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THE PEACE

William The Conqueror

Proud Disturber Of The Peace

    William The Conqueror are back with a new 2022 mix of their debut album Proud Disturber Of The Peace. Engineered and mixed in LA by Joseph Lorge (Hiss Golden Messenger etc), the new mix has achieved the sound the band and their label saw out of reach in the bands early DIY days.

    Including firm fan favourites ‘Tend to the Thorns’ and ‘Cold Ontario’, the album’s alt-rock transatlantic appeal puts the band in the same lane as Drive-By-Truckers, The Felice Brothers et al.

    TRACK LISTING

    In My Dreams
    Tend To The Thorns
    Did You Wrong
    Pedestals
    Sunny Is The Style
    The Many Faces Of A Good Truth
    Proud Disturber Of The Peace
    Cold Ontario
    Mind Keeps Changing
    Manawatu

    Main Source

    Peace Is Not The Word To Play (Remix) / Peace Is Not The Word To Play (Album Version)

      Large Professor being a prodigy on the SP-1200 is well established, but the way he flips parts of MFSB’s ‘TLC’ and Milly and Silly’s obscure ‘Gettin’ Down for Xmas’ with a sprinkling of Lyn Collins here establishes his credentials in the top tier.

      Lyrically, it’s a tour de force, with Main Source taking exception with the misuse of the word ‘peace’ by the hip-hop fraternity. With even the most homicidal of gangster rappers dropping it at the end of tracks at the time, time was overdue for some regulation.

      The album version makes its point pithily in a single verse, while the remix, included on the flip of this first ever 7” release, expands on the topic with new verses and some new samples too. It’s a welcome reminder of the time when remixes were remixes - not just the identical track with the latest hot rappers joining in.

      Most of all, Main Source once again walk the fine line between lyrical lecture and head-nodding banger - the rare example of a track with a point to make that can still fill a dancefloor and get necks snapping.

      STAFF COMMENTS

      Patrick says: Glorious golden age hip hop from Large Pro, Sir Scratch and K-Cut. Though the lyrical message is pointed and on point, it's the sampler sophistry which makes this a classic.

      TRACK LISTING

      Peace Is Not The Word To Play (Remix)
      Peace Is Not The Word To Play (Album Version)

      Lonnie Liston Smith & The Cosmic Echoes

      Expansions / A Chance For Peace

        THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

        First time this ground-breaking release has been available on 12" for four decades. 180g

        First official reissue of this essential Zamrock album, painstakingly restored, remastered and pieced together from multiple copies of the incredibly rare original album. Contains extensive booklet with never before published photos, an overview of the Zamrock scene, and the history of Peace and Black Power. The Boyfriends, from Kitwe’s Chamboli Mine Township, supplied the founding members for Zamrock’s most famous band, WITCH, and kick started one of Zamrock’s best bands, Peace. Their sole Zamrock entry, 'Black Power', recorded at Malachite Film Studio circa 1973/4 and issued circa 1975, sounds like nothing else in the Zamrock canon: a lost message drifiting from the flower power era, imbued with a fiery Zambian voice. Essential garage Zamrock / soul / funk: the first official reissue of the celebrated band’s one and only album.

        “The musical style that became known as Zamrock came to embody the economic despair that followed the 1973-1974 oil crisis, which flung Zambia into recession and exacerbated a wide range of social tensions. Much of Zamrock also captured the controversy of wider politics in Africa and the world. Perhaps the finest example of this is Black Power by The Peace”. - The Guardian 

        TRACK LISTING

        1. Black Power
        2. I Have Got No Money
        3. This Is The Time Now
        4. I Need Mercy
        5. Peaceful Man
        6. Umbwalawa Ne Chamba
        7. I Don’t Know
        8. Get On The Way

        It's hard to think of another artist who has their feet firmly planted across as many styles as the Mad Decent founder, head honcho and brand ambassador, Diplo. Equally immersed in Top 40 and hip-hop world as he is in underground club, indie rock and world music, the Grammy-nominated producer is embarking on his most ambitious year yet with not just the launch of the new Major Lazer cartoon on FXX, but also the release of a new Major Lazer album, 'Peace Is The Mission'. This will be the third studio album from Major Lazer, the dancehall collective spearheaded by Diplo with trusted co-conspirators Walshy Fire and Jillionaire.

