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THE TWANG

The Twang

Neontwang

    ‘NEONTWANG’ was recorded in London at Rory Attwell’s Lightship95 with the Warm Brains man on production duties, a combination that has delivered the band’s strongest set of songs to date.

    ‘NEONTWANG’ also marks the full debut of new member Jon ‘Simmo’ Simkins as a full writing member of The Twang. Simmo was also the brains behind the video for album track ‘The Wobble’ which premiered on The Fly’s website in October who described it as ‘resembling Ariel Pink doing Tears For Fears’.

    ‘NEONTWANG’ marks an important moment for the band. Their fourth album, lead singer Phil Etheridge described making it as ‘easily the most fun we've had in the studio since before the band got a record deal’. Having lived through (and survived) the slings and arrows of (much) outrageous fortune, the band have found a space where they are back to the core values that have kept them together as a writing unit for over a decade.

    ‘NEONTWANG’ comprises a series of recordings that encompass light touch balladry, dub, trip hop and sunshine pop. That early leak of ‘The Wobble’ from the album points the way, a track that veers from delicate melody to overdriven industrial noise, it is the perfect pointer for an album that cares only for its own quality. Those who know their music may also note the echo of club culture, a constant driver for the band, in album closer ‘Bywyd Da’, with its reference to Inner City’s club classic ‘Good Life’. Welsh speakers (or users of Google translate) will get the joke.

    TRACK LISTING

    1. City Lights
    2. Larry Lizard
    3. New Love
    4. The Wobble
    5. Sucker For The Sun
    6. Almost Anything
    7. Happy Families
    8. Medicine
    9. Bigger Than You
    10. Step Away
    11. Bywyd Da

    The Twang

    Jewellery Quarter 24k

      In celebration of the 15th anniversary of the 'Jewellery Quarter' - The Twang -
      will be releasing a very special edition of the album this December, re-recorded and remastered, and on vinyl for the frst time ever

      A firm fan favourite from the Midlands indie massive, the album originally debuted at number 20 in the UK charts upon its release in 2009, with hit singles such as 'Barney Rubble' and 'Encouraging Sign', alongside live staples such as 'Took The Fun' and 'Back Where We Started', all cementing its celebrated status. Named after the area the band have been based since 2008, 'Jewellery Quarter' has many other Birmingham reference points - most notably the cover art which was hand sprayed by local graffiti artist Temper and uses the unmistakable Baskerville typeface which was designed in Birmingham in 1757. With a timeless indie sound and a distinctive pre B- Town bounce, the album was mixed by Neil Claxton (of Mint Royale) and stands out as one of the defnitive indie records of its era.


      TRACK LISTING

      1. Took The Fun
      2. Barney Rubble
      3. Twit Twoo
      4. Put It On The Dancefoor
      5. May I Suggest
      6. Encouraging Sign
      7. Got No Interest
      8. Back Where We Started
      9. Answer My Call
      10. Live The Life
      11. Williamsburg
      12. Another Bus

      The Twang

      If Confronted Just Go Mad

        'If Confronted Just Go Mad' sees a fresh direction for The Twang and their first album to include vocals from new female vocalists, both of whom also perform for rising star Tom Grennan. The girls have become an instant hit with twang fans while providing the band with a new optimistic sound. The new album, mixed by Mint Royale legend Neil Claxton, is sure to satisfy the band’s loyal fan-base serving up large slices of the classic Twang emotion that has served them so well over the past decade. Songs confront the fragility of relationships, the lure of addiction, a cover of an eighties indie classic and even an appearance by leading spoken word artist Polarbear. Core writers Phil Etheridge and Jon Watkin have put real emotional energy into making the record, finding a new way of working together which has delivered a sound that feels authentic and exciting. If you get knocked down… just get up… If Confronted Just Go Mad! 

        TRACK LISTING

        1. Everytime
        2. Lovin State
        3. It Feels Like ( You're Wasting My Time)
        4. Million Miles
        5. Time Waits
        6. Dream
        7. Izal
        8. Went Walking
        9. Kingdom
        10. Tinseltown In The Rain
        11. Nothing Gets Better (Feat. Polarbear)

        The Twang

        Either Way, It's The Best Of The Twang

          The Twang have spent over a decade defying expectation. From their beginnings in their Birmingham home town, written off by most of the local scene as the band that wouldn’t make it, through a year of hype and madness and out the other side, they simply did what they had always done; kept making music and playing it to people. So, whilst a clutch of tracks on ‘Either Way, It’s The Best Of The Twang’ will be immediately familiar to anyone who was listening to Radio One in 2007, that triple whammy of playlist conquering songs that is ‘Either Way’, ‘Wide Awake’ and ‘Two Lovers’, some may be surprised to know that the album contains many more singles and album tracks that are regarded by those who have supported the band since that debut as their finest moments. The likes of ‘Barney Rubble’, ‘Encouraging Sign’ and ‘Took The Fun’ from ‘Jewellery Quarter’, a trio of tracks that perfectly demonstrate The Twang’s ability to move from cracking dance floor pop to tender love songs with heart melting choruses, show how the band’s musical trajectory post the hype of their debut was resolutely upward. Listen to ‘We’re A Crowd’ or ‘Mainline’ from third album 10:20 and you hear a band confident of their abilities and still pushing forward, adding flashes of Midlands ska and orchestration to songs that are unafraid to talk about wider issues. For The Twang were always more than they were painted.

          The Twang

          Two Lovers

            "Two Lovers" is rightly regarded as one of the standout tracks on debut album "Love It When I Feel Like This" with NME proclaiming 'witness (singer Phil) Etheridge's dewy vocal and experience your spine shake' on this 'excellent, jangly, Smiths style ballad'.


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