychedelia. By Claire Biddles

          Invisible Jukebox: Matana Roberts: The Chicago born musician and multidisciplinary artist faces The Wire’s mystery record selection. Tested by Teju Adeleye.

          Unlimited Editions: Gin&Platonic

          Unofficial Channels: Chocolate Monk Top Tens

          Carol Robinson: Clarinet results from the Paris based musician. By Louise Gray

          Tom Mudd: Getting algorithmic with the Edinburgh experimentalist. By Stewart Smith

          Hearsay: Chicago improvising trio turn the tables. By Bill Meyer

          Marina Herlop: Exploring otherworlds with the Catalan composer. By Miloš Hroch

          Global Ear: Oaxaca A mountain town’s brass ensembles celebrate Mexico’s Indigenous Mixe culture. By Juan San Cristóbal Lizama

          The Inner Sleeve: Val Wilmer on Henry Grimes’s The Call

          The Wire

          Issue 475 - September 2023

            Don & Moki Cherry: An 18 page special surveying the globe-trotting creative achievements of Don Cherry’s organic music family by The Wire’s crack writing team: Frances Morgan, David Grundy, Howard Mandel, Neil Kulkarni, Francis Gooding, Magnus Nygren, Gabriel Bristow, Bill Meyer, Marcus J Moore, Pierre Crépon, Matt Krefting, Phil Freeman, Emily Pothast, Clifford Allen, Clive Bell and Jo Hutton.

            The Pitch: The Berlin improvising collective connect the sonic with the social. By Peter Margasak

            Invisible Jukebox: GAIKA: Will The Wire’s mystery record selection reduce the London polymath to “Eternal Tears”? Tested by Ciaran Thapar;

            Feng Jiangzhou: Experimental rock gets down and dirty in the hands of the Beijing noise veteran. By Anla Li.

            Unlimited Editions: Pakapi Records

            Unofficial Channels: Ethio-Pain

            Aho Ssan: Networking with the Paris based producer. By Antonio Poscic

            Powerplant: UK-Ukraine synth punks touch grass. By Spenser Tomson

            Janneke van der Putten: Strange overtones from the Dutch vocalist. By Abi Bliss

            Global Ear: São Paulo: Tape against tradition in the Brazilian metropolis. By Romulo Moraes

            The Inner Sleeve: Suzanne Ciani on Glenn Gould/Johann Sebastian Bach’s The Goldberg Variations

            Epiphanies: John Butcher goes deeper underground

            Tom Williams

            Follow The Leader

              Celebrating 10 years since his first album, Tom Williams releases his most eclectic project to date. 'Follow The Leader' represents a departure from his previous output, and is comprised of a collection of songs which comment on pre- and post-lockdown life, providing beautifully crafted snapshots of modern Britain.

              Having released six studio albums to date, Tom Williams has built a passionate fanbase of discerning music lovers since his first album, Tom Williams & The Boats Too Slow ten years ago. His 2017 album All Change was voted by BBC 6 Music Recommends as one of their Top Ten Albums Of The Year, and his last album 2019s What Did You Want To Be? which was produced by Tim Rice-Oxley, was described by The Guardian as surging, vintage pop-rock and championed extensively by Jo Whiley at BBC Radio 2, Steve Lamacq and Lauren Laverne at BBC 6 Music, Huw Stephens at Radio 1, Q Magazine and Clash.

              Follow The Leader signifies a departure from Williams previous output. Self-produced, the album boasts rich orchestral sounds and full band performances, mixed with claustrophobic drum machines, synthesizers and deep sub bass sounds.

              The Fall

              Take It Down To The Wire (Live 1985)

                Great live recording from a radio broadcast of The Fall live on Sunday 16th of June 1985 Clitheroe Castle, Lancashire. It was a free open-air concert. The set from 2 x 4 through Lay of the Land was broadcast on Steve Barker's "On the Wire," BBC Radio Lancashire. Organized by the station and Ribble Valley Borough Council. Bonus tracks on this CD version are from Sheffield 1981.

