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THE OWL

John Devecchis AKA The Owl takes flight once again here on his self titled label's 10th outing. Once again it is a head turning mix of disco and funk that carries on where his superb Concrete Funk album from 2021 left off. These are beefy cuts with authentic grooves, starting with the loose limbed playfulness of 'Shake It'. There is a more heavy, purposeful chug to 'Follow Me' which comes alive with lush strings and perfect soul vocals. 'Always Be There' leans into a house groove with noodling guitar riffs a la Chic and 'The Way' is a nice leggy and elastic pumper with expressive diva wails. Super stuff.

TRACK LISTING

Shake It
Follow Me
Always Be There
The Way

The Owl Service

His Pride. No Spear. No Friend.

    'His Pride. No Spear. No Friend.' is the third full-length album from Essex-based alternative folk collective The Owl Service, their first new material since 2010's acclaimed 'The View From a Hill'.

    This record sees the band treading new ground, eschewing both their psych-folk beginnings and the more polished, classic folk-rock sound of 'The View From a Hill' to serve up an album of songs mostly from the British folk tradition but without folk instrumentation, and little in the way of folk sensibilities. Instead the band strived to create a different kind of modern folk album, placing these familiar songs in unfamiliar settings. Whereas previous albums unashamedly wore their influences on their sleeves (literally), giving significant nods to the likes of Fairport Convention, Martin Carthy, Anne Briggs, Shirley Collins and Trees, this time the starting point was the '90s US post-hardcore and early post-rock bands whose sounds the Owls were immersed in whilst arranging these songs. The end product is a unique reimagining of 21st century folk music, a world away from any of their contemporaries.

    Downer pop songsmith Oliver Wilde has unveiled details of his highly anticipated second LP, Red Tide Opal in the Loose End Womb, due for release on May 5th through Bristol’s most forward thinking DIY label Howling Owl Records.

    An organic progression from Oliver Wilde’s debut album A Brief Introduction to Unnatural Lightyears, which as well as gaining critical acclaim from The Guardian, Loud & Quiet, Drowned in Sound, and DIY et al, also helped him build a passionate following through smaller yet well respected champions of independent music; Red Tide Opal In the Loose End Womb finds the prodigal artist expanding musically his sonic experimentation and lyrically the surreal yet intimate imagery that has so enraptured listeners.

    From ‘Stomach Full of Cats’ infectious synth swirls, ‘Smiler’s foreboding, pulsing electronics through to the record’s soaring crescendo ‘Vessel’ – written during Wilde’s time spent in hospital recovering from heart failure – Red Tide Opal In the Loose End Womb is an album that rewards listeners with subtle gems, buried within.

    Describing the process behind the album, Wilde states “Lyrically, A Brief Introduction to Unnatural Lightyears felt like a series of introspective, often personal confessions whereas Red Tide Opal In the Loose End Womb explores relationships occurring between those close to me and abstract concepts through dreamlike prose. Though, at the heart, Red Tide Opal In the Loose End Womb is still a bedroom recording, musically the overall palette overflows into a wider variety of textures. Also, as a natural progression through developing the live show and entrusting a group of musicians that started out as a ‘backing band’, they then became more involved and enabled me to filter their ideas into my world. Therefore, changing the overall textures and features in some of the recordings. As we become more of a family, I hope we will explore our ideas more collectively in the future.”

    TRACK LISTING

    1. On This Morning
    2. Stomach Full Of Cats
    3. St Elmo's Fire
    4. Say Yes To Ewans
    5. Plume
    6. Smiler
    7. Play & Be Saved
    8. Pull
    9. Rest Less
    10. Balance Out
    11. Night In Time Lapse
    12. Vessel


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