        Fans who’ve learned to associate Major Lazer with some of the biggest names in dancehall alongside up-and-comers and mainstream mainstays can expect even more exciting names on this go. 'PITM' features guest contributions from Ellie Goulding, Elliphant, Wild Belle, MØ, Pusha T, 2 Chainz, Travi$ Scott, Jovi Rockwell, DJ Snake, Tarrus Riley, Mad Cobra, Nyla, Chronixx and a re-work of the Hunger Games: Mocking Jay Pt 1. motion picture soundtrack song "All My Love" featuring Ariana Grande from Trinidadian star Michel Montano.

        When Major Lazer first launched in 2008, tastemakers embraced the indie side project and niche underground media outlets championed the sound. Seven years later, Major Lazer have developed their sound to become integrated with pop music and beyond and continued their ascent, recognised by their peers, fans and media around the world as leaders in a genre they helped to build.

        TRACK LISTING

        01 Be Together (Feat. Wild Belle)
        02 Too Original (Feat. Elliphant & Jovi Rockwell)
        03 Blaze Up The Fire (Feat. Chronixx)
        04 Lean On (Feat. MØ & DJ Snake)
        05 Powerful (Feat. Ellie Goulding & Tarrus Riley)
        06 Light It Up (Feat. Nyla)
        07 Roll The Bass
        08 Night Riders (Feat. Travi$ Scott, 2 Chainz, Pusha T & Mad Cobra)
        09 All My Love (Remix) (Feat. Ariana Grande & Machel Montano)

        Stephen John Kalinich

        A World Of Peace Must Come

          THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

          "A World Of Peace Must Come is his masterpiece. That was fantastic." - Brian Wilson
          "'Be Still' is the only song I've ever heard that made me want to be a better person." - Brian Barr, The Seattle Weekly

          "The only other artist as pure as him is Captain Beefheart." - Bill Bentley

          Stephen John Kalinich was born in Endicott, New York and grew up in Binghamton. In his early teens, he stared writing poems and articles about World Peace. He first came to California around 1964, fell in love with it, and promptly transferred from Harper College in upstate New York to UCLA.

          Kalinich found himself immersed in the vibrant anti-War culture of late 60’s California, often writing songs and poems against the War. He found a musical partner and kindred spirit in Mark Lindsey Buckingham. They cut a demo for a track called "Leaves of Grass," inspired by the famous Walt Whitman poem "Leaves Of Grass", and Kalinich started taking demos around.

          In the mid 60s, it was either at Brother Records or while pumping gas that Kalinich first met the Beach Boys. He hit it off with Brian, Carl and Dennis right away. As the first artist signed to the Beach Boys new label Brother Records, Carl Wilson produced a record for him. His first songs that saw release were "Little Bird" and "Be Still," which he wrote with Dennis and were released on the Friends album. His relationship with Dennis would lead to a number of further collaborations and Kalinich / Dennis Wilson co-writes, including: 20/20 - "All I Want To Do," Hawthorne, CA - "A Time to Live in Dreams", Pacific Ocean Blue - "Rainbows," and Bambu - "Love Remember Me.”
          A World of Peace Must Come was recorded at various LA studios and Brian's house in Bel-Air in 1969. The tapes were promptly lost, not to be heard again until our discovery of them in 2008. Following the CD-only reissue in that year, this is the first time this timeless snapshot of an era and an ethos will be available on vinyl for Record Store Day 2014.


          The Cult

          Electric Peace

            In 1985 The Cult enjoyed breakthrough success with the single ‘She Sells Sanctuary’ and the album ‘Love’, establishing themselves as a new breed of alternative rock band.