                TRACK LISTING

                Clitheroe 1985 -

                2 X 4
                Couldn’t Get Ahead
                Petty Thief Lout, No Bulbs
                Gut Of The Quantifier,
                Spoilt Victorian Child
                Barmy
                Stephen Song
                Lay Of The Land
                Oh Brother 

                Sheffield 1981 -

                Lie Dream Of A Casino Soul
                Leave The Capitol
                C'n'C's Mithering / Hassle
                Schmuck
                Slags Slates Etc. 

                After five years as a band, encompassing five EPs and two albums, Kent-based six-piece Tom Williams & the Boat might appear fully-formed but, with the release of their second album, ‘Teenage Blood’, they’re only just beginning to reveal their true colours.

                ‘Teenage Blood’ is made up of ten tracks that Tom says reflect a new sense of focus for the band. After becoming obsessed with the idols of pop-rock’s history, such as Tom Petty, Teenage Fanclub, The Band and Loaded-era Velvet Underground, Tom decided to write songs that take the traditional song structures of that genre – repeated choruses, catchy hooks – and fill them with a subversive lyricism, touched upon in the debut release.

                The result is a tight, narrative set of tracks that don’t so much form a concept as a series showing the progression of doomed love affairs – moving from youthful naïveté in ‘Too Young’ into ‘There’s A Stranger’s gut-punch realisation of the death of a romance (‘the best song I’ve ever written’, says Tom) and finally the ‘rolling credits’ of ‘Emily’, a depiction of the (re)birth of a new relationship. Teenage Blood’s consistent focus and narrative drive make for a more cohesive album than Too Slow; a mixture of the black and white polarity of their debut that explores new, captivating shades of grey - the spaces in between pop and alternative music, love and hate.

                Tom Williams & The Boat

                See My Evil EP

                  Tom Williams and the Boat return following a summer that has seen them play across the UK at various festivals including five sets at Glastonbury and high profile sets at Latitude and Lounge On The Farm with an EP of new material recorded throughout August. The band are currently putting the finishing touches to their debut album, due for release in Spring 2011.

                  Lead track "See My Evil" has been raising eyebrows amongst fans, who now number the likes of Huw Stephens, Steve Lamacq and Tom Robinson, taking their well known ear for a melody into new and darker musical territory and saw The Fly rapt with ‘an unexpected dark dynamism, and an all-round righteous fury’ whilst Likesounds thrilled to a track so ‘massive and loaded with hooks’ when they caught the band live at the Buffalo Bar. Coupled with "Get Older", a bluesy confessional burning with the anger of a young Nick Cave, the two tracks further demonstrate Tom Williams and the Boat as one of the most inventive songwriting teams around. With the dark mood persisting into the groove of "Strong Wheels", threaded gossamer like with a sinewy guitar line there is still space for the release of "Kick the Cat" and the warped confessional of "In Love".

                  STAFF COMMENTS

                  Laura says: This EP is all over 6 music at the moment, and deservedly so - it's ace!

                  TRACK LISTING

                  1. See My Evil
                  2. Get Older
                  3. Strong Wheels
                  4. In Love
                  5. Kick The Cat

                  Capitol K

                  Notes From Life On The Wire With A Wrecking Ball

                    Having recorded albums for labels such as XL and Planet Mu, Capitol K returns with full length number six, this time on Faith and Industry. The first track unfolds gradually in classic Capitol K style with the beat-poet driven, nostalgic rave of "Diamond Skys", the energy rises with the deconstructed bossa-nova of "Go Go Go", again influenced by the early days of Beat poetry. Things slow down a little for Steve Lamacq ROTW single "Libertania". Next up, "Acid Favela" takes the gigantic baile funk "Rambo" anthem and mixes in some acid lines and shoe-gazing riffage like only Capitol K can. "Freak" is a progressive hyper-funk freak out over a cut up 2-step rhythm. "Impression", is part two of "Freak", reflecting on a love with a sense of stillness and calm, musically revisiting K's penchant for revealing serene melodies from dictaphone tape cut ups.

                    The Red Onions

                    Live Wire

                      A brand new EP from Southern California's explosive Red Onions. A hyper-charged blast-out of Stooges-fueled punk rock, delivered with tight rhythms, powerful riffs, tons of adrenaline, and plenty of destruction in mind.


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