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THE TALLEST MAN ON EARTH

The Tallest Man On Earth

Too Late For Edelweiss

With Too Late For Edelweiss, Matsson weaves together a sparse collection of home recordings made in Sweden and North Carolina, captured fresh off a 39- date run with the adrenaline of tour rattling through his veins. The songs on Too Late For Edelweiss have been with Matsson since he started playing music as The Tallest Man on Earth in 2006. In those early years, Matsson used to perform "Lost Highway" by Hank Williams before he had enough songs to flesh out a full set.

In July 2022, Matsson released a cover of Swedish super star Hakan Hellstrom's "For sent for Edelweiss," a precious song that has been The Tallest Man's walk-on music before every performance for over a decade and what inspired the title of this covers album. Since then, in the lead-up to this announcement, he has quietly released other selections, including Lucinda Williams' "Metal Firecracker," Yo La Tengo's "Tears Are In Your Eyes" and now "Lost Highway." Mattson explains, "When I was a teenager I borrowed a Hank Williams album at the local library, and 'Lost Highway' has been haunting me ever since. Many vocal sound checks throughout my career have heard Hank's advice."

As much as Too Late For Edelweiss feels like a scrapbook, an intimate memento with the ghosts of The Tallest Man's earlier, sparser sound hovering at the edges, it's also just the artifact of a moment - a flash of joy, of feeling recharged, of feeling good. These are the songs that happened to be in Matsson's head at the time he sat down to record. It came together so simply and easily - and in that way, it's the purest distillation of making music - and being a fan of it, charting the connective tissue of a songwriter's life.

TRACK LISTING

For Sent For Edelweiss
Metal Firecracker
Little Birdie
Then You Can Tell Me Goodbye
Blood Bank
Tears Are In Your Eyes
Fairest Of The Seasons
Pink Rabbits
Lost Highway
In My Life

The Tallest Man On Earth

Henry St.

Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away. Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.

Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012's There's No Leaving Now, full of vivid imagery, clever turns-of-phrase, and devastating, world-weary observations (Under The Radar) and 2015's Dark Bird Is A Home, his most personal record surreal and dreamlike (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. My entire career Ive been a DIY person mostly fuelled by the feeling that I didn't know what I was doing, so Id just do everything myself. But now, longing for the energy that's only released when creating together with others, Matsson invited his friends to come and play.

Nick Sanborn (of Sylvan Esso) produced Henry St., which includes contributions from Ryan Gustafson (of The Dead Tongues) on guitar, lap steel and ukulele, TJ Maiani on drums, CJ Camerieri (of Bon Iver) on trumpet and French horn, Phil Cook on piano and organ, Rob Moose (of Bon Iver, yMusic) on strings and Adam Schatz on saxophone.

TRACK LISTING

Bless You
Looking For Love
Every Little Heart
Slowly Rivers Turn
Major League
Henry St.
In Your Garden Still
Goodbye
Italy
New Religion
Foothills

Dark Bird Is Home, the fourth album from The Tallest Man On Earth, doesn’t feel like it came from one time, one place, or one tape machine. The songs and sounds were captured in various countries, studios, and barns, and they carry a weather-worn quality, some dirt and some grit.

Early in Dark Bird, toward the end of the opening track, we hear other voices and sounds backing Kristian Matsson’s own. One of them, later credited in the liner notes with Angel Vocals, shows up several times throughout the record, adding new color to the familiar palette. And so the story grows and expands. That first song has horns and a piano, keyboards, synthesizers, and other modern noisemakers . . . and by track two you’ve got The Tallest Man on Earth as full-throttle rock and roll.

While Dark Bird is The Tallest Man at his most personal and direct, deeper and darker than ever at times, it’s also an album with strokes of whimsy and the scent of new beginnings — which feels fresh for The Tallest Man on Earth, and well timed. Reliably, the melodies and arrangements are sturdy and classic, like old cars and tightly wound clocks. The lyrics and their delivery are both comforting and alarming, like tall trees and wide hills.

The other musicians and layers on this recording put a wide lens on familiar themes. Fear and darkness, sleep or lack of it, dreams in the dark and in the light. Moving, leaving, going. Distance and short stops, long straight lines, temporal places. More hopefully, a grateful nod to a traveling partner, a healing mind. Maybe a little forgiveness needed. Definitely some things to forget.

TRACK LISTING

01. Fields Of Our Home
02. Darkness Of The Dream
03. Singers
04. Slow Dance
05. Little Nowhere Towns
06. Sagres
07. Timothy
08. Beginners
09. Seventeen
10. Dark Bird Is Home

The Tallest Man On Earth

The Tallest Man On Earth EP

It’s impossible to discuss The Tallest Man On Earth’s music without acknowledging Bob Dylan. The seemingly effortlessness, the melodic sensibility and the deft lyricism all recall Dylan’s early years. But when you witness the Tallest Man on Earth perform live, you are watching a man possessed. The energy pours out with every word. Full of intensity and raw emotion, he paces the stage, bringing the audience into the palm of his hand, completely lost in his songs.

This is a reissue of his debut EP.

The Tallest Man On Earth

There's No Leaving Now

Hugely anticipated, The Tallest Man On Earth returns with ‘There’s No Leaving Now’.

The sense of urgency that fuelled his previous work remains, and the results are paralyzing – drums, piano, baritone guitar, woodwinds and pedal steel combine with songwriting so detailed and captivating.

Since his last album, ‘The Wild Hunt’, The Tallest Man On Earth has sold out Shepherds Bush Empire two months in advance of the show, performed on ‘Later With Jools Holland’ and now lands at the start of this campaign with a sold out London Hackney Empire show, with fans desperate to hear his new material.

The Tallest Man On Earth

Sometimes The Blues Is Just A Passing Bird

The Tallest Man On Earth released "The Wild Hunt" this year to widespread acclaim. The live reaction that the Tallest Man On Earth (aka songwriter Kristian Matsson) generates from his fans is a sight to behold. He has performed around the world, headlining Euro festivals and selling out prestigious club venues.

Matsson is the rarest of performers, charismatic and captivating. At many of the Tallest Man on Earth shows this year, Matsson closed his set with a new song titled ‘Like The Wheel’. It quickly became a fan favourite, with YouTube videos spreading virally, and the sets closing on a high note night after night.

STAFF COMMENTS

Darryl says: A five track mini-album and another example of his superb widescreen late night Americana songwriting skills.

TRACK LISTING

1. Little River
2. The Dreamer
3. Like The Wheel
4. Tangle This
5. Trampled Wheat
6. Thrown Right At Me


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