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THE STATE 51 CONSPIRACY

Clara Mann

Wishbone

Clara Mann’s luminous new album, Wishbone, is built on contrast; the brightest passages made legible by shadow, as Mann strove to picture a beautiful life and then to allow herself to want it, with absolute vulnerability.

Leaning deliberately into the songwriting tradition, Mann reached for the rough-edged, performance-driven spirit of artists like Fiona Apple and Tom Waits; while keeping faith with an older lineage of plainspoken English balladry. With the folk singer’s instinct for letting air move through a song and trusting a melody to carry without ornament, the songs across the new album resist the costume-drama pieties of revivalism. The ballad here is a living form; a way of telling the truth, at a slight angle.

Produced by 4AD resident Fabian Prynn, Mann was also joined by guitarist Kit Mosely, double bassist Marianne Schofield, as well as Owen Spafford on viola, Martin Egidi on cell and Tennessee Woodiel on banjo. The album shimmers without dilution; beautiful and bright with grounding intention, a product of the collaborative approach to the recordings.


TRACK LISTING

Side A
Fortuna
Go Getter
Wishbone
I’m Everyone Who’s Ever Said I Love You
The Izaac Walton Hotel

Side B
Oblivion
News From Home
All My Devotion
Connie’s Song
Song For Joy
Video Games

Voka Gentle

Domestic Bliss

Vintage recording equipment has long been a bit of a fetish, but to sound pioneers Voka Gentle, even the most magical machines are a means to an end. The band, made up of twins Ellie and Imogen Mason, along with Imogen’s husband, William J Stokes, are a family band in the truest sense. Whilst they started out as a folk trio, their new album Domestic Bliss is an album of throat-grabbing, avant-garde indie rock songs studded with eccentric choices: a synth with its keys jammed, playing a tune of its own making; field recordings – Morris dancers, motorbikes – captured on binaural headphones.

Domestic Bliss is concerned with power: the abuse of it, being on the cusp of it, and what it really means. The album is teaming with imaginary people in picaresque scenes that reveal the band’s rich cultural storehouse. The songs draw on history, literature, everyday life and pop culture references (specifically Jude Law’s 1995 Vogue cover), with tracks like Cheddar Man reflecting on climate change and prehistory and Creon I tracing the unease of authority through the lens of Greek mythology.

Recorded in the orchestral studios of City University, the album folds intimacy into scale, from phone-recorded vocals and samples of breath to heavy, tribal electronics in grand acoustic spaces. The result is by far their most refined record yet, where the band treat the recording studio like an instrument.

TRACK LISTING

Side A
1. Cheddar Man
2. Creon I
3. Torpedo Mike
4. Battle Sequence (I’m Atomic)
5. You Deserve It!

Side B
1. Kinema
2. The Creature
3. K Sees The Deal Go Down
4. Jude Law For Vogue (1995)
5. Ultra Aura Glow Feat. Hamish Hawk

BONUS CD (DINKED EDITION ONLY)
Creon I (Goat Girl Remix)
Cheddar Man (Sonic Boom Remix)
K Sees The Deal Go Down (Jonathan Snipes Remix)
Creon ! (state51 Factory Session)
Cheddar Man (state51 Factory Session)
Battle Sequence (I’m Atomic) (Dope Isotope Mix) By Curtain Twitcher
First Snow (Bo Ningen X Voka Gentle)




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