            When it came to recording a follow-up, the band booked into The Manor studios in Oxfordshire with Steve Brown again producing the album. By the end of October 1986 the album was recorded, the masters assembled and it was given the title ‘Peace’. However, the band weren’t happy with the final results which seemed too polished. Appreciating the rawness of Run-D.M.C.’s ‘Walk This Way’, the band contacted producer Rick Rubin to re-mix the lead track, ‘Love Removal Machine’. Rubin agreed to work with the band but only on condition that the track was entirely re-recorded. The result was a sparse, dry, riffing version that captured the sonic excitement the band were looking for. Enthused by the results, the decision was made to abandon the expensive ‘Peace’ recordings and re-record the entire album in New York with Rick Rubin. The new tracks would become The Cult’s third album, re-titled ‘Electric’, and a multi-million seller.

            Tracks from ‘Peace’ were used as single B-sides and some of the alternative versions were issued on an early CD - ‘The Manor Sessions’ - but it wasn’t until the limited ‘Rare Cult’ box set in 2000 that fans got to hear the full album correctly sequenced. The box rapidly sold out meaning that ‘Peace’ has been unavailable for 13 years. Until now.

            Foxygen

            We Are The 21st Century Ambassadors Of Peace & Magic

              In May 2011, Foxygen’s Sam France and Jonathan Rado nervously handed off a CD-R of their homemade miniopus ‘Take The Kids Off Broadway’ to producer and visionary Richard Swift after his performance in a Lower East Side club. The duo, who had just mixed and burned the disc that very night, had been devotees of Swift’s outsiderpop oeuvre since high school, when they first began recording their own pubescent forays into oddball rock ‘n’ roll (at least a dozen records were finished before they graduated high school). Foxygen left the venue that night unsure whether Swift would truly listen or sling the disc into a dumpster on his way out. In fact, Swift flipped for Foxygen’s bugged out, esoteric majesty and called upon them immediately to say as much.

              Eight months later, Foxygen was holed up for a week-long recording session at Swift’s neo-legendary National Freedom studio, creating what has become ‘We Are The 21st Century Ambassadors Of Peace & Magic’, a precocious and cocksure joyride across California psychedelia with a burning, bursting punk rock engine.

              The songs were written in an inspired fury just after ‘Take The Kids…’ was complete, pouring from their hands and mouths. Foxygen believe that each song was a message of peace delivered from cosmic beings who used France and Rado as their messenger vessels.

              Bubbling beneath their supreme melodic instincts, there’s a wild, nervy energy and a raw musicianship that makes Foxygen incapable of doing anything exactly straight. They somehow pack a host of musical left turns, lyrical non sequiturs and decades-spanning bridges into industry preferred 3 - 4 minute gems that are at both reinvention and memorial.

              The Edgar Jones Free Peace Thing

              Stormy Weather

                Incendiary debut album from Liverpudlian music legend Edgar Jones' new band Free Peace.

                Earlier this year NME dedicated a whole page to Edgar 'Jones' Jones and his classic album from 2005, 'Soothing Music for Stray Cats (Viper).

                Free Peace's line-up is completed with Nick Miniski on drums + Stuart Gimblett on Guitar. Their sound is loud and heavy with a touch of soul.
                Since touring with Oasis, they have been working on their album making sure it is just right. Edgar in his time has worked with the best - Paul Weller, Johnny Marr and Lee Mavers amongst others.

                Shake it loose!


                An active four-piece for a little more than a year now, Religious Knives have presided over a pair of twelve-inches, a couple of collections of out of print singles and long gone burns, and one full-length. All throughout, these four have traced a path away from the clamour they once knew, bathing slight guitars, interlocking vocals, and solemn basslines in reedy organs and recalcitrant modular synths. The seemingly tin eared would call it noise, but in these eight hands such a set plays as anything but, instead a (cough) syrupy stroll in search of the ghosts of rock's classicist past. With "The Door", Religious Knives have not only found those bygone days, but broken them apart. There are bookmarks to be found here, pages creased in well-worn chapters. These six songs are brighter, sharper than anything that has come before, locking in tight on jugular rhythms. It's the score for disappearing neighbourhoods and crumbling buildings, a hope of holding onto the past as those around us move fast to forget it. It is scent as sound, the stench of smog and sickly smoke spiralling towards the sky. It is Brooklyn, July of 2008. The sun has left us in the East, disappearing somewhere behind Jersey, leaving our borough to find the pulse of another night deep with the city's streets.


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